Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

アイヌ風クロキツネちゃんの酒盛り

カムイなので

#Original#Kemonomimi#Fox-Eared Girl Contest
More to See

Comments

sharp lines, vivid colors, high contrast, ink strokes, beautiful light, best shadow, color blink, anime girl, solo, masterpiece, best quality, best aesthetic, five fingers, mastbest aesthetic, ultra_detailed, girl, high saturation, detailed hair, detailed background, best-quality, ultra-detailed lineart, intricate details, vibrant color, chromatic aberration, hair strands, fine lineart, manga style, High-quality and detailed original character illustration. Prioritize the depiction of the character, drawing them larger than the background and props so they occupy most of the screen. Focus heavily on the face, golden eyes, black hair with purple inner color, fox ears, the sake vessel above the head, and the gesture of trying to catch the last drop with the tongue. Slight low angle. An immersive composition viewed from a camera position close to the character. 【Character Setting】 An original black fox deity. Appears to be a girl around 16 years old, but has lived for hundreds of years as a god. The face, skin, arms, hands, torso, and legs are in human form. The only fox characteristics are a pair of fox ears on the head and a single fox tail. She does not have an animal snout or animal face. Healthy brown skin, a slender and petite build, and a natural human skeleton. 【Face and Hair】 Long, straight black hair. The inner part of the hair is a vivid purple. Asymmetrical bangs cover one eye, while the visible eye is golden. Large rounded eyes, slightly upturned corners, and short, rounded eyebrows. Carefully depict the black hair, purple inner color, fine hair strands, and natural gloss. 【Fox Ears and Tail】 A pair of large black fox ears on the head. The insides are vivid purple, naturally transitioning to a pale grayish-purple at the tips. A single tail that naturally transitions from black fur to a vivid purple tip. Carefully depict the fluffy fur and soft texture. 【Costume】 Original clothing inspired by Ainu culture. Based in black, with crimson and dark purple Moreu/Aiuys-style geometric patterns. A black apron-like cloth hanging from the neck covers from the chest to the torso and hips. Beneath that, independent short hakama. On the legs, opaque black tights without patterns, and on the feet, black flat-sole sandals. Around the shoulders and back is an independent floating jacket slightly away from the body. Black exterior, vivid purple lining, crimson borders, and Ainu-style geometric patterns. Draw it as a complete garment with the torso and both sleeves connected; do not make it "sleeves only." The arms do not pass through the sleeves; the jacket floats around the body. Clearly distinguish the apron, hakama, and jacket as separate pieces of clothing. On the neck, both wrists, and both ankles are decorations combining straw-colored shimenawa ropes with crimson and dark purple cloth fragments or strings. A separate bead necklace on the neck. On the head, a Matanpusi-style headband with crimson and purple patterns on a black background. Nails are long, glossy, and vivid purple. Black Ainu-style geometric tattoos on the shoulders, collarbones, and the base of the upper arms. 【Pose and Gesture】 In the middle of a feast, sitting cross-legged (agura) on a mat. While in a cross-legged posture, the knees and full legs may be cropped out at the bottom of the screen because the camera is close to the character. Do not force the knees into the frame; prioritize the upper body, face, and the gesture above the head. One hand is holding an empty doburoku vessel high above the head, tilting it downward. The inside of the vessel is visible, showing it is nearly empty. A single last drop is slightly dripping from the rim. The black fox girl has her tongue out, trying to catch that droplet. Draw the tongue in a natural shape. No specific instruction for the mouth shape, as long as the gesture of sticking out the tongue to catch the drop is clearly conveyed. The other hand supports her naturally near her body or knees. 【Expression and Gaze】 The gaze is toward the screen, meaning she is looking at the viewer. Make it clear that the golden eyes are facing the camera. Being seen tilting the sake vessel above her head and sticking out her tongue to catch the last drop, she is blushing slightly in embarrassment. Not an exaggerated gag face, but an expression that conveys natural shyness and awkwardness. 【Sake Vessel and Feast Props】 The sake vessel above the head is a rustic ceramic doburoku vessel used in traditional Japanese feasts. Almost nothing remains inside. Only the final drop drips from the rim; do not draw large amounts of flowing liquid. On the floor is a woven mat. Ceramic sake cups, plates of food, and small bowls are placed directly on the mat. No tables or desks are used. Props should be placed modestly so as not to hide the character's face, hands, or costume. 【Composition and Camera】 A composition very close to the character. Slight low angle, making the face and upper body appear large. Ensure the sake vessel held above the head and the final drop dripping from it fit within the frame. Clearly depict the face, golden eyes, the gesture of the tongue being out, the embarrassed expression, and the hand holding the vessel. The knees and full legs may be cropped at the bottom. Maintain the cross-legged posture as a setting, but do not zoom out the camera just to show the legs. Draw the tail in a natural position and size, maintaining balance with the body and background. Draw the character sharply and in high definition, while keeping background details modest. 【Background and Atmosphere】 A traditional Japanese feast scene. Mats are spread on the floor, with sake cups and small food bowls placed directly upon them. Warm indoor light enhances the textures of the black hair, purple hair, brown skin, and black clothing. Express a mysterious presence befitting a deity, and a vulnerable, approachable moment during a feast. The background remains a supporting element to emphasize the character. 【Important Priorities】 Prioritize closeness to the character. Draw the face and upper body large, clearly showing the empty sake vessel above the head, the final drop, the gesture of sticking out the tongue to catch it, the golden eyes facing the screen, and the embarrassed expression. Maintain the cross-legged pose, but the knees may be cropped. Do not include tables; place vessels directly on the mat. Keep the tail at a natural size and shape. Since it is "off-mode," do not include magical flames, glowing fire, or sparks. The costume must be worn completely; do not omit any parts. 【Elements to Avoid】 Nudity, missing clothing, exposure of chest or lower body, transparent clothing, missing apron, missing hakama, missing tights, missing sandals, missing jacket, sleeves-only jacket, multiple tails, excessively huge tail, animal snout, animal face, unnatural fingers, extra limbs, gaze diverted away from the screen, zooming out too far to show knees, large amounts of flowing sake, full sake vessel, tables, desks, magical flames, sparks, text, logos, watermarks.
Show Parameters
Original Prompt
高品質で精細なオリジナルキャラクターイラスト。キャラクターの描写を最優先し、背景や小道具よりも大きく、画面の大部分を占めるように描く。顔、金色の瞳、黒髪と紫色のインナーカラー、狐耳、頭上の酒器、舌で最後の一滴を受け止めようとする仕草を重点的に描写する。ややローアングル。キャラクターに近いカメラ位置から見た、臨場感のある構図。 【キャラクター設定】 オリジナルの黒狐の神様。外見は16歳ほどの少女だが、神として何百年もの時を生きている。顔、肌、腕、手、胴体、脚は人間の形態。狐の特徴は頭部の一対の狐耳と一本の狐の尻尾のみ。獣の鼻口部や動物の顔は持たない。健康的な褐色肌、華奢で細身の体型、自然な人間の骨格。 【顔と髪】 長くまっすぐな黒髪。髪の内側は鮮やかな紫色。左右非対称の前髪が片目を覆い、見えている片目は金色。丸みのある大きな瞳、ややつり上がった目元、短く丸みのある眉。黒髪と紫色のインナーカラー、細かな毛束、自然な艶を丁寧に描く。 【狐耳と尻尾】 頭には大きな黒い狐耳が一対。内側は鮮やかな紫色で、耳先は淡い灰紫色へ自然に変化する。尻尾は一本で、黒い毛並みから先端の鮮やかな紫色へ自然に変化する。ふんわりとした毛並みと柔らかな質感を丁寧に描く。 【衣装】 アイヌ文化に着想を得たオリジナル衣装。黒を基調に、深紅と濃紫のモレウ・アイウシ風の幾何学模様をあしらう。首から吊るされた黒い前掛け状の布が胸元から胴体、腰までを覆う。その下には独立した短い袴。脚には模様のない不透明な黒いタイツ、足元には黒いフラットソールのサンダル。 肩と背中の周囲には、身体から少し離れて浮遊する独立したジャケット。黒い外側、鮮やかな紫色の裏地、深紅の縁取り、アイヌ風の幾何学模様。胴体と左右の袖がつながった完全な一着として描く。袖だけの衣装にしない。腕は袖に通さず、ジャケットは身体の周囲に浮いている。前掛け、袴、ジャケットはそれぞれ独立した衣服として明確に描き分ける。 首、左右両方の手首、左右両方の足首には、藁色のしめ縄と深紅・濃紫の布片や紐を組み合わせた装飾。首には別途ビーズのネックレス。頭には黒地に深紅と紫の模様を施したマタンプシ風の鉢巻き。爪は長く伸びた艶のある鮮やかな紫色。肩、鎖骨、上腕の付け根には黒を基調としたアイヌ風の幾何学的なタトゥー。 【ポーズと仕草】 宴の最中、敷物の上に胡坐をかいて座っている。両脚を組んだ胡坐の姿勢だが、カメラはキャラクターに近いため、膝や脚の全体は画面下で見切れていてよい。膝を無理に画面内へ収めず、上半身と顔、頭上の仕草を優先する。 片手で空になったどぶろくの器を頭上まで高く持ち上げ、口を下に向けて傾けている。器の内側が見え、ほぼ空であることがわかる。器の縁から最後の一滴がわずかに垂れ落ちている。黒狐ちゃんは舌を出して、その水滴を受け止めようとしている。舌は自然な形で描く。口の形状について特定の指定はせず、舌を出して水滴を受け止める仕草が明確に伝わるようにする。もう片方の手は身体や膝の近くで自然に支える。 【表情と視線】 視線は画面側、つまりこちらを見る。金色の瞳がカメラの方向を向いていることを明確にする。酒器を頭上で傾け、舌を出して最後の一滴を受けようとしているところを見られ、少し恥ずかしそうに頬を赤らめている。大げさなギャグ顔ではなく、自然な照れと気まずさを感じさせる表情。 【酒器と宴の小道具】 頭上の酒器は素朴な日本の宴で使われる陶器のどぶろく用の器。中身はほとんど残っていない。器の縁から垂れる酒は最後の一滴だけ。大量に流れ出る液体は描かない。 床には織り模様のある敷物。敷物の上には陶器の酒杯、料理の盛られた皿、小鉢を直接置く。テーブルや机は一切使わない。小道具はキャラクターの顔、手、衣装を隠さない程度に控えめに配置する。 【構図とカメラ】 キャラクターにかなり寄った構図。ややローアングルで、顔と上半身を大きく見せる。頭上に持ち上げた酒器と、そこから垂れる最後の一滴が画面内に収まるようにする。顔、金色の瞳、舌を出した仕草、照れた表情、酒器を持つ手を明瞭に描写する。膝や脚の全体は画面下で見切れてよい。胡坐の姿勢は設定として維持するが、脚を見せるためにカメラを引かない。尻尾は自然な位置と大きさで描き、身体や背景とのバランスを保つ。キャラクターはシャープかつ高精細に描き、背景の細部は控えめにする。 【背景と雰囲気】 伝統的な日本の宴の場。床には敷物が広がり、酒杯や料理の小鉢が直接置かれている。暖かな室内光が黒髪、紫色の髪、褐色肌、黒い衣装の質感を引き立てる。神様らしい不思議な存在感と、宴の最中の無防備で親しみやすい一瞬を表現する。背景はキャラクターを引き立てるための補助要素に留める。 【重要な優先事項】 キャラクターへの寄りを最優先する。顔と上半身を大きく描き、頭上の空の酒器、最後の一滴、舌を出して受け止めようとする仕草、画面側を向く金色の瞳、恥ずかしそうな表情を明確にする。胡坐は維持するが、膝は画面下で見切れてよい。テーブルは置かず、器は敷物の上に直接置く。尻尾は自然な大きさと形状を保つ。オフモードのため、魔法の炎、発光する炎、火花などの演出は入れない。衣装は完全に着用し、省略しない。 【避ける要素】 裸体、衣装の欠落、胸や下半身の露出、透ける衣服、前掛けの欠落、袴の欠落、タイツの欠落、サンダルの欠落、ジャケットの欠落、袖だけのジャケット、複数の尻尾、過剰に巨大な尻尾、獣の鼻口部、動物の顔、不自然な手指、余分な手足、視線を画面外へ逸らすこと、膝を見せるためにカメラを引きすぎること、大量に流れ出る酒、満杯の酒器、テーブル、机、魔法の炎、火花、文字、ロゴ、透かし。
Mode
pro
Size
944 x 1584
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬