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AI art "アイヌ風クロキツネちゃんと一杯" featuring #Original, #Kemonomimi, #Ainu People and #PixAI Recipe

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アイヌ風クロキツネちゃんと一杯

レシピ出来てるのか・・・？

Contest Entry

PixAI Tsubaki.3 Creation Contest: Create with Recipes

#Original #Kemonomimi #Ainu People

Published on Oct 16, 2026

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ORIGINAL CHARACTER ONLY. Preserve the established design of KUROKITSUNE-CHAN. Use the established character LoRA for identity consistency. Do not redesign her face, body, hair, fox traits, or signature outfit. CHARACTER — KUROKITSUNE-CHAN A 16-year-old original black fox-inspired girl, 160 cm tall, with warm brown skin and a slender, delicate build. Human face and human anatomy; fox traits are limited to fox ears and one fluffy tail. No muzzle or animal-like facial anatomy. Long, straight black hair with a vivid purple underside. Asymmetrical bangs cover one eye, leaving one golden eye visible. Large black fox ears with vivid purple inner fur and tips fading subtly into pale grayish purple. One large fluffy black fox tail with a vivid purple tip. Her expression is mischievous, playful, and lively. She is tipsy, cheerful, and enjoying the moment, with warmly flushed cheeks, a broad happy grin, and a relaxed, slightly half-lidded golden eye. Preserve her established facial identity. SIGNATURE OUTFIT — ESSENTIAL DETAILS Preserve her distinctive black Ainu-inspired fantasy outfit. Main colors: black, vivid purple, and deep red. Do not replace it with a generic kimono, yukata, modern casual clothing, or a conventional dress. A black apron-like garment extending from the neck down over the chest and torso to the waist. A separate short black hakama layered over opaque black tights. Keep the hakama and tights as distinct garments. Black geometric Ainu-inspired embroidery featuring Moreu- and Aiushu-inspired motifs in vivid purple and deep red. A separate, complete black jacket floating slightly away from her body. It has a connected body, shoulders, and both sleeves, with vivid purple lining, deep red edging, and Ainu-inspired geometric motifs. It is a complete jacket, not detached sleeves. Her arms move naturally without passing through the jacket fabric. The back of the outfit is open from the base of the neck to the waist, with no central back fabric. Her hair naturally obscures this opening from the front. A black headband inspired by the traditional Ainu Matampushi, decorated with deep red and purple patterns. A separate bead necklace. Straw-colored shimenawa cords combined with deep red and dark purple cloth strips and thin strings, worn at the neck, BOTH wrists, and BOTH ankles. These are three-dimensional accessories, not embroidery or flames. Keep them in their correct positions. Black geometric tattoos directly on the skin around the shoulders, collarbone, and upper arms. Long, sharp, glossy vivid-purple fingernails. Simple flat black sandals, visible only if the framing includes her feet. Keep her body slender, with narrow shoulders, thin limbs, a modest bust, and natural, understated hips and thighs. Maintain her warm brown skin tone. Do not exaggerate her proportions. SCENE — JAPANESE IZAKAYA COUNTER Kurokitsune-chan is sitting on a stool at a traditional Japanese izakaya counter, sharing a lively drinking moment with the viewer seated directly beside her. CAMERA AND PERSPECTIVE A slightly elevated, downward-looking camera angle, as if the viewer is seated next to her and looking slightly down toward her. Use moderately strong perspective distortion and foreshortening for a dynamic, intimate composition. Kurokitsune-chan leans forward toward the viewer, bringing her face noticeably closer to the camera. Her face appears larger in the foreground than her torso because of the perspective. Her head and face are the dominant focal point, with her upper body receding naturally into the scene. Make the perspective visibly noticeable but keep her facial anatomy attractive and coherent. She looks directly toward the viewer with a cheerful, tipsy expression, as if inviting the viewer to join her in a toast. Her face is close to the camera, creating a playful sense of proximity and familiarity. POSE AND INTERACTION She is happily drunk and laughing, with flushed brown cheeks, a wide joyful grin, and a lively, mischievous expression. Her posture is loose and relaxed, leaning forward over the counter. One arm reaches toward the viewer, holding a small Japanese sake cup (ochoko) and offering it directly to the viewer in a friendly toast. The ochoko is closer to the camera than her torso and is visibly foreshortened, making the gesture feel immediate and inviting. Keep the cup clearly recognizable and visible, with a natural grip. Her other hand rests casually on the counter or gestures as she laughs. Show her long, glossy purple nails when visible. Hands must have natural anatomy, with five fingers on each hand and a believable grip on the cup. COUNTER AND PROPS The wooden izakaya counter is set with Japanese food and drinks. Arrange several sake bottles and traditional ceramic sake flasks (tokkuri) on the counter alongside small plates of izakaya food, a dish of snacks, and a few ceramic bowls. Include a mixture of bottle shapes and labels to create the atmosphere of a well-used neighborhood izakaya. The bottles and tokkuri should be clearly recognizable, arranged naturally rather than in a rigid row. Keep the food and drinkware around the counter without blocking her face or the extended ochoko. The offered cup is the key foreground prop. The bottles, tokkuri, and dishes add context while remaining secondary to the character. LIGHTING AND BACKGROUND Warm amber lantern light illuminates her face, brown skin, black hair, purple accents, and deep red embroidery. The background suggests a cozy Japanese izakaya with wooden surfaces, hanging lanterns, bottles, and handwritten menu slips, softly out of focus. Use a shallow depth of field to keep attention on her face and the offered ochoko. SIGNATURE MAGICAL EFFECTS Retain her characteristic black and vivid-purple flame effects, subtle enough to suit the intimate indoor setting. Small curling wisps drift around the floating jacket cuffs, hair tips, and tail. These are decorative supernatural flames and must not ignite the counter, bottles, food, clothing, or surroundings. Do not let them obscure her face, hands, shimenawa accessories, tattoos, or outfit details. COMPOSITION PRIORITIES Her face is close to the camera and appears enlarged by perspective. Her joyful, tipsy laughter and direct engagement with the viewer. Her outstretched hand offering an ochoko toward the viewer. Her established black-and-purple Ainu-inspired outfit and signature accessories. The izakaya counter with food, several sake bottles, and ceramic tokkuri. Intimate adjacent-seat viewpoint, slightly elevated camera, dynamic foreshortening, clear foreground-to-background depth. Keep the character as the main subject and avoid letting the props dominate the composition. NEGATIVE CONSTRAINTS No character redesign, no copyrighted character imitation, no generic fox-girl design, no muzzle, no animal snout, no extra tails, no extra ears, no pale skin, no exaggerated bust, no exaggerated hourglass figure, no generic kimono, no yukata, no school uniform, no casual replacement outfit, no merged hakama and tights, no missing apron-like torso garment, no missing floating jacket, no detached sleeves replacing the complete jacket, no missing headband, no missing bead necklace, no missing shimenawa accessories, no accessories consolidated onto one wrist or ankle, no tattoos converted into clothing patterns, no flames obscuring the character, no face too far from the camera, no flat perspective, no stiff upright posture, no tiny face, no malformed facial features, no malformed hands, no extra fingers, no missing fingers, no fused fingers, no deformed ochoko, no floating bottles, no duplicated props, no clutter covering the offered cup, no exaggerated chibi proportions, no oversized head unrelated to perspective, no background crowd competing with the character.

アイヌ風クロキツネちゃんと一杯

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