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Hengdian-chan — Is the Scene Over Yet?
Hengdian-chan, a professional background extra specializing in Japanese soldiers who die in increasingly anatomically improbable positions. After delivering her critically acclaimed 0.7-second death scene in yet another Chinese WWII television drama, she is now discreetly checking whether the director has called "Cut." Unfortunately, nobody seems to have noticed. As a dedicated professional, she must remain officially deceased until further notice. The real tragedy is that lunch break started ten minutes ago.
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- flash
- Size
- 1104 x 1824
Model & LoRA used
1 private models used
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character: specter_(arknights)
𐄑𐅁̂ ⩊፟ ̂𐅀𐄑, masterpiece, sketch, slightly rough analog line art, fine paper grain, subtle print noise, clean yet hand-drawn lines, varied line weight, bold black outlines, fine inner lines for hair and fabric folds, minimal highlights, graphic composition., sebonelong_style, soft_semi-painterly_anime, textured_rendering, dreamy_melancholic_aesthetic, layered_soft_shading, translucent_shadows, muted_cool_palette, diffused_highlights, watery_glossy_eyes, painterly_skin_texture, grainy_overlay, sketchy_lineart, drooping eyes, grey eyes, snaggletooth, downer, pink long hair, sister, large rifle, lying next to a gun in a room that looks like it's covered in dust, moving fingers as if tracing the lines of the wooden floor, orange light shining overall, showing from the neck up, an expression as if slowly waiting for time to pass
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character: paige_(deadlock)
1girl, orange hair, ponytail, green eyes, red-framed eyewear, round eyewear, communist uniform, military cap, military tunic, belted waist, high-waist trousers, boots, from above, looking up, leaning forward, wide-eyed, light smile, looking at viewer
A high-angle view looks down upon a girl with bright orange hair tied in a high ponytail and green eyes. She wears red-framed round glasses and a crisp, olive-drab communist military uniform consisting of a high-collared tunic cinched at the waist by a brown leather belt and matching trousers tucked into polished black boots. A military peaked cap sits atop her head, tilted slightly forward. She is leaning far forward toward the lens, her weight shifted onto the balls of her feet, with her hands clasped behind her back. Her gaze is directed straight up at the viewer with a curious, wide-eyed expression and a faint, closed-lip smile. She stands on a seamless, neutral grey studio floor; the light is a soft, diffused overhead source that casts a gentle shadow directly beneath her boots and creates a subtle highlight on the bridge of her red frames. The palette is dominated by the muted olive of the uniform contrasted against the vibrant orange of her hair and the stark red of her eyewear. Effortlessly stylish.
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