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Roger Albertsen

ra

Roger Albertsen

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A mid-thigh up portrait sprite of the character from image1 in a dynamic stance, isolated against a solid pitch-black background. The older bald man has grey stubble and a cold expression, featuring a glowing cyan cybernetic lens over his right eye. He wears a dark green neck-wrap, a heavily blood-splattered white lab coat over a stained dark grey surgical apron, black combat pants, and heavy boots. His left arm is a massive matte-black bionic prosthetic ending in claw-like medical saws and blades dripping with fresh blood. Sharp terminal green neon rim-lights intensely outline his silhouette from behind. The style is changed to a high-contrast dark comic ink sketch with grimdark Seinen manga aesthetics, deep chiaroscuro shadows, aggressive cross-hatching, thick variable-width ink outlines, fine matte surface scratches, and bold color blocking.
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Original Prompt
(Masterpiece high-contrast dark comic ink sketch), (grimdark Seinen manga illustration style), deep black ink shadows, sharp chiaroscuro lighting layout, intense dramatic cross-hatching shadow fields, standalone 2D character portrait sprite, three-quarter mid-thigh up crop, dynamic stance, isolated on a solid pitch-black background. A stylized narrative portrait of Doc Kessler the cyberpunk ripperdoc, matching a high-end graphic novel dialogue screen layout. The character is a menacing, battle-hardened older bald man looking forward with an intimidating, cold expression. He features a heavy-duty glowing cyan cybernetic lens ocular implant over his right eye socket and a dark green medical neck-wrap brace fabric covering his throat under a grey stubbled jaw. He is dressed in a long white lab coat heavily splattered with crimson-red blood, layered over a stained dark grey surgical apron, black combat pants, and heavy black boots. His left arm is a massive matte-black industrial bionic prosthetic weapon mechanical rig, ending in sharp, claw-like surgical blade fingers and medical saws dripping with fresh blood. Thick, crisp variable-width black ink line art outlines. Matte surfaces feature fine hand-painted white damage scratches, grease scuffs, and heavy environmental grit over dark metals. Sharp industrial terminal green neon rim-lights intensely outline his silhouette from behind, casting a sinister clinical glow onto his lab coat and shoulder. Western cyberpunk graphic novel aesthetic, bold color blocking with flat toon cel-shaded gradients combined with aggressive comic book ink layers, razor-sharp clean edges. Negative Prompt: (flat cartoon style), webcomic, simple clean vector art, thin uniform lines, uniform lighting, zero shadows, unblemished clothes, pristine face, bright white background, 2D animation frame, flash animation, plain coloring, no crosshatching, 3D render.
Mode
flash
Size
1056 x 1888
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
ra
A 2D character portrait sprite cropped mid-thigh up against a solid pitch-black background. The character is a battle-hardened, bald older man with grey stubble, an intimidating expression, and a glowing cyan cybernetic lens over his right eye. He wears a dark green neck-wrap under a heavily blood-splattered white lab coat, a dark grey surgical apron, black combat pants, and boots. His left arm is a massive matte-black bionic rig equipped with bloody surgical blades and medical saws. He stands in a dynamic stance, looking straight ahead. The style is changed to a high-contrast grimdark comic ink sketch with thick variable-width line art, dramatic cross-hatching shadows, and sharp chiaroscuro lighting. Surfaces show fine white damage scratches and heavy grit, while intense green neon rim-lights outline his silhouette from behind, blending aggressive ink layers with bold color blocking and flat cel-shaded gradients.
Roger Albertsen
AI artwork
s
1man, solo, male focus, portrait, close-up, from side, three-quarter view, head and shoulders, short black hair, black eyebrows, robotic eyes, prosthetic jaw, robotic jaw, mutilated face, no nose, missing nose, exposed nasal cavity, torn skin, flayed cheek, no lips, exposed teeth, clenched teeth, blood on face, bleeding, blood dripping from jaw, flesh peeking through wounds, scars, metal parts implanted in head, metal plates in skull, tubes implanted in face, hoses implanted in face, wires entering cheek, grey jet pilot suit, high collar, gore, linework, crosshatching, heavy shading, high contrast, A tight close-up portrait seen from the side in three-quarter view, the man's head turned so that his ruined left cheek faces the lens while the right side of his skull recedes into shadow: short black hair lies flat and sweat-damp against the scalp, black eyebrows drawn hard together over two robotic eyes -- smooth metal sockets seated in the orbital bone, irises rendered as dark glass lenses that catch one hard pinpoint of light. Where the nose should be there is nothing but a collapsed opening of mutilated skin, the bridge sheared away and the raw cavity rimmed with dried and wet blood; below it the lips are entirely gone, the gums and the whole row of clenched teeth laid bare and grinding together behind torn tissue, so the jaw's set is visible as pure muscle tension at the temples. A prosthetic jaw of matte gunmetal replaces the lower half of the face on the left side, bolted into the cheekbone, its seam cutting across flesh that has healed crooked around the metal, and the teeth show through the gap where the plating meets the exposed gum. Metal parts are implanted in the head -- flat plates screwed into the shaved temple, a ribbed socket at the brow -- and from them a bundle of tubes and hoses runs down into the face: two thick corrugated hoses entering the hollow of the missing nose, thinner wires stitched into the cheek and the corner of the jaw, each entry point crusted with blood and proud swollen flesh. Scars cross the forehead and the neck; along the right jawline a split in the skin shows wet red flesh peeking through the wound, and a slow line of blood runs from the cheek entry down over the metal jaw to hang, gathered, at the lowest point of the chin before it falls. He wears a grey jet pilot suit, its high collar buckled at the throat and its shoulder seam visible at the bottom edge of the frame, the fabric scuffed and dark where blood has soaked it. The single light source is a cold overhead lamp above and slightly behind the camera's left, striking the metal implants, the wet teeth and the blood so they glare white while the far side of the head and the depth of the nasal cavity go pure black; a hard cast shadow drops from the jaw onto the collar. Palette is restricted to the grey of the suit and plating, the black of hair and shadow, and the red of blood and exposed flesh, nothing else admitted, with the whole surface finished in fine ink linework over dense crosshatching and heavy shading that thickens in the sockets and the wounds. Brutal, surgical.
Siemens
AI artwork
t
1man, solo, creepy policeman, mature male, black and grey hair, black and grey beard, aviator sunglasses, police cap, leather jacket, engine harness, electrical cables on jacket, military pants, scarred cheek, bloody scar, tumored cheek, deformed cheek, blood on face, holding weapon, electrical baton, electricity, sparks, creepy smile, from below, cowboy shot, leaning forward, indoors, ruined room, dilapidated room, broken window, fog, foggy night, dark, dramatic lighting From below in an imposing cowboy shot, a menacing policeman leans forward with an unsettling, predatory posture, his weight planted heavily on his forward leg. Beneath the stiff brim of a battered black police visor cap, coarse black and grey hair is cropped short, matching the scruffy black and grey beard that hugs his jawline. Dark teardrop aviator sunglasses completely conceal his eyes, reflecting the erratic jitter of electric sparks. His face is grotesque and unbalanced: across one cheek runs a deep, jagged, freshly bloody scar, while the opposite cheek bulges outward with a grotesque, bloody tumorous growth that glistens with dark crimson seeping down into his beard, his mouth stretched into a wide, crooked, unsettling smirk. He wears a distressed black leather police jacket strapped tightly into a heavy-duty industrial engine harness featuring weathered canvas webbing, tensioners, and iron rings. Thick insulated electrical cables snake across the jacket's shoulders and sleeves, taped and coiled in irregular loops. Below the waist, rugged charcoal-grey military cargo pants show reinforced knee stitching and deep bellows pockets. His gloved right hand tightly grips a makeshift post-apocalyptic police baton—a heavy metal shaft wrapped with exposed copper wire coils that snap with violent blue-white electrical arcs, shedding stray sparks into the damp air. The figure stands inside a desolate, decrepit room with peeling floral wallpaper, cracked plaster, and a gaping shattered sash window frame. Beyond the opening, a dense, swirling foggy night looms in deep shades of indigo and slate, with cold vapor drifting over the sill into the room. The erratic blue discharge of the baton acts as a harsh, pulsing key light, raking sharp specular highlights across the oiled leather, the metallic sunglass rims, and the glistening wet surface of his scarred flesh, while cool ambient moonlight outlines his silhouette against the dark, fog-choked background. Heat from the sparking baton makes the incoming tendrils of mist instantly dissipate and swirl around his knuckles. Macabre dread.
trifgol
#Resident Evil

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