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AI artwork featuring #Eris Boreas Greyrat and #Mushoku Tensei: Jobless Reincarnation
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Eris Boreas Greyrat, Mushoku Tensei: Jobless Reincarnation

#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
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Fitentia Lombardy

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character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1orc, eris boreas greyrat, red hair, very long red hair, long hair, ahoge, black hairband, hair between eyes, thick eyebrows, red eyes, heart-shaped pupils, empty eyes, sad expression, huge breasts, tiara, colossal earrings, colossal engagement ring, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, pink and white dress, too much lace, excessive ruffles, many bows, overdecorated dress, ridiculous dress ornaments, glitter fabric, sequins, gigantic sleeves, puffy skirt, huge long skirt, oversized dress, rococo style, docile pose, arms lowered, hands resting on own belly, standing facing front, frontal angle, straight-on composition, hug from beside, orc grabbing woman's shoulders, orc at her right side, from front, cowboy shot, detailed background, The camera looks straight down the room's axis, a frontal eye-level shot with the girl square to the lens and the whole width of her skirt inside the frame. She fills the middle two-thirds of the picture: a grown woman with cascading red hair falling past her waist, a single ahoge curling up off the crown, a black hairband, strands between her brows, thick dark eyebrows, and red eyes whose pupils are drawn as small glossy heart shapes -- the irises drained and glassy, the lids low and slack, her mouth pulled into a small downturned sad line, chin dipped a little toward her collarbone. Her arms hang low and her hands meet on her own belly, fingertips pressed together on the satin just under the bust, elbows in, shoulders slightly hunched inward in a fragile docile posture; her enormous chest strains the boned bodice, and the heart pupils and the hooded lids keep the gaze aimed down and to her hands, not at the lens. From her right side an orc leans in against her, a huge grey-green slab of a body half a head taller than her, one heavy hand clamped on each of her shoulders -- thick fingers digging into the puffed sleeve caps, the fabric denting under the grip -- its face brought close to her temple, eyes looking at her downturned face while her own eyes stay lowered to her belly. Its mass presses the ruffles of her right shoulder flat and tips her weight slightly onto her left leg, hip cocked under the skirt. The dress is a disaster of money: pink and white satin that does not quite agree with itself, tier upon tier of cheap scratchy lace caked along the neckline, the cuffs and every hem, ruffles so thick they stand out from the shoulders like fins, and bows -- satin bows, glitter bows, bows with bells, bows pinned at the waist, the wrists, the hem, the bodice, dozens of them, one slightly crooked. Gigantic bell sleeves swallow her forearms and drag to her knees, bristling with bowed ornaments and paste jewels so heavy they hang straight down. The skirt is a monstrous puffed dome of glitter-shot fabric and sequins that scatters light in ugly little sparks, so wide it needs its own footprint, with a train pooling in folds behind her and the sequin work flaking off in a few bald patches along the front panel. On her head a thin tiara sits a little off-centre in her parting; colossal hoop earrings pull her earlobes down; on the hand resting on her belly a colossal engagement ring with a stone the size of a quail's egg catches the light. The room is rococo: a pale panelled wall with gilt scrollwork and a tall arched window on the left, a marble floor with a soft sheen, pale gold and dusty cream and blush tones throughout, the dress the only hard pink. Daylight comes in through the window on frame-left and rakes across her from the left, so the left side of her face and the left swell of the skirt light up, the window's leaded panes throw a faint lattice of shadow onto the floor and the back hem of the train, the lace throws crisp small shadows onto the satin beneath it, and the room's far corner behind the orc sinks into soft shadow. Quiet dread, garish.
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Original Prompt
Eris boreas greyrat,red hair,mushoku tensei,red eyes,huge breast,ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins, ,gigantic sleeves,ridiculous,sleeves,ridicolus ornaments in dress,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,pink and white dress,la chica esta de frente,(((la chica esta en una postura docil con los brazos bajos colocados en su vientre,tiara,sad,empty eyes,heart in eyes,1 orc,hug from beside,orc grab woman's shoulders,rococo style,la chica esta de frente,el angulo de la imagen es frontal
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1boy, orc, red hair, very long red hair, ahoge, black hairband, hair between eyes, red eyes, heart-shaped pupils, half-closed eyes, empty eyes, thick eyebrows, huge breasts, tiara, colossal earrings, colossal engagement ring, silver and white wedding dress, ugly wedding dress, tacky wedding dress, overly ornate wedding dress, overdecorated, too much lace, excessive ruffles, too many bows, glitter fabric, sequins, gigantic sleeves, ridiculous sleeves, ridiculous ornaments, puffy skirt, huge skirt, long skirt, oversized dress, rococo style, sad, crying, tears, crying with eyes open, tears streaming down cheeks, docile posture, arms down, hands resting on own belly, standing, facing viewer, frontal view, hug from beside, orc grabbing girl's shoulders, orc behind, tall muscular orc, green skin, tusks, from front, cowboy shot, dutch angle, heavy shadow, ballroom backdrop, spoken_heart, trembling, blush, heavy_breathing, dramatic_lighting, wide_shot The camera looks slightly upward from just below eye level and a few degrees off-axis, tilted a notch into a dutch angle, keeping the young woman squarely facing the viewer while the orc looms in from her left side. She stands rooted, weight sunk into her right hip with one knee bent inward, both arms hanging low so her cupped hands rest lightly on her belly, fingers laced over the swollen front of the gown. From her hairline a single thin ahoge curls upward above a black hairband binding very long red hair that spills over the gigantic sleeves; a circlet of a tiara sits pressed into the crown, its small points catching light, and two colossal earrings drag her lobes downward as pendants wider than her jaw. Her red eyes are half-lidded and flat, gaze aimed at a point just past the lens, yet embedded deep in each iris a tiny heart-shaped highlight glows; tears well along the lower lids, break, and run two clean tracks through the powder on her cheeks, one drop hanging at her jaw. Her mouth is set in a small trembling line. The orc's massive left arm crosses behind her back and his broad hand clamps her right shoulder, fingers sinking into the puffed fabric, while his right paw grips her other shoulder from the front so the sleeve deforms under it; his tusk-jawed head tilts down beside her tiara, breath stirring the loose red strands at her temple. Between her face and his shoulder hangs a small hand-drawn heart in a rounded speech bubble. Everything she wears is deliberately wrecked grandeur: silver and white satin layered with lace tiers, ruffles stacked in flounces at the hem, bows knotted at every seam, sequins and glitter fabric flaking light across the whole mass, absurd ornament clusters and trailing beaded swags. The skirt billows out in a huge puffy bell far past her hips, its long train crushed and folded on the floor behind her feet, and the oversized dress leaves folds of fabric pooling at her shoes. Behind them a rococo ballroom recedes: pastel gilded panelling, intricate gold filigree scrolling along cornices and mirror frames, lavishly ornamented wallpaper in soft mint and rose, a marble floor whose polish carries a dim reflection of the silver hem. A single warm light from high on the right washes the gold trim into honeyed pastel and lays the couple's doubled shadow long across the floor to the lower left; the corners fall into blues and grays so the pastel ornament stays bright and the two bodies stay the darkest shapes. The dress and the filigree carry the detail budget: every ruffle edge, sequin glint, lace scallop and gold leaf curl rendered crisply. Lavish and cruel.
Fitentia Lombardy
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
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character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris greyrat, red hair, long hair, very long hair, ahoge, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, red and white dress, silver and white dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, tiara, slave collar, hearts in eyes, heart-shaped pupils, blush, reluctant expression, unhappy, clenched teeth, furrowed brow, front view, facing viewer, docile posture, arms down, hands on own belly, hug from behind, monster, ugly monster, long tongue, tongue out, licking cheek, hand on belly, monster hand on pregnant belly, rococo style, from front, cowboy shot, heavy_breathing, sweat, trembling, spoken_heart She stands square to the camera in a full front view, a red-haired young woman whose very long hair spills over her shoulders with one ahoge curling up and a black hairband holding the mass back; her red eyes are transformed into two glossy heart-shaped pupils that pulse pink at their cores, and the blush across her nose and cheeks is deep and feverish. Her mouth is pulled into a small, strained line, the lower lip caught between her teeth, brows knitted — the face of someone enduring a thing she does not want, and the hearts in her eyes sit there like an ornament she cannot remove. Her arms hang low and docile, both hands folded and resting flat on the swell of her visibly pregnant belly under the dress, fingers splayed and still. The dress is an oversize confection of red and white and silver-white satin, puffed at the shoulders, huge and long so its skirt balloons out at her sides and pools where it meets the floor; lace erupts at every hem and cuff, ruffles stack in tier after tier, bows cluster at the bodice, the waist and each puff, and sequins and glitter fabric scatter pinpoint gleams across the cloth among a clutter of ridiculous little ornaments — ribbons, ribbon rosettes, tiny enamelled charms sewn on so thickly they almost hide the fabric. A tiara of white filigree and pearls sits in her hair; colossal hoop earrings hang almost to her collarbones, swinging slightly; on her left ring finger a colossal engagement ring with a huge glittering stone sits prominent and heavy, tilting her hand. Around her throat is a plain metal slave collar, tight and unornamented — a cold, brutal band against all that lace. The monster is behind her: a hunched grey-green shapeless brute, sagging folds of skin, a wide lumpy jaw with a few crooked teeth, small dull eyes, no visible clothing; its long thick tongue is a wet purple rope laid flat along her right cheek from jaw to cheekbone, and its drool runs a slick line down her jaw to her chin. One of its big knuckled hands is pushed under the front of her belly, the palm flat beneath the swell, the fabric of the dress bunched around its wrist — its other arm locks across her chest, pinning her back against its torso. The dress's oversize bulk presses and deforms against the monster's bulk behind her, fabric stretched into creases where the two bodies meet. Camera at chest height, slightly below eye level, framed from mid-thigh up so the whole skirt fills the lower frame and the tiara clears the top edge. Light comes from one high soft source in front of her — a warm gilt key that makes the sequins flare in tiny specular starbursts and catches the wet of the tongue and the drool on her cheek; the monster behind stays in a cooler shadow so its ugliness recedes. Palette is a rococo confection: ivory, rose, powder blue and warm gilt, ornament everywhere, with the red of her hair the single saturated anchor. Ornate decorative elements crowd every surface, elaborate curls and flourishes wind through the lace and the gilt frame behind her, highly ornamental textures on silk and wallpaper alike, the whole hall around her a pastel salon of cartouches, acanthus scrolls and gilded moulding in soft focus. The glitter and the tears of saliva on her cheek share one specular highlight, so the dress and her distress catch the light the same way. Sumptuously miserable.
Brago bloodfallen
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
eb
character: eris_greyrat, copyright: mushoku_tensei eris_greyrat, 2girls?, no, 1girl, 1monster, solo focus, red_hair, hair_up, updo, ahoge, very_long_hair, red_eyes, thick_eyebrows, huge_breasts, pregnant, visibly_pregnant, puffy_frilled_dress, pink_and_white_dress, silver_and_white_dress, oversized_dress, huge_skirt, long_skirt, puffy_skirt, excessive_lace, excessive_ruffles, too_many_bows, ridiculous_ornaments, glitter, sequins, tiara, colossal_earrings, colossal_engagement_ring, slave_collar, heart-shaped_pupils, blush, reluctant, unhappy, closed_mouth, frown, furrowed_brow, docile, hands_on_own_belly, arms_at_sides, standing, facing_forward, from_below, cowboy_shot, huge_monster, ugly_monster, long_tongue, licking_belly, hug_from_behind, hand_under_belly, rococo, ornate, spoken_heart, sweat, trembling, half-closed_eyes, heavy_breathing The camera sits low and looks up, so the enormous bell of the skirt fills the lower two thirds of the frame and the tiara crests near the top edge. She stands square to the viewer, chin slightly lowered, weight sunk into her right leg while the left knee bends inward — the docile stance of someone who has stopped resisting. Both arms hang low and her hands are folded together over the swell of her belly, fingertips laced, the colossal engagement ring so heavy on her right hand that her finger dips under it; a second band circles her thumb. Her face is a study in contradiction: the pupils are large soft hearts, her cheeks and the bridge of her nose are flushed deep pink, and yet her brows are drawn together in a tight furrow, her mouth is pressed shut and pulled down at one corner, and her eyes are half-lidded and miserable — she is not enjoying it at all, and every few breaths her shoulders give a small involuntary tremble. Her red hair is swept up into a high mass fixed with a jeweled pin, an ahoge curling loose, two strands falling between her eyes, and the tiara sits tilted into it. Colossal hoop earrings draw her lobes down. At her throat a wide black slave collar with a hanging ring sits above the ruffled neckline. The dress is a rococo catastrophe: pink and white silk layered over silver and white underskirts, every seam buried under excessive lace, ruffles stacked into confectionary tiers, bows tied at the waist, the puffed sleeves, the bustle and even the tiara's base, sequins and glitter fabric catching the light in scattered pinpricks, and ridiculous ornaments — porcelain roses, ribbon rosettes, a swinging miniature cage — hung wherever a surface would bear one. So much fabric that the skirt pools and spreads at the hem, hiding her feet completely. The ugly monster presses in from her right side: a squat, mottled olive-grey creature with a heavy brow, wet small eyes and a wide slobbering mouth, its long tongue laid flat across the taut pink swell of her belly, lapping in a slow curl, saliva gleaming in the hollow of her navel and beading on the stretched fabric. One thick, clawed hand slides under the underside of her belly from beside her, cupping its weight, and the skin of her abdomen dents slightly where the fingers push. Its other arm wraps her waist and its hunched shoulder digs into her hip. Her body leans a fraction away from it while her feet stay planted, and though her heart-pupiled eyes are wide and fixed forward at nothing, her head has tipped a little toward the creature against her will. A small hand-drawn heart floats in a speech bubble beside her cheek. Rococo interior behind them: a gilded boiserie panel and a swag of dusty pink drapery, largely swallowed by shadow. One warm light source from the upper left, a window or sconce, lays a long highlight down the sequined skirt and lights the wet shine on the tongue and the gloss of her blush, while the far side of the monster falls into darkness. Pastel palette of rose pink, ivory, silver and muted gold against the creature's drab green. Ornate decorative elements, intricate gold flourishes, extravagant frills throughout — tense, unwilling, gaudy.
Eris Boreas greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
bb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris boreas greyrat, red hair, long hair, very long red hair, ahoge, black hairband, hair between eyes, thick eyebrows, red eyes, heart-shaped pupils, blush, huge breasts, visibly pregnant, pregnant belly, distended round belly, puffy dress, frilled dress, pink and white dress, silver and white dress, overly ornate dress, tacky dress, overdecorated dress, too much lace, excessive ruffles, too many bows, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous dress ornaments, colossal earrings, colossal engagement ring, slave collar, tiara, displeased, unhappy, gritted teeth, furrowed brow, nervous sweat, docile posture, arms down, hands on own belly, front view, facing viewer, standing, one ugly monster, monster with long tongue, monster licking belly, monster hand under belly, hug from beside, monster hug, rococo style, Front view, straight on: the red-haired woman stands facing the viewer at full figure, the colossal skirt spreading wide across the lower frame and spilling past both edges, while a squat ugly monster presses against her from her right side, one arm wrapped behind her back and its long tongue laid flat across the underside of her round pregnant belly. Her arms hang low and docile, both hands resting on the top of the belly with fingers loosely curled, the enormous gem of the colossal engagement ring turned to face the camera on her left hand and catching the light like a drop of pink glass. Her head is tipped a fraction down, thick brows drawn together, mouth pulled tight at one corner, a fine sheen of sweat at her temple, and her red eyes carry bright heart-shaped highlights that sit inside her pupils while the rest of her face plainly wishes to be elsewhere -- the blush is cosmetic heat, not consent. The tiara sits in her red hair, an ahoge sprung loose above it, and enormous dangling earrings pull at both lobes. The slave collar rings her neck in plain metal beneath the lace. The monster is heavy and wrong: mottled olive hide, a hunched rounded back, asymmetric bulging eyes set at different heights, a wide lipless mouth, short thick legs. It leans its whole weight into her hip, its other hand slid flat under the swell of her belly and lifting it slightly, the palm spread and the belly's skin compressed under the press. Its tongue is wet, textured and improbably long, moving in a slow upward drag across the taut belly, saliva sheening the skin where it lifts away. The dress is rococo excess piled until it should not stand: pink and silver-white satin, glitter fabric and sequins catching pinpoints of light, tier upon tier of ruffles and lace and bow upon bow marching down the front of the bodice and around the skirt, gilt-coloured scrolling ornaments and paste-jewel clusters scattered with no restraint. The huge skirt pools outward in stiff, improbable flounces, hem lost beyond the frame edges. Behind her, a shallow rococo interior: a muted pastel wall with one gilt-framed panel and one ornate carved console at the edge, never competing with her. Soft even frontal daylight from above and slightly left, filling the lace and setting the sequins glittering, with the monster's shadow falling across the lower skirt; the skin of the belly holds a wet highlight where the tongue has passed and the fabric sheen is duller where it sits in shadow. Pastel gold-and-sugar palette, everything over-appointed and oppressive. Grotesque and gilded.
Brago bloodfallen
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation

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