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AI art "pin-up artist's posing,"
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pin-up artist's posing,

#Breasts#sitting#Turtleneck#solo#pink hair#Halo#Smile#Thighs#Shorts#Angel#blue eyes#Aqua eyes#Night#Angel Wings#Shirt#Sleeveless shirt#Sleeveless turtleneck#Cityscape#Bare legs#Bare shoulders#Looking at viewer#Sleeveless#Girl#Building#white shirt#Feet out of frame#Medium hair#Honkai: Star Rail#Hair Between Eyes

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1girl, angeloid robot, angelic entities, robot girl, mechanical wings, halo, pin-up pose, pin-up artist's posing, dynamic posing, short hair, volumetric hair, long hair, short shorts, sleeveless shirt, bare shoulders, exposed elbows, exposed knees, seductive smile, looking at viewer, futuristic city background, 2030s civilization level, neon lights, masterpiece, ultra detailed, toriyama akira \(style\), artist:wanke
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Original Prompt
angeloid robot with Angelic entities,[[2030年と1909年を端にして998年に折り目を付けて2つの時代をくっつけたような時代。2030年の文明水準。]]pin-up artist's posing, 余白を使いやすくするために、頭髪のボリュームを縦方向に増やす。 人物が動作したときに絵のフレームから切れない程度の余白を確保しておく。 肩が見える服とショートパンツで肘と膝を露出するように。 [ポージングに関して「肘の位置は、顔の中間の高さから指先までの複合的な線を作る」「膝の位置は、頭頂部から足先までの複合的な線を作る」という構えでdynamic posing,] 「火難」「風悪」「雨悪」「水難」「雷難」で、陸上で戦闘があるものは「火難」の風味を描き手の想念としてわずかに入れる。[[装備品など「水難避け」「火難避け」という予防と防護の加護を入れているものがある。]] [物理法則50％以上を適用する、現実にある物品と動物と人間に関して現実にあるものを100％とした時、制作する絵は物品は80％、動物は70％、人間は46％以上は適用する。獣人や魔族は人間と同じ造形で、幻想種の動物は作者の想像や創造に依存して自由なサイズにする。] [[鳥山明さんの線、　「マイナス３階から３階程度の」、「ボトム、ダウン、ストレンジ、グルーオン」と「Wボソンの気配が常にある。タキオンの気配があり設定は「今現在に相対したN年後またはN年前」。 鳥山明さんの絵の雰囲気：なんとなく中性子の気配がする。「ネオン　中性子マイナス2個、そして励起81％」、「クロムに1.4ナノメートル以内に接近した波状態の「マイナス2階のチャームクォーク」　とそのダークエナジーが関わり変容した後、そのダークエナジーはどこかへ消える。そんなダークエナジーの気配」、「Helm of Hades の機能の気配と、バイデントの気配」]] [「Pin-up photographer、線を1重に見ているタイプと多重に見ているタイプ、 1重の場合「紫外線からガンマ線の間」の単数か複数の種類の線を捉えている場合がある。 多重に見ている場合、「霊や幽的なエネルギー」「感情エネルギー的な何か」を見ているか見出しているかしている。」 3万8300ヘルツでガンマ線として線をいったん捉えて、元素72番の中性子線でいったん線を捉える。 ]
Quality Tag
﹝Prompts﹞, nhl-001, sketchy, cutest, pastel, beautiful anime aesthetic, very aesthetic, high definition, amazing quality, masterpiece, best quality, very aesthetic, highres, absurdres, sensitive
Size
720 x 1280
Sampling Steps
41
Sampling Method
Euler a
CFG Scale
6
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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Avatar image of ナギサ
1girl, pink hair, long hair, black mask covering mouth, black outfit, torn thighhighs, miniskirt, midriff, bare shoulders, night city, rain, pink eyes, score_9, score_8_up, score_7_up, source_anime, (((masterpiece,intricate details,ultra hires,illustration,detailed,4k,highest quality,ultra hd,high resolution,absurdres,8k,official visual,sharp lines,vivid contrast, glossy texture,aesthetic))),, illustaang2 (style), ((illustaang2, watercolor painting:1.5)), anime illustration, painterly, visible brush strokes, painterly shading, textured rendering, clean lineart, glossy rendering, detailed eyes, subtle gradients, soft lighting
ナギサ

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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