📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

Parkour #7

Tsubaki.3をいじくりまわす / Tinkering with Tsubaki.3

#Original#Girl
More to See

Comments2

year_2024, year_2025 (Quality Meta): high quality, (Style Information): 8K, a hybrid animation and live-action composite, a 2D anime character integrated into a live-action park setting, (Character - Kohaku): Kohaku_thoc, brown hair, blonde inner hair, short hair, bob cut, hair over one eye, amber eyes, golden eyes, A single yellow x-shaped hair ornament is clipped to the hair on the side of her visible eye, small breasts, a fitted black short-sleeved athletic shirt, thin yellow piping along the shoulders and bright yellow side panels, charcoal cropped cargo joggers with articulated knees, subtle utility pockets, yellow accent strips and gathered cuffs, black low-top running shoes with yellow trim, dark laces, reinforced toe caps and textured rubber soles, (Object - Landing Area): a broad open area of level concrete pavement, pale gray surfaces with fine aggregate and subtle weathering, expansion joints receding into the distance, ample clear space beneath the airborne character, (Environment - Urban Parkour Park): a clear summer day, sunlight entering from the upper left, consistent sunlight direction across both layers, maintaining each character's distinct colors, (S-V-O-A Narrative - High Airborne Sideflip): Layer 1 (Foreground - Kohaku and the Landing Area): Kohaku is rendered as a clean anime character. The pavement beneath her retains its natural concrete texture. The camera is positioned low over the pavement, looking upward toward the front of her torso. The square frame includes her entire airborne body and the distant landing surface beneath her. Her compact figure occupies the upper half of the image, with a small margin above her shoes and hair. Her head is on the left, her torso in the center, and her tightly folded legs on the right. Kohaku performs a `parkour` sideflip, captured near the highest point of a powerful jump. Her whole body is suspended high above the landing area. Even the lowest point of her tucked hips remains well above the pavement. A broad uninterrupted gap separates her lowest body contour from her shadow near the bottom of the image. This visible gap is approximately as tall as her entire tucked silhouette. The composition gives her folded body ample room to continue rotating before reaching the ground. Her face, chest and front waistband face toward the camera together. The broad black front of her shirt remains visible between her shoulders and her folded thighs. Yellow side panels form narrow accents along the edges of her torso. Her right shoulder sits distinctly below her left shoulder. Her right sleeve and upper arm form the lower-left edge of her body. Her left shoulder and sleeve form the upper edge. Her head follows this sideways orientation, with her crown pointing left and her chin pointing toward her tucked knees. Her visible eye shares the tilt of her face. Both thighs fold tightly toward her abdomen. Her knees gather on the right side of her chest, leaving the front of her upper torso visible. The knees are close together, with one above the other. Her lower legs fold tightly back, bringing her heels close to her hips. Both shoes remain grouped at the far right, forming a compact continuation of the tucked legs. Each hand grips the upper shin immediately below its knee. Both elbows are deeply bent. Her upper arm curves over the upper knee, with its elbow visible above the tucked legs. Her lower arm curves beneath the lower knee, with its elbow projecting below her chest. The lower shoulder, upper arm and elbow form a clear rounded outline along the bottom of the airborne silhouette. Her forearms approach the knees from above and below, leaving the center of her chest visible. Her shoulders and pelvis share the same sideways orientation. Her body forms one compact rotating shape, with the head on the left and folded legs on the right. Every part of her body remains suspended in open air. She wears an excited `open mouth` smile, with her visible amber eye directed toward the camera. Her bob fans outward to the left, and loose strands sweep above the crown. Blonde inner strands flare beneath the brown outer hair. Her shirt stays close to her torso, with compressed folds at her waist and beneath her arms. The joggers bunch naturally around her hips and deeply bent knees. Her shadow falls below and to the right on the pavement, near the bottom edge of the frame. Its slightly softened outline remains recognizable. The large separation between her body and shadow, together with the low horizon, emphasizes the height of the airborne rotation. Layer 2 (Background - Everything Behind the Foreground): This entire layer is rendered as a realistic outdoor photograph. The low camera angle places the distant pavement and the bases of the park obstacles in the lower third of the frame. Low concrete blocks, steps and horizontal metal railings provide a clear sense of scale beneath the airborne figure. Leafy trees and modern buildings stand farther away. Blue sky and white summer clouds form the backdrop behind most of her body. The background horizon remains level. The pavement, obstacles, railings, trees and buildings share photographic textures and natural daylight.
Show Parameters
Original Prompt
year_2024, year_2025, (Quality Meta): high quality, (Style Information): 8K, a hybrid animation and live-action composite, a 2D anime character integrated into a live-action park setting, (Character - Kohaku): Kohaku_thoc, brown hair, blonde inner hair, short hair, bob cut, hair over one eye, amber eyes, golden eyes, A single yellow x-shaped hair ornament is clipped to the hair on the side of her visible eye, small breasts, a fitted black short-sleeved athletic shirt, thin yellow piping along the shoulders and bright yellow side panels, charcoal cropped cargo joggers with articulated knees, subtle utility pockets, yellow accent strips and gathered cuffs, black low-top running shoes with yellow trim, dark laces, reinforced toe caps and textured rubber soles, (Object - Landing Area): a broad open area of level concrete pavement, pale gray surfaces with fine aggregate and subtle weathering, expansion joints receding into the distance, ample clear space beneath the airborne character, (Environment - Urban Parkour Park): a clear summer day, sunlight entering from the upper left, consistent sunlight direction across both layers, maintaining each character's distinct colors, (S-V-O-A Narrative - High Airborne Sideflip): Layer 1 (Foreground - Kohaku and the Landing Area): Kohaku is rendered as a clean anime character. The pavement beneath her retains its natural concrete texture. The camera is positioned low over the pavement, looking upward toward the front of her torso. The square frame includes her entire airborne body and the distant landing surface beneath her. Her compact figure occupies the upper half of the image, with a small margin above her shoes and hair. Her head is on the left, her torso in the center, and her tightly folded legs on the right. Kohaku performs a `parkour` sideflip, captured near the highest point of a powerful jump. Her whole body is suspended high above the landing area. Even the lowest point of her tucked hips remains well above the pavement. A broad uninterrupted gap separates her lowest body contour from her shadow near the bottom of the image. This visible gap is approximately as tall as her entire tucked silhouette. The composition gives her folded body ample room to continue rotating before reaching the ground. Her face, chest and front waistband face toward the camera together. The broad black front of her shirt remains visible between her shoulders and her folded thighs. Yellow side panels form narrow accents along the edges of her torso. Her right shoulder sits distinctly below her left shoulder. Her right sleeve and upper arm form the lower-left edge of her body. Her left shoulder and sleeve form the upper edge. Her head follows this sideways orientation, with her crown pointing left and her chin pointing toward her tucked knees. Her visible eye shares the tilt of her face. Both thighs fold tightly toward her abdomen. Her knees gather on the right side of her chest, leaving the front of her upper torso visible. The knees are close together, with one above the other. Her lower legs fold tightly back, bringing her heels close to her hips. Both shoes remain grouped at the far right, forming a compact continuation of the tucked legs. Each hand grips the upper shin immediately below its knee. Both elbows are deeply bent. Her upper arm curves over the upper knee, with its elbow visible above the tucked legs. Her lower arm curves beneath the lower knee, with its elbow projecting below her chest. The lower shoulder, upper arm and elbow form a clear rounded outline along the bottom of the airborne silhouette. Her forearms approach the knees from above and below, leaving the center of her chest visible. Her shoulders and pelvis share the same sideways orientation. Her body forms one compact rotating shape, with the head on the left and folded legs on the right. Every part of her body remains suspended in open air. She wears an excited `open mouth` smile, with her visible amber eye directed toward the camera. Her bob fans outward to the left, and loose strands sweep above the crown. Blonde inner strands flare beneath the brown outer hair. Her shirt stays close to her torso, with compressed folds at her waist and beneath her arms. The joggers bunch naturally around her hips and deeply bent knees. Her shadow falls below and to the right on the pavement, near the bottom edge of the frame. Its slightly softened outline remains recognizable. The large separation between her body and shadow, together with the low horizon, emphasizes the height of the airborne rotation. Layer 2 (Background - Everything Behind the Foreground): This entire layer is rendered as a realistic outdoor photograph. The low camera angle places the distant pavement and the bases of the park obstacles in the lower third of the frame. Low concrete blocks, steps and horizontal metal railings provide a clear sense of scale beneath the airborne figure. Leafy trees and modern buildings stand farther away. Blue sky and white summer clouds form the backdrop behind most of her body. The background horizon remains level. The pavement, obstacles, railings, trees and buildings share photographic textures and natural daylight.
Mode
pro
Size
992 x 992
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬