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銀河英雄伝説です。 旧作・新作どっちを出してくるのか興味がありました。 同盟編です。 英語から日本語に変更しています。 帝国編と同じ結果かなと思っています。女性キャラが弱い感じです。 技法も鏡に映ってるといえばそうなのかもしれません。 (技法) mirror-shot composition — 鏡像撮影。鏡に映った人物や空間を主要な映像要素として利用する。 Tsubaki3 Test This is *Legend of the Galactic Heroes*. I was curious to see whether they would present the original version or the new one. This covers the Alliance arc. I have switched the language from English to Japanese. I suspect the outcome will be similar to that of the Empire arc; the female characters feel somewhat weak. Regarding technique, one could say it involves the use of mirror reflections. (Technique) Mirror-shot composition — A shooting technique that utilizes a person or space reflected in a mirror as a primary visual element.
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- Original Prompt
- アニメ『銀河英雄伝説』のキャラクター、「ヤン・ウェンリー」を描いてください。 アニメ『銀河英雄伝説』のキャラクター、「ユリアン・ミンツ」を描いてください。 アニメ『銀河英雄伝説』のキャラクター、「フレデリカ・グリーンヒル」を描いてください。 mirror-shot composition.
- Mode
- ultra
- Size
- 2048 x 2048
- Negative
- lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
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Show more名言・名ゼリフ集30
yamanoda
マチルダ様・・・
雪風
Kamo kamen \(sangsilnoh\), masterpiece, 8k resolution, perfectly detailed facial features, score_9_up, score_8_up, source_anime, refined colours, perfect anatomy, anime style, anime screencap, gradient background, masterpiece, yoneyama mai, yoneyama mai, blurry, chromatic aberration, show body to thigh, 1girl, 1boy, side by side together, males focus, standing, warrior outfit, attack stance
Airi Kei
ha
character: amuro_ray, sayla_mass
2people, 1boy, 1girl, cowboy shot, from below, looking at each other, eye contact, sci-fi, spaceship interior, indoor, short hair, wavy hair, brown hair, blue eyes, blonde hair, bob cut, bangs, military uniform, jacket, white gloves, seated, leaning forward, standing, hand on wall, metal floor, bulkhead
A low-angle cowboy shot frames two figures paused in quiet conversation within the pressurized corridor of a starship. On the left, a teenage boy with tousled, wavy brown hair and expressive blue eyes sits forward on a riveted metal storage locker. He leans his upper body forward with his forearms braced across his knees, fingers loosely interlaced, tilting his chin upward to meet the woman's gaze with tired, earnest focus. He wears an off-white pilot flight suit with red paneling across the shoulders, the high collar unclasped at the throat to reveal an inner dark crew undershirt, the padded fabric creasing heavily around his bent waist and elbows. Standing over him on the right, a young woman with a pristine chin-length golden-blonde bob and straight-cut bangs rests her weight on one hip, tilting her head slightly downward. Her clear blue eyes look directly into his with calm, measured concern, her expression composed with relaxed brows and a firm yet gentle mouth. She is dressed in a tailored salmon-pink military tunic with high upright cream-white trim at the collar and epaulets, cinched by a white belt at her waist over fitted white trousers; her left hand, encased in a clean white dress glove, presses flat against the riveted steel bulkhead panel beside his shoulder to steady herself. Overhead recessed strip lamps emit a cool, diffuse white light that strikes the crowns of their hair and shoulders, casting crisp, downward-slanting shadows across the matte steel deck plating. An unclipped fabric pull-tab on his chest pocket hangs perfectly plumb toward the floor, demonstrating the steady artificial gravity of the deck. The background recedes into modular cream-colored wall bulkheads lined with conduit runners, recessed hatchway frames, and faded yellow hazard striping along the deck edge. Quiet resolve.
H akasaka
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