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AI art "589" featuring #Blue Archive and #Shimoe Koharu
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589

#Blue Archive#Shimoe Koharu
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Delmonda

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character: koharu_(blue_archive) 1girl, solo, koharu, pink hair, long hair, twintails, pink eyes, head wings, black feathered wings, low wings, pink fluffy idol costume, frilly idol dress, layered ruffles, pink motif, short cylindrical skirt edge, perfectly circular spread skirt, skirt held out horizontally, skirt underside hidden, standing, feet together, diagonal angle, three-quarter view, profile, from side, full body, cowboy shot, studio void, seamless pastel backdrop, looking to the side, light smile, half-closed eyes, blush, A three-quarter profile of a single girl standing in an empty pastel studio void, her body turned diagonally away from the camera so the skirt reads edge-on and the camera sees it slice the frame as a flat horizontal band. Her feet are pressed together heel to heel on nothing but a soft gradient floor, both ankles touching, her weight settled evenly on both soles and her torso angled a quarter turn so one shoulder sits nearer the lens than the other. She wears a fluffy idol costume built on a pink motif: a fitted bodice of layered pink ruffles and pom-pom trim at the collarbone, puffed short sleeves of airy tulle and, at her shoulders and low behind her hips, small black feathered wings folded quiet and out of the way of the silhouette; her long pink hair is tied into two twintails that swing out to one side with the diagonal turn, and a pair of small head wings sits in her hair above her brow. The skirt is the whole event of the picture: a broad, perfectly circular disc of fluffy pink tulle and ruffled tiers that spreads out almost perfectly horizontally to both sides, its edges terminating in a short, blunt cylindrical band — a trompe-l'oeil drum rim, not a soft hanging hem — with the pleats running radially outward and the rim compressed into a short dark-pink drum, uniformly circular and even all round. Seen directly from the side, the disc's silhouette is a clean horizontal line through her hips; her hands rest lightly at her waist, fingers catching the tulle at the join of bodice and skirt so the fabric lifts clear of her legs. The underside of the skirt is completely closed: the near rim's interior is a shadowed, rounded, opaque surface, the far rim occludes every scrap behind it, and the space beneath the disc shows only the fronts of her feet below it. She tilts her head a little so her chin angles toward the near shoulder, eyes turned off to the side, a composed half-lidded smile. Uniform soft studio light from the upper left strikes the top of the drum skirt so the top rim catches the brightest highlight, the cylindrical edge falls into a soft half-tone with a dense shadow at its lower lip, and the underside sits in cool reflected shade — a soft, even cast shadow of the whole disc drops onto the floor at a slight diagonal from her feet. The palette stays pink, cream, black and pale backdrop, nothing else admitted. Tender, effortlessly idol-like.
Show Parameters
Original Prompt
下江コハル。ピンクをモチーフにしたフワフワのアイドルの衣装。スカートは水平に近く真横に円状に均等に広がっているがスカートの中は見えない。足を揃えて斜め向きに立つ。スカートの円の端っこは短い円柱のようになっている。
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings low on the back, idol costume, pink-themed outfit, luxurious princess-like bodice, long sleeves, frilled bodice, white gloves, dome-shaped skirt, fluffy skirt, very fluffy skirt, circular skirt silhouette, stiff cylindrical hem tube at skirt's bottom edge, proper skirt length, very long legs, very thin legs, legs together, standing, diagonal angle, angled pose, three-quarter view, full body, arena, concert venue, stage, blurred crowd, spotlights, depth of field, from below, slight low angle The shot is taken from slightly below in a three-quarter view, full body, so the whole figure stands on a wide arena stage that falls away behind her toward a dark mass of audience and scattered light sticks. Her legs are pressed together and held as one straight column, angled diagonally to the camera so the skirt reads as an ellipse; the camera sits below the hem line and the interior of the skirt is sealed shut — the stiff ring of the hem closes downward and the dense pile behind it admits no gap, so nothing inside is visible and both thighs disappear behind the skirt's leading edge, only the long lower halves of her legs — thin, extremely long, narrow calves and ankles — emerging beneath it. Her weight rides on the foot nearest the camera, the far heel lifted slightly, hips tipped so the diagonal stands; one gloved hand rests flat against the bodice at her waist, the other hangs just away from the skirt with fingers loosely curled, and her chin is tipped up and turned a little off-axis, eyes looking upward and out over the crowd, lashes low, a small closed-mouth smile of pleasant surprise. Her pink hair falls in two long twintails curving down past her shoulders with the ends swaying toward the far side from the turn; the black feathered wings sit low at her back, their tips just clearing the dome of the skirt at the sides. The costume is entirely pink in layered registers: a deep rose princess bodice, densely ruffled and gathered, with puffed shoulders, a fitted waist, and long sleeves ending in white gloves; below it the skirt swells out almost horizontally from the waist into a broad, softly rounded dome that spreads evenly in a perfect circle to every side, so its silhouette is a smooth wide arc with no slope. Everything of the skirt except its very lowest rim is deep, plush, cloud-like fur pile that drinks the light — layered pink and cream fluff with soft self-shadowing and a few loose fibres catching the lamps. Only the bottom edge is different: a narrow, stiff, upright cylindrical band of pale pink rigid material ringing the hem like the lip of a drum, its surface hard and smooth with one clean specular line running around it, standing perpendicular to the floor and holding the fluffy dome above it. A believable physical detail: the stage floor is polished black, and the fluffy dome casts a wide, soft, slightly blurred shadow beneath it while the hard hem band reflects as a thin, sharp pink arc directly under the rim — soft above, crisp below. Light comes from two hard follow spots angled from the upper left and from behind the stage, rimming her hair and the fluffy dome with a pink-white halo and leaving the under-curve of the skirt and her jawline in cool shadow; the crowd is a dark blue-grey bokeh of phone lights, and the palette is confined to deep rose, blush, cream and pale pink against that cold dark ground. Glamorous, buoyant.
Jacky Ｐｏｄｐｏ
#Blue Archive#Shimoe Koharu

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