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Ryougi Shiki, The Garden of Sinners

#The Garden of Sinners#Japanese clothes#Kimono#Short Hair#Black hair#Japanese sword#Sword#Sheath#Ryougi Shiki#Black eyes#Looking at viewer#Girl#Obijime#Obiage#Swordsman
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character: ryougi_shiki, copyright: kara_no_kyoukai upper body, cowboy shot, close-up, from below, dutch angle, solo, one girl, black hair, short hair, hair slightly short of shoulders, bob cut, ahoge, blue eyes, grey eyes, kimono, japanese clothes, long sleeves, wide sleeves, obi, sash, holding katana, unsheathed katana, holding scabbard, sheathed, bare blade, right hand holding sword, left hand holding scabbard, both hands occupied, looking at viewer, half-closed eyes, light smile, parted lips, head tilt, windblown hair, dark background, Shot from below at a slight dutch tilt, cropped at the hip so only her upper body fills the frame. She stands turned a quarter away from the lens, left shoulder forward, weight sunk into the hip furthest from the camera, spine curved back a touch so the raised chin comes toward the viewer from under her lashes. Her right arm is carried low and angled across the front of her body, the bare katana's grip seated firm in her right fist, the flat of the blade turned nearly edge-on to the camera so its polished surface catches one thin hard highlight along the length of the steel and the monouchi notches out of frame at her knee. Her left hand holds the scabbard at the throat below the tsuba, the black lacquered saya hanging almost vertical, its cord loop pulled straight by the weight, its lower end cropped off by the bottom edge of the picture. The two hands sit at different depths, the sword arm nearer the lens and foreshortened, the scabbard arm behind the volume of her obi, so the don't overlap except where the tsuba passes in front of the obi's edge. She wears a dark kimono with an understated small pattern, its wide sleeves bunching at the elbows and swinging back as she turns; the sash is tied in a flat knot at her front and the collar is drawn tight against the base of the throat, overlapping left panel over right. Her hair is black, cut to just short of the shoulders, the ends flipping out with the turn of her head and one strand crossing the bridge of her nose; her eyes are grey-blue and fixed directly on the viewer, one lid lowered, mouth quirked in a slight, unreadable half-smile, the corner of the lip lifted more on the side away from the camera. The light is a single hard source from her upper left, cold and colourless: it defines the plane of her cheek and the ridge of the nose, lays a bright rim along the outer edge of the sword blade and the cord of the scabbard, and leaves the right side of her jaw, the far sleeve and the background in near-total darkness; only a faint floorless grey blooms behind her shoulder where the light dies. Palette: black hair, dark indigo kimono, dull steel, and a single faint warm brown at the eyes, nothing else admitted. The blade reflects the light source as a narrower, dimmer streak than the source itself. Still, watchful.
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Original Prompt
character:両儀式(空の境界線)、黒髪、肩に少し届かない長さの髪、着物、抜き身の刀を右手に持つ、刀の鞘を左手に持つ、腰から上のみ描く、拡大された描写
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pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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character: ryougi_shiki, ryougi_shiki_(fate), artist: wada_arco, copyright: fate/grand_order, fate/grand_order_1girl 1girl, solo, ryougi shiki, short hair, black hair, brown hair, messy bob cut, ahoge, glowing blue eyes, glowing eyes, kimono, dark kimono, long sleeves, obi, sash, scarf, long scarf, jacket, black jacket, glowing tattoos, body tattoos, tattooed arms, tattooed legs, katana, japanese sword, sword over shoulder, holding sword, hand covering mouth, wiping mouth, standing, from below, low angle, looking down at viewer, midnight, indoors, japanese mansion, tatami, dark interior, atmospheric glow, glowing particles, cinematic lighting, vibrant colors, detailed costume, sharp expressive eyes, glossy irises A low-angle shot from just below hip height tilts up at a lone young woman standing in the vast interior of a midnight Japanese mansion. The frame opens onto a long tatami corridor: ranked black-lacquered pillars recede into dark polished wood, shoji panels glow faintly along the left, and the far end of the hall defeats the eye; a raised wooden veranda edge cuts horizontally across the background behind her. She has been caught in the aftermath of a fight. Her weight rests on her right leg, left knee slightly bent, hip cocked out, shoulders turned a quarter away from the camera so her torso twists back toward the lens. With her left hand she grips the scabbard of a Japanese sword, the long blade laid back across her right shoulder, the curve of it crossing behind her head and pointing away into the dark; the steel catches the light along its edge. Her right hand is lifted to her face, the back of the wrist pressed to her mouth, a smear of red dragged across the lower lip and the pad of her thumb — she is wiping it away, knuckles half-covering her mouth, eyes lifting to the camera above her, lids low and cold, brows flat, the mouth hidden behind her hand but the jaw set. One sleeve of an indigo-black kimono has slipped from her shoulder, its long sleeve sagging open below her forearm; a rough striped obi cinches the waist. Over the kimono she wears a black fitted jacket, one shoulder bare, the hem hanging loose at her thigh, and a long knitted scarf wound once around her throat, one trailing end lifted and floating in the still air behind her. Her bare arms, the exposed skin of her thighs below the kimono hem, and the line of her throat all carry dense whorling tattoo patterns that glow a cold electric blue-green, light pulsing faintly along them and throwing a thin luminous rim onto the tatami beneath her feet. Her short ragged black hair has a single stray strand cocked above her crown and swings slightly to one side. Light is scarce and has a source: a low red-orange lantern flame burning somewhere off-frame to the lower right paints a warm stripe across the right side of her jaw, the kimono's shoulder and the flat of the blade, while the glowing ink supplies the rest from within; everything beyond that pool — the pillars, the corridor, the ceiling beams — sinks into near-blackness. Grit and dust stir in the air around her, tiny motes catching the glow. Red, indigo-black and cold luminous blue-green are the only colors admitted. Midnight, hard, dangerous.
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#The Garden of Sinners#Ryougi Shiki#Fate series

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