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AI artwork featuring #Monster Hunter and #Tsubaki.3
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Monster Hunter

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#Monster Hunter
玉露

玉露

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Mio, masterpiece, best quality, full body toe, 8K resolution. Mio, clearly maintaining her familiar facial features, blonde hair, translucent blue eyes, natural young Japanese woman's face, a dignified and strong expression, an intense expression during battle. A charge scene just before Mio's special move, riding a giant Gaia Dragon. The composition is a completely horizontal high-speed action composition. The camera captures the side of the Gaia Dragon almost perfectly from the side. Not a front-facing composition, not a diagonal front composition, and not a composition that emphasizes the dragon's face from the front. A giant Gaia Dragon is charging violently from the left side of the screen to the right. The Gaia Dragon is a super-giant land-type dragon. The giant head and long neck occupy a large portion of the screen. The giant head is on the left side of the screen, and the long neck extends toward the right side. The massive body appears to continue off-screen. In this composition, depict the dragon's head and neck as the center; do not fit the entire body in the frame. Giant head, sharp horns, massive fangs, sharp claws, heavy rock-like scales, and hard outer shells layered multiple times. A rock-like dragon in black-grey reminiscent of the earth. A very giant and weighty existence. The Gaia Dragon is running at a furious speed sideways. The head is thrust forward, with its mouth wide open in a roar. The neck is extended long in a nearly horizontal direction. Large amounts of dust, rocks, and pebbles are blowing violently backward. In the background, there are long horizontal speed lines expressing high-speed movement. The dragon's direction of movement is clearly from left to right. Mio is standing directly on top of the giant Gaia Dragon's head. Mio is standing on the dragon's head with both feet. Not sitting, not straddling, not lying down, not riding on the dragon's body. Standing upright using the giant dragon's head as a foothold. Mio's body is very small compared to the Gaia Dragon. An overwhelming size difference between the giant dragon and the small Mio. Do not depict Mio herself as giant. Prioritize the dragon's enormous size. Mio is raising a giant special attack sword high above her head with both hands. The sword is a super-large two-handed sword, far longer than Mio's body. The blade of the sword is completely vertical relative to the screen. A giant sword standing almost perpendicular to the ground. The tip of the sword is pointing toward the top of the screen. The entire length of the blade extends upward. Not a horizontal sword. Not a sword held horizontally. Not a sword thrust forward. Not a pose where Mio shows the sword sideways. A pose just before a special move, with Mio extending both arms above her head, holding the giant sword high. The giant sword is Mio's own original design. A large fantasy SF sword based on white, pink, graphite, and gold. A blue glowing energy core in the center. A very long and wide blade, weighty metal, complex forged structure, and a sharp tip. Depict it as a giant and powerful special weapon. Mio's equipment is original high-performance fantasy SF combat armor. Based on pink, white, graphite, and gold. A unique design exclusive to Mio. Shoulder armor, forearm armor, chest armor, waist armor, thigh armor, knee armor, and leg armor. Armor suitable for lightweight and high-speed combat. White and pink armor, dark inner frame, gold decorations, and blue glowing parts. Small boosters on the back and legs. Not a direct design from existing robot works, but original combat gear for a woman. Mio's long blonde hair is flowing strongly backward due to the fierce wind pressure from the Gaia Dragon's high-speed charge. The direction of the hair flow is opposite to the dragon's direction of travel. Ribbons on the armor and other details are also flowing violently backward due to wind pressure. As a stylistic effect, overlay a giant close-up of Mio's shouting profile at the top or top-left of the screen. Mio's profile, blonde hair, blue eyes, and an expression shouting the call of a special move with her mouth wide open. An expression of strong will, spirit, and tension. Through the giant close-up of the face, it can be clearly recognized that the small Mio in the center of the screen is Mio herself. Place the small actual Mio and the large shouting profile of Mio simultaneously. The giant face close-up is overlaid in the background as a stylistic insert cut. The main protagonist in the center of the screen is the giant Gaia Dragon. Mio is small. The Gaia Dragon's head and neck occupy the majority of the screen. Clearly define the huge size difference between Mio and the dragon. Horizontal high-speed movement, a fierce sense of sprinting, horizontal speed lines, scattering rocks, dust, shockwaves, wind pressure, and light particles. Mio's hair, equipment, the dragon's shell, and the dust all have the same direction of high-speed movement. A sense of dynamism that makes one realize a special move will be unleashed in the next moment, despite being a single still image. Hand-drawn cel-animation style reminiscent of 1990s Japanese robot anime special move scenes. Powerful line art, vivid colors, dramatic shading, and impactful action animation. An energetic background centered on pink, magenta, white, black, and graphite. 1280×992 landscape composition.
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美桜,masterpiece, best quality,full body toe,8K解像度美桜、見慣れた美桜の顔立ちを明確に維持、金髪、透明感のある青い瞳、自然な若い日本人女性の顔立ち、凛々しく強い表情、戦闘中の激しい表情。 巨大なガイアドラゴンに乗った美桜の必殺技直前の突撃シーン。 構図は完全に横方向の高速アクション構図。 カメラはガイアドラゴンの側面をほぼ真横から撮影。 正面構図ではない、斜め前方からの構図ではない、ドラゴンの正面顔を強調する構図ではない。 巨大なガイアドラゴンが画面左から右へ猛烈な速度で突進している。 ガイアドラゴンは超巨大な地上型ドラゴン。 画面の大部分を巨大な頭部と長い首が占めている。 巨大な頭部は画面左側、長い首が画面右方向へ伸びている。 巨大な胴体は画面外へ続いているように見える。 今回の構図ではドラゴンの頭部と首を中心に描写し、胴体全体を画面に入れない。 巨大な頭部、鋭い角、巨大な牙、鋭い爪、重厚な岩石質の鱗、何重にも重なった硬質な外殻。 大地を思わせる黒灰色の岩石質ドラゴン。 非常に巨大で重量感のある存在。 ガイアドラゴンは横向きに猛烈な速度で走っている。 頭部は前方へ突き出し、口を大きく開いて咆哮している。 首は水平に近い方向へ長く伸びている。 大量の砂塵、岩石、小石が後方へ激しく吹き飛んでいる。 背景には高速移動を表現する長い横方向のスピードライン。 ドラゴンの移動方向は明確に左から右。 美桜は巨大なガイアドラゴンの頭部の真上に立っている。 美桜はドラゴンの頭部に両足で立っている。 座っていない、跨っていない、寝ていない、ドラゴンの胴体に乗っていない。 巨大なドラゴンの頭部を足場にして直立している。 美桜の身体はガイアドラゴンと比較して非常に小さい。 巨大なドラゴンと小さな美桜の圧倒的なサイズ差。 美桜自身を巨大に描かない。 ドラゴンの巨大さを最優先する。 美桜は両手で巨大な必殺剣を頭上高く振り上げている。 剣は美桜の身体よりはるかに長い超大型の両手剣。 剣の刀身は画面に対して完全に縦方向。 地面に対してほぼ垂直に立った巨大な剣。 剣先は画面上部へ向いている。 剣の長い刀身全体が上方向へ伸びている。 横向きの剣ではない。 水平に構えた剣ではない。 前方へ突き出した剣ではない。 美桜が剣を横に見せるポーズではない。 美桜が両手を頭上に伸ばし、巨大剣を高く掲げた必殺技直前のポーズ。 巨大剣は美桜専用のオリジナルデザイン。 白、ピンク、グラファイト、ゴールドを基調とした大型ファンタジーSFソード。 中央に青く発光するエネルギーコア。 非常に長く幅広い刀身、重量感のある金属、複雑な鍛造構造、鋭い剣先。 巨大で強力な必殺武器として描写する。 美桜の装備はオリジナルの高性能ファンタジーSF戦闘アーマー。 ピンク、ホワイト、グラファイト、ゴールドを基調とする。 美桜専用の独自デザイン。 肩部装甲、前腕装甲、胸部装甲、腰部装甲、太腿装甲、膝装甲、脚部装甲。 軽量で高速戦闘に適した装甲。 白とピンクの装甲、暗色の内部フレーム、ゴールドの装飾、青い発光部。 背部と脚部に小型ブースター。 既存ロボット作品のそのままのデザインではなく、オリジナルの女性用戦闘防具。 美桜の長い金髪はガイアドラゴンの高速突進による猛烈な風圧で後方へ大きく流れている。 髪の流れる方向はドラゴンの進行方向と反対。 装甲のリボンや細部も風圧によって激しく後方へ流れている。 画面上部または左上に、美桜の叫ぶ横顔の巨大なクローズアップを演出的に重ねる。 美桜の横顔、金髪、青い瞳、口を大きく開いて必殺技の掛け声を叫ぶ表情。 強い意志、気迫、緊張感のある表情。 巨大な顔のクローズアップによって、画面中央の小さな美桜が美桜本人であることを明確に認識できる。 小さな実際の美桜と、大きな美桜の叫ぶ横顔を同時に配置する。 巨大な顔のアップは演出的なインサートカットとして背景に重ねる。 画面中央の主役は巨大なガイアドラゴン。 美桜は小さい。 ガイアドラゴンの頭部と首が画面の大部分を占める。 美桜とドラゴンの巨大なサイズ差を明確にする。 横方向の高速移動、猛烈な疾走感、横方向のスピードライン、飛散する岩石、砂塵、衝撃波、風圧、光粒子。 美桜の髪、装備、ドラゴンの外殻、砂塵がすべて同じ高速移動の方向性を持つ。 一枚の静止画でありながら、次の瞬間に必殺技を繰り出すことが分かる躍動感。 1990年代日本ロボットアニメの必殺技シーンを思わせる手描きセルアニメ調。 力強い線画、鮮明な色彩、劇的な陰影、迫力のあるアクション作画。 ピンク、マゼンタ、白、黒、グラファイトを中心としたエネルギー感のある背景。 1280×992の横長構図。
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pro
Quality Tag
﹝Prompts﹞
Size
1600 x 1248
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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