PixAI Membership

📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details
AI artwork
Generate New ArtworkGenerate for FreeGenerate for Free

V好き

v

V好き

More to See

Comments

A high-angle, diagonal shot depicts the storefront of a traditional dried fish specialty shop in a nostalgic Japanese shopping street. A large wooden display stand dominates the foreground, featuring slanted wire meshes crowded with an array of dried fish, including horse mackerel, splendid alfonsino, okhotsk atka mackerel, barracuda, squid, mackerel, and blackfinned slickhead. Each fish is rendered with meticulous detail, showing varying sizes, pale pink flesh, silvery skins, and amber-colored surfaces typical of dried seafood, with small handwritten wooden price tags placed beside them. In the background, the old shop facade features weathered wooden shelves, handwritten notices, a navy blue noren curtain, and vintage Japanese signage. Transparent plastic bags and styrofoam boxes sit at the corner of the stand, adding a sense of everyday realism. The scene is bathed in soft, warm afternoon sunlight under a clear sky, highlighting the rustic textures of aged wood. The visual style is that of high-quality theatrical anime background art, blending realism with a painterly touch, utilizing a natural color palette and gentle shadows to evoke a serene, nostalgic atmosphere.
Show Parameters
Original Prompt
日本の古い商店街にある、昔ながらの干物専門店の店先を描いた、どこか懐かしく温かみのある風景イラスト。 参考画像のように、店舗の前には大きな木製の陳列台が設置され、斜めに立てかけられた金網の上に、さまざまな種類の魚の干物が所狭しと並べられている。 干物の描写を最も重視する。 アジの開き、キンメダイ、ホッケ、カマス、イカ、サバ、エボダイなど、多種多様な干物が丁寧に陳列されている。 魚はそれぞれ異なる大きさ、形、色合いを持ち、淡い桃色の身、銀色に輝く皮、乾燥によって飴色になった表面など、干物特有の質感を精密に描写する。 それぞれの干物のそばには、手書きの値段が記された木札が置かれている。 店舗の奥には古びた木製の棚、商品案内の張り紙、紺色の暖簾、昔ながらの日本語の看板が並ぶ。 陳列台の隅には、干物を包んだ透明なビニール袋や発泡スチロールの箱も置かれ、実際に営業している店ならではの生活感を演出する。 背景と雰囲気： 晴れた昼下がりの日本の商店街。 柔らかな日差しが店先に差し込み、木製の陳列台や魚の表面を自然に照らしている。 派手な演出は避け、昔ながらの商店が持つ素朴な美しさ、長年使い込まれた道具の質感、昭和の面影を感じさせる。 イラストスタイル： 高品質な日本のアニメ背景美術。緻密な手描き風の描写、写実的な魚の質感、自然な色彩、柔らかな光と影。 背景美術に定評のある劇場版アニメのような、写真と絵画の中間にある繊細な仕上がり。 構図： 参考写真と同じような、やや高い位置から斜め下を見下ろす構図。 画面の大部分を干物の陳列台が占め、奥に店舗の外観が見える。魚の種類や並び方を一目で楽しめるようにする。 縦長9:16、超高精細、細密な背景描写。 重要：人物は一切描かない。 店員、買い物客、通行人、人物のシルエットや映り込みも不要。キャラクターを登場させず、干物専門店の風景そのものを主役にする。 仕上がりの方向性： 何気ない日本の日常風景でありながら、干物の種類や色彩、木札、古い店構えをじっくり眺めたくなる、情緒豊かな一枚。
Mode
lite
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.76k

Similar Images

Show more
AI artwork
v
A high-angle, diagonal shot depicts the storefront of a traditional dried fish specialty shop in a nostalgic Japanese shopping street. A large wooden display stand dominates the foreground, featuring slanted wire meshes crowded with an array of dried fish, including horse mackerel, splendid alfonsino, okhotsk atka mackerel, barracuda, squid, mackerel, and blackfinned slickhead. Each fish is rendered with meticulous detail, showing varying sizes, pale pink flesh, silvery skins, and amber-colored surfaces typical of dried seafood, with small handwritten wooden price tags placed beside them. In the background, the old shop facade features weathered wooden shelves, handwritten notices, a navy blue noren curtain, and vintage Japanese signage. Transparent plastic bags and styrofoam boxes sit at the corner of the stand, adding a sense of everyday realism. The scene is bathed in soft, warm afternoon sunlight under a clear sky, highlighting the rustic textures of aged wood. The visual style is that of high-quality theatrical anime background art, blending realism with a painterly touch, utilizing a natural color palette and gentle shadows to evoke a serene, nostalgic atmosphere.
V好き

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile