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Roger Albertsen

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Roger Albertsen

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1girl, solo, full body, floating, hologram, genderless, androgynous, hooded robe, hood down, absolute dark void inside hood, glowing horizontal visor, cyan light projection body, data-visor, holding tablet, tablet held flat at chest, semi-transparent tablet, wireframe diagram on screen, circular charts, technical graphs, matrix code, scanlines, interlaced raster overlay, glitch, vhs tracking errors, glitch bands, chromatic aberration, purple and magenta fringing, signal tearing, pixelated data columns, dissolving into darkness, ink-noir line art, thick black lineart, high contrast, chiaroscuro, pitch-black background, front-facing, looking straight ahead, symmetrical composition, cyberpunk graphic novel illustration, dark, ominous The image is a full-body, dead-front symmetrical view of an androgynous, genderless floating hologram entity suspended on an absolute pitch-black field, its head level and its blank visor aimed straight out at the viewer, nothing else in the frame but the figure and the black. It has no visible body beneath the robe — only a hooded robe built from sharp luminous cyan light projection, its fabric reading as hard-edged planes of glowing cyan rather than cloth, edge-lit so the folds stay crisp and blade-thin against the dark. Inside the hood there is a total dark void, no face, no features, just an absolute black hollow; across the front of that void a single bright horizontal data-visor glows, its light spilling faintly onto the hood's cyan inner rim. In front of its chest, two projected hands — glowing cyan, fingers sharply defined, nails undefined flat light — hold a semi-transparent tech tablet flat, screen facing outward to the camera. Through the tablet's glass the black background and the robe's glow show faintly. On the screen: an emissive wireframe sector diagram, concentric geometric circular charts with precise ticked rings, small technical graphs and axes, and stacked lines of glowing matrix code, all rendered as thin luminous strokes that are visibly stepped and interrupted by the scanlines passing over the glass. The glow of the screen throws a weak cyan underlight onto the underside of the hands and the lower rim of the hood. The robe's hem is the dissolve point: below the waist the fabric stops behaving like cloth and breaks apart into vertical pixelated data columns, each a stack of crisp cyan squares that step down and out of existence, thinning and dimming until they merge into pure black about a third of the way up the frame from the bottom — no floor, no shadow, nothing below. Over the entire canvas runs the transmission damage: a dense interlaced raster overlay and heavy horizontal scanlines banding everything, broken CRT signal tearing that rips the silhouette at the shoulders and hips, and sharp glitch bands slicing through the figure — misregistered horizontal offsets where the image jumps a few pixels sideways. At every torn contour the channels split, purple and magenta chromatic aberration bleeding off the edges of the hands, the visor and the hem's pixels while the core stays cyan. Thick clean black ink-noir line art draws the structural edges over the glow, and the whole image holds a high-contrast chiaroscuro: brilliant cyan and hot white screen content against absolute black, nothing in between but the violet fringing. Ink-noir anime rendering with hard cel edges, flat blacks and no soft gradients, the light source being the entity's own projection and tablet alone; beyond them the darkness is complete. Eerie and monolithic.
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Original Prompt
A heavily glitched digital transmission illustration for a cyberpunk graphic novel, stylized ink-noir anime aesthetic. Full body character design of Handler 9, an enigmatic floating hologram entity with no gender, standing in a direct front-facing pose looking straight ahead. The entire image canvas is covered in an aggressive interlaced raster overlay, heavy horizontal digital scanlines, and broken cathode-ray signal tearing. A hooded robe made of sharp luminous cyan digital light projection with an absolute dark void inside the hood, featuring a single bright horizontal glowing data-visor facing completely forward. The hologram hands are holding a semi-transparent tech tablet flat in front of its chest. The tablet screen displays an emissive wireframe sector diagram, precise geometric circular charts, technical graphs, and lines of glowing matrix code, all heavily distorted by the scanlines. Aggressive vhs tracking errors and sharp glitch bands slice violently through the silhouette, with purple and magenta chromatic aberration bleeding from the transmission errors. The bottom of the robe breaks into pixelated data columns before dissolving into pure black darkness below the waist. Thick clean black ink-noir line art fills structural edges, high-contrast chiaroscuro, isolated on an absolute pitch-black solid background, 9:16 aspect ratio.
Mode
flash
Size
1056 x 1888
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Tsubaki.3 Flash
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AI artwork
ra
1girl, solo, full body, floating, hologram, genderless, androgynous, hooded robe, hood down, absolute dark void inside hood, glowing horizontal visor, cyan light projection body, data-visor, holding tablet, tablet held flat at chest, semi-transparent tablet, wireframe diagram on screen, circular charts, technical graphs, matrix code, scanlines, interlaced raster overlay, glitch, vhs tracking errors, glitch bands, chromatic aberration, purple and magenta fringing, signal tearing, pixelated data columns, dissolving into darkness, ink-noir line art, thick black lineart, high contrast, chiaroscuro, pitch-black background, front-facing, looking straight ahead, symmetrical composition, cyberpunk graphic novel illustration, dark, ominous The image is a full-body, dead-front symmetrical view of an androgynous, genderless floating hologram entity suspended on an absolute pitch-black field, its head level and its blank visor aimed straight out at the viewer, nothing else in the frame but the figure and the black. It has no visible body beneath the robe — only a hooded robe built from sharp luminous cyan light projection, its fabric reading as hard-edged planes of glowing cyan rather than cloth, edge-lit so the folds stay crisp and blade-thin against the dark. Inside the hood there is a total dark void, no face, no features, just an absolute black hollow; across the front of that void a single bright horizontal data-visor glows, its light spilling faintly onto the hood's cyan inner rim. In front of its chest, two projected hands — glowing cyan, fingers sharply defined, nails undefined flat light — hold a semi-transparent tech tablet flat, screen facing outward to the camera. Through the tablet's glass the black background and the robe's glow show faintly. On the screen: an emissive wireframe sector diagram, concentric geometric circular charts with precise ticked rings, small technical graphs and axes, and stacked lines of glowing matrix code, all rendered as thin luminous strokes that are visibly stepped and interrupted by the scanlines passing over the glass. The glow of the screen throws a weak cyan underlight onto the underside of the hands and the lower rim of the hood. The robe's hem is the dissolve point: below the waist the fabric stops behaving like cloth and breaks apart into vertical pixelated data columns, each a stack of crisp cyan squares that step down and out of existence, thinning and dimming until they merge into pure black about a third of the way up the frame from the bottom — no floor, no shadow, nothing below. Over the entire canvas runs the transmission damage: a dense interlaced raster overlay and heavy horizontal scanlines banding everything, broken CRT signal tearing that rips the silhouette at the shoulders and hips, and sharp glitch bands slicing through the figure — misregistered horizontal offsets where the image jumps a few pixels sideways. At every torn contour the channels split, purple and magenta chromatic aberration bleeding off the edges of the hands, the visor and the hem's pixels while the core stays cyan. Thick clean black ink-noir line art draws the structural edges over the glow, and the whole image holds a high-contrast chiaroscuro: brilliant cyan and hot white screen content against absolute black, nothing in between but the violet fringing. Ink-noir anime rendering with hard cel edges, flat blacks and no soft gradients, the light source being the entity's own projection and tablet alone; beyond them the darkness is complete. Eerie and monolithic.
Roger Albertsen
#Final Fantasy
AI artwork
ra
1girl, solo, full body, floating, hologram, genderless, androgynous, hooded robe, hood down, absolute dark void inside hood, glowing horizontal visor, cyan light projection body, data-visor, holding tablet, tablet held flat at chest, semi-transparent tablet, wireframe diagram on screen, circular charts, technical graphs, matrix code, scanlines, interlaced raster overlay, glitch, vhs tracking errors, glitch bands, chromatic aberration, purple and magenta fringing, signal tearing, pixelated data columns, dissolving into darkness, ink-noir line art, thick black lineart, high contrast, chiaroscuro, pitch-black background, front-facing, looking straight ahead, symmetrical composition, cyberpunk graphic novel illustration, dark, ominous The image is a full-body, dead-front symmetrical view of an androgynous, genderless floating hologram entity suspended on an absolute pitch-black field, its head level and its blank visor aimed straight out at the viewer, nothing else in the frame but the figure and the black. It has no visible body beneath the robe — only a hooded robe built from sharp luminous cyan light projection, its fabric reading as hard-edged planes of glowing cyan rather than cloth, edge-lit so the folds stay crisp and blade-thin against the dark. Inside the hood there is a total dark void, no face, no features, just an absolute black hollow; across the front of that void a single bright horizontal data-visor glows, its light spilling faintly onto the hood's cyan inner rim. In front of its chest, two projected hands — glowing cyan, fingers sharply defined, nails undefined flat light — hold a semi-transparent tech tablet flat, screen facing outward to the camera. Through the tablet's glass the black background and the robe's glow show faintly. On the screen: an emissive wireframe sector diagram, concentric geometric circular charts with precise ticked rings, small technical graphs and axes, and stacked lines of glowing matrix code, all rendered as thin luminous strokes that are visibly stepped and interrupted by the scanlines passing over the glass. The glow of the screen throws a weak cyan underlight onto the underside of the hands and the lower rim of the hood. The robe's hem is the dissolve point: below the waist the fabric stops behaving like cloth and breaks apart into vertical pixelated data columns, each a stack of crisp cyan squares that step down and out of existence, thinning and dimming until they merge into pure black about a third of the way up the frame from the bottom — no floor, no shadow, nothing below. Over the entire canvas runs the transmission damage: a dense interlaced raster overlay and heavy horizontal scanlines banding everything, broken CRT signal tearing that rips the silhouette at the shoulders and hips, and sharp glitch bands slicing through the figure — misregistered horizontal offsets where the image jumps a few pixels sideways. At every torn contour the channels split, purple and magenta chromatic aberration bleeding off the edges of the hands, the visor and the hem's pixels while the core stays cyan. Thick clean black ink-noir line art draws the structural edges over the glow, and the whole image holds a high-contrast chiaroscuro: brilliant cyan and hot white screen content against absolute black, nothing in between but the violet fringing. Ink-noir anime rendering with hard cel edges, flat blacks and no soft gradients, the light source being the entity's own projection and tablet alone; beyond them the darkness is complete. Eerie and monolithic.
Roger Albertsen
AI artwork
ra
1girl, solo, full body, floating, genderless, hologram, hooded robe, glowing robe, cyan light, luminous, digital projection, hood, empty hood, dark void inside hood, no face, single horizontal glowing visor, glowing data-visor, front view, straight-on, looking at viewer, direct front-facing pose, floating pose, hands holding tablet, tech tablet, holding tablet flat in front of chest, hologram hands, semi-transparent screen, wireframe sector diagram, circular charts, technical graphs, green and white text, matrix code, glowing screen, scanlines, horizontal scanlines, signal tearing, vhs tracking errors, glitch, glitch bands, data static, static dropouts, corrupted transmission, pixelated robe hem, pixelated data columns, dissolving lower body, black darkness below waist, thick black lineart, ink-noir, chiaroscuro, high contrast, cyberpunk, graphic novel, solid black background, pitch-black background, sharp silhouette edges, 9:16, no environment, no extra characters A full-body, straight-on view of a single floating hologram entity, its body squared to the viewer and perfectly front-facing, hovering with no ground beneath it. The robe hangs in heavy vertical folds of sharp, luminous cyan light projection, its edges crisp and blade-straight, and where the hood opens there is nothing but an absolute dark void — no face, no features, an unbroken emptiness that swallows the robe's glow at the rim. Across the void sits one bright horizontal bar of light, the data-visor, perfectly level and aimed at the viewer, the sole warm-cyan point of contact between the figure and the lens. Two glowing hologram hands emerge from the sleeves to hold a tech tablet flat in front of the chest, its screen angled slightly up toward the viewer; the tablet glows with a semi-transparent display of a thin emissive wireframe sector diagram radiating from a center point, precise concentric circular charts, fine technical graph lines, and dense columns of green and white matrix-style code reading as luminous data. The screen's own light spills onto the backs of the hands and the underside of the sleeves, faint and cold. The figure is caught as a partially intercepted broadcast: fine aggressive horizontal scanlines run across every surface, the silhouette is chewed by severe horizontal signal tearing so that wide bands of the body shear a few pixels sideways, VHS tracking errors warp the hem's edge, and intermittent static dropouts punch small dead patches into the sleeve and shoulder. Sharp glitch bands slice through the chest and the hood — narrow hard-edged slices of displaced image that skip like a bad tape. Below the waist the robe breaks apart into jagged, pixelated columns of falling cyan data, which thin out and dissolve into pure flat black, so the figure technically has no legs, only descending light. Structural edges throughout carry thick, clean black ink-noir line, and the contrast is intense chiaroscuro — the cyan glow shoved against absolute darkness with no midtones. The background is a single solid pitch-black field, unbroken and flat, giving the silhouette razor-sharp edges for UI alpha masking. Vertical 9:16 framing. Cold, severe, quietly menacing.
Roger Albertsen
AI artwork
ra
A high-contrast dark comic ink sketch and grimdark Seinen manga illustration of the character from image1, captured as a standalone 2D character portrait sprite in a three-quarter mid-thigh up crop, maintaining the dynamic floating stance from image1. The stylized mysterious portrait depicts Handler 9, the central mainframe hacker contact, as an ominous, completely anonymous faceless entity shrouded inside a tattered, heavy dark cyber-hood and long layered robes, rendered in electric cyan-blue and neon turquoise hues. A single glowing horizontal neon-cyan visor slit shines from the deep pitch-black void inside the hood. The figure is hovering off the ground, holding a floating holographic digital data slate tablet that projects an erratic white and neon-green interface terminal glow directly upward. The entire entity is breaking apart with heavy horizontal digital glitch tears, pixelated slicing artifacts, and analog scanline grid maps cutting aggressively through the silhouette. Thick, crisp variable-width black ink line art outlines define the heavy cloth folds. Matte surfaces feature fine hand-painted white digital static noise, scuffs, and grit. Sharp mainframe matrix-green and neon cyber-cyan rim-lights intensely outline the hooded silhouette from behind, creating a radiating high-tech technological aura. The background is isolated solid pitch-black. The style is changed to a Western cyberpunk graphic novel aesthetic, featuring deep black ink shadows, a sharp chiaroscuro lighting layout, intense dramatic cross-hatching shadow fields, bold color blocking with flat toon cel-shaded gradients combined with aggressive comic book ink layers, and razor-sharp clean edges.
Roger Albertsen

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