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1man, solo, male focus, portrait, close-up, from side, three-quarter view, head and shoulders, short black hair, black eyebrows, robotic eyes, prosthetic jaw, robotic jaw, mutilated face, no nose, missing nose, exposed nasal cavity, torn skin, flayed cheek, no lips, exposed teeth, clenched teeth, blood on face, bleeding, blood dripping from jaw, flesh peeking through wounds, scars, metal parts implanted in head, metal plates in skull, tubes implanted in face, hoses implanted in face, wires entering cheek, grey jet pilot suit, high collar, gore, linework, crosshatching, heavy shading, high contrast, A tight close-up portrait seen from the side in three-quarter view, the man's head turned so that his ruined left cheek faces the lens while the right side of his skull recedes into shadow: short black hair lies flat and sweat-damp against the scalp, black eyebrows drawn hard together over two robotic eyes -- smooth metal sockets seated in the orbital bone, irises rendered as dark glass lenses that catch one hard pinpoint of light. Where the nose should be there is nothing but a collapsed opening of mutilated skin, the bridge sheared away and the raw cavity rimmed with dried and wet blood; below it the lips are entirely gone, the gums and the whole row of clenched teeth laid bare and grinding together behind torn tissue, so the jaw's set is visible as pure muscle tension at the temples. A prosthetic jaw of matte gunmetal replaces the lower half of the face on the left side, bolted into the cheekbone, its seam cutting across flesh that has healed crooked around the metal, and the teeth show through the gap where the plating meets the exposed gum. Metal parts are implanted in the head -- flat plates screwed into the shaved temple, a ribbed socket at the brow -- and from them a bundle of tubes and hoses runs down into the face: two thick corrugated hoses entering the hollow of the missing nose, thinner wires stitched into the cheek and the corner of the jaw, each entry point crusted with blood and proud swollen flesh. Scars cross the forehead and the neck; along the right jawline a split in the skin shows wet red flesh peeking through the wound, and a slow line of blood runs from the cheek entry down over the metal jaw to hang, gathered, at the lowest point of the chin before it falls. He wears a grey jet pilot suit, its high collar buckled at the throat and its shoulder seam visible at the bottom edge of the frame, the fabric scuffed and dark where blood has soaked it. The single light source is a cold overhead lamp above and slightly behind the camera's left, striking the metal implants, the wet teeth and the blood so they glare white while the far side of the head and the depth of the nasal cavity go pure black; a hard cast shadow drops from the jaw onto the collar. Palette is restricted to the grey of the suit and plating, the black of hair and shadow, and the red of blood and exposed flesh, nothing else admitted, with the whole surface finished in fine ink linework over dense crosshatching and heavy shading that thickens in the sockets and the wounds. Brutal, surgical.
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Original Prompt
1man, solo, gore, mutilated face, no nose, torn skin, no lips, vires/hoses implanted in face, blood on face, metal parts implanted in head, prosthetic jaw, robotic jaw, robotic eyes, grey jet pilot suit, scars, black eyebrows, short black hair, clenched teeth, bleeding, flesh peek, masterpiece, ultra detailed, linework, crosshatching, heavy shading,
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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1boy, solo, gore, mutilated face, no nose, torn skin, no lips, prosthetic jaw, robotic jaw, robotic eyes, short black hair, black eyebrows, bleeding scars, green pilot suit, wires implanted in head, hoses implanted in head, metal parts implanted in head, blood on face, cyborg, portrait, close-up, from side, three-quarter view, head turned, looking at viewer, heavy shading, crosshatching, linework, detailed A tight close-up from slightly to his left, his head turned three-quarters toward the lens, chin lifted a fraction as if he has just raised it against the weight of the apparatus. He is a lone man in a green pilot suit, and the frame holds nothing but his head and the top of his collar: his short black hair is cropped close to the skull, lying flat and matted at the temples where blood has soaked in, and his black eyebrows sit unbroken above the machinery of his eyes. Both eyes are robotic -- paired optical units set into wet, inflamed sockets, dark glass lenses ringed by thin steel bezels, the left unit seated marginally deeper than the right, each iris-plate reflecting one small hard pin of light. Where a nose should be, the face is smooth: the skin drawn tight and glossy over the flat nasal bridge, no nostril, no flare, just an unbroken sealed plane with a hairline seam running up its centre. His mouth is a prosthetic jaw -- a machined lower mandible of brushed dark metal bolted at both hinges, its teeth a rank of square steel blocks, the gum line a raw red channel behind them, the whole assembly leaving the upper lip and cheeks torn open so the exposed muscle of the cheek shows slick and granular at either corner. Torn skin peels back from his cheekbones and forehead in curling flaps, the underside of each flap paler than the outside, edges tacky and darkening as they dry. Bundles of hoses enter his skull at the right temple and behind the left ear, ribbed black tubing sagging an inch before it disappears into a collar port at his neck, thin wires stitched through the scalp along his hairline and pulled taut where they dive into the brow; a flat metal plate is inset above his left brow with four countersunk screws, the skin puckered around it. Blood runs in three separate tracks -- one from the plate, one from the right hose port, one along the jaw hinge -- each track thickest at its source and thinning as surface tension gives out, beading at the chin. Old bleeding scars cross the temple and the corner of the cheek in raised pink lines. The lighting is a single hard key from his upper right, cold and slightly green: it catches the bezel edges, the wet teeth, the glossy no-nose plane, and the blood's high points, while the left side of his skull falls into near-total shadow and the hoses sink into blackness. Palette held to the green of the suit, the cold grey of steel, and the deep red of blood and torn tissue against a background of pure dark, nothing else admitted. Heavy shading laid down in dense crosshatched shadow masses, fine parallel linework modelling the metal and the exposed cheek, ink-dark contour lines closing every edge. Clinical, unflinching.
Siemens
#Black Clover
AI artwork
s
1boy, solo, male, short black hair, black eyebrows, robotic eyes, mechanical eyes, mutilated face, gore focus, missing nose, smooth torn skin where nose would be, missing lips, exposed teeth, prosthetic jaw, robotic jaw, metal jaw, blood on face, blood dripping, torn skin, scars, metal plates implanted in head, tubes implanted in face, hoses implanted in face, wires in neck, grey jet pilot suit, flight suit, portrait, close-up, from side, three-quarter view, looking to the side, parted mechanical jaw, linework, crosshatching, heavy shading, ink illustration, monochrome grey palette with blood red A tight head-and-shoulders portrait seen in three-quarter view from his left, the camera slightly below his jaw line so the head looms into the upper frame and the flight suit's collar fills the lower edge. He is turned about forty degrees off the lens, chin lifted a touch, weight settled on the back foot with one shoulder dropped lower than the other; a single strand of the short black hair falls forward across the brow and the rest stays flat and close to the skull. Both black eyebrows sit low and level. The face is the whole detail budget. Where the nose should be, the skin is torn open and smooth at once, a raw stretched plane of it, crusted at the edges and wet in the centre; no nostrils, no bridge. Below it the mouth area has no lips at all, so the gum line and the upper teeth stand bare and the lower face drops away into the prosthetic jaw: a machined grey metal mandible seated into the skull, its hinge bolts driven flush into both temples, the plates joined by visible seam lines and dark grease at the joints, opening a finger's width so the exposed teeth read clearly above the metal chin. The robotic eyes are two recessed grey lenses set in scorched sockets, irises lit by a faint internal glow that spills a thin ring of light onto the surrounding torn skin. Hoses and tubes erupt from the right cheek and the temple, clamped with metal ferrules, looping down along the neck and disappearing under the suit collar; flatter wires run back from the brow into shaved patches of scalp. Scars cross the brow and the left jaw plate in pale old ridges. Blood runs from the temples, from the tube sockets and from the torn nose line, beading on the metal jaw and dripping off the chin to hang in one elongation beneath it, and where the metal is polished the blood smears in long reflective streaks rather than soaking in. Light comes hard from upper left, a single cold source: it strikes the brow, the metal jaw's flat plane and the lens rims, throws the eye sockets and the hollow under the cheekbone into deep black, and casts the hose shadows across his own chest. Behind him the ground is an empty near-black field with no horizon and no props. Palette is disciplined to cold greys and black -- the suit, the metal, the skin -- with blood red as the only warm note, concentrated at the nose wound, the sockets and the jaw. Crosshatched hatching builds the shadows in fine parallel strokes, heavier in the sockets and under the jaw, and the light side is left as bare paper with sparse line only. Still, clinical dread.
Siemens
AI artwork
s
1man, solo, male focus, gore, mutilated face, torn skin, exposed muscle, blood on face, blood dripping, no nose, absent nose, exposed nasal cavity, no lips, lipless, exposed teeth, exposed gums, bare jawbone, robotic jaw, prosthetic jaw, metal jaw, robotic eyes, glowing mechanical eyes, metal parts implanted in head, head plating, cranial implants, wires attached to face, hoses attached to face, cables trailing from head, tubes entering the cheek, cyborg, portrait, close-up, from side, three-quarter view, head turned, looking at viewer, half-lidded eyes, blood-streaked neck, bare shoulders, dark background, harsh overhead light, dramatic shadow A close-up portrait framed tight on the head and upper shoulders of a single man, seen in a slight three-quarter view with his head turned just off-axis toward the viewer. The face is a ruin held together by machinery: where the nose should be there is no nose at all, the center of the face a smooth hollow of raw torn tissue and exposed red muscle that caves inward without a bridge, and below it the mouth has no lips whatsoever, so the upper and lower teeth stand bare in a continuous wet grin of enamel and dark gum, the jaw beneath them a machined prosthetic plate of brushed gunmetal screwed into the skull, its hinge pistons visible at both temples. His eyes are robotic — paired spherical optical units seated in the sockets in place of organic eyes, dark glass lenses ringed by thin steel bezels, each with a small pinpoint of pale cyan light burning at its center. Plates of metal are implanted flush into the scalp and brow, seams and bolt heads breaking the skin line, and torn strips of skin hang in curled flaps along the cheekbone and one temple, still wet. Bundles of wires and ribbed hoses enter the face at the left cheek, at the jaw hinge, and at the temple, trailing out of frame behind his head, the rubber flexing as he tilts his chin. Blood is everywhere on him: it sheets down the forehead, pools in the hollow where the nose was, runs in dark strings over the bare teeth, and has dried in browned rivulets down his neck onto bare shoulders. Both eyes angle down toward the viewer; the robotic lenses give no expression, but the tilt of the ruined head reads as a patient, unblinking regard. A single hard light strikes from above and slightly right, catching the wet enamel, the steel bezels and the sheen of the hoses, throwing the left half of the face into deep shadow and leaving the darkness behind him absolute — nothing exists beyond the light but black. Palette is restricted to raw red, pink exposed tissue, cold gunmetal grey and the cyan pinpoints of the eyes. The hoses catch a highlight only along their upper curves, the undersides falling to nothing. Clinical, unsettling.
Siemens
AI artwork
ак
solo, 1girl, anthro female dog, white fur, floppy ears, big breasts, grey jet pilot suit, mutilated face, torn skin, no lips, exposed teeth and gums, clenched teeth, prosthetic robotic jaw, robotic eyes, wires and hoses implanted into face, blood on face, bleeding, scars, flesh peeking through wounds, gore, upper body portrait, close-up, from side, three-quarter view, head tilted back, looking at viewer, half-closed eyes, heavy_breathing, sweat, trembling, blood drip, dark background, defined outlines, dense intersecting hatched lines, high-contrast deep shadows, crosshatching, heavy shading, monochrome with blood red accent, grim, unflinching A tight three-quarter close-up from slightly below, the anthro dog woman's head tilted back and turned toward the lens, one floppy white ear hanging forward across her temple while the other is pushed back behind the collar of the sturdy grey jet pilot suit. Her huge chest strains against the suit's zipped front; the high collar is unfastened and folded down away from her throat. The camera is close enough that the suit and chest fill the lower third and the ruined face fills the rest. Her white-furred face is a wreck of surgery and violence: the skin of her cheeks and muzzle is split and peeled back in long torn flaps, the edges of the wounds curling to show raw flesh beneath the white fur, and old scars cross the intact patches in pale, hairless lines. Across the lower half of her face sits a heavy prosthetic jaw of dark machined alloy, bolted at the hinges, its seam cutting through where lips should be, so that her bare clenched teeth and dark gums are fully exposed and grinding together. Blood runs in wet threads from the jaw seam, from the torn cheek, and from the corner of her mouthless grin, gathering in slow drops along the underside of the metal jaw before falling. Her eyes are robotic, each set into a socket ringed by inflamed scar tissue: smooth dark lenses with a thin red-lit aperture at the center, fixed straight on the viewer. From her cheekbone and temple, a cluster of thin cables and two thicker ribbed hoses emerge from surgical ports in the skin, looping back into the skull behind her ear; the hoses flex slightly with her heavy breathing, and blood has dried in the ribs of the tubing. Her bare hands are raised to grip the collar of her suit, knuckles white, claws digging into the grey fabric, forearms braced. The suit is matte grey with darker seams and a small worn patch at the shoulder; the fabric is pulled taut across her chest by the pose. The background is a deep black void with no visible supports, so the whole figure is isolated. A single hard light from above-left strikes the top of her skull, the metal jaw and the tops of her chest, carving deep shadows under the brow, beneath the jaw, and in the wound cavities; the robotic eye lenses catch two small hard specular points. Palette: cold grey, white fur and black shadow, with blood red as the only saturated color, landing in the running blood, the eye apertures and the raw wound flesh. Rendering: defined outlines, dense intersecting hatched lines across the shadows of the neck, jaw and cheeks, crosshatching in the recesses of the wounds and the hollows of the suit, high-contrast deep shadows and heavy shading, ink-like and pitiless. Mood: grim, unflinching.
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character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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음안
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