Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…
View details
Roger Albertsen
Show Parameters
- Original Prompt
- (Masterpiece high-contrast dark comic ink sketch), (grimdark Seinen manga illustration style), deep black ink shadows, sharp chiaroscuro lighting layout, intense dramatic cross-hatching shadow fields, standalone 2D character portrait sprite, three-quarter mid-thigh up crop, dynamic floating stance, isolated on a solid pitch-black background. A stylized mysterious portrait of Handler 9, the central mainframe hacker contact in electric cyan-blue and neon turquoise hue. The character is an ominous, completely anonymous faceless entity shrouded inside a tattered, heavy dark cyber-hood and long layered robes. A single glowing horizontal neon-cyan visor slit shines from the deep pitch-black void inside the hood. The figure is hovering off the ground, holding a floating holographic digital data slate tablet that projects an erratic white and neon-green interface terminal glow directly upward. The entire entity is breaking apart with heavy horizontal digital glitch tears, pixelated slicing artifacts, and analog scanline grid maps cutting aggressively through the silhouette. Thick, crisp variable-width black ink line art outlines define the heavy cloth folds. Matte surfaces feature fine hand-painted white digital static noise, scuffs, and grit. Sharp mainframe matrix-green and neon cyber-cyan rim-lights intensely outline the hooded silhouette from behind, creating a radiating high-tech technological aura. Western cyberpunk graphic novel aesthetic, bold color blocking with flat toon cel-shaded gradients combined with aggressive comic book ink layers, razor-sharp clean edges. Negative Prompt: (flat cartoon style), webcomic, simple clean vector art, thin uniform lines, uniform lighting, zero shadows, unblemished clothes, pristine face, bright white background, 2D animation frame, flash animation, plain coloring, no crosshatching, 3D render.
- Mode
- flash
- Size
- 1056 x 1888
Prompt Helper
Model & LoRA used
Similar Images
Show more
ra
1girl, solo, full body, floating, genderless, hologram, hooded robe, glowing robe, cyan light, luminous, digital projection, hood, empty hood, dark void inside hood, no face, single horizontal glowing visor, glowing data-visor, front view, straight-on, looking at viewer, direct front-facing pose, floating pose, hands holding tablet, tech tablet, holding tablet flat in front of chest, hologram hands, semi-transparent screen, wireframe sector diagram, circular charts, technical graphs, green and white text, matrix code, glowing screen, scanlines, horizontal scanlines, signal tearing, vhs tracking errors, glitch, glitch bands, data static, static dropouts, corrupted transmission, pixelated robe hem, pixelated data columns, dissolving lower body, black darkness below waist, thick black lineart, ink-noir, chiaroscuro, high contrast, cyberpunk, graphic novel, solid black background, pitch-black background, sharp silhouette edges, 9:16, no environment, no extra characters
A full-body, straight-on view of a single floating hologram entity, its body squared to the viewer and perfectly front-facing, hovering with no ground beneath it. The robe hangs in heavy vertical folds of sharp, luminous cyan light projection, its edges crisp and blade-straight, and where the hood opens there is nothing but an absolute dark void — no face, no features, an unbroken emptiness that swallows the robe's glow at the rim. Across the void sits one bright horizontal bar of light, the data-visor, perfectly level and aimed at the viewer, the sole warm-cyan point of contact between the figure and the lens. Two glowing hologram hands emerge from the sleeves to hold a tech tablet flat in front of the chest, its screen angled slightly up toward the viewer; the tablet glows with a semi-transparent display of a thin emissive wireframe sector diagram radiating from a center point, precise concentric circular charts, fine technical graph lines, and dense columns of green and white matrix-style code reading as luminous data. The screen's own light spills onto the backs of the hands and the underside of the sleeves, faint and cold.
The figure is caught as a partially intercepted broadcast: fine aggressive horizontal scanlines run across every surface, the silhouette is chewed by severe horizontal signal tearing so that wide bands of the body shear a few pixels sideways, VHS tracking errors warp the hem's edge, and intermittent static dropouts punch small dead patches into the sleeve and shoulder. Sharp glitch bands slice through the chest and the hood — narrow hard-edged slices of displaced image that skip like a bad tape. Below the waist the robe breaks apart into jagged, pixelated columns of falling cyan data, which thin out and dissolve into pure flat black, so the figure technically has no legs, only descending light.
Structural edges throughout carry thick, clean black ink-noir line, and the contrast is intense chiaroscuro — the cyan glow shoved against absolute darkness with no midtones. The background is a single solid pitch-black field, unbroken and flat, giving the silhouette razor-sharp edges for UI alpha masking. Vertical 9:16 framing. Cold, severe, quietly menacing.
Roger Albertsen
ra
1girl, solo, full body, floating, hologram, genderless, androgynous, hooded robe, hood down, absolute dark void inside hood, glowing horizontal visor, cyan light projection body, data-visor, holding tablet, tablet held flat at chest, semi-transparent tablet, wireframe diagram on screen, circular charts, technical graphs, matrix code, scanlines, interlaced raster overlay, glitch, vhs tracking errors, glitch bands, chromatic aberration, purple and magenta fringing, signal tearing, pixelated data columns, dissolving into darkness, ink-noir line art, thick black lineart, high contrast, chiaroscuro, pitch-black background, front-facing, looking straight ahead, symmetrical composition, cyberpunk graphic novel illustration, dark, ominous
The image is a full-body, dead-front symmetrical view of an androgynous, genderless floating hologram entity suspended on an absolute pitch-black field, its head level and its blank visor aimed straight out at the viewer, nothing else in the frame but the figure and the black. It has no visible body beneath the robe — only a hooded robe built from sharp luminous cyan light projection, its fabric reading as hard-edged planes of glowing cyan rather than cloth, edge-lit so the folds stay crisp and blade-thin against the dark. Inside the hood there is a total dark void, no face, no features, just an absolute black hollow; across the front of that void a single bright horizontal data-visor glows, its light spilling faintly onto the hood's cyan inner rim.
In front of its chest, two projected hands — glowing cyan, fingers sharply defined, nails undefined flat light — hold a semi-transparent tech tablet flat, screen facing outward to the camera. Through the tablet's glass the black background and the robe's glow show faintly. On the screen: an emissive wireframe sector diagram, concentric geometric circular charts with precise ticked rings, small technical graphs and axes, and stacked lines of glowing matrix code, all rendered as thin luminous strokes that are visibly stepped and interrupted by the scanlines passing over the glass. The glow of the screen throws a weak cyan underlight onto the underside of the hands and the lower rim of the hood.
The robe's hem is the dissolve point: below the waist the fabric stops behaving like cloth and breaks apart into vertical pixelated data columns, each a stack of crisp cyan squares that step down and out of existence, thinning and dimming until they merge into pure black about a third of the way up the frame from the bottom — no floor, no shadow, nothing below.
Over the entire canvas runs the transmission damage: a dense interlaced raster overlay and heavy horizontal scanlines banding everything, broken CRT signal tearing that rips the silhouette at the shoulders and hips, and sharp glitch bands slicing through the figure — misregistered horizontal offsets where the image jumps a few pixels sideways. At every torn contour the channels split, purple and magenta chromatic aberration bleeding off the edges of the hands, the visor and the hem's pixels while the core stays cyan. Thick clean black ink-noir line art draws the structural edges over the glow, and the whole image holds a high-contrast chiaroscuro: brilliant cyan and hot white screen content against absolute black, nothing in between but the violet fringing. Ink-noir anime rendering with hard cel edges, flat blacks and no soft gradients, the light source being the entity's own projection and tablet alone; beyond them the darkness is complete.
Eerie and monolithic.
Roger Albertsen
ra
1girl, solo, full body, floating, hologram, genderless, androgynous, hooded robe, hood down, absolute dark void inside hood, glowing horizontal visor, cyan light projection body, data-visor, holding tablet, tablet held flat at chest, semi-transparent tablet, wireframe diagram on screen, circular charts, technical graphs, matrix code, scanlines, interlaced raster overlay, glitch, vhs tracking errors, glitch bands, chromatic aberration, purple and magenta fringing, signal tearing, pixelated data columns, dissolving into darkness, ink-noir line art, thick black lineart, high contrast, chiaroscuro, pitch-black background, front-facing, looking straight ahead, symmetrical composition, cyberpunk graphic novel illustration, dark, ominous
The image is a full-body, dead-front symmetrical view of an androgynous, genderless floating hologram entity suspended on an absolute pitch-black field, its head level and its blank visor aimed straight out at the viewer, nothing else in the frame but the figure and the black. It has no visible body beneath the robe — only a hooded robe built from sharp luminous cyan light projection, its fabric reading as hard-edged planes of glowing cyan rather than cloth, edge-lit so the folds stay crisp and blade-thin against the dark. Inside the hood there is a total dark void, no face, no features, just an absolute black hollow; across the front of that void a single bright horizontal data-visor glows, its light spilling faintly onto the hood's cyan inner rim.
In front of its chest, two projected hands — glowing cyan, fingers sharply defined, nails undefined flat light — hold a semi-transparent tech tablet flat, screen facing outward to the camera. Through the tablet's glass the black background and the robe's glow show faintly. On the screen: an emissive wireframe sector diagram, concentric geometric circular charts with precise ticked rings, small technical graphs and axes, and stacked lines of glowing matrix code, all rendered as thin luminous strokes that are visibly stepped and interrupted by the scanlines passing over the glass. The glow of the screen throws a weak cyan underlight onto the underside of the hands and the lower rim of the hood.
The robe's hem is the dissolve point: below the waist the fabric stops behaving like cloth and breaks apart into vertical pixelated data columns, each a stack of crisp cyan squares that step down and out of existence, thinning and dimming until they merge into pure black about a third of the way up the frame from the bottom — no floor, no shadow, nothing below.
Over the entire canvas runs the transmission damage: a dense interlaced raster overlay and heavy horizontal scanlines banding everything, broken CRT signal tearing that rips the silhouette at the shoulders and hips, and sharp glitch bands slicing through the figure — misregistered horizontal offsets where the image jumps a few pixels sideways. At every torn contour the channels split, purple and magenta chromatic aberration bleeding off the edges of the hands, the visor and the hem's pixels while the core stays cyan. Thick clean black ink-noir line art draws the structural edges over the glow, and the whole image holds a high-contrast chiaroscuro: brilliant cyan and hot white screen content against absolute black, nothing in between but the violet fringing. Ink-noir anime rendering with hard cel edges, flat blacks and no soft gradients, the light source being the entity's own projection and tablet alone; beyond them the darkness is complete.
Eerie and monolithic.
Roger Albertsen
ra
1girl, solo, full body, floating, hologram, genderless, androgynous, hooded robe, hood down, absolute dark void inside hood, glowing horizontal visor, cyan light projection body, data-visor, holding tablet, tablet held flat at chest, semi-transparent tablet, wireframe diagram on screen, circular charts, technical graphs, matrix code, scanlines, interlaced raster overlay, glitch, vhs tracking errors, glitch bands, chromatic aberration, purple and magenta fringing, signal tearing, pixelated data columns, dissolving into darkness, ink-noir line art, thick black lineart, high contrast, chiaroscuro, pitch-black background, front-facing, looking straight ahead, symmetrical composition, cyberpunk graphic novel illustration, dark, ominous
The image is a full-body, dead-front symmetrical view of an androgynous, genderless floating hologram entity suspended on an absolute pitch-black field, its head level and its blank visor aimed straight out at the viewer, nothing else in the frame but the figure and the black. It has no visible body beneath the robe — only a hooded robe built from sharp luminous cyan light projection, its fabric reading as hard-edged planes of glowing cyan rather than cloth, edge-lit so the folds stay crisp and blade-thin against the dark. Inside the hood there is a total dark void, no face, no features, just an absolute black hollow; across the front of that void a single bright horizontal data-visor glows, its light spilling faintly onto the hood's cyan inner rim.
In front of its chest, two projected hands — glowing cyan, fingers sharply defined, nails undefined flat light — hold a semi-transparent tech tablet flat, screen facing outward to the camera. Through the tablet's glass the black background and the robe's glow show faintly. On the screen: an emissive wireframe sector diagram, concentric geometric circular charts with precise ticked rings, small technical graphs and axes, and stacked lines of glowing matrix code, all rendered as thin luminous strokes that are visibly stepped and interrupted by the scanlines passing over the glass. The glow of the screen throws a weak cyan underlight onto the underside of the hands and the lower rim of the hood.
The robe's hem is the dissolve point: below the waist the fabric stops behaving like cloth and breaks apart into vertical pixelated data columns, each a stack of crisp cyan squares that step down and out of existence, thinning and dimming until they merge into pure black about a third of the way up the frame from the bottom — no floor, no shadow, nothing below.
Over the entire canvas runs the transmission damage: a dense interlaced raster overlay and heavy horizontal scanlines banding everything, broken CRT signal tearing that rips the silhouette at the shoulders and hips, and sharp glitch bands slicing through the figure — misregistered horizontal offsets where the image jumps a few pixels sideways. At every torn contour the channels split, purple and magenta chromatic aberration bleeding off the edges of the hands, the visor and the hem's pixels while the core stays cyan. Thick clean black ink-noir line art draws the structural edges over the glow, and the whole image holds a high-contrast chiaroscuro: brilliant cyan and hot white screen content against absolute black, nothing in between but the violet fringing. Ink-noir anime rendering with hard cel edges, flat blacks and no soft gradients, the light source being the entity's own projection and tablet alone; beyond them the darkness is complete.
Eerie and monolithic.
Roger Albertsen
Explore more
Recommended Users
You might like
🖤🍴🩸
(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
2
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
32
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
Comments