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#Blue Archive#Shimoe Koharu
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character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings, low wings, pink idol costume, fluffy costume, frilled pink dress, puffy skirt, circular spread skirt, skirt spread out horizontally, skirt interior hidden, feet together, standing diagonally, full body, from below, slight low angle, dutch angle, looking at viewer, light smile, tilted head, A single girl stands alone against a soft seamless studio backdrop of pale pink graduating to warm cream, photographed from a slightly low angle so her figure gains presence and the swollen ring of her skirt reads at eye level. Her body is turned about three-quarters away toward the left of frame, torso angled diagonally, hips following the turn; both feet are pressed together side by side, toes aligned in the same direction, her weight settled evenly on both soles so her posture is a quiet, balanced plumb line rather than a contrapposto. Long pink hair falls past her hips in two high twintails tied close to the crown, the ends lifting slightly away from her shoulders; two small feathered wings sit at the sides of her head above the ears, and a pair of black feathered wings unfurl low from her back, their tips clearing the skirt's ring on the far side. Her costume is a fluffy idol dress keyed entirely to pink: a fitted bodice of rose satin crusted along the neckline, cuffs and hem in tiers of soft pale-pink ruffles and marabou fluff that trap the light in their fibers, puffed short sleeves edged with fluff at the upper arm, a wide blush sash knotted at the left hip with ribbon tails hanging among the ruffles, white lace trim running the seams and a row of small round buttons down the front. The skirt is the center of the image: a dense, evenly gathered bell of layered pink tulle and ruffled fluff that flares out from her waist into a near-horizontal circle, its ring perfectly even all the way around, the fabric packed thick and opaque with petticoat volume so that no gap, shadow or interior of any kind is visible beneath the hem -- the underside stays a solid, sealed band of ruffles from every angle. The low camera sits just under the front edge of that ring, so the nearest ruffles catch the light and the far side of the skirt curves up behind her waist. A large soft key light from the upper left, softened through a diffuser, wraps her face and the left side of the fluff, laying a gentle highlight along the skirt's upper rim; a pale pink bounce fills the shadow side from below, and the only shadow is a soft, slightly darker pool on the seamless ground directly under her feet, compressed into an ellipse by the low angle. Gaze is turned back toward the viewer over her near shoulder, chin tipped down, one brow faintly raised, a small closed-lipped smile and a single strand of hair slipped free at her cheek. Palette is pink on pink on off-white, admitting rose, blush, cream and the black of her wings and nothing else. Sweet, buoyant, a little shy.
Show Parameters
Original Prompt
下江コハル。ピンクをモチーフにしたフワフワのアイドルの衣装。スカートは水平に近く真横に円状に均等に広がっているがスカートの中は見えない。足を揃えて斜め向きに立つ。
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, feathered wings, head wings, black wings, luxurious pink idol costume, fluffy costume, frills, ruffles, layered frills, pink ribbon motif, dome-shaped skirt, skirt spreading horizontally, circular skirt silhouette, skirt interior not visible, skirt hem like a short cylinder, standing, feet together, angled body, to the side, full body, long legs, slender legs, very long legs, from below, wide shot, plain seamless background, soft studio light A single figure stands full-body in a wide shot seen from slightly below, her body turned diagonally to the frame so that her profile and one shoulder lead while her hips stay behind — her two long twintails of pink hair fall past her waist and past the edge of the skirt, swinging slightly with the turn of her torso. She stands with both feet set neatly together, weight even on both, ankles touching, the whole line of her from hip to shoe reading as extremely long and extremely slender. Her costume is a lavish idol stage outfit built entirely on a pink motif: shoulders puffed into rounded fluffy sleeves, the bodice densely ruffled in pale rose and deeper magenta layers, a small pink ribbon-like ornament worked into the chest frills, fluffy trim along every seam. The skirt is the centerpiece — a nearly horizontal dome that swells outward from her waist and spreads absolutely evenly in a perfect circle to either side of her, the fabric smooth and taut over the upper dome and swelling outward, so the space beneath it stays forgotten; the very lowest rim of that circular crowd of fabric thickens into a short, upright cylindrical band of frilled, fluffy brim, a vertical ring of pleated rose cloth that closes the underside of the skirt completely, hidden from every angle, no matter how low the camera is. The dome's silhouette reads as a wide flat disc, the cylindrical brim as a banded edge around it. Behind her shoulders, her small feathered wings are folded and partly hidden by the flare of the puffed sleeves; only the pale feather tips peak over the silhouette on either side. Her face is turned in the three-quarter direction she faces: chin slightly lifted, the near eye visible with its pink iris turned away past the edge of frame, lips softly closed, a proud, stage-ready calm in her expression. Her arms are relaxed, one hand lightly catching a fold of the flouncing hem at her side, fingers curled into the frill, the other arm at rest with the wrist just touching the ruffled edge of the skirt's dome. The floor beneath her is a seamless soft pink-white studio sweep with no horizon line; a broad, diffused key light from front-above lays an even sheen across the dome of the skirt and puts a soft elliptical shadow on the floor directly under its circular edge, the shadow narrower than the skirt itself — the dome blocks the light and the small dark ellipse below proves how completely closed the garment is. Palette: rose, blush, cream highlights and deep magenta shadow, no other hue admitted. Polished, frilly, sweetly elegant.
Delmonda

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