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Артем Касцкий

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Артем Касцкий

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solo, 1girl, anthro female dog, white fur, floppy ears, big breasts, grey jet pilot suit, mutilated face, torn skin, no lips, exposed teeth and gums, clenched teeth, prosthetic robotic jaw, robotic eyes, wires and hoses implanted into face, blood on face, bleeding, scars, flesh peeking through wounds, gore, upper body portrait, close-up, from side, three-quarter view, head tilted back, looking at viewer, half-closed eyes, heavy_breathing, sweat, trembling, blood drip, dark background, defined outlines, dense intersecting hatched lines, high-contrast deep shadows, crosshatching, heavy shading, monochrome with blood red accent, grim, unflinching A tight three-quarter close-up from slightly below, the anthro dog woman's head tilted back and turned toward the lens, one floppy white ear hanging forward across her temple while the other is pushed back behind the collar of the sturdy grey jet pilot suit. Her huge chest strains against the suit's zipped front; the high collar is unfastened and folded down away from her throat. The camera is close enough that the suit and chest fill the lower third and the ruined face fills the rest. Her white-furred face is a wreck of surgery and violence: the skin of her cheeks and muzzle is split and peeled back in long torn flaps, the edges of the wounds curling to show raw flesh beneath the white fur, and old scars cross the intact patches in pale, hairless lines. Across the lower half of her face sits a heavy prosthetic jaw of dark machined alloy, bolted at the hinges, its seam cutting through where lips should be, so that her bare clenched teeth and dark gums are fully exposed and grinding together. Blood runs in wet threads from the jaw seam, from the torn cheek, and from the corner of her mouthless grin, gathering in slow drops along the underside of the metal jaw before falling. Her eyes are robotic, each set into a socket ringed by inflamed scar tissue: smooth dark lenses with a thin red-lit aperture at the center, fixed straight on the viewer. From her cheekbone and temple, a cluster of thin cables and two thicker ribbed hoses emerge from surgical ports in the skin, looping back into the skull behind her ear; the hoses flex slightly with her heavy breathing, and blood has dried in the ribs of the tubing. Her bare hands are raised to grip the collar of her suit, knuckles white, claws digging into the grey fabric, forearms braced. The suit is matte grey with darker seams and a small worn patch at the shoulder; the fabric is pulled taut across her chest by the pose. The background is a deep black void with no visible supports, so the whole figure is isolated. A single hard light from above-left strikes the top of her skull, the metal jaw and the tops of her chest, carving deep shadows under the brow, beneath the jaw, and in the wound cavities; the robotic eye lenses catch two small hard specular points. Palette: cold grey, white fur and black shadow, with blood red as the only saturated color, landing in the running blood, the eye apertures and the raw wound flesh. Rendering: defined outlines, dense intersecting hatched lines across the shadows of the neck, jaw and cheeks, crosshatching in the recesses of the wounds and the hollows of the suit, high-contrast deep shadows and heavy shading, ink-like and pitiless. Mood: grim, unflinching.
Show Parameters
Original Prompt
1girl, anthro female dog, floppy ears, white fur, big breasts, solo, gore, mutilated face, torn skin, no lips, vires/hoses implanted in face, blood on face, prosthetic jaw, robotic jaw, robotic eyes, grey jet pilot suit, scars, clenched teeth, bleeding, flesh peek, masterpiece, ultra detailed, linework, crosshatching, heavy shading,
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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s
1girl, solo, anthro female dog, white fur, floppy ears, big breasts, grey jet pilot suit, mutilated face, torn skin, no lips, exposed teeth, clenched teeth, exposed jaw, prosthetic jaw, robotic jaw, robotic eyes, tubes implanted in face, hoses implanted in face, blood on face, bleeding, scars, flesh peeking through, gore, upper body, close-up, from below, dutch angle, head tilt, looking at viewer, half-closed eyes, seductive smile, blood splatter, dramatic lighting, linework, crosshatching, heavy shading, From below and canted into a dutch angle, the camera looks up into the face of a single white-furred anthro dog woman, close enough that her head and shoulders fill the frame and the grey jet pilot suit occupies the lower third. Her head tilts forward and slightly to one side, both floppy ears hanging loose and heavy so that the left ear falls across her temple and the right swings out clear of her cheek. The muzzle is a ruin: the lip line is gone entirely, no lip tissue anywhere, and the bare teeth and jaw structure sit exposed, clenched so hard the rows of teeth meet in a hard grid at the center of the frame. A prosthetic robotic jaw is bolted along the lower edge of the muzzle, its plates cold grey and seam-lined, running under the exposed jaw structure. Both eyes are robotic, dark glass lenses set in metal sockets, and the gaze is fixed straight down the lens at the viewer, lids lowered in a slow, deliberate, seductive register that sits uneasily on the ruined face. Tubes and hoses are implanted in the face: two thin hoses enter the left cheek and one thicker tube enters beside the right eye socket, all three curving back along her head and into the collar of the suit. Torn skin and white fur pull apart in ragged flaps across the cheek and temple, blood wet over the wounds and running in thin lines down the muzzle and throat, beaded at the edges of the tears where flesh peeks through the gaps. Old scars cross the intact fur on the brow and shoulders. Her big breasts press forward against the grey pilot suit, the fabric creased under the chest and pulled taut at the collar where the hoses disappear under it. One shoulder rolls forward as she leans into the tilt, weight shifted to her left side. The light comes from one hard source below and to the right, striking her throat, the underside of the robotic jaw and the lower rims of the eye sockets, leaving the upper skull, the crown and the far cheek in deep darkness. Her cast shadow falls behind and above her on nothing visible; the background is a flat, empty dark field. The palette is held to grey, white, black and blood red, the red living only in the blood on the face and the dark stains on the suit collar. Drawn in defined outlines with dense linear hatching and high-contrast dark values: hatching builds the volume of her chest and throat and the planes of the jaw, crosshatching deepens every wound, and the metal of the prosthetic jaw and eyes carries sharp linear wear. Quiet menace, surgical chill.
Siemens
#BEASTARS
AI artwork
s
1girl, solo, anthro female dog, dog girl, floppy ears, drooping ears, white fur, white hair, short fur, big breasts, large breasts, grey jet pilot suit, flight suit, zipped-up pilot suit, scars, facial scar, scar across cheek, scarred arms, clenched teeth, gritted teeth, bared teeth, snarling, furrowed brow, intense gaze, looking at viewer, from below, low angle, close-up, upper body, foreshortening, dramatic lighting, linework, crosshatching, heavy shading, high contrast, monochrome with grey, masterpiece, ultra detailed Seen from a low angle looking up at her, the anthro dog woman fills the upper half of the frame, her head tilted down toward the lens so the underside of her muzzle and the line of her jaw are the nearest thing in the picture. Her floppy white ears hang forward past her temples, the tips brushing the collar of the flight suit, and the short white fur along her neck and cheeks catches the light in fine directional strokes. Her brow is pulled hard down and her lips are peeled back off clenched teeth, the jaw muscles bunched at the hinge, a low snarl frozen mid-breath; one eye is narrowed tighter than the other, and both eyes lock straight at the viewer. The grey jet pilot suit is zipped to the throat, its heavy fabric stretched taut across her big breasts so the chest seam and the shoulder straps pull into tight creases, the collar standing up against her jaw. A pale scar cuts diagonally across her right cheek below the eye, a second runs along the outside of her forearm where the sleeve is pushed back to the elbow, and a thin older mark crosses the bridge of her muzzle; the fur grows back ragged and slightly parted over each one. Her right hand is raised, fingers hooked into the collar of the suit and pulling it down hard, knuckles pressed into the grey fabric, the tendons standing out on the back of her hand; her left arm hangs at her side, fist half-closed against her thigh. The light comes from a single hard source low and behind her right shoulder, rimming the edge of her ear, the line of her jaw, and the top curve of her chest in a hot white edge while the front of her face and the deep folds under her breasts fall into dense shadow. Behind her the background is a flat dark grey hangar wall with no detail, and her cast shadow stretches huge and soft down the wall to the left. The whole picture is built from linework and crosshatching, dense hatching layered in the shadows of her cheek, throat and chest and thinning to bare directional strokes in the highlights, heavy shading pressing the darks almost solid, the palette held to white fur, grey suit and the cold white rim light. Tense, coiled, defiant.
Siemens
AI artwork
ak
solo, 1girl, anthro female dog, black fur, floppy ears, blue eyes, white eyebrows, black lips, scar on nose, facial scars, clenched teeth, grey jet pilot suit, big breasts, head shot, close-up, from below, dutch angle, three-quarter view, looking at viewer, narrowed eyes, furrowed brow, tense jaw, neck veins, rough matte fur, linework, crosshatching, heavy shading, monochrome greys with a single blue accent, A head shot from below and slightly to her left, tilted a few degrees off level so the whole frame leans with her. Her chin is pushed forward and down toward the lens, the muzzle cropped just under the jawline so the throat and the collar of the grey jet pilot suit fill the bottom edge; the suit's high collar sits buckled and creased, a hard seam running across her collarbone, and the swell of her chest is only implied at the very bottom of the crop where the suit's chest panel and strap cross it. Her long floppy ears hang down both sides of her head, the left one flopping forward across the outer corner of her brow and the right one hanging looser, its tip just entering frame; the ear leather is matte black with faint pale scar lines along the edges. Black fur covers her whole face, coarse and close, catching a dry sheen along the muzzle bridge; her eyebrows are two short pale-white tufts, the left one drawn down hard, the right one cocked higher, and the mismatched angle is what makes the scowl read. A pale scar cuts diagonally across the bridge of her nose, a second thinner one notches the left cheekbone, a third short nick sits above her right eye; the scar tissue on the nose bridge is lighter and smoother than the fur around it. Her lips are black, thin and pulled back off clenched teeth — the jaw locked, the front teeth meeting in a flat hard line, a sliver of darker gum above them, the corners of the mouth dragged down and back. Her blue eyes are wide open and aimed straight into the lens, the pupils small, the whites catching a cold hard highlight high on the left side of each eye; a fine crease of fur bunches between the brows. The light comes from a single hard source high and to the left, outside the frame: it strikes the left side of her muzzle, the left brow tuft and the left edge of the collar, rakes across the clenched teeth and leaves the right half of her face and the underside of the chin in deep shadow, with the cast shadow of her right ear falling across her right cheek. The palette is held to greys, blacks and off-white highlights, and blue is admitted only in her irises and in the small cold glint on the teeth. Heavy shading builds in the ear hollows, under the jaw and behind the collar; crosshatching hatches the deepest shadow masses on the right cheek and the throat, and crisp ink linework edges every fur clump, every scar and every suit seam. Her right ear tip sways a fraction and the loose fur along her jaw is disturbed by her breath hissing out through the clenched teeth. Combative, hard-edged.
Artem Kasatstky
#Kill la Kill
AI artwork
s
1man, solo, male focus, portrait, close-up, from side, three-quarter view, head and shoulders, short black hair, black eyebrows, robotic eyes, prosthetic jaw, robotic jaw, mutilated face, no nose, missing nose, exposed nasal cavity, torn skin, flayed cheek, no lips, exposed teeth, clenched teeth, blood on face, bleeding, blood dripping from jaw, flesh peeking through wounds, scars, metal parts implanted in head, metal plates in skull, tubes implanted in face, hoses implanted in face, wires entering cheek, grey jet pilot suit, high collar, gore, linework, crosshatching, heavy shading, high contrast, A tight close-up portrait seen from the side in three-quarter view, the man's head turned so that his ruined left cheek faces the lens while the right side of his skull recedes into shadow: short black hair lies flat and sweat-damp against the scalp, black eyebrows drawn hard together over two robotic eyes -- smooth metal sockets seated in the orbital bone, irises rendered as dark glass lenses that catch one hard pinpoint of light. Where the nose should be there is nothing but a collapsed opening of mutilated skin, the bridge sheared away and the raw cavity rimmed with dried and wet blood; below it the lips are entirely gone, the gums and the whole row of clenched teeth laid bare and grinding together behind torn tissue, so the jaw's set is visible as pure muscle tension at the temples. A prosthetic jaw of matte gunmetal replaces the lower half of the face on the left side, bolted into the cheekbone, its seam cutting across flesh that has healed crooked around the metal, and the teeth show through the gap where the plating meets the exposed gum. Metal parts are implanted in the head -- flat plates screwed into the shaved temple, a ribbed socket at the brow -- and from them a bundle of tubes and hoses runs down into the face: two thick corrugated hoses entering the hollow of the missing nose, thinner wires stitched into the cheek and the corner of the jaw, each entry point crusted with blood and proud swollen flesh. Scars cross the forehead and the neck; along the right jawline a split in the skin shows wet red flesh peeking through the wound, and a slow line of blood runs from the cheek entry down over the metal jaw to hang, gathered, at the lowest point of the chin before it falls. He wears a grey jet pilot suit, its high collar buckled at the throat and its shoulder seam visible at the bottom edge of the frame, the fabric scuffed and dark where blood has soaked it. The single light source is a cold overhead lamp above and slightly behind the camera's left, striking the metal implants, the wet teeth and the blood so they glare white while the far side of the head and the depth of the nasal cavity go pure black; a hard cast shadow drops from the jaw onto the collar. Palette is restricted to the grey of the suit and plating, the black of hair and shadow, and the red of blood and exposed flesh, nothing else admitted, with the whole surface finished in fine ink linework over dense crosshatching and heavy shading that thickens in the sockets and the wounds. Brutal, surgical.
Siemens

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