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息耐者カール
Show Parameters
- Mode
- flash
- Style
- 90s Retro-Cell
- Size
- 1632 x 1232
Style: 90s Retro-Cell
Model & LoRA used
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3girls, 1boy, male focus, group, heart-shaped pupils, heart-shaped lights, glowing frame, bride, wedding dress, white satin dress, white lace dress, deep plunging neckline, large breasts, cleavage, kissing cheek, kissing both cheeks, cheek kiss, simultaneous kiss, closed eyes, blush, head tilt, leaning in, from below, cowboy shot, centered composition, symmetrical, symmetrical framing, arms at sides, standing, surprised, open mouth, happy, joyful, heart, love, confetti, falling petals, blue background, blue gradient, gray-green, cream, warm skin, dark hair, black hair, white dress, blue light
The camera looks up from just below chest height in a centered, symmetrical cowboy shot: a man stands square in the middle of the frame with a bride pressed close on each side of him. He is a broad-shouldered adult man with short black hair and a dark formal suit, his shoulders pulled up slightly, arms hanging loose and forgotten at his sides, hands slack and open at his hips — caught completely off guard, chin lifted, mouth open in a delighted gasp, a flush across the tops of his cheeks. His eyes are wide open and inside each eye the pupils have bloomed into full rounded hearts, pink-red and glossy, glowing with a small pinpoint highlight. From the left, a bride in a white satin gown leans in toward him, her lips pressed against his left cheek; from the right, a bride in a white lace gown leans in and kisses his right cheek, so the two kisses land on his skin at exactly the same instant. Both brides have closed their eyes and tilted their heads into the kiss, and each presses one hand flat against his opposite shoulder for balance, fingertips dimpling the fabric of his jacket; their deep plunging necklines fall forward with the lean, showing soft shadowed cleavage on both sides. Their hair falls forward off their shoulders, satin sheen on the left, lace texture on the right, and a few loose strands brush his jaw.
Around all three of them hangs a wreath of heart-shaped lights: a dozen and more little glowing hearts strung at different depths, some sharp in the foreground, some softly out of focus behind their shoulders, looping overhead and down the sides so the glow frames the group like a halo of hearts. Behind them the whole background is a clean blue gradient, deep at the top and lighter toward the bottom, with a band of muted gray-green at the edges and pale ivory highlights where the hearts flare. The heart lights are the scene's key light: warm cream-white points that strike the three faces from in front and above, leaving soft shadow under the chins and inside the necklines, catching a wet shine on the hearts in his eyes, and glinting along the satin and on the pearls of the lace. Confetti and a scatter of tiny heart motes drift down through the glow, and each petal and paper scrap catches the light only on its upward-facing side, the undersides staying in shade. The palette stays in cool blue, charcoal, cream and desaturated gray-green, skin tones the warmest cream in the frame, everything cut into flat high-contrast shapes with clean outlines and simple shadows. Effortlessly joyful.
息耐者カール
息
3girls, 1boy, male focus, three people, man in the center, two brides on either side, bride on the left, bride on the right, double cheek kiss, kissing both cheeks, lips pressed to his cheeks, heart-shaped eyes, heart pupils, glowing heart-shaped frame, heart-shaped light border, cleavage, plunging neckline, white wedding dress, satin wedding gown, lace wedding gown, strapless gown, bare shoulders, bridal veil, long hair, looking at each other, closed eyes, blush, half-closed eyes, from front, upper body, close-up, centered composition, pink and white palette, cel shading, clean outlines, flat colors, TV anime frame
A symmetrical upper-body close-up shot from the front, cropped just below the bust so the three faces, the two brides' décolletage and the whole heart-shaped light frame all sit inside the picture. In the center stands a young man with short dark hair, head tipped back a little and chin lifted, both cheeks caught between two women leaning in from left and right; his eyes are wide open and his pupils are crisp glowing pink hearts, no normal iris left around them, and his mouth hangs slightly open in a dazed grin with a shine of colour at the lips. On the left, a bride with her hair swept up under a short tulle veil presses her lips to his right cheek, her near hand resting flat on his shoulder, the other arm curled behind his back; she wears a white satin gown with a plunging neckline that opens a deep V, the satin catching a hard highlight along the edge of the fabric. On the right, a second bride with long loose hair flowing out behind her shoulders kisses his left cheek, her fingers spread lightly over his chest, her gown white lace with a matching plunging neckline showing the same open cleavage, lace scallops tracing the neckline edge. Both brides' heads tilt inward toward his face, their eyes shut in the kiss, lashes down, cheeks flushed; neither looks at the camera. Shoulders overlap in a clean occlusion order: the brides' veils and falling hair cross in front of the man's shoulders, the man's collar sits behind both women's arms.
The environment is a warm pale-pink field behind them, out of focus, and ringing the whole group is a heart-shaped frame of glowing light, a continuous luminous outline with a soft pink-white bloom, brightest at the top cleft of the heart and thinning as it runs down the sides; it is the only light source, so its glow rims the tops of all three heads, rims the brides' veils in a luminous edge, and falls off into a slightly darker pink at the bottom corners of the frame. Colour is disciplined: white and warm skin tones, pink glow, and a single saturated rose-red landing only in the two heart pupils and the flush on all three pairs of cheeks. Where the glow crosses the brides' veils the chiffon goes translucent and the light shows through it. Rendering is a cute cel-shaded anime look with strong hand-drawn TV-anime energy: flat high-contrast colour fills, clean confident outlines, simple two-tone shadows with no gradients inside the shadow shapes. Sweet, giddy, joyfully shameless.
息耐者カール
3girls, 1boy, male focus, group, heart-shaped pupils, heart-shaped lights, glowing frame, bride, wedding dress, white satin dress, white lace dress, deep plunging neckline, large breasts, cleavage, kissing cheek, kissing both cheeks, cheek kiss, simultaneous kiss, closed eyes, blush, head tilt, leaning in, from below, cowboy shot, centered composition, symmetrical, symmetrical framing, arms at sides, standing, surprised, open mouth, happy, joyful, heart, love, confetti, falling petals, blue background, blue gradient, gray-green, cream, warm skin, dark hair, black hair, white dress, blue light
The camera looks up from just below chest height in a centered, symmetrical cowboy shot: a man stands square in the middle of the frame with a bride pressed close on each side of him. He is a broad-shouldered adult man with short black hair and a dark formal suit, his shoulders pulled up slightly, arms hanging loose and forgotten at his sides, hands slack and open at his hips — caught completely off guard, chin lifted, mouth open in a delighted gasp, a flush across the tops of his cheeks. His eyes are wide open and inside each eye the pupils have bloomed into full rounded hearts, pink-red and glossy, glowing with a small pinpoint highlight. From the left, a bride in a white satin gown leans in toward him, her lips pressed against his left cheek; from the right, a bride in a white lace gown leans in and kisses his right cheek, so the two kisses land on his skin at exactly the same instant. Both brides have closed their eyes and tilted their heads into the kiss, and each presses one hand flat against his opposite shoulder for balance, fingertips dimpling the fabric of his jacket; their deep plunging necklines fall forward with the lean, showing soft shadowed cleavage on both sides. Their hair falls forward off their shoulders, satin sheen on the left, lace texture on the right, and a few loose strands brush his jaw.
Around all three of them hangs a wreath of heart-shaped lights: a dozen and more little glowing hearts strung at different depths, some sharp in the foreground, some softly out of focus behind their shoulders, looping overhead and down the sides so the glow frames the group like a halo of hearts. Behind them the whole background is a clean blue gradient, deep at the top and lighter toward the bottom, with a band of muted gray-green at the edges and pale ivory highlights where the hearts flare. The heart lights are the scene's key light: warm cream-white points that strike the three faces from in front and above, leaving soft shadow under the chins and inside the necklines, catching a wet shine on the hearts in his eyes, and glinting along the satin and on the pearls of the lace. Confetti and a scatter of tiny heart motes drift down through the glow, and each petal and paper scrap catches the light only on its upward-facing side, the undersides staying in shade. The palette stays in cool blue, charcoal, cream and desaturated gray-green, skin tones the warmest cream in the frame, everything cut into flat high-contrast shapes with clean outlines and simple shadows. Effortlessly joyful.
息耐者カール
息
3girls, 1boy, male focus, three people, man in the center, two brides on either side, bride on the left, bride on the right, double cheek kiss, kissing both cheeks, lips pressed to his cheeks, heart-shaped eyes, heart pupils, glowing heart-shaped frame, heart-shaped light border, cleavage, plunging neckline, white wedding dress, satin wedding gown, lace wedding gown, strapless gown, bare shoulders, bridal veil, long hair, looking at each other, closed eyes, blush, half-closed eyes, from front, upper body, close-up, centered composition, pink and white palette, cel shading, clean outlines, flat colors, TV anime frame
A symmetrical upper-body close-up shot from the front, cropped just below the bust so the three faces, the two brides' décolletage and the whole heart-shaped light frame all sit inside the picture. In the center stands a young man with short dark hair, head tipped back a little and chin lifted, both cheeks caught between two women leaning in from left and right; his eyes are wide open and his pupils are crisp glowing pink hearts, no normal iris left around them, and his mouth hangs slightly open in a dazed grin with a shine of colour at the lips. On the left, a bride with her hair swept up under a short tulle veil presses her lips to his right cheek, her near hand resting flat on his shoulder, the other arm curled behind his back; she wears a white satin gown with a plunging neckline that opens a deep V, the satin catching a hard highlight along the edge of the fabric. On the right, a second bride with long loose hair flowing out behind her shoulders kisses his left cheek, her fingers spread lightly over his chest, her gown white lace with a matching plunging neckline showing the same open cleavage, lace scallops tracing the neckline edge. Both brides' heads tilt inward toward his face, their eyes shut in the kiss, lashes down, cheeks flushed; neither looks at the camera. Shoulders overlap in a clean occlusion order: the brides' veils and falling hair cross in front of the man's shoulders, the man's collar sits behind both women's arms.
The environment is a warm pale-pink field behind them, out of focus, and ringing the whole group is a heart-shaped frame of glowing light, a continuous luminous outline with a soft pink-white bloom, brightest at the top cleft of the heart and thinning as it runs down the sides; it is the only light source, so its glow rims the tops of all three heads, rims the brides' veils in a luminous edge, and falls off into a slightly darker pink at the bottom corners of the frame. Colour is disciplined: white and warm skin tones, pink glow, and a single saturated rose-red landing only in the two heart pupils and the flush on all three pairs of cheeks. Where the glow crosses the brides' veils the chiffon goes translucent and the light shows through it. Rendering is a cute cel-shaded anime look with strong hand-drawn TV-anime energy: flat high-contrast colour fills, clean confident outlines, simple two-tone shadows with no gradients inside the shadow shapes. Sweet, giddy, joyfully shameless.
息耐者カール
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