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Show Parameters
- Original Prompt
- cowboy shot, straight-on, grey seamless background, balanced daylight studio, gentle shadows, shot on 85mm lens, f/1.8, ultra-high-fidelity, ultra-high-detailed, ultra-high-resolution, depth of field, DSLR, sharp and clear photo, photorealistic:3, realistic:3, hyperrealism:3, realistic physical, realistic hair. 1girl, solo, ((14-years-old east asian chinese girl)), red lips, ((very small body:3, petite)), pretty small face:3, pale skin:3, flat chest, very narrow hips:3, light smile, posing for photoshoot, holding paper round fan, tuanshan, kisaki (blue archive), black hair, long hair, double braided hair bun, hair ornament, twintails, grey eyes, butterfly hair ornament, chinese clothes, shuangyaji, hanfu beizi (clothing), qixiong ruqun, see-throught wide long sleeves, yupei, tassel, light green dress, two-tone dress, froral stem print, necklace, jewelry, fine fabric emphasis,
- Mode
- pro
- Style Code
- TY717201
- Quality Tag
- ﹝Prompts﹞
- Size
- 1056 x 1888
- Negative
- (worst quality, low quality:1.2), score_1, score_2, score_3, bad anatomy, bad composition, bad hands, jpeg artifacts, watermark, artist name, censor, fused fingers, missing fingers, mutated hands, blurry, hands bad, face bad, (normal quality:1.3), bad hands, mutated hands and fingers, extra legs, extra arms, explicit, bad looking face, ugly face, (anime style:1.3, anime face, anime eyes:1.2), blush, steam, heavy breathing, glossy, negative space, empty space, sparse details, bad fabric emphasis, female pubic hair,
Prompt Helper
Model & LoRA used
Similar Images
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c
character: kisaki_(blue_archive), copyright: blue_archive
photorealistic, 1girl, solo, east asian chinese girl, cowboy shot, sitting, crossed legs, holding tuanshan, round silk hand fan held at chest, parted lips, light smile, black hair, long hair, fine hair, double braided hair bun, twintails, shuangyaji, hair ornament, butterfly hair ornament, grey eyes, round eyes, eyeliner, red lips, ((small face, pretty thin face)), very smooth glossy pale skin, very large breasts, chinese clothes, hanfu beizi, qixiong ruqun, black and blue two-tone gradient dress, floral stem print, black see-through wide long sleeves, fine fabric emphasis, yupei jade pendant tassel on clothes, necklace, jewelry, pendant, grey seamless background, balanced daylight studio, gentle shadows, 85mm lens, f/1.8, depth of field, DSLR, sharp and clear photo, realistic physical, realistic hair, plain unadorned space above her hair, no halo, looking at viewer, head tilt,
A photorealistic studio photograph at cowboy shot framing — cropped from mid-thigh to just above the crown of her head — taken from a straight-on, very slightly raised camera so the lens sits at her collarbone height and looks gently down across her lap. She sits on an unseen low stool whose top is entirely hidden behind her thighs, knees folded one over the other with her left leg crossed high across the right, the right calf hanging free and her toes out of frame; her weight settles onto her right hip, which pushes that shoulder a touch lower than the left. Her torso is turned about twenty degrees to her left while her head comes back toward the lens, chin tipped a fraction down, giving a slight over-the-shoulder read without ever turning her back. Both hands come together low in front of her chest: her right hand grips the short lacquered handle of a completely round silk tuanshan, the pale silk disc tilted so its upper edge rests just under her parted lower lip, hiding nothing of her mouth; her left fingertips lie flat along the disc's rim, thumb cradling the lacquer. The fan's silk is sheer enough that the faint dark blur of her collar shows through it.
Above her, the grey seamless studio sweep is completely empty: a plain unadorned span of flat grey from her hairline to the top edge of the frame, with no ring, disc, glow, or object of any kind hovering over her head. The same seamless grey continues behind her shoulders and down past the cowboy-shot crop, unbroken and without a horizon line.
Her hair is fine-stranded and glossy black, center-parted and drawn into two long twin tails that fall forward over both shoulders to her waist, each bound at the root and again mid-length with braided cord, and above each temple a braided bun coils tight against the scalp; a butterfly-shaped hair ornament of blue enamel and silver wire sits at the right bun, its wings angled back. Her face is small and narrow with a fine tapering jaw, framed closely by the parted fall of her hair; her eyes are round and open, grey irises catching two small square studio highlights, upper lash line drawn in a soft dark eyeliner flick, the lower lids slightly crinkled by a light closed-then-parting smile that lifts the outer corners of her red-lacquered lips and shows a sliver of teeth. She looks directly into the lens.
She wears a qixiong ruqun: a black-to-deep-blue ruqun skirt whose waistband is bound high, just under the bust, and whose fabric grades downward from matte black at the waist into a deep blue at the hem, scattered with a fine printed stem-and-leaf floral pattern in pale grey-blue. Over it a black beizi jacket with wide, hanging sleeves of sheer black gauze — the weave's grid visible where the cloth falls open at her forearms, the solid black cuff and the pale inner silk showing through the transparency, the wide sleeve mouths pooling softly against her crossed thigh. At her throat a fine chain carries a small jade pendant, and from the high waistband a yupei jade disc hangs on a blue knotted cord with a long silk tassel that drapes across the black skirt and lies over her crossed knee, its strands slightly splayed where they rest.
The lighting is balanced daylight from a large soft source high and to the front-left, wrapping her face evenly and leaving only a gentle shadow gradient down the right side of her throat, under the fan's rim, and beneath the crossing thigh; a soft short shadow of her own body falls on the grey sweep behind her right hip. The 85mm at f/1.8 holds her lashes, lips, the jade disc and the gauze weave tack-sharp while the grey sweep melts into a smooth even field a metre behind her. Her skin keeps a smooth glossy sheen with a narrow specular line along the cheekbone and the bridge of her nose. Composed, quietly poised.
Celly
c
character: kisaki_(blue_archive), copyright: blue_archive
1girl, solo, east asian chinese girl, ((small body, small face, pretty thin face)), very large breasts, alternate breast sizes, very narrow hips, red lips, round eyes, eyeliner, very smooth glossy pale skin, fine hair, long black hair, double braided hair bun, twintails, shuangyaji, butterfly hair ornament, hair ornament, grey eyes, chinese clothes, hanfu beizi, qixiong ruqun, black and blue two-tone gradient dress, floral stem print, black see-through wide long sleeves, fine fabric emphasis, yupei jade pendant tassel on clothes, necklace, jewelry, sitting, holding tuanshan, parted lips, light smile, no halo, plain empty air above her head, from above, straight-on, grey seamless background, balanced daylight studio lighting, gentle shadows, 85mm lens, f/1.8, depth of field, photorealistic, hyperrealism, realistic physical, realistic hair, sharp and clear photo,
The camera looks straight down a shallow 85mm angle onto a single young East Asian woman seated alone on an unseen low stool, so the frame holds her from crown to mid-thigh and the studio floor's grey sweep fills everything behind her — no horizon line, no props, no second figure, and above the twin buns the air is plain and empty with nothing floating in it. She has a small, fine-boned face with a slender pretty jaw and a very small compact body, her narrow hips tapering sharply beneath a bust far too large for that frame; her skin is pale, flawlessly smooth and glossy, catching a soft sheen along the cheekbone, the shoulder and the swell of the chest. Her black hair is long and fine, split into two braids that coil up into a pair of tight double buns worn high on either side of the head, twintails of braid trailing down past her jaw; a filigree butterfly ornament is pinned at the outer edge of the left bun, its wings slightly raised and one antenna lifting free of the hair, and the rest of the hair is otherwise loose and soft so that a few fine strands drift across her temples. Her round grey eyes are lined with a clean dark eyeliner wing, and she tips her chin up toward the lens beneath the high camera, so her gaze lands directly on the viewer with a light, easy smile that parts her glossy red lips just enough to show the edge of her teeth. In her left hand she holds a round silk tuanshan at chest height, tilted flat so its disc faces up at the descending lens — the silk is thin and faintly translucent, its botanical brushwork darkening where the pale cloth stretches over the taut bamboo ribs, and the outer rim flares into a soft fall of light along the shadowed side; her right hand rests palm-down across her lap, fingers curled into the fabric of the skirt.
Her hanfu is layered: a close-fitting beizi jacket out of the qixiong ruqun sits high under the bust, its waist seam hidden beneath the skirt's gathered line, and a black-and-blue two-tone dress falls from there in a smooth gradient, near-black at the shoulders running down into deep slate blue at the hem. The sleeves are black, long and very wide, hanging in see-through panels whose fine open weave and glossy sheen follow the fold of her arms and let the grey ground read through them. The skirt and sleeve borders carry a scattered floral stem print in a thin pale line, and its delicate thread texture stays crisp along the light-touched ridge of every fold. A necklace sits at her throat with a small pendant hanging free to swing against her collarbone, and above her waist a yupei jade pendant hangs from a cord, its tassel brushing the jacket's hem. Balanced daylight fills the seamless grey sweep from front-left and above, laying a broad soft key across the lifted planes of her face, her collarbones and the top of both sleeves, while the gentle shadow pools under her chin, beneath the buns, inside the wide open sleeves and in a soft pool on the floor at her hip — one quiet, closed ellipse of shadow with a softer penumbra, never a hard edge. The palette is held to pale skin, black hair and dress, deep slate blue, a cool jade green and the neutral grey of the ground. The f/1.8 aperture softens the grey sweep away into a fine falloff past her shoulders while the butterfly ornament, the fan's ribs and the weave at her cuffs stay tack-sharp; the fine silk slackens just ahead of her breath at the parted lips. Serene, softly poised.
Celly
c
character: kisaki_(blue_archive), copyright: blue_archive
photorealistic:3, realistic:3, hyperrealism:3, 1girl, solo, cowboy shot, grey seamless background, balanced daylight studio, gentle shadows, depth of field, 85mm lens, f/1.8, ultra-high-detailed, sharp and clear photo, east asian chinese girl, ((small body, small face, pretty thin face)), red lips, round eyes, eyeliner, very smooth glossy pale skin:3, alternate breast size, very large breasts, very narrow hips:3, bare head, no halo, fine hair, black hair, long hair, double braided hair bun, shuangyaji, twintails, butterfly hair ornament, hair ornament, grey eyes, chinese clothes, hanfu beizi, qixiong ruqun, black see-through wide long sleeves, yupei jade pendant tassel, pendant, black blue two-tone gradient dress, floral stem print, necklace, jewelry, fine fabric emphasis, sitting, holding tuanshan, parted lips, light smile, looking at viewer, head tilt, crossed legs, light smile, realistic hair, realistic skin texture,
A cowboy shot from a slightly lowered eye level, the camera close enough on the 85mm lens that the grey seamless studio sweep sits far behind her in a soft, unbroken wash and her braided buns stay razor sharp while the far edge of the backdrop melts. She is seated on a low matte studio block that enters the frame only at its front corner, turned three-quarters toward the lens with her weight settled onto her right hip, right leg folded beneath her and left knee drawn up and crossed over, the black-blue gradient skirt pooling in a wide flat circle around her thighs so the qi-xiong waistline rides high and the narrowness of her hips reads in the small span between that sash and the flare of the hem. Her torso leans a little forward and her chin tips down a touch, tipping her face small and thin under the soft key; her grey eyes come up under lifted lashes to meet the lens, a light smile parts her red-glossed lips just enough to show a sliver between them.
Her double braided buns sit high on either side of her crown, the shuangyaji rings of black hair wound tight with a fine halo of loose strands catching the daylight, the long twintails falling forward over both shoulders and down across the see-through sleeves. A butterfly hair ornament rests on the right bun, its wings angled forward; the crown of her head above it is bare and unbroken, the seamless grey continuing straight past her silhouette with nothing glowing or ringing it. Two-tone fabric is the whole story of the dress: matte black at the shoulders and the beizi collar, dissolving through a graded blue into a deeper black at the hem, with fine pale floral stems climbing the skirt in a low, thin repeat. The wide sleeves are sheer and hang in long translucent bells to her knees, and the daylight passing through them makes the weave visible and the arm behind them a soft blur; where the sheer folds stack on themselves the black deepens back to opacity.
Her right hand is raised at chest height, the knuckles of her index and middle finger braced against the outer rim of a round silk tuanshan so the opaque silk disc faces the lens square-on, its painted stems echoing the print of her skirt; the sheer silk holds a faint bloom of transmitted daylight. Her left hand rests palm-open on the crossed left knee, fingertips pressing a shallow dent into the fabric. From her collar hangs a fine chain with a jade yupei pendant beside its small tassel, hanging clear of her chest and swinging very slightly forward on its own weight, and the tassel threads splay at the exact angle its tiny momentum carries them; a second shorter necklace sits closer at her throat.
The light is a large balanced daylight source from high front-left: it lays a gentle gradation down her left cheek, under the jaw, and along the inner curve of her sleeves, and it drops a soft, low-contrast shadow from her hip onto the studio block and from the fan onto her collar. Nothing behind her is lit separately, so the grey sweep runs from a luminous tone at the left of the frame to a deeper neutral at the right, deepening to a darker grey beneath her where her shadow falls. Palette held to black, deep blue, the neutral grey field, with pale jade and the red of her lips as the only other colour. Quiet, poised, editorial.
Celly
character: kisaki_(blue_archive), copyright: blue_archive
cowboy shot, grey seamless background, balanced daylight studio, gentle shadows, shot on 85mm lens, f/1.8, ultra-high-fidelity, ultra-high-detailed, ultra-high-resolution, depth of field, DSLR, sharp and clear photo, photorealistic:3, realistic:3, hyperrealism:3, realistic physical, realistic hair.
1girl, solo, ((18-years-old east asian chinese girl)), red lips, ((very small body:3, petite, round eyes, very small face, pretty thin face:3)), eyeliner, pale skin:3, flat chest, very narrow hips:3, collarbone, no halo,
squatting, lifting up own clothes, dress rolled up, calm, tuanshan round paper fan at side,
kisaki (blue archive), black hair, long hair, double braided hair bun, hair ornament, twintails, grey eyes, butterfly hair ornament, chinese clothes, shuangyaji, hanfu beizi (clothing), qixiong ruqun, see-throught black wide long sleeves, yupei, jade pendant tassel on waist, black blue dress, two-tone dress, gradient dress, froral stem print, necklace, jewelry, fine fabric emphasis, thin fabric,
Celcy2023
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