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C9I

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C9I

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2 subjects, one massive shadowy raven, one tiny glowing white light, wings spread wide like a protective shield, hunched over, head lowered, from below, low angle, wide shot, dutch angle, heavy snowfall, blizzard, dark freezing snowstorm, tiny glowing light cradled beneath the wing, curled insect-like mote of light, pale watchful eyes, glowing eyes, rim lighting, backlighting, silhouette, deep blacks, silver, soft white, monochrome with pale glow, high contrast, volumetric light, snow particles lit only near the light, dark fantasy, cinematic, film grain, highly detailed, no text, no watermark The camera sits low and close to the drift, tilted a few degrees off level, looking up from beneath the raven's breast so the bird towers across the upper two thirds of the wide 16:9 frame while the light huddles in the lower left third. The raven's body is a hunched mass of matte black feathers, its back arched against the storm; both wings are flung open and slightly forward, the near wing sweeping down and toward the lens with its primaries spread and its underside turned to the viewer, the far wing raked up and back, together tenting a hollow of still air beneath the breast. Feathers along the shoulders are ruffled and lifted by the gale, each barb silvered where the glow grazes it. The head is bowed and turned in three-quarter profile toward the hollow, hooked beak angled down, and both pale eyes are luminous discs set in the dark skull, catching the mote of light from below so the pupils stay black pinpricks; the gaze is fixed on the small glowing thing, unblinking, and does not leave it. Beneath the near wing, sheltered in the pocket of the raven's breast, hangs the light: a mote no bigger than an insect, a soft white core with a feathered halo and two faint trailing threads like folded wings or a wisp of soul, drifting a finger's width above the snow yet untouched by it. It is the brightest thing in the frame and the only warm-white source; its glow falls upward on the raven's throat and inner wing and downward in a shallow cone that picks out the crusted snow directly beneath, leaving the rest of the ground in absolute black. The raven's eyes are the only other light, a thin cold gleam, and beyond their two small pools and the mote's halo the darkness is total. Snow falls heavily through the whole frame, streaks and fat flakes driven almost horizontal by the wind, and each flake only becomes visible as it crosses the light's cone or the rim of an eye-gleam, flaring silver for an instant before vanishing back into the void; the flakes that land on the raven's raised wing-tops gather there and nowhere else. The environment is a featureless night blizzard: no horizon, no trees, only a low snowdrift banked around the bird's feet and the wind-combed ridges of the ground losing themselves in black. Palette is restricted to deep black, cold silver-grey and soft white, the white appearing only in the glow, the falling flakes and the faint snow-shine, everything graded toward charcoal at the edges. Fine film grain sits over the entire frame, edges soft with atmospheric haze near the lens, the drifting snow slightly out of focus in the foreground. Protective, melancholic, sacred.
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Original Prompt
A massive, shadowy raven spreading its wings like a protective shield in a dark, freezing snowstorm. Beneath the raven's wing, safe from the storm, rests a tiny, fragile, glowing white light, resembling a small insect or a soul. The snow is falling heavily around them. The only illumination comes from the tiny light and the raven's pale, watchful eyes. Mood: protective, melancholic, sacred, nondual, quiet strength. Dark fantasy, cinematic, deep blacks, silver, and soft white. 8k, film grain, highly detailed. No text, no watermark. --ar 16:9
Mode
pro
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of C9I
2 subjects, one massive shadowy raven, one tiny glowing white light, wings spread wide like a protective shield, hunched over, head lowered, from below, low angle, wide shot, dutch angle, heavy snowfall, blizzard, dark freezing snowstorm, tiny glowing light cradled beneath the wing, curled insect-like mote of light, pale watchful eyes, glowing eyes, rim lighting, backlighting, silhouette, deep blacks, silver, soft white, monochrome with pale glow, high contrast, volumetric light, snow particles lit only near the light, dark fantasy, cinematic, film grain, highly detailed, no text, no watermark The camera sits low and close to the drift, tilted a few degrees off level, looking up from beneath the raven's breast so the bird towers across the upper two thirds of the wide 16:9 frame while the light huddles in the lower left third. The raven's body is a hunched mass of matte black feathers, its back arched against the storm; both wings are flung open and slightly forward, the near wing sweeping down and toward the lens with its primaries spread and its underside turned to the viewer, the far wing raked up and back, together tenting a hollow of still air beneath the breast. Feathers along the shoulders are ruffled and lifted by the gale, each barb silvered where the glow grazes it. The head is bowed and turned in three-quarter profile toward the hollow, hooked beak angled down, and both pale eyes are luminous discs set in the dark skull, catching the mote of light from below so the pupils stay black pinpricks; the gaze is fixed on the small glowing thing, unblinking, and does not leave it. Beneath the near wing, sheltered in the pocket of the raven's breast, hangs the light: a mote no bigger than an insect, a soft white core with a feathered halo and two faint trailing threads like folded wings or a wisp of soul, drifting a finger's width above the snow yet untouched by it. It is the brightest thing in the frame and the only warm-white source; its glow falls upward on the raven's throat and inner wing and downward in a shallow cone that picks out the crusted snow directly beneath, leaving the rest of the ground in absolute black. The raven's eyes are the only other light, a thin cold gleam, and beyond their two small pools and the mote's halo the darkness is total. Snow falls heavily through the whole frame, streaks and fat flakes driven almost horizontal by the wind, and each flake only becomes visible as it crosses the light's cone or the rim of an eye-gleam, flaring silver for an instant before vanishing back into the void; the flakes that land on the raven's raised wing-tops gather there and nowhere else. The environment is a featureless night blizzard: no horizon, no trees, only a low snowdrift banked around the bird's feet and the wind-combed ridges of the ground losing themselves in black. Palette is restricted to deep black, cold silver-grey and soft white, the white appearing only in the glow, the falling flakes and the faint snow-shine, everything graded toward charcoal at the edges. Fine film grain sits over the entire frame, edges soft with atmospheric haze near the lens, the drifting snow slightly out of focus in the foreground. Protective, melancholic, sacred.
C9I
AI artwork
Avatar image of C9I
2 subjects, one massive shadowy raven, one tiny glowing white light, wings spread wide like a protective shield, hunched over, head lowered, from below, low angle, wide shot, dutch angle, heavy snowfall, blizzard, dark freezing snowstorm, tiny glowing light cradled beneath the wing, curled insect-like mote of light, pale watchful eyes, glowing eyes, rim lighting, backlighting, silhouette, deep blacks, silver, soft white, monochrome with pale glow, high contrast, volumetric light, snow particles lit only near the light, dark fantasy, cinematic, film grain, highly detailed, no text, no watermark The camera sits low and close to the drift, tilted a few degrees off level, looking up from beneath the raven's breast so the bird towers across the upper two thirds of the wide 16:9 frame while the light huddles in the lower left third. The raven's body is a hunched mass of matte black feathers, its back arched against the storm; both wings are flung open and slightly forward, the near wing sweeping down and toward the lens with its primaries spread and its underside turned to the viewer, the far wing raked up and back, together tenting a hollow of still air beneath the breast. Feathers along the shoulders are ruffled and lifted by the gale, each barb silvered where the glow grazes it. The head is bowed and turned in three-quarter profile toward the hollow, hooked beak angled down, and both pale eyes are luminous discs set in the dark skull, catching the mote of light from below so the pupils stay black pinpricks; the gaze is fixed on the small glowing thing, unblinking, and does not leave it. Beneath the near wing, sheltered in the pocket of the raven's breast, hangs the light: a mote no bigger than an insect, a soft white core with a feathered halo and two faint trailing threads like folded wings or a wisp of soul, drifting a finger's width above the snow yet untouched by it. It is the brightest thing in the frame and the only warm-white source; its glow falls upward on the raven's throat and inner wing and downward in a shallow cone that picks out the crusted snow directly beneath, leaving the rest of the ground in absolute black. The raven's eyes are the only other light, a thin cold gleam, and beyond their two small pools and the mote's halo the darkness is total. Snow falls heavily through the whole frame, streaks and fat flakes driven almost horizontal by the wind, and each flake only becomes visible as it crosses the light's cone or the rim of an eye-gleam, flaring silver for an instant before vanishing back into the void; the flakes that land on the raven's raised wing-tops gather there and nowhere else. The environment is a featureless night blizzard: no horizon, no trees, only a low snowdrift banked around the bird's feet and the wind-combed ridges of the ground losing themselves in black. Palette is restricted to deep black, cold silver-grey and soft white, the white appearing only in the glow, the falling flakes and the faint snow-shine, everything graded toward charcoal at the edges. Fine film grain sits over the entire frame, edges soft with atmospheric haze near the lens, the drifting snow slightly out of focus in the foreground. Protective, melancholic, sacred.
C9I
AI artwork
Avatar image of C9I
2 subjects, one massive shadowy raven, one tiny glowing white light, wings spread wide like a protective shield, hunched over, head lowered, from below, low angle, wide shot, dutch angle, heavy snowfall, blizzard, dark freezing snowstorm, tiny glowing light cradled beneath the wing, curled insect-like mote of light, pale watchful eyes, glowing eyes, rim lighting, backlighting, silhouette, deep blacks, silver, soft white, monochrome with pale glow, high contrast, volumetric light, snow particles lit only near the light, dark fantasy, cinematic, film grain, highly detailed, no text, no watermark The camera sits low and close to the drift, tilted a few degrees off level, looking up from beneath the raven's breast so the bird towers across the upper two thirds of the wide 16:9 frame while the light huddles in the lower left third. The raven's body is a hunched mass of matte black feathers, its back arched against the storm; both wings are flung open and slightly forward, the near wing sweeping down and toward the lens with its primaries spread and its underside turned to the viewer, the far wing raked up and back, together tenting a hollow of still air beneath the breast. Feathers along the shoulders are ruffled and lifted by the gale, each barb silvered where the glow grazes it. The head is bowed and turned in three-quarter profile toward the hollow, hooked beak angled down, and both pale eyes are luminous discs set in the dark skull, catching the mote of light from below so the pupils stay black pinpricks; the gaze is fixed on the small glowing thing, unblinking, and does not leave it. Beneath the near wing, sheltered in the pocket of the raven's breast, hangs the light: a mote no bigger than an insect, a soft white core with a feathered halo and two faint trailing threads like folded wings or a wisp of soul, drifting a finger's width above the snow yet untouched by it. It is the brightest thing in the frame and the only warm-white source; its glow falls upward on the raven's throat and inner wing and downward in a shallow cone that picks out the crusted snow directly beneath, leaving the rest of the ground in absolute black. The raven's eyes are the only other light, a thin cold gleam, and beyond their two small pools and the mote's halo the darkness is total. Snow falls heavily through the whole frame, streaks and fat flakes driven almost horizontal by the wind, and each flake only becomes visible as it crosses the light's cone or the rim of an eye-gleam, flaring silver for an instant before vanishing back into the void; the flakes that land on the raven's raised wing-tops gather there and nowhere else. The environment is a featureless night blizzard: no horizon, no trees, only a low snowdrift banked around the bird's feet and the wind-combed ridges of the ground losing themselves in black. Palette is restricted to deep black, cold silver-grey and soft white, the white appearing only in the glow, the falling flakes and the faint snow-shine, everything graded toward charcoal at the edges. Fine film grain sits over the entire frame, edges soft with atmospheric haze near the lens, the drifting snow slightly out of focus in the foreground. Protective, melancholic, sacred.
C9I
AI artwork
Avatar image of C9I
cinematic close-up, 3:2 landscape, sad injured raven, head resting against cold iron bars, perched on rusted lock of a heavy iron cage, single raindrop falling from its eye like a tear, defeated expression, ruffled black plumage, bare patch of broken feathering on one shoulder, faint glowing silhouette of a small child inside the blurred cage background, dead trees, falling snow, harsh cold light, chiaroscuro, desaturated blacks, deep cold blues, shallow depth of field, film grain, hyperdetailed, bokeh, backlighting, rim light, no other figures, despairing, silent tragedy Shot as a tight cinematic close-up in 3:2 from just below the raven's eye level, so the bird fills the left two-thirds of the frame and the cage wall recedes across the rest. The raven sits heavy on the rusted lock: a thick iron padlock, pitted and orange-brown along its edges, its shackle looped through the cage's latch plate, flaking rust where the metal has swollen. The bird's claws wrap the lock's upper face, one foot set forward, the other gripping the shackle collar; its body is hunched and tilted left, the whole weight sagging down into the lock rather than held above it. Its head is turned in profile and pressed sideways against a vertical iron bar, the bar meeting the crown of the head and the cheek so the plumage flattens against the cold metal and the eye sits just clear of it, half-lidded and dim, gazing down and away past the bar into the void beyond the cage. The single drop hangs at the lower rim of that eye and is already detaching, elongated and glassy, its own tiny highlight, falling down the cheek between feathers; the feathers around the eye are matted and wet, and a smear of dried blood darkens the skin at the base of one folded wing, which hangs a little too low and slightly out of true. Feathers along the neck are ruffled and split, edges catching a thin silver rim light. The bars run vertically through the near foreground, out of focus at the frame edges, in focus where they meet the bird's head. Behind them, deep in the blurred interior, the pale glow of a small child's outline stands barefoot with arms lowered at their sides โ€” no facial detail, only a soft blue-white luminosity bleeding into the darkness and dissolving at the cage's far bars, its light catching nowhere else in the scene. The one light source is a hard, colorless cold key from the upper left and behind, throwing a rim along the bird's back, the top of the lock and the nearest bar edges while the undersides of the cage and the space behind fall into near-total black; the darkness beyond the light is absolute. Through the top-left gap above the cage, dead trees stand as stripped black forks beyond the depth of field, soft-edged and inconsequential, with snow falling past them in streaked flakes, and flakes drifting into the lit band where they show as small bright flecks; a skin of snow has settled on the upward faces of the lock and the bar tops but nowhere underneath. Palette is desaturated black and cold blue throughout: rust brown and black on the iron, charcoal plumage shading to blue, the child's glow the only pale warmth-free light in the frame. Fine film grain across the whole image, heaviest in the dark blues. Helpless, bleak.
C9I

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