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C9I

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C9I

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2 subjects, one massive shadowy raven, one tiny glowing white light, wings spread wide like a protective shield, hunched over, head lowered, from below, low angle, wide shot, dutch angle, heavy snowfall, blizzard, dark freezing snowstorm, tiny glowing light cradled beneath the wing, curled insect-like mote of light, pale watchful eyes, glowing eyes, rim lighting, backlighting, silhouette, deep blacks, silver, soft white, monochrome with pale glow, high contrast, volumetric light, snow particles lit only near the light, dark fantasy, cinematic, film grain, highly detailed, no text, no watermark The camera sits low and close to the drift, tilted a few degrees off level, looking up from beneath the raven's breast so the bird towers across the upper two thirds of the wide 16:9 frame while the light huddles in the lower left third. The raven's body is a hunched mass of matte black feathers, its back arched against the storm; both wings are flung open and slightly forward, the near wing sweeping down and toward the lens with its primaries spread and its underside turned to the viewer, the far wing raked up and back, together tenting a hollow of still air beneath the breast. Feathers along the shoulders are ruffled and lifted by the gale, each barb silvered where the glow grazes it. The head is bowed and turned in three-quarter profile toward the hollow, hooked beak angled down, and both pale eyes are luminous discs set in the dark skull, catching the mote of light from below so the pupils stay black pinpricks; the gaze is fixed on the small glowing thing, unblinking, and does not leave it. Beneath the near wing, sheltered in the pocket of the raven's breast, hangs the light: a mote no bigger than an insect, a soft white core with a feathered halo and two faint trailing threads like folded wings or a wisp of soul, drifting a finger's width above the snow yet untouched by it. It is the brightest thing in the frame and the only warm-white source; its glow falls upward on the raven's throat and inner wing and downward in a shallow cone that picks out the crusted snow directly beneath, leaving the rest of the ground in absolute black. The raven's eyes are the only other light, a thin cold gleam, and beyond their two small pools and the mote's halo the darkness is total. Snow falls heavily through the whole frame, streaks and fat flakes driven almost horizontal by the wind, and each flake only becomes visible as it crosses the light's cone or the rim of an eye-gleam, flaring silver for an instant before vanishing back into the void; the flakes that land on the raven's raised wing-tops gather there and nowhere else. The environment is a featureless night blizzard: no horizon, no trees, only a low snowdrift banked around the bird's feet and the wind-combed ridges of the ground losing themselves in black. Palette is restricted to deep black, cold silver-grey and soft white, the white appearing only in the glow, the falling flakes and the faint snow-shine, everything graded toward charcoal at the edges. Fine film grain sits over the entire frame, edges soft with atmospheric haze near the lens, the drifting snow slightly out of focus in the foreground. Protective, melancholic, sacred.
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Original Prompt
A massive, shadowy raven spreading its wings like a protective shield in a dark, freezing snowstorm. Beneath the raven's wing, safe from the storm, rests a tiny, fragile, glowing white light, resembling a small insect or a soul. The snow is falling heavily around them. The only illumination comes from the tiny light and the raven's pale, watchful eyes. Mood: protective, melancholic, sacred, nondual, quiet strength. Dark fantasy, cinematic, deep blacks, silver, and soft white. 8k, film grain, highly detailed. No text, no watermark. --ar 16:9
Mode
pro
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of C9I
2 subjects, one massive shadowy raven, one tiny glowing white light, wings spread wide like a protective shield, hunched over, head lowered, from below, low angle, wide shot, dutch angle, heavy snowfall, blizzard, dark freezing snowstorm, tiny glowing light cradled beneath the wing, curled insect-like mote of light, pale watchful eyes, glowing eyes, rim lighting, backlighting, silhouette, deep blacks, silver, soft white, monochrome with pale glow, high contrast, volumetric light, snow particles lit only near the light, dark fantasy, cinematic, film grain, highly detailed, no text, no watermark The camera sits low and close to the drift, tilted a few degrees off level, looking up from beneath the raven's breast so the bird towers across the upper two thirds of the wide 16:9 frame while the light huddles in the lower left third. The raven's body is a hunched mass of matte black feathers, its back arched against the storm; both wings are flung open and slightly forward, the near wing sweeping down and toward the lens with its primaries spread and its underside turned to the viewer, the far wing raked up and back, together tenting a hollow of still air beneath the breast. Feathers along the shoulders are ruffled and lifted by the gale, each barb silvered where the glow grazes it. The head is bowed and turned in three-quarter profile toward the hollow, hooked beak angled down, and both pale eyes are luminous discs set in the dark skull, catching the mote of light from below so the pupils stay black pinpricks; the gaze is fixed on the small glowing thing, unblinking, and does not leave it. Beneath the near wing, sheltered in the pocket of the raven's breast, hangs the light: a mote no bigger than an insect, a soft white core with a feathered halo and two faint trailing threads like folded wings or a wisp of soul, drifting a finger's width above the snow yet untouched by it. It is the brightest thing in the frame and the only warm-white source; its glow falls upward on the raven's throat and inner wing and downward in a shallow cone that picks out the crusted snow directly beneath, leaving the rest of the ground in absolute black. The raven's eyes are the only other light, a thin cold gleam, and beyond their two small pools and the mote's halo the darkness is total. Snow falls heavily through the whole frame, streaks and fat flakes driven almost horizontal by the wind, and each flake only becomes visible as it crosses the light's cone or the rim of an eye-gleam, flaring silver for an instant before vanishing back into the void; the flakes that land on the raven's raised wing-tops gather there and nowhere else. The environment is a featureless night blizzard: no horizon, no trees, only a low snowdrift banked around the bird's feet and the wind-combed ridges of the ground losing themselves in black. Palette is restricted to deep black, cold silver-grey and soft white, the white appearing only in the glow, the falling flakes and the faint snow-shine, everything graded toward charcoal at the edges. Fine film grain sits over the entire frame, edges soft with atmospheric haze near the lens, the drifting snow slightly out of focus in the foreground. Protective, melancholic, sacred.
C9I
AI artwork
Avatar image of C9I
2 subjects, one massive shadowy raven, one tiny glowing white light, wings spread wide like a protective shield, hunched over, head lowered, from below, low angle, wide shot, dutch angle, heavy snowfall, blizzard, dark freezing snowstorm, tiny glowing light cradled beneath the wing, curled insect-like mote of light, pale watchful eyes, glowing eyes, rim lighting, backlighting, silhouette, deep blacks, silver, soft white, monochrome with pale glow, high contrast, volumetric light, snow particles lit only near the light, dark fantasy, cinematic, film grain, highly detailed, no text, no watermark The camera sits low and close to the drift, tilted a few degrees off level, looking up from beneath the raven's breast so the bird towers across the upper two thirds of the wide 16:9 frame while the light huddles in the lower left third. The raven's body is a hunched mass of matte black feathers, its back arched against the storm; both wings are flung open and slightly forward, the near wing sweeping down and toward the lens with its primaries spread and its underside turned to the viewer, the far wing raked up and back, together tenting a hollow of still air beneath the breast. Feathers along the shoulders are ruffled and lifted by the gale, each barb silvered where the glow grazes it. The head is bowed and turned in three-quarter profile toward the hollow, hooked beak angled down, and both pale eyes are luminous discs set in the dark skull, catching the mote of light from below so the pupils stay black pinpricks; the gaze is fixed on the small glowing thing, unblinking, and does not leave it. Beneath the near wing, sheltered in the pocket of the raven's breast, hangs the light: a mote no bigger than an insect, a soft white core with a feathered halo and two faint trailing threads like folded wings or a wisp of soul, drifting a finger's width above the snow yet untouched by it. It is the brightest thing in the frame and the only warm-white source; its glow falls upward on the raven's throat and inner wing and downward in a shallow cone that picks out the crusted snow directly beneath, leaving the rest of the ground in absolute black. The raven's eyes are the only other light, a thin cold gleam, and beyond their two small pools and the mote's halo the darkness is total. Snow falls heavily through the whole frame, streaks and fat flakes driven almost horizontal by the wind, and each flake only becomes visible as it crosses the light's cone or the rim of an eye-gleam, flaring silver for an instant before vanishing back into the void; the flakes that land on the raven's raised wing-tops gather there and nowhere else. The environment is a featureless night blizzard: no horizon, no trees, only a low snowdrift banked around the bird's feet and the wind-combed ridges of the ground losing themselves in black. Palette is restricted to deep black, cold silver-grey and soft white, the white appearing only in the glow, the falling flakes and the faint snow-shine, everything graded toward charcoal at the edges. Fine film grain sits over the entire frame, edges soft with atmospheric haze near the lens, the drifting snow slightly out of focus in the foreground. Protective, melancholic, sacred.
C9I
AI artwork
Avatar image of C9I
2 subjects, one massive shadowy raven, one tiny glowing white light, wings spread wide like a protective shield, hunched over, head lowered, from below, low angle, wide shot, dutch angle, heavy snowfall, blizzard, dark freezing snowstorm, tiny glowing light cradled beneath the wing, curled insect-like mote of light, pale watchful eyes, glowing eyes, rim lighting, backlighting, silhouette, deep blacks, silver, soft white, monochrome with pale glow, high contrast, volumetric light, snow particles lit only near the light, dark fantasy, cinematic, film grain, highly detailed, no text, no watermark The camera sits low and close to the drift, tilted a few degrees off level, looking up from beneath the raven's breast so the bird towers across the upper two thirds of the wide 16:9 frame while the light huddles in the lower left third. The raven's body is a hunched mass of matte black feathers, its back arched against the storm; both wings are flung open and slightly forward, the near wing sweeping down and toward the lens with its primaries spread and its underside turned to the viewer, the far wing raked up and back, together tenting a hollow of still air beneath the breast. Feathers along the shoulders are ruffled and lifted by the gale, each barb silvered where the glow grazes it. The head is bowed and turned in three-quarter profile toward the hollow, hooked beak angled down, and both pale eyes are luminous discs set in the dark skull, catching the mote of light from below so the pupils stay black pinpricks; the gaze is fixed on the small glowing thing, unblinking, and does not leave it. Beneath the near wing, sheltered in the pocket of the raven's breast, hangs the light: a mote no bigger than an insect, a soft white core with a feathered halo and two faint trailing threads like folded wings or a wisp of soul, drifting a finger's width above the snow yet untouched by it. It is the brightest thing in the frame and the only warm-white source; its glow falls upward on the raven's throat and inner wing and downward in a shallow cone that picks out the crusted snow directly beneath, leaving the rest of the ground in absolute black. The raven's eyes are the only other light, a thin cold gleam, and beyond their two small pools and the mote's halo the darkness is total. Snow falls heavily through the whole frame, streaks and fat flakes driven almost horizontal by the wind, and each flake only becomes visible as it crosses the light's cone or the rim of an eye-gleam, flaring silver for an instant before vanishing back into the void; the flakes that land on the raven's raised wing-tops gather there and nowhere else. The environment is a featureless night blizzard: no horizon, no trees, only a low snowdrift banked around the bird's feet and the wind-combed ridges of the ground losing themselves in black. Palette is restricted to deep black, cold silver-grey and soft white, the white appearing only in the glow, the falling flakes and the faint snow-shine, everything graded toward charcoal at the edges. Fine film grain sits over the entire frame, edges soft with atmospheric haze near the lens, the drifting snow slightly out of focus in the foreground. Protective, melancholic, sacred.
C9I
AI artwork
Avatar image of C9I
1 raven, no humans, giant bird, raven, black plumage, iridescent feathers, perched, standing still, motionless, looking into the distance, looking away, from behind, from below, wide shot, cinematic composition, landscape, night, snow, snow-covered scarecrow, twisted scarecrow, tattered burlap, frayed twine, empty field, fog, pale moon, moonlight, cloud, deep blacks, monochrome, silver and pale grey palette, film grain, dark, melancholic, gothic, silent, no text, no watermark, no signature From behind and slightly below, a cinematic wide shot of a vast empty field at night, the giant raven perched at the top of a twisted snow-covered scarecrow, its dark silhouette small against an expansive foggy environment and negative space. The scarecrow's crooked wooden crossbeam leans to one side, a tattered burlap sack body and frayed twine arms slumped under a layer of snow that gathers only on upward-facing surfaces. The raven, a giant black bird with iridescent plumage, stands completely still on the scarecrow's shoulder with its head turned away from the camera, looking out into the darkness toward the far treeline; talons grip and compress the snow-capped crossbar where it meets the wood. Its long shape throws the eye across the empty field, the snow unbroken except for a faint suggestion of the scarecrow's shadow. The pale moon sits behind banks of cloud, the only light source in the image, casting a cold silver edge on the snow and the bird's back; everything beyond that quiet rim falls into absolute crushed blacks. Fog swallows the field's far edge, muting depth into layered silver-grey. The palette is strictly deep black, silver and pale grey, with fine film grain across the whole surface, the image completely free of written text, watermark, or signature. Deeply melancholic and gothic, silent.
C9I

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