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玉露

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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玉露
Mio, masterpiece, best quality, full body toe, 8K resolution. Mio, clearly maintaining her familiar facial features, blonde hair, translucent blue eyes, natural young Japanese woman's face, a dignified and strong expression, an intense expression during battle. A charge scene just before Mio's special move, riding a giant Gaia Dragon. The composition is a completely horizontal high-speed action composition. The camera captures the side of the Gaia Dragon almost perfectly from the side. Not a front-facing composition, not a diagonal front composition, and not a composition that emphasizes the dragon's face from the front. A giant Gaia Dragon is charging violently from the left side of the screen to the right. The Gaia Dragon is a super-giant land-type dragon. The giant head and long neck occupy a large portion of the screen. The giant head is on the left side of the screen, and the long neck extends toward the right side. The massive body appears to continue off-screen. In this composition, depict the dragon's head and neck as the center; do not fit the entire body in the frame. Giant head, sharp horns, massive fangs, sharp claws, heavy rock-like scales, and hard outer shells layered multiple times. A rock-like dragon in black-grey reminiscent of the earth. A very giant and weighty existence. The Gaia Dragon is running at a furious speed sideways. The head is thrust forward, with its mouth wide open in a roar. The neck is extended long in a nearly horizontal direction. Large amounts of dust, rocks, and pebbles are blowing violently backward. In the background, there are long horizontal speed lines expressing high-speed movement. The dragon's direction of movement is clearly from left to right. Mio is standing directly on top of the giant Gaia Dragon's head. Mio is standing on the dragon's head with both feet. Not sitting, not straddling, not lying down, not riding on the dragon's body. Standing upright using the giant dragon's head as a foothold. Mio's body is very small compared to the Gaia Dragon. An overwhelming size difference between the giant dragon and the small Mio. Do not depict Mio herself as giant. Prioritize the dragon's enormous size. Mio is raising a giant special attack sword high above her head with both hands. The sword is a super-large two-handed sword, far longer than Mio's body. The blade of the sword is completely vertical relative to the screen. A giant sword standing almost perpendicular to the ground. The tip of the sword is pointing toward the top of the screen. The entire length of the blade extends upward. Not a horizontal sword. Not a sword held horizontally. Not a sword thrust forward. Not a pose where Mio shows the sword sideways. A pose just before a special move, with Mio extending both arms above her head, holding the giant sword high. The giant sword is Mio's own original design. A large fantasy SF sword based on white, pink, graphite, and gold. A blue glowing energy core in the center. A very long and wide blade, weighty metal, complex forged structure, and a sharp tip. Depict it as a giant and powerful special weapon. Mio's equipment is original high-performance fantasy SF combat armor. Based on pink, white, graphite, and gold. A unique design exclusive to Mio. Shoulder armor, forearm armor, chest armor, waist armor, thigh armor, knee armor, and leg armor. Armor suitable for lightweight and high-speed combat. White and pink armor, dark inner frame, gold decorations, and blue glowing parts. Small boosters on the back and legs. Not a direct design from existing robot works, but original combat gear for a woman. Mio's long blonde hair is flowing strongly backward due to the fierce wind pressure from the Gaia Dragon's high-speed charge. The direction of the hair flow is opposite to the dragon's direction of travel. Ribbons on the armor and other details are also flowing violently backward due to wind pressure. As a stylistic effect, overlay a giant close-up of Mio's shouting profile at the top or top-left of the screen. Mio's profile, blonde hair, blue eyes, and an expression shouting the call of a special move with her mouth wide open. An expression of strong will, spirit, and tension. Through the giant close-up of the face, it can be clearly recognized that the small Mio in the center of the screen is Mio herself. Place the small actual Mio and the large shouting profile of Mio simultaneously. The giant face close-up is overlaid in the background as a stylistic insert cut. The main protagonist in the center of the screen is the giant Gaia Dragon. Mio is small. The Gaia Dragon's head and neck occupy the majority of the screen. Clearly define the huge size difference between Mio and the dragon. Horizontal high-speed movement, a fierce sense of sprinting, horizontal speed lines, scattering rocks, dust, shockwaves, wind pressure, and light particles. Mio's hair, equipment, the dragon's shell, and the dust all have the same direction of high-speed movement. A sense of dynamism that makes one realize a special move will be unleashed in the next moment, despite being a single still image. Hand-drawn cel-animation style reminiscent of 1990s Japanese robot anime special move scenes. Powerful line art, vivid colors, dramatic shading, and impactful action animation. An energetic background centered on pink, magenta, white, black, and graphite. 1280×992 landscape composition.
玉露

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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