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fishyfishyfish

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1girl, solo, anime style, blonde hair, long hair, grey eyes, sitting, sitting on floor, knees drawn up, stacked books, lots of books, book pile, hardcover books, leather-bound books, extravagant room, tall bookshelves, cool color tones, blue palette, lost in thought, calm expression, half-closed eyes, looking down, head tilt, chin resting on hand, elbow on knee, from above, three-quarter view, dutch angle, dim interior, volumetric light, dust motes, candlelight, chiaroscuro, high-collared white blouse, puffed sleeves, pleated navy skirt, bare earlobes, unadorned hair, heavy atmosphere, quiet melancholy Seen from above and slightly off-axis, the camera tilted a few degrees so the room's verticals lean, a single girl sits on the parquet floor at the center of a ring of books, three-quarter turned so her left shoulder faces the lens and her face is angled down toward her lap. Long blonde hair falls loose past her shoulders, its outer strands resting flat against the white cotton of her high-collared blouse and a few tips caught in the seam of a closed book beneath her hip; both earlobes are bare and the hair is entirely unadorned, nothing clipped or pinned in it. She sits with her legs folded to one side, weight sunk into her right hip, left knee drawn up; her left elbow rests on that knee and her left cheek sits against the heel of her hand, fingers slack and slightly curled into the hair at her temple. Her right hand lies open across the top board of a thick leather-spined volume in her lap, thumb along its fore-edge, the book's weight pressing a crease into the pleated navy wool of her skirt. Grey eyes are lowered, unfocused, aimed at nothing on the page; lashes low, lips closed and relaxed, one brow marginally higher than the other. She does not look at the camera. Books surround her in haphazard towers of unequal height — stacked shoulder-high to her right, a leaning column behind her left shoulder supported against a shelf plinth, a spilled fan of open volumes at her feet with one spine cracked and pages splayed; the stacks nearest her are in sharp focus, their gilt spine bands and tooled leather catching the light, while the far shelves dissolve into the gloom. The room is extravagant and old: coffered ceiling with carved molding, a tall arched window whose mullions throw long grid shadows across the floor, a marble mantel and heavy drapery barely legible in the upper dark, brass shelf rails and a rolling library ladder at the far edge of the frame. The only light is a low, cold shaft from the arched window, spilling down from the top-left of the frame; it strikes the crown of her blonde head, the ridge of her nose, the fold of her left sleeve and the gilded lettering on the nearest stack, and everything outside that shaft — the corners of the room, the troughs between book towers, the underside of her chin — is deeply shadowed and blue. A faint mote of dust drifts through the beam, visible only where the light crosses it. Her cast shadow falls long and soft to the lower right, deformed by the books it climbs over. Cool tones rule the whole image: slate and indigo in the shadows, cold pewter in the marble, steel-blue in the wool of her skirt, the only warmth a dulled parchment cream in the page edges and a trace of honey in her blonde hair where the light grazes it — nothing else admitted. The detail budget sits on her hands, her lowered face and the nearest books; the room's ornament is simplified into big carved shapes and dark silhouettes. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, subtle retro flair with Western illustration. Quiet, heavy, suspended.
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Original Prompt
anime girl, 1girl, blonde hair, grey eyes, sitting, stacked books , lots of books,sitting in around a pile of books,lost in thoughts,calm,heavy atmosphere, extravagant room,cool tones,
Mode
ultra
Style
Luminous Impasto
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Luminous Impasto
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Avatar image of fishyfishyfish
1girl, solo, anime style, blonde hair, long hair, grey eyes, sitting, sitting on floor, knees drawn up, stacked books, lots of books, book pile, hardcover books, leather-bound books, extravagant room, tall bookshelves, cool color tones, blue palette, lost in thought, calm expression, half-closed eyes, looking down, head tilt, chin resting on hand, elbow on knee, from above, three-quarter view, dutch angle, dim interior, volumetric light, dust motes, candlelight, chiaroscuro, high-collared white blouse, puffed sleeves, pleated navy skirt, bare earlobes, unadorned hair, heavy atmosphere, quiet melancholy Seen from above and slightly off-axis, the camera tilted a few degrees so the room's verticals lean, a single girl sits on the parquet floor at the center of a ring of books, three-quarter turned so her left shoulder faces the lens and her face is angled down toward her lap. Long blonde hair falls loose past her shoulders, its outer strands resting flat against the white cotton of her high-collared blouse and a few tips caught in the seam of a closed book beneath her hip; both earlobes are bare and the hair is entirely unadorned, nothing clipped or pinned in it. She sits with her legs folded to one side, weight sunk into her right hip, left knee drawn up; her left elbow rests on that knee and her left cheek sits against the heel of her hand, fingers slack and slightly curled into the hair at her temple. Her right hand lies open across the top board of a thick leather-spined volume in her lap, thumb along its fore-edge, the book's weight pressing a crease into the pleated navy wool of her skirt. Grey eyes are lowered, unfocused, aimed at nothing on the page; lashes low, lips closed and relaxed, one brow marginally higher than the other. She does not look at the camera. Books surround her in haphazard towers of unequal height — stacked shoulder-high to her right, a leaning column behind her left shoulder supported against a shelf plinth, a spilled fan of open volumes at her feet with one spine cracked and pages splayed; the stacks nearest her are in sharp focus, their gilt spine bands and tooled leather catching the light, while the far shelves dissolve into the gloom. The room is extravagant and old: coffered ceiling with carved molding, a tall arched window whose mullions throw long grid shadows across the floor, a marble mantel and heavy drapery barely legible in the upper dark, brass shelf rails and a rolling library ladder at the far edge of the frame. The only light is a low, cold shaft from the arched window, spilling down from the top-left of the frame; it strikes the crown of her blonde head, the ridge of her nose, the fold of her left sleeve and the gilded lettering on the nearest stack, and everything outside that shaft — the corners of the room, the troughs between book towers, the underside of her chin — is deeply shadowed and blue. A faint mote of dust drifts through the beam, visible only where the light crosses it. Her cast shadow falls long and soft to the lower right, deformed by the books it climbs over. Cool tones rule the whole image: slate and indigo in the shadows, cold pewter in the marble, steel-blue in the wool of her skirt, the only warmth a dulled parchment cream in the page edges and a trace of honey in her blonde hair where the light grazes it — nothing else admitted. The detail budget sits on her hands, her lowered face and the nearest books; the room's ornament is simplified into big carved shapes and dark silhouettes. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, subtle retro flair with Western illustration. Quiet, heavy, suspended.
fishyfishyfish
AI artwork
Avatar image of fishyfishyfish
1girl, solo, anime style, blonde hair, long hair, grey eyes, sitting, sitting on floor, knees drawn up, stacked books, lots of books, book pile, hardcover books, leather-bound books, extravagant room, tall bookshelves, cool color tones, blue palette, lost in thought, calm expression, half-closed eyes, looking down, head tilt, chin resting on hand, elbow on knee, from above, three-quarter view, dutch angle, dim interior, volumetric light, dust motes, candlelight, chiaroscuro, high-collared white blouse, puffed sleeves, pleated navy skirt, bare earlobes, unadorned hair, heavy atmosphere, quiet melancholy Seen from above and slightly off-axis, the camera tilted a few degrees so the room's verticals lean, a single girl sits on the parquet floor at the center of a ring of books, three-quarter turned so her left shoulder faces the lens and her face is angled down toward her lap. Long blonde hair falls loose past her shoulders, its outer strands resting flat against the white cotton of her high-collared blouse and a few tips caught in the seam of a closed book beneath her hip; both earlobes are bare and the hair is entirely unadorned, nothing clipped or pinned in it. She sits with her legs folded to one side, weight sunk into her right hip, left knee drawn up; her left elbow rests on that knee and her left cheek sits against the heel of her hand, fingers slack and slightly curled into the hair at her temple. Her right hand lies open across the top board of a thick leather-spined volume in her lap, thumb along its fore-edge, the book's weight pressing a crease into the pleated navy wool of her skirt. Grey eyes are lowered, unfocused, aimed at nothing on the page; lashes low, lips closed and relaxed, one brow marginally higher than the other. She does not look at the camera. Books surround her in haphazard towers of unequal height — stacked shoulder-high to her right, a leaning column behind her left shoulder supported against a shelf plinth, a spilled fan of open volumes at her feet with one spine cracked and pages splayed; the stacks nearest her are in sharp focus, their gilt spine bands and tooled leather catching the light, while the far shelves dissolve into the gloom. The room is extravagant and old: coffered ceiling with carved molding, a tall arched window whose mullions throw long grid shadows across the floor, a marble mantel and heavy drapery barely legible in the upper dark, brass shelf rails and a rolling library ladder at the far edge of the frame. The only light is a low, cold shaft from the arched window, spilling down from the top-left of the frame; it strikes the crown of her blonde head, the ridge of her nose, the fold of her left sleeve and the gilded lettering on the nearest stack, and everything outside that shaft — the corners of the room, the troughs between book towers, the underside of her chin — is deeply shadowed and blue. A faint mote of dust drifts through the beam, visible only where the light crosses it. Her cast shadow falls long and soft to the lower right, deformed by the books it climbs over. Cool tones rule the whole image: slate and indigo in the shadows, cold pewter in the marble, steel-blue in the wool of her skirt, the only warmth a dulled parchment cream in the page edges and a trace of honey in her blonde hair where the light grazes it — nothing else admitted. The detail budget sits on her hands, her lowered face and the nearest books; the room's ornament is simplified into big carved shapes and dark silhouettes. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, subtle retro flair with Western illustration. Quiet, heavy, suspended.
fishyfishyfish
AI artwork
Avatar image of fishyfishyfish
1girl, solo, anime style, blonde hair, long hair, grey eyes, sitting, sitting on floor, knees drawn up, stacked books, lots of books, book pile, hardcover books, leather-bound books, extravagant room, tall bookshelves, cool color tones, blue palette, lost in thought, calm expression, half-closed eyes, looking down, head tilt, chin resting on hand, elbow on knee, from above, three-quarter view, dutch angle, dim interior, volumetric light, dust motes, candlelight, chiaroscuro, high-collared white blouse, puffed sleeves, pleated navy skirt, bare earlobes, unadorned hair, heavy atmosphere, quiet melancholy Seen from above and slightly off-axis, the camera tilted a few degrees so the room's verticals lean, a single girl sits on the parquet floor at the center of a ring of books, three-quarter turned so her left shoulder faces the lens and her face is angled down toward her lap. Long blonde hair falls loose past her shoulders, its outer strands resting flat against the white cotton of her high-collared blouse and a few tips caught in the seam of a closed book beneath her hip; both earlobes are bare and the hair is entirely unadorned, nothing clipped or pinned in it. She sits with her legs folded to one side, weight sunk into her right hip, left knee drawn up; her left elbow rests on that knee and her left cheek sits against the heel of her hand, fingers slack and slightly curled into the hair at her temple. Her right hand lies open across the top board of a thick leather-spined volume in her lap, thumb along its fore-edge, the book's weight pressing a crease into the pleated navy wool of her skirt. Grey eyes are lowered, unfocused, aimed at nothing on the page; lashes low, lips closed and relaxed, one brow marginally higher than the other. She does not look at the camera. Books surround her in haphazard towers of unequal height — stacked shoulder-high to her right, a leaning column behind her left shoulder supported against a shelf plinth, a spilled fan of open volumes at her feet with one spine cracked and pages splayed; the stacks nearest her are in sharp focus, their gilt spine bands and tooled leather catching the light, while the far shelves dissolve into the gloom. The room is extravagant and old: coffered ceiling with carved molding, a tall arched window whose mullions throw long grid shadows across the floor, a marble mantel and heavy drapery barely legible in the upper dark, brass shelf rails and a rolling library ladder at the far edge of the frame. The only light is a low, cold shaft from the arched window, spilling down from the top-left of the frame; it strikes the crown of her blonde head, the ridge of her nose, the fold of her left sleeve and the gilded lettering on the nearest stack, and everything outside that shaft — the corners of the room, the troughs between book towers, the underside of her chin — is deeply shadowed and blue. A faint mote of dust drifts through the beam, visible only where the light crosses it. Her cast shadow falls long and soft to the lower right, deformed by the books it climbs over. Cool tones rule the whole image: slate and indigo in the shadows, cold pewter in the marble, steel-blue in the wool of her skirt, the only warmth a dulled parchment cream in the page edges and a trace of honey in her blonde hair where the light grazes it — nothing else admitted. The detail budget sits on her hands, her lowered face and the nearest books; the room's ornament is simplified into big carved shapes and dark silhouettes. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, subtle retro flair with Western illustration. Quiet, heavy, suspended.
fishyfishyfish
AI artwork
Avatar image of fishyfishyfish
1girl, solo, young girl, long blonde hair, grey eyes, sitting, sitting on floor, stacked books, lots of books, pile of books, surrounded by books, lost in thoughts, calm expression, closed mouth, half-closed eyes, looking down, blue dress, sleeveless dress, pleated skirt, extravagant room, tall bookshelves, cool tones, blue palette, from below, low angle, cowboy shot, heavy atmosphere, dust motes, volumetric light, hand on book, head tilt, knees up Low camera placed near the floor, tilted up: the girl sits in the middle of a ring of stacked hardcovers, knees drawn up and turned to her left, her weight settled on her right hip and right thigh flat on the parquet, left knee higher, left foot tucked under the right calf. Her right hand rests palm-flat on the top board of the nearest stack beside her hip, fingers just over its fore-edge; her left forearm lies across her raised knee, the hand loose and empty. Her blonde hair falls in two long curtains over her shoulders, one lock slipping forward across her collarbone, the ends pooling on the floorboards among the books. She wears a sleeveless blue dress in plain cotton, its pleated skirt fanned and creased where it presses the floor, the hem riding up over her right knee. Her head tilts slightly toward her lowered left shoulder; grey eyes are half-lidded and cast down and away to the lower right, unfocused on anything, fixed on the gap between two book spines; lips closed and relaxed, brows level, no smile -- thought that has gone quiet and a little far away. The stacks surround her at uneven heights, some waist-high, spines worn at the corners, a few volumes open face-down to hold a place, one leaning tower ready to topple. Extravagant room behind and above: a coffered ceiling with gilt moulding, a tall arched window at the left, carved panelling climbing into shadow, the tops of the shelves lost beyond the upper edge of the frame. Cool key light pours in from that window in one broad shaft, catching the blonde hair, the near cheek, the top edges of the book pages and the upper folds of the dress; everything below and to the right of her falls into blue-grey shadow, and her small cast shadow lies stretched across the boards toward the camera. The light shaft is thick with drifting dust, each mote bright and the air around them visibly hazy, so the beam reads as a solid pale-blue volume of air. Palette held to cool tones only: dusty blue, slate grey, silver-gilt trim, cold pale skin, no warm accent admitted. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, a subtle retro flair mixed with Western illustration, textured visible brushwork in the gilt and the fabric. Quiet, heavy, contemplative.
fishyfishyfish

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