Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "心和む山の景色を楽しむ早朝の和室" featuring #Sky, #Scenery, #Cloud, #No humans, #Architecture, #Indoors, #Mountain, #sliding door and #Wind chime
Generate New ArtworkGenerate for FreeGenerate for Free

心和む山の景色を楽しむ早朝の和室

この静かで落ち着く和室から見える山々の風景に心が癒されます。窓の向こうに広がる青空と遠くの山のシルエットがとても美しく、私はこの瞬間に何度も幸せを感じます！気に入ったらいいねとフォローしてくださいね。次回も素敵な風景をお届けします！

#Sky#Scenery#Cloud#No humans#Architecture#Indoors#Mountain#sliding door#Wind chime
ほ

ほの好き

More to See

Comments

A front-view interior shot from a second-floor room of a detached house, looking out through a window. The room features traditional tatami flooring and sandy beige walls, with the interior lights off. The focal point is a (double-layered structure with an outer window and waist-high shoji screen: 1.4), where a (wooden-framed shoji screen extending from the lintel to waist height: 1.4) and a (brown-framed metal sliding glass door—also extending from lintel to waist height—positioned just outside the waist-high shoji frame: 1.3) are both (slid open to the same side: 1.4). Above them, a (Nageshi rail above the waist-high shoji screen: 1.5) is visible. Through the open waist-high window, an (early summer morning: 1.4) unfolds with a clear pale blue sky, thin white clouds, and distant green mountains shrouded in haze, with varied roof styles of houses at the foothills. (Soft morning light streaming into the room: 1.3) casts long, gentle shadows across the tatami. A single wind chime hangs on the open side. The atmosphere is calm and quiet, rendered as a high-quality anime illustration with sharp focus and clear morning air.
Show Parameters
Original Prompt
Interior background, view through the window, flont view Interior shot from a second-floor room of a detached house; tatami flooring, Sandy beige walls, interior lights off, (Nageshi rail above waist-high shoji screen: 1.5), (Double-layered structure with an outer window and waist-high shoji screen: 1.4), (Wooden-framed shoji screen extending from the lintel to waist height: 1.4), (Brown-framed metal sliding glass door—also extending from lintel to waist height—positioned just outside the waist-high shoji frame: 1.3), (Both the waist-high shoji screen and the metal sliding door immediately outside it are slide open to the same side: 1.4), open waist-high window, open waist-high shoji screen, Sandy beige wall beneath the waist-high shoji screen View through a wide-open waist-high window, (Early summer morning: 1.4), clear morning air, (soft morning light streaming into the room: 1.3), long, gentle shadows stretching across the floor, Clear pale blue sky, thin white clouds, distant green mountains shrouded in haze, houses with varied roof styles visible at the foothills, Wind chime hanging only on the side that is open, morning light, calm and quiet atmosphere, sharp focus, masterpiece, high quality
Mode
pro
Size
1280 x 960
Negative
floor-to-ceiling window, glass door, veranda, balcony:1.2), worst quality, low quality, cropped, modern furniture, bed, sofa, concrete wall, large sliding door, fusuma, large door, large shoji screen doors, partition, wind chime on the closed side, multiple wind chimes, engawa, veranda, garden, all-glass windows, cracked wall, dirty wall, ruined,[wooden floor track], [wooden floor rail], old, damaged, mold, worst quality, low quality, bad anatomy, blurry

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.93k

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile