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- Original Prompt
- 中学校の吹奏楽部のコンサート。オーケストラメンバーの中のクラリネット担当の小柄なとてもかわいい黒髪ツインテールの幼い女の子が中心。全員制服姿。とても大きなコンサートホール。たくさんの観客。最新アニメの画風。
- Mode
- ultra
- Quality Tag
- ﹝Prompts﹞
- Size
- 992 x 992
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used
Similar Images
Show moreclarinet, twintails, black hair, petite, child, school uniform, holding instrument, playing instrument, concert hall, stage, audience, wide shot, from above, dutch angle, depth of field, cinematic lighting, detailed background, crowd, band uniform, seated, profile, looking down at instrument, blush, light smile, half-closed eyes, vertical
The view is a high, tilted wide shot from the upper balcony, the whole hall raked into a dutch angle so the stage cuts diagonally across the lower third of the frame. In the center of that stage a small girl sits on a folding chair, the youngest, smallest figure in the band, her black twintails falling forward over her shoulders as she leans into her clarinet. She is seen three-quarters from her left side and slightly from above: the silver keys run in a bright line under her fingers, one small hand cupping the lower joint, the other seated on the upper keys, the mouthpiece between her lips, her cheeks faintly rounded and a soft blush on them. Her eyes are half-closed, looking down the length of the black body of the clarinet, not out at the hall. Behind and around her, rows of band members in identical dark school uniforms fill the stage in tiered arcs, each holding their own instrument at rest or lifted to their mouths, their white collars and pleated skirts repeating away into the backline. Beyond them the hall opens enormously upward: two balconies curve around the walls, and the audience is a dense field of faces and shoulders in the stalls and on both tiers, thousands of small heads catching the hall light, hands folded or resting on the rail, all attention angled toward the small figure at the center. The stage lighting is a warm spot from above and in front, striking the crown of her twintails and the bell of the clarinet so the lacquer throws one sharp highlight, while the audience sits in a cooler, dimmer wash, their faces lit only by the reflected spill from the stage. Her chair and the floor beneath her cast short, soft shadows straight down, and the small brass lamp of a music stand catches the edge of her part score just beside her. Deep red velvet, dark wood, brass and the black of the uniforms hold the palette, with the silver of the keys and the bright stage spot as the only high values. Very large echoing space, held breath before the downbeat, tender and grand.
ている
clarinet, twintails, black hair, petite, child, school uniform, holding instrument, playing instrument, concert hall, stage, audience, wide shot, from above, dutch angle, depth of field, cinematic lighting, detailed background, crowd, band uniform, seated, profile, looking down at instrument, blush, light smile, half-closed eyes, vertical
The view is a high, tilted wide shot from the upper balcony, the whole hall raked into a dutch angle so the stage cuts diagonally across the lower third of the frame. In the center of that stage a small girl sits on a folding chair, the youngest, smallest figure in the band, her black twintails falling forward over her shoulders as she leans into her clarinet. She is seen three-quarters from her left side and slightly from above: the silver keys run in a bright line under her fingers, one small hand cupping the lower joint, the other seated on the upper keys, the mouthpiece between her lips, her cheeks faintly rounded and a soft blush on them. Her eyes are half-closed, looking down the length of the black body of the clarinet, not out at the hall. Behind and around her, rows of band members in identical dark school uniforms fill the stage in tiered arcs, each holding their own instrument at rest or lifted to their mouths, their white collars and pleated skirts repeating away into the backline. Beyond them the hall opens enormously upward: two balconies curve around the walls, and the audience is a dense field of faces and shoulders in the stalls and on both tiers, thousands of small heads catching the hall light, hands folded or resting on the rail, all attention angled toward the small figure at the center. The stage lighting is a warm spot from above and in front, striking the crown of her twintails and the bell of the clarinet so the lacquer throws one sharp highlight, while the audience sits in a cooler, dimmer wash, their faces lit only by the reflected spill from the stage. Her chair and the floor beneath her cast short, soft shadows straight down, and the small brass lamp of a music stand catches the edge of her part score just beside her. Deep red velvet, dark wood, brass and the black of the uniforms hold the palette, with the silver of the keys and the bright stage spot as the only high values. Very large echoing space, held breath before the downbeat, tender and grand.
ている
solo, 1girl, child, young girl, black hair, long hair, twintails, black twintails, hair between eyes, blunt bangs, dark eyes, white short-sleeved button-down shirt, collared shirt, red ribbon tie, navy blue pleated skirt, school uniform, bare arms, sitting, seiza, playing clarinet, clarinet, black clarinet, both hands on instrument, mouth on mouthpiece, cheeks puffed, from side, profile, three-quarter view, dutch angle, from below, wide shot, concert hall, very large concert hall, stage, stage lights, orchestra, band members, seated row, music stands, sheet music, large audience, audience silhouettes, auditorium, red seats, balconies, depth of field, warm stage lighting, cute anime style, clean lineart, soft cel shading, glossy highlights
Seen from a low three-quarter angle from her left side, the camera tilted a few degrees off level, a small girl sits at the front edge of a wide stage in a very large concert hall. Her black hair is gathered into two high twintails that fall past her shoulders, blunt bangs cut straight across her forehead, and the twintails swing slightly forward as she leans into the instrument. She sits with her weight settled on her left hip, both knees folded to the side in a formal seated posture, the navy pleated skirt fanned in flat folds over the stage boards, and her short white sleeves end above bare forearms. The black clarinet runs diagonally down and away from her face: the mouthpiece sits between her lips, her upper teeth on top of it, her lower lip rolled over the lower teeth, both cheeks lightly puffed with held breath, and her fingers lie on the silver keys with the tips curved, not flat. Her shoulders are lifted, her back straight, elbows in. From this angle one eye is fully visible and the other is partly hidden by the bridge of her nose; her gaze is cast down along the length of the clarinet toward the music stand in front of her, not at the viewer. Two rows of seated band members recede behind her at interlocking angles, their music stands angled so the white pages catch the light, and beyond them the hall opens out — tiered balconies, a high coffered ceiling, a sea of audience silhouettes packed shoulder to shoulder in the red seats, their faces indistinct little ovals in the dark. Warm stage light comes from high front-left, the only strong source: it rims the tops of her twintails, glints along the clarinet's silver keys, and leaves soft shadow under her bangs and beneath the folds of her skirt; the audience and the far balconies fall away into deep warm darkness, punctuated only by tiny specks of reflected light that make the size of the hall visible. Palette held to black, white, navy and signal red against warm amber stage glow and deep maroon shadow. Detail spent on her face, her hands on the keys and the flare of light on the instrument; the orchestra and the audience stay broad, simplified shapes. Quiet concentration, luminous.
ている
middle school concert band, school concert performance, band club members performing, multiple girls, multiple boys, school uniform, brass instruments, woodwind instruments, percussion, seated musicians, standing conductor, music stands, sheet music, stage, auditorium, from side, cowboy shot, wide shot, dutch angle, depth of field, stage lighting, warm palette, serious expression, focused, looking at sheet music
A school concert performance seen from the side of the auditorium at a low, slightly tilted dutch angle, the stage running diagonally across the frame from lower left toward upper right. In the near midground a row of seated band club members in dark navy school blazers and pleated skirts and trousers, their chairs staggered on the risers so each player's shoulder overlaps the one behind; a girl in the nearest seat holds a brass trumpet raised to her lips with both hands, her cheeks compressed around the mouthpiece, one eye squinting shut over the sightline, her gaze fixed down the bell toward the conductor; beside her a boy with short black hair leans into a clarinet, fingers spread along the keys, his eyes on the sheet music clipped to his music stand rather than on the lens. Behind them the second row angles away in perspective, violin-shaped silhouettes of saxophones and a flared tuba catching the light, sticks hovering over a snare drum at the right edge. At the far end of the diagonal, small and bright, the conductor stands on the podium in profile, back half turned, one arm lifted with the baton at the top of a beat, chin toward the players. Everything faces the conductor, not the camera; only the trumpet girl's profile and the boy's lowered lashes read as faces. A warm frontal stage light from the stage-right spot washes the players' fronts in amber and leaves the back of each chair and the riser steps in deep shadow, so their cast shadows fall away to the audience side. Music stands and open folders of sheet music repeat in shrinking scale into the background, the far rows softening into a shallow depth of field; everything is lit warm. Above the players, dark stage curtain and a scatter of hanging microphone booms stay out of focus, the auditorium beyond the stage edge falling to near black, and the brass bells show a seated reflection of the opposite row. The palette is amber stage light against navy uniforms, warm wood and muted gold brass, with darkness holding the frame edges. Quiet concentration, a held breath before the downbeat.
ている
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