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cylic2025
Show Parameters
- Original Prompt
- cowboy shot, upper body, grey seamless background, balanced daylight studio, gentle shadows, shot on 85mm lens, f/1.8, ultra-high-fidelity, ultra-high-detailed, ultra-high-resolution, depth of field, DSLR, sharp and clear photo, photorealistic:3, realistic:3, hyperrealism:3, realistic physical, realistic hair. 1girl, solo, (east asian chinese girl), petite, small body, small face, red lips, very smooth-glossy-pale skin:3, breasts, fine hair, sitting on floor, posing for photoshoot, holding round paper fan, tuanshan, oil-paper umbrella, open umbrella on floor and behind character back, sparkle (honkai: star rail), twintails, long hair, blunt bangs, hair intakes, hairclip, brown hair, black hair, pink eyes, multicolored hair, hair ornament, gradient hair, official hairstyle, chinese clothes, shuangyaji, hanfu beizi (clothing), qixiong ruqun, long dress, see-throught wide long sleeves, two-tone dress, gradient dress, neck bell, tassel, robe, red criss-cross strings, black single glove.
- Mode
- pro
- Style Code
- TY717201
- Quality Tag
- ﹝Prompts﹞
- Size
- 912 x 1632
- Sampling Method
- Euler
- Negative
- (worst quality, low quality:1.2), score_1, score_2, score_3, bad anatomy, bad composition, bad hands, jpeg artifacts, watermark, artist name, censor, fused fingers, missing fingers, mutated hands, blurry, hands bad, face bad, (normal quality:1.3), bad hands, mutated hands and fingers, extra legs, extra arms, explicit, bad looking face, ugly face, (anime style:1.3, anime face, anime eyes:1.2), blush, steam, heavy breathing, glossy, negative space, empty space, sparse details, bad fabric emphasis, female pubic hair,
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c2
character: sparkle_(honkai:_star_rail), copyright: honkai:_star_rail
cowboy shot, upper body, 1girl, solo, sitting on floor, posing for photoshoot, holding round paper fan, tuanshan, open oil-paper umbrella on floor behind her back, east asian chinese girl, petite, small body, small face, red lips, very smooth glossy pale skin, glossy skin, breasts, fine hair, twintails, long hair, blunt bangs, hair intakes, hairclip, hair ornament, multicolored hair, gradient hair, brown hair, black hair, pink eyes, chinese clothes, shuangyaji, hanfu beizi, qixiong ruqun, long dress, see-through wide long sleeves, two-tone dress, gradient dress, robe, neck bell, tassel, black single glove, single glove, fine fabric emphasis, grey seamless background, studio lighting, balanced daylight, gentle shadows, depth of field, shallow depth of field, 85mm lens, sharp focus, photorealistic, realistic, hyperrealism, realistic hair, looking at viewer, head tilt, one knee up, crossed legs, leaning forward,
A studio portrait shot at eye level but tipped slightly down from above, framed as a cowboy shot from mid-thigh up, the girl seated alone on the matte grey sweep so the seamless ground curves up behind her without a visible seam. She sits with her weight sunk into her right hip, left knee drawn up and the left forearm rested across it, right leg folded under; her torso leans a little forward toward the lens with the shoulders relaxed and one shoulder dropped lower than the other, so the sit reads as a caught moment of a photoshoot rather than a symmetrical rest.
Her small face tilts slightly to her left, chin angled down, pink eyes looking straight at the viewer with a faint closed-lip upturn so the red-painted lips stay the focal colour; the pale glossy skin catches a soft sheen along the cheekbone and the bridge of the nose. Hair is gathered into tall twintails of the shuangyaji style, the loops coiled high on either side of the head with blunt fringe cut straight across the brow and the hair intakes tapering in wedges toward the temples; the long strands run from brown at the crown through black to warm brown at the tips, gradient and multicolored down their length, with a hairclip and a small hair ornament pinned at the base of the left tail. Loose fine hairs lift away from the twintails in still air.
She wears a two-tone hanfu ensemble: a fitted qixiong ruqun bodice rising high on the chest, the long dress falling in a colour gradient from a deeper tone at the shoulders to a paler tone toward the hem, worn beneath a beizi robe whose wide sleeves are see-through and hang long past the wrists; the fine fabric emphasis shows thin weave, a faint grid texture and a glossy sheen following the folds of the sheer cloth, with the skirt and sleeve edges clustered around her on the floor. A neck bell hangs at the hollow of her throat with a tassel swinging just below it. Only one hand is gloved — the black single glove covers her right hand.
Her gloved right hand grips the short handle of the round tuanshan, the fully round silk fan held upright beside her cheek and slightly forward of her shoulder at about chin height. The fan's pale silk is sheer enough that the grey of the background shows faintly through it, with a delicate floral motif painted on its face, the circular rim lying nearly flat to the camera so the disc reads as a clean circle. Her bare left hand curls loosely over the raised left knee, fingers draping down the front of the shin and the fabric stretching softly at the knuckles.
Behind her back, an oil-paper umbrella lies open on the floor, propped at a shallow angle against the curve of the sweep, its ribs splaying the translucent paper canopy wide; the paper is warm amber and pale bamboo-coloured, and the daylight glows through it, brightening the thin paper where it is stretched taut between the ribs and dimming where the ribs and shadow-lines cross — the umbrella is a soft luminous screen behind her right shoulder and catches a faint halo of light along its rim. It is fully behind her, not overlapping her face.
The lighting is balanced daylight from a large soft source high and to the front-left, gentle and wrapping, dropping only soft shadows: a light shadow beneath the chin, a mild core shadow along the right side of her face and neck, and a small soft contact shadow where her hip, knee and skirt meet the floor and under the umbrella's rim. The grey background sits slightly darker toward the corners while her figure remains in the clean pool of light. At 85mm and f/1.8, her face, the fan and the bodice front are tack-sharp with visible skin texture and individual hairs, while the open umbrella behind her and the rear edge of the sweep fall into gentle, creamy defocus; the fan's near rim stays crisp and its far edge just begins to soften. Palette limited to warm skin, red lips, pink eyes, brown-to-black gradient hair and the amber oil-paper against a neutral grey field. Composed, quiet confidence.
cylic2020
c
character: kisaki_(blue_archive), copyright: blue_archive
photorealistic, 1girl, solo, east asian chinese girl, cowboy shot, sitting, crossed legs, holding tuanshan, round silk hand fan held at chest, parted lips, light smile, black hair, long hair, fine hair, double braided hair bun, twintails, shuangyaji, hair ornament, butterfly hair ornament, grey eyes, round eyes, eyeliner, red lips, ((small face, pretty thin face)), very smooth glossy pale skin, very large breasts, chinese clothes, hanfu beizi, qixiong ruqun, black and blue two-tone gradient dress, floral stem print, black see-through wide long sleeves, fine fabric emphasis, yupei jade pendant tassel on clothes, necklace, jewelry, pendant, grey seamless background, balanced daylight studio, gentle shadows, 85mm lens, f/1.8, depth of field, DSLR, sharp and clear photo, realistic physical, realistic hair, plain unadorned space above her hair, no halo, looking at viewer, head tilt,
A photorealistic studio photograph at cowboy shot framing — cropped from mid-thigh to just above the crown of her head — taken from a straight-on, very slightly raised camera so the lens sits at her collarbone height and looks gently down across her lap. She sits on an unseen low stool whose top is entirely hidden behind her thighs, knees folded one over the other with her left leg crossed high across the right, the right calf hanging free and her toes out of frame; her weight settles onto her right hip, which pushes that shoulder a touch lower than the left. Her torso is turned about twenty degrees to her left while her head comes back toward the lens, chin tipped a fraction down, giving a slight over-the-shoulder read without ever turning her back. Both hands come together low in front of her chest: her right hand grips the short lacquered handle of a completely round silk tuanshan, the pale silk disc tilted so its upper edge rests just under her parted lower lip, hiding nothing of her mouth; her left fingertips lie flat along the disc's rim, thumb cradling the lacquer. The fan's silk is sheer enough that the faint dark blur of her collar shows through it.
Above her, the grey seamless studio sweep is completely empty: a plain unadorned span of flat grey from her hairline to the top edge of the frame, with no ring, disc, glow, or object of any kind hovering over her head. The same seamless grey continues behind her shoulders and down past the cowboy-shot crop, unbroken and without a horizon line.
Her hair is fine-stranded and glossy black, center-parted and drawn into two long twin tails that fall forward over both shoulders to her waist, each bound at the root and again mid-length with braided cord, and above each temple a braided bun coils tight against the scalp; a butterfly-shaped hair ornament of blue enamel and silver wire sits at the right bun, its wings angled back. Her face is small and narrow with a fine tapering jaw, framed closely by the parted fall of her hair; her eyes are round and open, grey irises catching two small square studio highlights, upper lash line drawn in a soft dark eyeliner flick, the lower lids slightly crinkled by a light closed-then-parting smile that lifts the outer corners of her red-lacquered lips and shows a sliver of teeth. She looks directly into the lens.
She wears a qixiong ruqun: a black-to-deep-blue ruqun skirt whose waistband is bound high, just under the bust, and whose fabric grades downward from matte black at the waist into a deep blue at the hem, scattered with a fine printed stem-and-leaf floral pattern in pale grey-blue. Over it a black beizi jacket with wide, hanging sleeves of sheer black gauze — the weave's grid visible where the cloth falls open at her forearms, the solid black cuff and the pale inner silk showing through the transparency, the wide sleeve mouths pooling softly against her crossed thigh. At her throat a fine chain carries a small jade pendant, and from the high waistband a yupei jade disc hangs on a blue knotted cord with a long silk tassel that drapes across the black skirt and lies over her crossed knee, its strands slightly splayed where they rest.
The lighting is balanced daylight from a large soft source high and to the front-left, wrapping her face evenly and leaving only a gentle shadow gradient down the right side of her throat, under the fan's rim, and beneath the crossing thigh; a soft short shadow of her own body falls on the grey sweep behind her right hip. The 85mm at f/1.8 holds her lashes, lips, the jade disc and the gauze weave tack-sharp while the grey sweep melts into a smooth even field a metre behind her. Her skin keeps a smooth glossy sheen with a narrow specular line along the cheekbone and the bridge of her nose. Composed, quietly poised.
Celly
c2
character: sparkle_(honkai:_star_rail), copyright: honkai:_star_rail
1girl, solo, adult young woman, east asian chinese, petite, small body, pretty small face, breasts, very smooth glossy pale skin, realistic skin texture, red lips, long hair, brown hair, black hair, gradient hair, multicolored hair, twintails, blunt bangs, hair intakes, hairclip, red robe hair ornament, fox mask worn on head, pink eyes, fine hair, realistic hair, chinese clothes, hanfu beizi, qixiong ruqun, red brown dress, two-tone dress, gradient dress, robe, see-through wide long sleeves, red criss-cross strings at the bodice, choker neck bell, tassel, black single glove on one hand, bare other hand, sitting on floor, posing for photoshoot, holding open umbrella overhead, light smile, grin, teeth, parted lips, looking at viewer, head tilted, cowboy shot, grey seamless background, balanced daylight studio lighting, gentle shadows, depth of field, full-body studio photo, 85mm lens, f/1.8, photorealistic, realistic, hyperrealism, DSLR, sharp and clear photo, ultra-high-detail
Cowboy shot from slightly above eye level, camera about a metre and a half out on an 85mm lens at f/1.8: an adult East Asian woman of petite, small-bodied build sits on the seamless studio floor, cropped at mid-thigh. Her weight is settled on her right hip, left knee drawn up and both legs folded to one side, torso leaning back a few degrees with her left shoulder dropped; her left hand rests flat on the floor behind her hip, fingers spread as a support, while her right hand — the one in the black single glove — grips the umbrella's black shaft just above the runner, the open canopy tilted back over her right shoulder so its rim clears her twintails. Above her, the open umbrella's grey-brown fabric catches the top light and blooms slightly brighter than the moon-grey seamless behind it, its underside held in a soft, cooler shade.
Her head tilts toward her raised shoulder; chin down, eyes up to the lens, one brow lifted higher than the other, lips parted in a grin that shows her teeth, the lower lip catching a small highlight. Her long twintails spill over both shoulders — brown at the crown with a black underlayer, a pink-to-red gradient at the tips — tied high at the sides, blunt bangs cut straight across her forehead, fine hair intakes feeding back into each tie, a hairclip pinned above her left ear ticked with a dangling red robe ornament; the fox mask rides pushed up on the top of her head. Her outfit: a two-tone red-brown qixiong ruqun with a high-waisted skirt that darkens toward the hem, layered under a hanfu beizi with wide see-through long sleeves that foreshorten down her forearm and gather on the floor; red criss-cross strings knot across her bodice, a small bell choker sits at her throat, tassels hang still against the skirt.
Lighting: two large softboxes, key from the upper left at a gentle daylight balance, fill from the right — soft-edged shadows fall under her folded legs and behind her supporting hand onto the seamless grey; the background is a smooth seamless sweep, unlit darker toward the corners by falloff so it separates her silhouette. The depth of field keeps her eyes and grin sharp while the umbrella rim and the back of the seamless dissolve into a gentle blur.
The umbrella's lightweight canopy, still tilted, drifts up a fraction, so its shadow on the floor is slightly further from the shaft than the rib over her shoulder. Palette confined to red-browns, blacks, pinks and the neutral grey studio. Effortlessly playful.
cylic2025
c2
character: sparkle_(honkai:_star_rail), copyright: honkai:_star_rail
1girl, solo, east asian chinese girl, petite, small body, small face, young adult, red lips, very smooth glossy pale skin, breasts, twintails, shuangyaji, long hair, very long hair, brown hair, black hair, red eyes, hair ornament, official hairstyle, chinese clothes, hanfu beizi, qixiong ruqun, long dress, black and blue two-tone gradient dress, floral stem print, black see-through wide long sleeves, robe, yupei jade pendant tassel on clothes, beads, necklace, jewelry, cowboy shot, upper body, sitting on floor, posing for photoshoot, holding round paper fan, tuanshan, oil-paper umbrella, open umbrella on floor behind character's back, grey seamless background, studio lighting, balanced daylight, gentle shadows, depth of field, bokeh, 85mm lens, f/1.8, sharp focus, fine fabric emphasis, photorealistic, hyperrealism, realistic hair, realistic skin texture, high-end photoshoot, looking at viewer, light smile, head tilt, crossed legs, arms down
A cowboy shot crops her at mid-thigh, and the camera sits slightly above her eye level, angled down a little so the short depth of field falls off across the grey seamless sweep behind her. She sits on the studio floor with her weight settled back onto her left hip, both legs folded to one side, right knee lifted and crossed over the left, her right calf tucked back beneath the left thigh; her left hand rests flat on the floor behind her hip for balance while her right hand lifts the round tuanshan to shoulder height, the pale silk disc catching the key light and half-hiding her jaw as she tilts her chin toward it and looks past its rim into the lens. Behind her back, flattened against the grey paper, an open oil-paper umbrella lies on the floor, its lacquered ribs splayed and its painted canopy rising up past her shoulder on the right of frame, one bamboo rib tip resting on the floor beside her hip.
Her hair is parted and gathered into two small coiled shuangyaji buns set high beside the crown, the rest of the long brown-black hair falling loose past her shoulders and pooling on the floor behind her left arm, a hair ornament of blue beads and silver pins seated in each bun. Her face is small and heart-shaped under a pale glossy sheen, a soft specular highlight running down the bridge of her nose and along the crest of her lower lip, which is painted a deep saturated red. Her makeup is warm and clean, lashes dark, and her eyes are red-brown, narrowed slightly in a composed, faintly amused half-smile, one brow arched a fraction higher than the other.
Her costume is a two-tone gradient qixiong ruqun: the bodice rises high to just under the bust and the long skirt runs from deep black at the waist into indigo and pale blue toward the hem, a fine floral stem print of thin blue-grey vines climbing diagonally across the fabric. Over it she wears a hanfu beizi robe with wide black see-through sleeves, the sheer chiffon showing the pale skin of her forearms through a fine woven grid as the fabric hangs in long soft folds off her wrists. A yupei jade pendant with a knotted blue tassel hangs at her waist sash, and layered beads and a fine necklace sit at her throat and collarbone, the jewelry picking up small pinpoints of light.
The lighting is a balanced daylight studio: a large softbox from camera left as key, a broad white fill from the right, producing gentle shadows that feather away across the seamless grey floor and up the wall. The only hard-edged shadow in frame is the tuanshan's, thrown softly onto the grey behind her right shoulder. The floor shows a shallow, matte reflection of the umbrella's lacquered rim and a faint sheen where her skirt brushes it. Palette held to grey, black, indigo-blue, with red only in the lips and eyes and a thread of jade green at the pendant. Quiet, poised, elegantly still.
celcy2025
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