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Kylee Violette (Kiy Chan)

Avatar image of Kylee Violette (Kiy Chan)

Kylee Violette (Kiy Chan)

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1girl, solo, adult woman, matured, tall, light brown hair, very long hair, longest ponytail, ponytail, red eyes, sunglasses, black sunglasses, vampire costume, gothic gown, deep red velvet gown, black lace trim, high collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, cowboy shot, standing, weight on one leg, hip cocked, hand on own hip, other arm hanging, looking down at viewer, head tilted down, smirk, one eyebrow raised, parted lips, bare ears, no hair ornaments, dramatic rim light, three-quarter view, dark background, ornate gothic hall, candelabra, atmosphere The camera sits low and looks up at her from just below hip height, a cowboy shot cropping at mid-thigh so the gown's skirt falls out of frame at the bottom edge and the low viewpoint pushes her bust, cinched waist and flared hips forward into a pronounced hourglass silhouette against the dark. Her light brown hair is gathered high at the crown into the longest ponytail, a single heavy tail that sweeps back and then falls forward over her right shoulder, its tip reaching past her waist, the strands picking up a warm amber sheen. She wears black sunglasses that hide the upper half of her face; below the lenses her red eyes are still visible in the sliver of skin at the lower rim and in the faint red catchlight they cast on her cheekbone, and her jaw is tilted down toward the lens with a lopsided smirk, one brow arched above the frame, lower lip slightly parted. Her gown is deep red velvet with a black lace overlay at the shoulders and a tall black lace high collar that rises to her jaw; the velvet's nap shows as darker bands where the fabric curves over her large chest, and a narrow waist pulls tight before the hips flare. Her right hand rests on her hip, fingers spread over the velvet, thumb hooked at the waistband; her left arm hangs loose with the fingers half-curled, a lace cuff falling back from the wrist. She stands with her weight on her left leg, right hip pushed out and right knee slightly bent, her shoulders angled three-quarters toward the camera so the ponytail falls behind her left shoulder line. A single warm candelabra glow from frame right rakes across her gown, putting a specular highlight along the right breast and the right cheek of the gown's skirt while throwing the left side of her body and the wall behind into deep shadow; the shadows are soft and broad. Behind her an ornate gothic hall recedes into darkness, a row of tall pointed arches and a stone column catching only a thin edge of light, dust motes drifting through the warm beam. Deep red, black and warm amber on dark brown shadow, nothing else admitted. The velvet's right-side highlight and the matte black lace of the collar hold simultaneously, one catching the light and one swallowing it. Confident, sultry.
Show Parameters
Original Prompt
a light brown hair longest ponytail and red eyes as wearing a vampire costume gown aged up and sunglasses, large chest and curvy
Mode
pro
Quality Tag
๏นPrompts๏นž
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.67k

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AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure โ€” large breasts, wide hips, thick thighs, a cinched narrow waist โ€” carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black โ€” the suggestion of a stone arch to the left, nothing more โ€” and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, light brown hair, very long hair, floor-length ponytail, red eyes, dark sunglasses, vampire costume, crimson velvet gown, black lace trim, high collar, off-shoulder neckline, very large breasts, curvy, wide hips, thick thighs, mature adult woman, aged up, cowboy shot, from below, three-quarter view, looking down at viewer, head tilt, one hand on hip, other hand lifting gown hem, standing on stone step, night, cold moonlight, warm lantern glow, deep crimson and black palette, elegant, aloof The camera sits low and close, looking up at a mature adult woman in a three-quarter view from below, so that her height and the sweep of the gown dominate the frame; the shot is a cowboy shot cutting just below the knees, and the single step of a worn stone staircase under her feet gives her the only purchase in the picture. Her light brown hair is gathered into one enormous ponytail that starts high at the crown, thickens through a wrapped band, and falls in a single heavy column past her hip almost to the back of her knees, its tail drifting slightly to the left with her weight shift. Dark sunglasses ride on her face, the lenses faintly reflecting the lantern below; the eyes behind them are red, and they look down past the tilted frame of the glasses straight at the viewer, chin lowered so the tilt of her head reads as appraisal rather than greeting. She wears a floor-length vampire costume gown in deep crimson velvet: a high standing lace collar frames her throat, the bodice is boned and close over a very large chest that pushes the neckline's black lace edging tight, and the skirt flares from a narrow waist into a wide bell that widens hips and disguises nothing of her curvy, mature figure. Her right hand rests flat on her hip, fingers spread over the velvet; her left hand pinches a fold of the hem and lifts it a hand's width, baring the toe of one black shoe on the step, and that lifted fold hangs in a stiff velvet curl instead of draping, because the fabric is heavy and holds the crease. The step's front edge catches the lantern's warm light from low and to frame right, so the stone is bright underneath and the gown's velvet swallows that light into a dark pool above it, the only specular highlights running along the lace trim, the ponytail's crown and the lenses; cold blue moonlight from behind and above rims her ponytail and shoulders from the far side, and her long shadow climbs the wall behind her, shortened by the low lantern angle. Beyond the step the background drops into unlit stone and ironwork with no other figure in it, lettering on the far wall reduced to illegible worn shapes. Palette limited to crimson velvet, black lace and stone grey, with the warm lantern amber quarantined to the step and the blue moonlight confined to the rim of her hair. Elegant, aloof.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure โ€” large breasts, wide hips, thick thighs, a cinched narrow waist โ€” carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black โ€” the suggestion of a stone arch to the left, nothing more โ€” and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure โ€” large breasts, wide hips, thick thighs, a cinched narrow waist โ€” carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black โ€” the suggestion of a stone arch to the left, nothing more โ€” and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Kylee Violette (Kiy Chan)

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