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fishyfishyfish

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fishyfishyfish

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1girl, solo, anime style, blonde hair, long hair, grey eyes, sitting, sitting on floor, knees drawn up, stacked books, lots of books, book pile, hardcover books, leather-bound books, extravagant room, tall bookshelves, cool color tones, blue palette, lost in thought, calm expression, half-closed eyes, looking down, head tilt, chin resting on hand, elbow on knee, from above, three-quarter view, dutch angle, dim interior, volumetric light, dust motes, candlelight, chiaroscuro, high-collared white blouse, puffed sleeves, pleated navy skirt, bare earlobes, unadorned hair, heavy atmosphere, quiet melancholy Seen from above and slightly off-axis, the camera tilted a few degrees so the room's verticals lean, a single girl sits on the parquet floor at the center of a ring of books, three-quarter turned so her left shoulder faces the lens and her face is angled down toward her lap. Long blonde hair falls loose past her shoulders, its outer strands resting flat against the white cotton of her high-collared blouse and a few tips caught in the seam of a closed book beneath her hip; both earlobes are bare and the hair is entirely unadorned, nothing clipped or pinned in it. She sits with her legs folded to one side, weight sunk into her right hip, left knee drawn up; her left elbow rests on that knee and her left cheek sits against the heel of her hand, fingers slack and slightly curled into the hair at her temple. Her right hand lies open across the top board of a thick leather-spined volume in her lap, thumb along its fore-edge, the book's weight pressing a crease into the pleated navy wool of her skirt. Grey eyes are lowered, unfocused, aimed at nothing on the page; lashes low, lips closed and relaxed, one brow marginally higher than the other. She does not look at the camera. Books surround her in haphazard towers of unequal height — stacked shoulder-high to her right, a leaning column behind her left shoulder supported against a shelf plinth, a spilled fan of open volumes at her feet with one spine cracked and pages splayed; the stacks nearest her are in sharp focus, their gilt spine bands and tooled leather catching the light, while the far shelves dissolve into the gloom. The room is extravagant and old: coffered ceiling with carved molding, a tall arched window whose mullions throw long grid shadows across the floor, a marble mantel and heavy drapery barely legible in the upper dark, brass shelf rails and a rolling library ladder at the far edge of the frame. The only light is a low, cold shaft from the arched window, spilling down from the top-left of the frame; it strikes the crown of her blonde head, the ridge of her nose, the fold of her left sleeve and the gilded lettering on the nearest stack, and everything outside that shaft — the corners of the room, the troughs between book towers, the underside of her chin — is deeply shadowed and blue. A faint mote of dust drifts through the beam, visible only where the light crosses it. Her cast shadow falls long and soft to the lower right, deformed by the books it climbs over. Cool tones rule the whole image: slate and indigo in the shadows, cold pewter in the marble, steel-blue in the wool of her skirt, the only warmth a dulled parchment cream in the page edges and a trace of honey in her blonde hair where the light grazes it — nothing else admitted. The detail budget sits on her hands, her lowered face and the nearest books; the room's ornament is simplified into big carved shapes and dark silhouettes. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, subtle retro flair with Western illustration. Quiet, heavy, suspended.
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Original Prompt
anime girl, 1girl, blonde hair, grey eyes, sitting, stacked books , lots of books,sitting in around a pile of books,lost in thoughts,calm,heavy atmosphere, extravagant room,cool tones,
Mode
ultra
Style
Luminous Impasto
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Luminous Impasto
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Tsubaki.3
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Avatar image of fishyfishyfish
1girl, solo, anime style, blonde hair, long hair, grey eyes, sitting, sitting on floor, knees drawn up, stacked books, lots of books, book pile, hardcover books, leather-bound books, extravagant room, tall bookshelves, cool color tones, blue palette, lost in thought, calm expression, half-closed eyes, looking down, head tilt, chin resting on hand, elbow on knee, from above, three-quarter view, dutch angle, dim interior, volumetric light, dust motes, candlelight, chiaroscuro, high-collared white blouse, puffed sleeves, pleated navy skirt, bare earlobes, unadorned hair, heavy atmosphere, quiet melancholy Seen from above and slightly off-axis, the camera tilted a few degrees so the room's verticals lean, a single girl sits on the parquet floor at the center of a ring of books, three-quarter turned so her left shoulder faces the lens and her face is angled down toward her lap. Long blonde hair falls loose past her shoulders, its outer strands resting flat against the white cotton of her high-collared blouse and a few tips caught in the seam of a closed book beneath her hip; both earlobes are bare and the hair is entirely unadorned, nothing clipped or pinned in it. She sits with her legs folded to one side, weight sunk into her right hip, left knee drawn up; her left elbow rests on that knee and her left cheek sits against the heel of her hand, fingers slack and slightly curled into the hair at her temple. Her right hand lies open across the top board of a thick leather-spined volume in her lap, thumb along its fore-edge, the book's weight pressing a crease into the pleated navy wool of her skirt. Grey eyes are lowered, unfocused, aimed at nothing on the page; lashes low, lips closed and relaxed, one brow marginally higher than the other. She does not look at the camera. Books surround her in haphazard towers of unequal height — stacked shoulder-high to her right, a leaning column behind her left shoulder supported against a shelf plinth, a spilled fan of open volumes at her feet with one spine cracked and pages splayed; the stacks nearest her are in sharp focus, their gilt spine bands and tooled leather catching the light, while the far shelves dissolve into the gloom. The room is extravagant and old: coffered ceiling with carved molding, a tall arched window whose mullions throw long grid shadows across the floor, a marble mantel and heavy drapery barely legible in the upper dark, brass shelf rails and a rolling library ladder at the far edge of the frame. The only light is a low, cold shaft from the arched window, spilling down from the top-left of the frame; it strikes the crown of her blonde head, the ridge of her nose, the fold of her left sleeve and the gilded lettering on the nearest stack, and everything outside that shaft — the corners of the room, the troughs between book towers, the underside of her chin — is deeply shadowed and blue. A faint mote of dust drifts through the beam, visible only where the light crosses it. Her cast shadow falls long and soft to the lower right, deformed by the books it climbs over. Cool tones rule the whole image: slate and indigo in the shadows, cold pewter in the marble, steel-blue in the wool of her skirt, the only warmth a dulled parchment cream in the page edges and a trace of honey in her blonde hair where the light grazes it — nothing else admitted. The detail budget sits on her hands, her lowered face and the nearest books; the room's ornament is simplified into big carved shapes and dark silhouettes. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, subtle retro flair with Western illustration. Quiet, heavy, suspended.
fishyfishyfish
AI artwork
Avatar image of fishyfishyfish
1girl, solo, anime style, blonde hair, long hair, grey eyes, sitting, sitting on floor, knees drawn up, stacked books, lots of books, book pile, hardcover books, leather-bound books, extravagant room, tall bookshelves, cool color tones, blue palette, lost in thought, calm expression, half-closed eyes, looking down, head tilt, chin resting on hand, elbow on knee, from above, three-quarter view, dutch angle, dim interior, volumetric light, dust motes, candlelight, chiaroscuro, high-collared white blouse, puffed sleeves, pleated navy skirt, bare earlobes, unadorned hair, heavy atmosphere, quiet melancholy Seen from above and slightly off-axis, the camera tilted a few degrees so the room's verticals lean, a single girl sits on the parquet floor at the center of a ring of books, three-quarter turned so her left shoulder faces the lens and her face is angled down toward her lap. Long blonde hair falls loose past her shoulders, its outer strands resting flat against the white cotton of her high-collared blouse and a few tips caught in the seam of a closed book beneath her hip; both earlobes are bare and the hair is entirely unadorned, nothing clipped or pinned in it. She sits with her legs folded to one side, weight sunk into her right hip, left knee drawn up; her left elbow rests on that knee and her left cheek sits against the heel of her hand, fingers slack and slightly curled into the hair at her temple. Her right hand lies open across the top board of a thick leather-spined volume in her lap, thumb along its fore-edge, the book's weight pressing a crease into the pleated navy wool of her skirt. Grey eyes are lowered, unfocused, aimed at nothing on the page; lashes low, lips closed and relaxed, one brow marginally higher than the other. She does not look at the camera. Books surround her in haphazard towers of unequal height — stacked shoulder-high to her right, a leaning column behind her left shoulder supported against a shelf plinth, a spilled fan of open volumes at her feet with one spine cracked and pages splayed; the stacks nearest her are in sharp focus, their gilt spine bands and tooled leather catching the light, while the far shelves dissolve into the gloom. The room is extravagant and old: coffered ceiling with carved molding, a tall arched window whose mullions throw long grid shadows across the floor, a marble mantel and heavy drapery barely legible in the upper dark, brass shelf rails and a rolling library ladder at the far edge of the frame. The only light is a low, cold shaft from the arched window, spilling down from the top-left of the frame; it strikes the crown of her blonde head, the ridge of her nose, the fold of her left sleeve and the gilded lettering on the nearest stack, and everything outside that shaft — the corners of the room, the troughs between book towers, the underside of her chin — is deeply shadowed and blue. A faint mote of dust drifts through the beam, visible only where the light crosses it. Her cast shadow falls long and soft to the lower right, deformed by the books it climbs over. Cool tones rule the whole image: slate and indigo in the shadows, cold pewter in the marble, steel-blue in the wool of her skirt, the only warmth a dulled parchment cream in the page edges and a trace of honey in her blonde hair where the light grazes it — nothing else admitted. The detail budget sits on her hands, her lowered face and the nearest books; the room's ornament is simplified into big carved shapes and dark silhouettes. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, subtle retro flair with Western illustration. Quiet, heavy, suspended.
fishyfishyfish
AI artwork
Avatar image of fishyfishyfish
1girl, solo, anime style, blonde hair, long hair, grey eyes, sitting, sitting on floor, knees drawn up, stacked books, lots of books, book pile, hardcover books, leather-bound books, extravagant room, tall bookshelves, cool color tones, blue palette, lost in thought, calm expression, half-closed eyes, looking down, head tilt, chin resting on hand, elbow on knee, from above, three-quarter view, dutch angle, dim interior, volumetric light, dust motes, candlelight, chiaroscuro, high-collared white blouse, puffed sleeves, pleated navy skirt, bare earlobes, unadorned hair, heavy atmosphere, quiet melancholy Seen from above and slightly off-axis, the camera tilted a few degrees so the room's verticals lean, a single girl sits on the parquet floor at the center of a ring of books, three-quarter turned so her left shoulder faces the lens and her face is angled down toward her lap. Long blonde hair falls loose past her shoulders, its outer strands resting flat against the white cotton of her high-collared blouse and a few tips caught in the seam of a closed book beneath her hip; both earlobes are bare and the hair is entirely unadorned, nothing clipped or pinned in it. She sits with her legs folded to one side, weight sunk into her right hip, left knee drawn up; her left elbow rests on that knee and her left cheek sits against the heel of her hand, fingers slack and slightly curled into the hair at her temple. Her right hand lies open across the top board of a thick leather-spined volume in her lap, thumb along its fore-edge, the book's weight pressing a crease into the pleated navy wool of her skirt. Grey eyes are lowered, unfocused, aimed at nothing on the page; lashes low, lips closed and relaxed, one brow marginally higher than the other. She does not look at the camera. Books surround her in haphazard towers of unequal height — stacked shoulder-high to her right, a leaning column behind her left shoulder supported against a shelf plinth, a spilled fan of open volumes at her feet with one spine cracked and pages splayed; the stacks nearest her are in sharp focus, their gilt spine bands and tooled leather catching the light, while the far shelves dissolve into the gloom. The room is extravagant and old: coffered ceiling with carved molding, a tall arched window whose mullions throw long grid shadows across the floor, a marble mantel and heavy drapery barely legible in the upper dark, brass shelf rails and a rolling library ladder at the far edge of the frame. The only light is a low, cold shaft from the arched window, spilling down from the top-left of the frame; it strikes the crown of her blonde head, the ridge of her nose, the fold of her left sleeve and the gilded lettering on the nearest stack, and everything outside that shaft — the corners of the room, the troughs between book towers, the underside of her chin — is deeply shadowed and blue. A faint mote of dust drifts through the beam, visible only where the light crosses it. Her cast shadow falls long and soft to the lower right, deformed by the books it climbs over. Cool tones rule the whole image: slate and indigo in the shadows, cold pewter in the marble, steel-blue in the wool of her skirt, the only warmth a dulled parchment cream in the page edges and a trace of honey in her blonde hair where the light grazes it — nothing else admitted. The detail budget sits on her hands, her lowered face and the nearest books; the room's ornament is simplified into big carved shapes and dark silhouettes. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, subtle retro flair with Western illustration. Quiet, heavy, suspended.
fishyfishyfish
AI artwork
Avatar image of fishyfishyfish
1girl, solo, blonde hair, long straight blonde hair, grey eyes, calm expression, pensive, lost in thought, sitting, sitting on floor, knees up, arms wrapped around shins, chin resting on knees, looking down, gaze lowered, half-closed eyes, stacked books, lots of books, piles of books, leather-bound hardcover books, navy blue pleated skirt, white high-collared blouse, puffed sleeves, extravagant room, ornate interior, cool tones, from above, high angle, wide shot, dutch angle, heavy atmosphere, dust motes in light beam, tall arched window, deep shadow, impasto-influenced anime painting, luminous highlights, muted cool palette. The camera looks down from a high angle, tilted slightly off the vertical in a slow dutch angle, so the girl reads small at the base of a room that rises around her. She sits on the floor with her back to the base of a tall carved bookcase, both knees drawn up and her shins crossed at the ankle; her arms wrap around her shins with her hands clasped over one another against the outside of her left knee, her chin resting on the top of her knees. Her blonde hair falls straight and heavy past her shoulders, pooling slightly where it slips over the knee she rests on, a few strands caught against her blouse collar. She wears a high-collared white cotton blouse with puffed sleeves, the collar buttoned to the throat and the cuffs buttoned at her wrists, and a pleated navy blue wool skirt that fans and creases against the floor beneath her hips. Her grey eyes are lowered and unfocused, gone soft and slightly away from the lens, lids half-lowered, lips closed and quiet — a calm, inward face with no smile and no tension. Around and behind her the floor is heaped with towers of leather-bound hardcover books stacked haphazardly to varying heights, some leaning against the bookcase, one low pile beside her hip within reach of her elbow, deeper drifts of books receding into the shadowed middle ground and losing their edges in dimness. The room is extravagant and tall: coffered ceiling out of frame, dark fluted pilasters, gilded cornice catching a thin line of light, a massive arched window at the left casting a single long taper of cool daylight across the floor to her side, illuminating the upward faces and spines of the nearest books while leaving the undersides and the seams between stacked volumes in deep shadow. Every surface that faces up catches pale cool light; the rest sinks into blue-grey darkness. The stacks throw long soft shadows sideways toward the right of frame, and fine dust hangs visible in the beam, drifting, settling on the tops of the book piles and the crown of her hair. Nothing warm enters the palette — blonde gold and parchment cream against blue-grey shadow, navy wool, white cotton, and thin gold leaf on the cornice; the darkness beyond the beam is absolute and weighty. Quiet, heavy, still.
fishyfishyfish

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