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- Original Prompt
- 1girl, shu mohe, masterpiece, ultra detailed, looking at viewer, long hair, traditional chinese clothing, serene expression, elegant, lying, soft lighting, intricate details, beautiful face, calm atmosphere, gentle hand_between_legs, high heels, crossed legs, wind_lift,moonlight,looking_at_viewer,close-up shoos, floating hair,windy,zoom layer,full body, ,EvaR, Brown hair, big breasts, ,Shinobu Kojima小嶋しのぶ, black hair,
- Mode
- standard
- Size
- 1536 x 864
Model & LoRA used
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Ethereal Hanfu Beauty
loveyousoul
c2
character: sparkle_(honkai:_star_rail), copyright: honkai:_star_rail
1girl, solo, cowboy shot, upper body, sitting on floor, posing for photoshoot, holding round paper fan, tuanshan, open oil-paper umbrella on floor behind her back, grey seamless background, balanced daylight studio lighting, gentle shadows, depth of field, 85mm lens, f/1.8, photorealistic, hyperrealism, ultra-high-detail, sharp focus, petite, small body, small face, red lips, very smooth glossy pale skin, breasts, fine hair, long hair, twintails, shuangyaji, blunt bangs, hair intakes, hairclip, hair ornament, multicolored gradient hair, brown hair to black hair, pink eyes, chinese clothes, hanfu beizi, qixiong ruqun, long dress, two-tone gradient dress, robe, sheer see-through wide long sleeves, red criss-cross strings, neck bell, tassel, black single glove, looking at viewer, slight head tilt, one knee up, soft smile,
A vertical cowboy shot from a level camera at chest height, framed from just above the head to mid-thigh, shot on an 85mm lens wide open at f/1.8 so the seamless grey sweep behind her falls into a smooth, even blur while her face, her hands and the fan stay tack-sharp. She sits on the studio floor with her weight settled onto her left hip, right leg folded with the knee lifted and the skirt pooling in a soft ring around her, left arm braced lightly against the floor beside her hip, torso angled a quarter turn from square-on so her shoulder nearest the lens comes forward. Her right hand grips the bamboo handle of the round silk tuanshan, holding the disc upright beside her cheek at chin height, its silk surface tilted just enough to catch the key light, and her chin dips a touch toward that shoulder while her pink eyes look straight down the lens with a faint closed-lip smile parting over the red lips. Long hair splits into two twintails, brown at the crown shading into black through the lengths, blunt bangs cut straight across the brow with the hair intakes falling cleanly along both cheeks; small looped buns sit high at either side of the head, pinned with a hairclip and a dangling ornament whose tassel hangs past her jaw. The hanfu beizi robe sits over the qixiong ruqun, its high waist bound under the chest with red criss-cross strings pulled taut, the long dress thinning from a pale upper tone into a deep dark hem, and the wide sleeves are sheer enough to show the arm inside them as a paler shape behind the gauze. The black single glove covers her right hand where it closes on the fan handle; her left hand, bare, rests fingertip-down on the floor. A small bell hangs at her throat on a cord, its tassel resting against the collarbone. Behind her back, laid flat on the floor and opened, the oil-paper umbrella spreads its painted canopy across the lower background, its rim rising just past her far shoulder so the ribs curve away in the blur. The daylight is a large soft source from the upper left front: it lays an even sheen along the glossy pale skin of her cheek and shoulder, leaves only gentle, low-contrast shadow under the jaw and beneath the lifted knee, and throws a soft short shadow of the umbrella rim and of her seated body onto the grey floor to her right; nowhere in the frame is there a second light or a hard edge. Grey, warm skin tones and the two-tone dress carry the palette, with the red lips and red criss-cross strings as the only saturated accents. A single detail to fix the physics: the sheer sleeve over her braced left forearm darkens where the fabric doubles against itself at the elbow, while the gauze away from the fold stays nearly transparent. Calm, polished, quietly poised.
cylic2025
The Elegant Beauty in Traditional Hanfu
Ілона Андрухів
c
character: kisaki_(blue_archive), copyright: blue_archive
photorealistic, 1girl, solo, east asian chinese girl, cowboy shot, sitting, crossed legs, holding tuanshan, round silk hand fan held at chest, parted lips, light smile, black hair, long hair, fine hair, double braided hair bun, twintails, shuangyaji, hair ornament, butterfly hair ornament, grey eyes, round eyes, eyeliner, red lips, ((small face, pretty thin face)), very smooth glossy pale skin, very large breasts, chinese clothes, hanfu beizi, qixiong ruqun, black and blue two-tone gradient dress, floral stem print, black see-through wide long sleeves, fine fabric emphasis, yupei jade pendant tassel on clothes, necklace, jewelry, pendant, grey seamless background, balanced daylight studio, gentle shadows, 85mm lens, f/1.8, depth of field, DSLR, sharp and clear photo, realistic physical, realistic hair, plain unadorned space above her hair, no halo, looking at viewer, head tilt,
A photorealistic studio photograph at cowboy shot framing — cropped from mid-thigh to just above the crown of her head — taken from a straight-on, very slightly raised camera so the lens sits at her collarbone height and looks gently down across her lap. She sits on an unseen low stool whose top is entirely hidden behind her thighs, knees folded one over the other with her left leg crossed high across the right, the right calf hanging free and her toes out of frame; her weight settles onto her right hip, which pushes that shoulder a touch lower than the left. Her torso is turned about twenty degrees to her left while her head comes back toward the lens, chin tipped a fraction down, giving a slight over-the-shoulder read without ever turning her back. Both hands come together low in front of her chest: her right hand grips the short lacquered handle of a completely round silk tuanshan, the pale silk disc tilted so its upper edge rests just under her parted lower lip, hiding nothing of her mouth; her left fingertips lie flat along the disc's rim, thumb cradling the lacquer. The fan's silk is sheer enough that the faint dark blur of her collar shows through it.
Above her, the grey seamless studio sweep is completely empty: a plain unadorned span of flat grey from her hairline to the top edge of the frame, with no ring, disc, glow, or object of any kind hovering over her head. The same seamless grey continues behind her shoulders and down past the cowboy-shot crop, unbroken and without a horizon line.
Her hair is fine-stranded and glossy black, center-parted and drawn into two long twin tails that fall forward over both shoulders to her waist, each bound at the root and again mid-length with braided cord, and above each temple a braided bun coils tight against the scalp; a butterfly-shaped hair ornament of blue enamel and silver wire sits at the right bun, its wings angled back. Her face is small and narrow with a fine tapering jaw, framed closely by the parted fall of her hair; her eyes are round and open, grey irises catching two small square studio highlights, upper lash line drawn in a soft dark eyeliner flick, the lower lids slightly crinkled by a light closed-then-parting smile that lifts the outer corners of her red-lacquered lips and shows a sliver of teeth. She looks directly into the lens.
She wears a qixiong ruqun: a black-to-deep-blue ruqun skirt whose waistband is bound high, just under the bust, and whose fabric grades downward from matte black at the waist into a deep blue at the hem, scattered with a fine printed stem-and-leaf floral pattern in pale grey-blue. Over it a black beizi jacket with wide, hanging sleeves of sheer black gauze — the weave's grid visible where the cloth falls open at her forearms, the solid black cuff and the pale inner silk showing through the transparency, the wide sleeve mouths pooling softly against her crossed thigh. At her throat a fine chain carries a small jade pendant, and from the high waistband a yupei jade disc hangs on a blue knotted cord with a long silk tassel that drapes across the black skirt and lies over her crossed knee, its strands slightly splayed where they rest.
The lighting is balanced daylight from a large soft source high and to the front-left, wrapping her face evenly and leaving only a gentle shadow gradient down the right side of her throat, under the fan's rim, and beneath the crossing thigh; a soft short shadow of her own body falls on the grey sweep behind her right hip. The 85mm at f/1.8 holds her lashes, lips, the jade disc and the gauze weave tack-sharp while the grey sweep melts into a smooth even field a metre behind her. Her skin keeps a smooth glossy sheen with a narrow specular line along the cheekbone and the bridge of her nose. Composed, quietly poised.
Celly
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