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cylic2025

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character: vivian_banshee solo, 1girl, cowboy shot, sitting on floor, posing for photoshoot, light smile, looking at viewer, east asian chinese girl, small slim body, pretty small face, large breasts, very smooth glossy pale skin, red lips, pointy ears, purple hair, white hair, multicolored hair, streaked hair, very long hair, long hair, drill hair, ahoge, sidelocks, fine hair, hairband, mole, mole under eye, red eyes, black nails, nail polish, chinese clothes, hanfu beizi, qixiong ruqun, two-tone dress, gradient dress, robe, see-through clothes, very thin fabric, see-through wide long sleeves, tassel, grey seamless background, balanced daylight studio lighting, gentle shadows, 85mm lens, depth of field, photorealistic, hyperrealism, realistic hair, realistic physical, sharp and clear photo, ultra-high-detail A cowboy-shot studio photograph cropped at mid-thigh, the camera at a slight three-quarter angle from her right and a touch above her eye level so the lens looks gently down across her face. The single subject sits on the floor of a grey seamless studio sweep that curves up behind her without a horizon line, the paper's soft mid-grey filling the whole upper frame as clean negative space, a faint tonal falloff toward the corners where the sweep bends. She is sunk back on her left hip with her legs folded to one side, her right knee raised and her right forearm draped over it, left hand planted flat on the sweep just behind her hip to take her weight; her shoulders are rolled back and her chin lifted slightly, torso turned a quarter toward the lens so the qixiong ruqun's high-wrapped bodice and the full curve of her chest read in silhouette. Her pale glossy skin carries a broad soft highlight down the bridge of her nose, both cheekbones and the top of the raised knee, and her red lips are parted into a light, closed-tooth smile, the lower lip catching a small specular glint; one dark mole sits just under her right eye. Her red eyes look straight into the lens with a calm, knowing half-lidded confidence, one brow faintly lifted. Her hair is a fine, very long fall of purple and white strands streaked together in soft bands, with a single ahoge springing up from the crown, a hairband set back behind the crown, and sidelocks framing her small face; the mass of it spills over her right shoulder and pools on the floor behind her, where two big glossy drill curls rest their weight on the paper and flatten slightly against it, and one thick drill tail hangs forward over her raised knee. Her pointy ears poke out through the sidelocks, the tips catching a rim of light. She wears a two-tone hanfu ensemble in a vertical gradient from a pale near-white at the shoulders down through lavender to a deep violet at the hem, a beizi robe layered over a qixiong ruqun bodice, its long wide sleeves cut from very thin, see-through fabric that hangs in translucent sheets and lets the grey sweep read faintly through them; a tassel hangs from the waist tie at her left hip and swings slightly forward with her lean, and the hem of the robe spreads around her folded legs, thin fabric doubling over itself into darker lavender where it bunches. Her black-polished fingernails are visible on the raised forearm and the planted hand. The light is a balanced two-source daylight setup inside a softbox rig: a large key from the front-left at head height and a broad fill from the right, so the shadows are gentle and open, the cast shadow of her body and the folded robe falling short and soft to her right on the sweep, and a faint sheen of the seamless paper showing her reflected colour where the fabric pools. Shot on an 85mm lens at f/1.8, her face and the front of the bodice tack-sharp while the back edge of the sweep and the far drill curls soften into a smooth falloff. Palette strictly grey paper, purple-to-white hair, gradient lavender silk, and small accents of red at the eyes, lips, and tassel. Quiet, effortlessly elegant.
Show Parameters
Original Prompt
cowboy shot, grey seamless background, balanced daylight studio, gentle shadows, shot on 85mm lens, f/1.8, ultra-high-fidelity, ultra-high-detailed, ultra-high-resolution, depth of field, DSLR, sharp and clear photo, photorealistic:3, realistic:3, hyperrealism:3, realistic physical, realistic hair. 1girl, solo, east asian chinese girl, small slim body:3, pretty small face:3, red lips, very smooth-glossy-pale skin:3, large breasts, torso, fine hair, sitting on floor, posing for photoshoot, light smile, vivian banshee, pointy ears, purple hair, long hair, red eyes, mole, mole under eye, drill hair, multicolored hair, ahoge, streaked hair, black nails, very long hair, hairband, sidelocks, nail polish, white hair, chinese clothes, hanfu beizi (clothing), qixiong ruqun, see-throught wide long sleeves, dress, two-tone dress, gradient dress, tassel, robe, very thin fabric, see-throught clothes,
Mode
pro
Style Code
TY717201
Quality Tag
﹝Prompts﹞
Size
1056 x 1888
Sampling Method
Euler
Negative
(worst quality, low quality:1.2), score_1, score_2, score_3, bad anatomy, bad composition, bad hands, jpeg artifacts, watermark, artist name, censor, fused fingers, missing fingers, mutated hands, blurry, hands bad, face bad, (normal quality:1.3), bad hands, mutated hands and fingers, extra legs, extra arms, explicit, bad looking face, ugly face, (anime style:1.3, anime face, anime eyes:1.2), blush, steam, heavy breathing, glossy, negative space, empty space, sparse details, bad fabric emphasis, female pubic hair,
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AI artwork
c2
character: vivian_banshee 1girl, solo, cowboy shot, sitting on floor, posing for photoshoot, light smile, grey seamless background, balanced daylight studio, gentle shadows, depth of field, 85mm lens, f/1.8, sharp and clear photo, photorealistic, hyperrealism, realistic physical, realistic hair, east asian chinese girl, small slim body, pretty small face, red lips, very smooth glossy pale skin, large breasts, pointy ears, red eyes, mole under eye, very long hair, purple hair, white hair, streaked multicolored hair, drill hair, ahoge, hairband, sidelocks, black nail polish, chinese clothes, hanfu beizi, qixiong ruqun, two-tone gradient dress, gradient dress, see-through wide long sleeves, very thin fabric, see-through clothes, robe, tassel, looking at viewer, light smile, knees together, weight on one hip, hands resting on floor, head tilt, relaxed shoulders, A vertical cowboy shot cropped at mid-thigh: a single young East Asian woman sits on the seamless grey studio floor, framed from the thighs up, the camera slightly above her eyeline so it looks gently down across her small slim torso and her pretty small face. She is turned a quarter away from square, weight settled on her right hip, both knees drawn together and folded to her left, her left leg's calf tucked under her right thigh. Her hands rest flat on the floor beside her, the right one just behind her hip for balance, the left one loose in front of her knee, all ten black-lacquered nails catching small oval highlights; the see-through wide long sleeves of the hanfu beizi robe pool and gather around her wrists where they meet the floor, the very thin fabric folding into itself in translucent layers so the grey ground reads faintly cool through it. Her spine is upright but not stiff, shoulders dropped, chest lifted so the qixiong ruqun's high wrapped waistband sits just under the bust and the two-tone gradient dress flows from a pale white at the shoulders through soft lilac into deep purple at the hem, tassels hanging from the waist tie and from the sleeve cuffs, their cords hanging straight down under gravity while the silk above them sags. Over it all the beizi robe falls open in a soft V, its edges and wide sleeves rendered in the same sheer tissue so the layers beneath stay visible without any hard opacity. Her head tips a few degrees toward her left shoulder, chin slightly down, red eyes looking straight down the lens with a warm, composed light smile, lips parted just barely and painted cleanly red, the small mole sitting under her right eye as a single dark point on the glossy pale skin. The hair is the loudest shape in the frame: very long, drifting down past the crop line, mostly deep purple with white streaks threading through it and one block of pale white at the front lock, gathered at the crown by a hairband and falling into two heavy drill-shaped ringlets that spiral forward over her right shoulder and behind her left, while the sidelocks frame her jaw and a single ahoge springs up and curls against the flat grey behind it. Pointy ears emerge clean through the hair on both sides, their tips catching the key light. The lighting is a balanced daylight studio: a large soft key from the upper left front and a broad fill from the right, wrapping the face evenly, leaving only gentle, low-contrast shadows under the chin, beneath the fall of the sleeves and in the hollow of the folded legs; the grey background is lit a half stop lighter behind her shoulders so a soft tonal gradient travels across the seamless and her own shadow on the floor is a faint blurred ellipse directly beneath and behind her hips. At f/1.8 the plane of focus sits on her eyes and lips, her hair's near ringlet and her hands still crisp, and the seamless paper, the far tips of the drill curls and the trailing tassels falling off into clean optical softness. The palette is disciplined to grey, white, lilac and deep purple with red only at the lips and eyes and black at the nails. Serene, effortlessly polished.
cylic2020
AI artwork
c2
character: vivian_banshee 1girl, solo, cowboy shot, sitting on floor, posing for photoshoot, seated photoshoot pose, grey seamless background, studio backdrop, balanced daylight studio lighting, gentle shadows, depth of field, 85mm lens, f/1.8, shallow focus, photorealistic, hyperrealism, realistic skin texture, realistic hair, east asian chinese woman, petite, small body, small face, adult, breasts, smooth glossy pale skin, red lips, light smile, pointy ears, purple hair, very long hair, long hair, drill hair, multicolored hair, white streaked hair, ahoge, sidelocks, hairband, red eyes, mole under eye, black nail polish, chinese clothes, hanfu beizi, qixiong ruqun, two-tone gradient dress, robe, see-through wide long sleeves, tassel, from above, head tilt, crossed legs, leaning back on one arm, looking at viewer. Shot from slightly above, the camera angled down at the woman seated on the grey seamless studio sweep: she sits on the floor with her legs folded to one side under the skirt, her right hip carrying her weight and her right palm pressed flat on the paper just behind her for support, left arm relaxed across her lap so her fingernails catch the key light. Torso leans back a few degrees and turns three-quarters toward the lens, chin tipped up and tilted slightly to her left, so the mole under the outer corner of her right eye sits high in the frame catching light. A light closed-lip smile lifts one side of her mouth further than the other, red lips against pale skin, eyes lowered just enough that the red irises still meet the viewer under the lashes. The camera is at 85mm, f/1.8: her face is razor sharp from cheekbone to the pointy tip of one ear, the far shoulder and the fall of the skirt go soft, and the grey sweep dissolves into an even, grainless blur behind her. Her purple hair is very long — it pools in loose strands on the seamless floor beside her hip — with white streaks running through the mass, tight drill curls spinning down past her shoulders, a soft ahoge arcing off the crown, sidelocks framing her small face, and a hairband set into the top of the style near the curls. The hanfu is two-tone, a deep tone at the collar and waist grading into a lighter tone at the hem: a beizi robe worn open over the qixiong ruqun, chest-high skirt banded at the waist, and wide see-through sleeves so long they swallow her forearms and bunch where her hand rests against the floor, the fabric's transparency letting the grey backdrop read faintly through the loose drape. Tassels hang and settle in still air — they are not mid-swing, they hang plumb — and the robe gives way at the hip under her weight. Light is a balanced daylight studio setup: a large soft key above and to her right drops a gentle shadow under her chin, beneath the sleeve hems, and a soft cast shadow of her seated body smeared out on the paper to her left; fill from the left lifts the far cheek without flattening it, so the gradient runs from luminous to soft grey across her face. Nothing else is in the frame — only her, the seamless grey, and the shadow. Composed and serene.
cylic2025
AI artwork
轩
copyright: doupo_cangqiong Battle Through the Heavens Yun Yun, masterpiece, highest quality, ultra-detailed, 8k resolution, cinematic lighting, volumetric light, extremely exquisite fairy with long straight black hair and blue eyes, purple-black hair, classical xianxia style, sharp focus, realistic skin texture, glossy fabric, metallic reflection, dynamic lighting, perfect body curves, delicate facial details, Battle Through the Heavens Yun Yun, delicate and realistic, 3D render, 8k, She is dressed in a purple gown, with a slender and graceful figure; her thigh resting on the windowsill glows with a shimmering luster under the moonlight, looking all the more slender and fair. A red sash binds her slender waist, making it look graspable in one hand. Her chest rises and falls with voluptuous curves. Above her pure white neck is an enchanting oval face that captivates all living beings. Red lips and white teeth, with a small, delicate, upturned nose. A tear mole at the outer corner of her right eye. A pair of clear blue eyes, even brighter and more magnificent than the moon in the night sky. Her hair is tied in a Daoist bun, with silk-like black tresses reaching to the waist, naturally falling across her chest and behind her back.
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