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AI artwork featuring #Eris Boreas Greyrat and #Mushoku Tensei: Jobless Reincarnation
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Eris Boreas Greyrat, Mushoku Tensei: Jobless Reincarnation

#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
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character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1boy, eris_greyrat (mushoku tensei), red hair, very long red hair, long hair, ahoge, black hairband, hair between eyes, red eyes, thick eyebrows, huge breasts, visibly pregnant, pregnant belly, ornate pink and white dress, tacky overdecorated dress, excessive lace, excessive ruffles, many bows, ridiculous ornaments on dress, glitter fabric, sequins, puffy huge long oversized skirt, colossal earrings, colossal bracelets, colossal engagement ring, tape gag, tape over mouth, arms tied over belly, bound wrists, rope around waist, sad, crying, tears, tear streaks, scared, indignant, furrowed brows, orc, male orc, large orc, green skin, tusks, pointed ears, muscular, loincloth, kidnapped, captured, carrying, over shoulder, standing, from below, dutch angle, looking down, looking at another, struggle, kicking legs, clenched fists, motion lines, half-closed eyes, sweat, trembling, dungeon, stone walls, torchlight, low key lighting, speech bubble From a low dutch angle, the frame is tilted so the stone wall of a torch-lit dungeon cellar climbs diagonally behind the figures. In the foreground, filling the left two-thirds of the image, a massive green-skinned orc stands with his weight planted on his right leg, his thick left arm hoisted across his shoulder to support a struggling red-haired woman draped over his back. His wide jaw is set with tusks jutting upward, pointed ears angled back, one narrowed yellow eye looking back over his shoulder directly at her, the other gazing forward toward the cellar doorway. The orc's muscular shoulders and bare chest are slicked with a faint sheen under the torch glow, his loincloth shifting as he takes a step. Over his shoulder, her upper body hangs forward, long red hair spilling down across his back, strands slipping free from her black hairband. Her face is turned toward the viewer, cheeks wet with tears, brows furrowed in a mix of fear and indignation, red eyes wide and glistening. A wide strip of grey tape is stretched taut across her mouth, pressing her lips flat, the edges curling slightly at her cheeks. Her arms are bound at the wrists with rough rope and drawn tightly together over the swell of her visibly pregnant belly, hands clenched into fists, knuckles pale. The enormous pink and white dress cascades in an absurd volume of fabric around her hips and legs, a chaotic excess of lace, ruffles and bows in alternating pink and white, sequins and glitter fabric catching the torchlight in scattered bright points, ridiculous oversized ornaments and a colossal engagement ring glinting on her bound hand, colossal earrings and bracelets swinging against her cheeks and wrists. The huge puffy skirt bunches and drags, its hem sweeping the stone floor, the fabric compressing where it is pressed against the orc's hip and side. Her legs kick weakly, the toes of one white shoe catching the air as the skirt sweeps around them. Torchlight from a single bracket on the right wall throws warm orange light across the orc's right shoulder and the woman's tear-streaked face, leaving the left side of the frame in deep shadow. In a small speech bubble near her face floats a single tiny hand-drawn heart. The palette is dominated by the garish pink and white of the dress against the orc's mossy green skin and the dungeon's grey-brown stone, the orange torch flame the only warm accent in the darkness. The mood is captured and terrified.
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Original Prompt
Eris boreas greyrat,red hair,mushoku tensei,red eyes,huge breast,,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,pink and white dress,sad,cry,tears,colossal engagement ring,colossal bracelets,tape gag,scary,indignate,pregnant,1 orc,orc kidnapped woman,evil kidnapped,la chica tiene los brazos atados sobre el vientre
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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AI artwork
fl
character: eris_greyrat, copyright: mushoku_tensei 1girl, 1boy, interspecies, human female and male orc, red hair, very long red hair, long hair, ahoge, hair between eyes, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, sad, crying, tears, streaming tears, tear streaks, trembling lower lip, looking down, looking at object, tiara, colossal earrings, huge hoop earrings, colossal bracelets, colossal engagement ring, huge gemstone ring, overly ornate dress, tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments, glitter fabric, sequins, puffy sleeves, puffy skirt, huge skirt, long skirt, oversized dress, pink and white dress, pink and white palette, forced marriage, wedding ceremony, holding hands, ring finger, not resisting, limp hands, standing, chapel, altar, from below, dutch angle, close-up on hands, wide skirt filling lower frame, dim candlelight, oppressive atmosphere The view is a low, tilted angle looking up from near the floor of a small stone chapel: in the foreground the enormous pink-and-white skirt floods the lower third of the frame in swollen puffy tiers, so wide its hem drags out of the picture on both sides, and the camera sits almost at hem level so the fabric's glitter and sequins throw small hard sparks back at the lens. Above the skirt rises the pregnant woman with long red hair, an ahoge lifting from her crown and a strand falling between her heavy brows; a tiara sits pushed slightly crooked into the red hair, and colossal hoop earrings hang from both ears, so heavy they pull the lobes down, while colossal bracelets stack from wrist to forearm and clink against each other. Her hands are clasped inside a much larger green-grey hand: on her right ring finger a colossal engagement ring rides, its stone the size of a plum, tilted by the weight so it hangs toward the floor. She does not pull away; her wrists stay slack inside his grip, her arms hanging without tension, her shoulders dropped. Her face is turned down and to the side, eyes lowered to the ring on her own finger, lids heavy and wet, tears sliding in two clean lines down her cheeks and one drop caught on her jaw, her lower lip pushed out and trembling. The dress itself is a joke of excess: lace edging every tier, ruffles stacked on ruffles, bows knotted at the waist, both sleeves and every seam, ridiculous ornaments and sequin rosettes pinned at random, puffy sleeves ballooning at the shoulders. To her left and towering above her, the orc fills the right edge of frame from below: massive green-grey shoulders, a heavy jaw and one small tusk, his thick hand wrapped entirely around both of hers, his head bent toward her, his gaze fixed on her face. Behind them a narrow altar table with two guttering candles, and the candles are the only light source — warm low light from the right strikes the woman's wet cheek, the sequins and the great ring, while the orc's back and the far wall fall into absolute darkness. Candle flames stand still; the tears on her chin catch a single highlight. Pink, white, and dark green-grey stone, nothing else admitted. Quiet dread, ceremonial and oppressive.
Fitentia Lombardy
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
fl
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1boy, orc, red hair, very long red hair, ahoge, black hairband, hair between eyes, red eyes, heart-shaped pupils, half-closed eyes, empty eyes, thick eyebrows, huge breasts, tiara, colossal earrings, colossal engagement ring, silver and white wedding dress, ugly wedding dress, tacky wedding dress, overly ornate wedding dress, overdecorated, too much lace, excessive ruffles, too many bows, glitter fabric, sequins, gigantic sleeves, ridiculous sleeves, ridiculous ornaments, puffy skirt, huge skirt, long skirt, oversized dress, rococo style, sad, crying, tears, crying with eyes open, tears streaming down cheeks, docile posture, arms down, hands resting on own belly, standing, facing viewer, frontal view, hug from beside, orc grabbing girl's shoulders, orc behind, tall muscular orc, green skin, tusks, from front, cowboy shot, dutch angle, heavy shadow, ballroom backdrop, spoken_heart, trembling, blush, heavy_breathing, dramatic_lighting, wide_shot The camera looks slightly upward from just below eye level and a few degrees off-axis, tilted a notch into a dutch angle, keeping the young woman squarely facing the viewer while the orc looms in from her left side. She stands rooted, weight sunk into her right hip with one knee bent inward, both arms hanging low so her cupped hands rest lightly on her belly, fingers laced over the swollen front of the gown. From her hairline a single thin ahoge curls upward above a black hairband binding very long red hair that spills over the gigantic sleeves; a circlet of a tiara sits pressed into the crown, its small points catching light, and two colossal earrings drag her lobes downward as pendants wider than her jaw. Her red eyes are half-lidded and flat, gaze aimed at a point just past the lens, yet embedded deep in each iris a tiny heart-shaped highlight glows; tears well along the lower lids, break, and run two clean tracks through the powder on her cheeks, one drop hanging at her jaw. Her mouth is set in a small trembling line. The orc's massive left arm crosses behind her back and his broad hand clamps her right shoulder, fingers sinking into the puffed fabric, while his right paw grips her other shoulder from the front so the sleeve deforms under it; his tusk-jawed head tilts down beside her tiara, breath stirring the loose red strands at her temple. Between her face and his shoulder hangs a small hand-drawn heart in a rounded speech bubble. Everything she wears is deliberately wrecked grandeur: silver and white satin layered with lace tiers, ruffles stacked in flounces at the hem, bows knotted at every seam, sequins and glitter fabric flaking light across the whole mass, absurd ornament clusters and trailing beaded swags. The skirt billows out in a huge puffy bell far past her hips, its long train crushed and folded on the floor behind her feet, and the oversized dress leaves folds of fabric pooling at her shoes. Behind them a rococo ballroom recedes: pastel gilded panelling, intricate gold filigree scrolling along cornices and mirror frames, lavishly ornamented wallpaper in soft mint and rose, a marble floor whose polish carries a dim reflection of the silver hem. A single warm light from high on the right washes the gold trim into honeyed pastel and lays the couple's doubled shadow long across the floor to the lower left; the corners fall into blues and grays so the pastel ornament stays bright and the two bodies stay the darkest shapes. The dress and the filigree carry the detail budget: every ruffle edge, sequin glint, lace scallop and gold leaf curl rendered crisply. Lavish and cruel.
Fitentia Lombardy
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
fl
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1orc, eris boreas greyrat, red hair, very long red hair, long hair, ahoge, black hairband, hair between eyes, thick eyebrows, red eyes, heart-shaped pupils, empty eyes, sad expression, huge breasts, tiara, colossal earrings, colossal engagement ring, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, pink and white dress, too much lace, excessive ruffles, many bows, overdecorated dress, ridiculous dress ornaments, glitter fabric, sequins, gigantic sleeves, puffy skirt, huge long skirt, oversized dress, rococo style, docile pose, arms lowered, hands resting on own belly, standing facing front, frontal angle, straight-on composition, hug from beside, orc grabbing woman's shoulders, orc at her right side, from front, cowboy shot, detailed background, The camera looks straight down the room's axis, a frontal eye-level shot with the girl square to the lens and the whole width of her skirt inside the frame. She fills the middle two-thirds of the picture: a grown woman with cascading red hair falling past her waist, a single ahoge curling up off the crown, a black hairband, strands between her brows, thick dark eyebrows, and red eyes whose pupils are drawn as small glossy heart shapes -- the irises drained and glassy, the lids low and slack, her mouth pulled into a small downturned sad line, chin dipped a little toward her collarbone. Her arms hang low and her hands meet on her own belly, fingertips pressed together on the satin just under the bust, elbows in, shoulders slightly hunched inward in a fragile docile posture; her enormous chest strains the boned bodice, and the heart pupils and the hooded lids keep the gaze aimed down and to her hands, not at the lens. From her right side an orc leans in against her, a huge grey-green slab of a body half a head taller than her, one heavy hand clamped on each of her shoulders -- thick fingers digging into the puffed sleeve caps, the fabric denting under the grip -- its face brought close to her temple, eyes looking at her downturned face while her own eyes stay lowered to her belly. Its mass presses the ruffles of her right shoulder flat and tips her weight slightly onto her left leg, hip cocked under the skirt. The dress is a disaster of money: pink and white satin that does not quite agree with itself, tier upon tier of cheap scratchy lace caked along the neckline, the cuffs and every hem, ruffles so thick they stand out from the shoulders like fins, and bows -- satin bows, glitter bows, bows with bells, bows pinned at the waist, the wrists, the hem, the bodice, dozens of them, one slightly crooked. Gigantic bell sleeves swallow her forearms and drag to her knees, bristling with bowed ornaments and paste jewels so heavy they hang straight down. The skirt is a monstrous puffed dome of glitter-shot fabric and sequins that scatters light in ugly little sparks, so wide it needs its own footprint, with a train pooling in folds behind her and the sequin work flaking off in a few bald patches along the front panel. On her head a thin tiara sits a little off-centre in her parting; colossal hoop earrings pull her earlobes down; on the hand resting on her belly a colossal engagement ring with a stone the size of a quail's egg catches the light. The room is rococo: a pale panelled wall with gilt scrollwork and a tall arched window on the left, a marble floor with a soft sheen, pale gold and dusty cream and blush tones throughout, the dress the only hard pink. Daylight comes in through the window on frame-left and rakes across her from the left, so the left side of her face and the left swell of the skirt light up, the window's leaded panes throw a faint lattice of shadow onto the floor and the back hem of the train, the lace throws crisp small shadows onto the satin beneath it, and the room's far corner behind the orc sinks into soft shadow. Quiet dread, garish.
Fitentia Lombardy
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
eb
character: eris_greyrat, copyright: mushoku_tensei eris_greyrat, 2girls?, no, 1girl, 1monster, solo focus, red_hair, hair_up, updo, ahoge, very_long_hair, red_eyes, thick_eyebrows, huge_breasts, pregnant, visibly_pregnant, puffy_frilled_dress, pink_and_white_dress, silver_and_white_dress, oversized_dress, huge_skirt, long_skirt, puffy_skirt, excessive_lace, excessive_ruffles, too_many_bows, ridiculous_ornaments, glitter, sequins, tiara, colossal_earrings, colossal_engagement_ring, slave_collar, heart-shaped_pupils, blush, reluctant, unhappy, closed_mouth, frown, furrowed_brow, docile, hands_on_own_belly, arms_at_sides, standing, facing_forward, from_below, cowboy_shot, huge_monster, ugly_monster, long_tongue, licking_belly, hug_from_behind, hand_under_belly, rococo, ornate, spoken_heart, sweat, trembling, half-closed_eyes, heavy_breathing The camera sits low and looks up, so the enormous bell of the skirt fills the lower two thirds of the frame and the tiara crests near the top edge. She stands square to the viewer, chin slightly lowered, weight sunk into her right leg while the left knee bends inward — the docile stance of someone who has stopped resisting. Both arms hang low and her hands are folded together over the swell of her belly, fingertips laced, the colossal engagement ring so heavy on her right hand that her finger dips under it; a second band circles her thumb. Her face is a study in contradiction: the pupils are large soft hearts, her cheeks and the bridge of her nose are flushed deep pink, and yet her brows are drawn together in a tight furrow, her mouth is pressed shut and pulled down at one corner, and her eyes are half-lidded and miserable — she is not enjoying it at all, and every few breaths her shoulders give a small involuntary tremble. Her red hair is swept up into a high mass fixed with a jeweled pin, an ahoge curling loose, two strands falling between her eyes, and the tiara sits tilted into it. Colossal hoop earrings draw her lobes down. At her throat a wide black slave collar with a hanging ring sits above the ruffled neckline. The dress is a rococo catastrophe: pink and white silk layered over silver and white underskirts, every seam buried under excessive lace, ruffles stacked into confectionary tiers, bows tied at the waist, the puffed sleeves, the bustle and even the tiara's base, sequins and glitter fabric catching the light in scattered pinpricks, and ridiculous ornaments — porcelain roses, ribbon rosettes, a swinging miniature cage — hung wherever a surface would bear one. So much fabric that the skirt pools and spreads at the hem, hiding her feet completely. The ugly monster presses in from her right side: a squat, mottled olive-grey creature with a heavy brow, wet small eyes and a wide slobbering mouth, its long tongue laid flat across the taut pink swell of her belly, lapping in a slow curl, saliva gleaming in the hollow of her navel and beading on the stretched fabric. One thick, clawed hand slides under the underside of her belly from beside her, cupping its weight, and the skin of her abdomen dents slightly where the fingers push. Its other arm wraps her waist and its hunched shoulder digs into her hip. Her body leans a fraction away from it while her feet stay planted, and though her heart-pupiled eyes are wide and fixed forward at nothing, her head has tipped a little toward the creature against her will. A small hand-drawn heart floats in a speech bubble beside her cheek. Rococo interior behind them: a gilded boiserie panel and a swag of dusty pink drapery, largely swallowed by shadow. One warm light source from the upper left, a window or sconce, lays a long highlight down the sequined skirt and lights the wet shine on the tongue and the gloss of her blush, while the far side of the monster falls into darkness. Pastel palette of rose pink, ivory, silver and muted gold against the creature's drab green. Ornate decorative elements, intricate gold flourishes, extravagant frills throughout — tense, unwilling, gaudy.
Eris Boreas greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation

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