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View detailsSu Mizumiya, Hololive Production
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- Original Prompt
- ホロライブDEV_IS「FLOW GLOW」の水宮枢(みずみや すう)。おしゃれで落ち着いたカフェの窓際に座り、大きな透明カップに入ったタピオカミルクティーを飲んでいる。水色を基調とした髪に淡いピンクのメッシュ、特徴的なヘアアクセサリー、大きく透き通った青い瞳。衣装は水宮枢の普段の公式衣装を忠実に再現する。両手でカップを優しく持ち、太い黒いストローをくわえてタピオカミルクティーを飲んでいる。頬をほんのり赤く染め、幸せそうな可愛らしい表情。少し上目遣いでこちらを見つめている。透明カップの底には黒く丸いタピオカがたっぷり入っており、ミルクティーの淡い茶色とのコントラストが美しい。背景には柔らかな午後の日差しが差し込むカフェ。木製テーブル、観葉植物、窓の外の街並み。背景は自然なボケ表現。キャラクターを中心にしたバストアップ構図。繊細な髪の描写、透明感のある肌、柔らかな光、美しい瞳、自然な手指、高品質な日本のアニメイラスト、フルカラー、精密な描き込み、温かく穏やかな日常風景。横長16:9、文字・ロゴ・透かしなし、人物は水宮枢のみ、ペットなし。
- Mode
- lite
- Size
- 768 x 1280
Model & LoRA used
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character: mizumiya_su. A medium shot from a 3/4 view depicts mizumiya_su sitting by a window in a stylish, calm cafe. She has light blue hair with pale pink streaks, featuring her characteristic hair ornaments and large, clear blue eyes; she is looking up at the viewer with a happy, cute expression and slightly flushed cheeks. She is wearing her official outfit, including a white jacket over a blue shirt. She is holding a large transparent cup of bubble tea with both hands, sipping through a thick black straw, with black tapioca pearls clearly visible at the bottom of the light brown tea. The background shows a wooden table, indoor plants, and a blurred cityscape through the window under soft afternoon sunlight. The scene is rendered in a high-quality anime style with a warm, peaceful atmosphere, featuring a soft bokeh effect on the background and detailed textures on her skin and hair.
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character: mizumiya_su. A medium shot from a 3/4 view depicts mizumiya_su sitting by a window in a stylish, calm cafe. She has light blue hair with pale pink streaks, featuring her characteristic hair ornaments and large, clear blue eyes; she is looking up at the viewer with a happy, cute expression and slightly flushed cheeks. She is wearing her official outfit, including a white jacket over a blue shirt. She is holding a large transparent cup of bubble tea with both hands, sipping through a thick black straw, with black tapioca pearls clearly visible at the bottom of the light brown tea. The background shows a wooden table, indoor plants, and a blurred cityscape through the window under soft afternoon sunlight. The scene is rendered in a high-quality anime style with a warm, peaceful atmosphere, featuring a soft bokeh effect on the background and detailed textures on her skin and hair.
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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