Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork
Generate New ArtworkGenerate for FreeGenerate for Free

ている

Avatar image of ている
avatar-frame

ている

More to See

Comments

solo, 1girl, child, young girl, black hair, long hair, twintails, black twintails, hair between eyes, blunt bangs, dark eyes, white short-sleeved button-down shirt, collared shirt, red ribbon tie, navy blue pleated skirt, school uniform, bare arms, sitting, seiza, playing clarinet, clarinet, black clarinet, both hands on instrument, mouth on mouthpiece, cheeks puffed, from side, profile, three-quarter view, dutch angle, from below, wide shot, concert hall, very large concert hall, stage, stage lights, orchestra, band members, seated row, music stands, sheet music, large audience, audience silhouettes, auditorium, red seats, balconies, depth of field, warm stage lighting, cute anime style, clean lineart, soft cel shading, glossy highlights Seen from a low three-quarter angle from her left side, the camera tilted a few degrees off level, a small girl sits at the front edge of a wide stage in a very large concert hall. Her black hair is gathered into two high twintails that fall past her shoulders, blunt bangs cut straight across her forehead, and the twintails swing slightly forward as she leans into the instrument. She sits with her weight settled on her left hip, both knees folded to the side in a formal seated posture, the navy pleated skirt fanned in flat folds over the stage boards, and her short white sleeves end above bare forearms. The black clarinet runs diagonally down and away from her face: the mouthpiece sits between her lips, her upper teeth on top of it, her lower lip rolled over the lower teeth, both cheeks lightly puffed with held breath, and her fingers lie on the silver keys with the tips curved, not flat. Her shoulders are lifted, her back straight, elbows in. From this angle one eye is fully visible and the other is partly hidden by the bridge of her nose; her gaze is cast down along the length of the clarinet toward the music stand in front of her, not at the viewer. Two rows of seated band members recede behind her at interlocking angles, their music stands angled so the white pages catch the light, and beyond them the hall opens out — tiered balconies, a high coffered ceiling, a sea of audience silhouettes packed shoulder to shoulder in the red seats, their faces indistinct little ovals in the dark. Warm stage light comes from high front-left, the only strong source: it rims the tops of her twintails, glints along the clarinet's silver keys, and leaves soft shadow under her bangs and beneath the folds of her skirt; the audience and the far balconies fall away into deep warm darkness, punctuated only by tiny specks of reflected light that make the size of the hall visible. Palette held to black, white, navy and signal red against warm amber stage glow and deep maroon shadow. Detail spent on her face, her hands on the keys and the flare of light on the instrument; the orchestra and the audience stay broad, simplified shapes. Quiet concentration, luminous.
Show Parameters
Original Prompt
吹奏楽部のコンサート。黒髪ツインテールの幼い女の子。制服を着ている子供。オーケストラのメンバーの一人としてクラリネットを演奏している。とても大きなコンサートホール。大勢の観客。最新アニメの可愛い画風
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.03k

Similar Images

Show more
AI artwork
Avatar image of ている
1girl, solo, child, very petite, black hair, long hair, twin tails, low twintails, black ribbon hair ties, school uniform, navy blazer, white collared shirt, red ribbon necktie, red plaid pleated skirt, pleated skirt, knee-high socks, black loafers, sitting, seiza, playing clarinet, clarinet, black wooden clarinet, both hands on instrument, holding instrument, mouth on mouthpiece, puffed cheeks, cheeks, focused, half-closed eyes, looking down, looking at instrument, sitting on chair, orchestra, orchestra pit, music stand, sheet music, seated musicians, concert hall, stage, from side, profile, cowboy shot, depth of field, warm stage lighting, cinematic lighting, The camera sits low and to her right, a side-on profile just above the level of her music stand, so she is seen in full profile from her polished black loafer to the crown of her head and the whole clarinet runs across the frame from her lips to its flared bell. She is tiny for the chair she has been given: she perches forward on the very front of the seat, both knees together and folded under the hem of the red plaid pleated skirt, spine straight, shoulders lifted just enough that her chin can reach the mouthpiece. Her long black twin tails fall forward over both shoulders and hang down the front of her navy blazer, their ribbon ties at the nape; the tips brush the white of her collar each time she breathes. Her small hands wrap the black wooden clarinet: the upper hand's fingers lie across the tone holes near the top joint, the lower hand's fingers spread along the lower joint, wrists lifted, no finger touching a key it is not meant to. Her lips are sealed around the mouthpiece and her cheeks are softly rounded with the held breath; her eyes are lowered along the length of the instrument rather than lifted to the audience, reading the notes, brows faintly drawn in concentration. Around her the orchestra is a depth structure rather than a crowd: in the near foreground the dark shoulder and scroll of a cello and the corner of a music stand cut the lower left of frame out of focus; in the midground, other seated players in identical navy blazers and red plaid skirts overlap her at either side, their heads and instruments turned to their own scores; behind them the back rows and the percussion reduce to soft dark silhouettes, and beyond them the stage shell rises out of focus. Warm stage light comes from high in front and slightly to her left, the one source that matters: it catches the silver keys of the clarinet so they glitter in a broken line down the black wood, edges her cheek and the curve of one twin tail in warm amber, and puts a clean narrow shadow of her jaw and the instrument across the white of her shirt. Out in the dark beyond the stage lip, nothing is lit. The palette is warm varnished browns and amber in the stage light against the deep navy of the blazers and the deep black of hair and clarinet, with the red of the neckties and skirts as the only saturated note, and the white of the collars and sheet music as its brightest high value. Every soft surface absorbs rather than reflects: the felt of the chair, the wool of the blazer, the matte black of the clarinet's wood beside the shine of metal keys. Tender, absorbed.
ている
AI artwork
Avatar image of ている
1girl, solo, black hair, long hair, twintails, black orchestral dress, white lace collar, white lace cuffs, playing clarinet, black wooden clarinet, holding instrument, lips on mouthpiece, fingers on keys, orchestra, seated, music stand, sheet music, from side, profile, dutch angle, close-up, cowboy shot, stage lighting, warm spotlights, dark hall, looking at sheet music, focused expression, half-closed eyes, slight blush of exertion, leaning forward, elbows raised, A three-quarter side view from slightly below and canted a few degrees off level: a girl with long black hair split into two high twintails sits in the woodwind section of a full orchestra, her body turned three-quarters left of the lens, head tipped toward her own music stand. Her twintails hang behind her shoulders, one sliding forward over the near collarbone as she leans in; a few loose strands catch the light at her temple. She is dressed in a formal black orchestral dress, high-necked, with a white lace collar at her throat and white lace cuffs at both wrists, the lace throwing tiny scalloped shadows onto her skin. She plays a black wooden clarinet: the mouthpiece sits between her lips, her lower lip rolled over her teeth, cheeks faintly drawn; her left hand wraps the upper joint with fingertips seated on the keys, her right hand low on the lower joint, both wrists angled up so the lace cuffs fall back from her forearms. Her spine is long and slightly forward of the chair back, weight settled on the right hip, the bell of the clarinet angled down and away toward the floor. Her eyes are lowered to the sheet music on the stand, lids half down in concentration, brows barely knit, a small flush along the cheekbones from the sustained breath; the corner of her mouth stays sealed around the mouthpiece, no smile. In front of her the black music stand holds open sheet music, its pages lifted slightly at the corner as if recently turned. Behind and around her the orchestra recedes: the curved shoulders of seated players in black, the pale glint of a cello, the dark rise of the hall and the balcony rail far above, all simplified into soft dark masses so the clarinet and her face keep the detail. Overhead stage lights are the only source, warm-white, raking down from the upper left: they strike the top of her head and the near cheek, glint along the silver keywork and the wet reed end, and leave the far side of her face and the underside of the clarinet in deep shadow; her cast shadow breaks across the open score and across the knee of the player behind her. Palette is warm ivory light against black dress, black hair, black stands and a dark umber hall, with the only bright notes the white lace and the polished silver keys. Quiet concentration, tender hush.
ている
AI artwork
Avatar image of ている
clarinet, twintails, black hair, petite, child, school uniform, holding instrument, playing instrument, concert hall, stage, audience, wide shot, from above, dutch angle, depth of field, cinematic lighting, detailed background, crowd, band uniform, seated, profile, looking down at instrument, blush, light smile, half-closed eyes, vertical The view is a high, tilted wide shot from the upper balcony, the whole hall raked into a dutch angle so the stage cuts diagonally across the lower third of the frame. In the center of that stage a small girl sits on a folding chair, the youngest, smallest figure in the band, her black twintails falling forward over her shoulders as she leans into her clarinet. She is seen three-quarters from her left side and slightly from above: the silver keys run in a bright line under her fingers, one small hand cupping the lower joint, the other seated on the upper keys, the mouthpiece between her lips, her cheeks faintly rounded and a soft blush on them. Her eyes are half-closed, looking down the length of the black body of the clarinet, not out at the hall. Behind and around her, rows of band members in identical dark school uniforms fill the stage in tiered arcs, each holding their own instrument at rest or lifted to their mouths, their white collars and pleated skirts repeating away into the backline. Beyond them the hall opens enormously upward: two balconies curve around the walls, and the audience is a dense field of faces and shoulders in the stalls and on both tiers, thousands of small heads catching the hall light, hands folded or resting on the rail, all attention angled toward the small figure at the center. The stage lighting is a warm spot from above and in front, striking the crown of her twintails and the bell of the clarinet so the lacquer throws one sharp highlight, while the audience sits in a cooler, dimmer wash, their faces lit only by the reflected spill from the stage. Her chair and the floor beneath her cast short, soft shadows straight down, and the small brass lamp of a music stand catches the edge of her part score just beside her. Deep red velvet, dark wood, brass and the black of the uniforms hold the palette, with the silver of the keys and the bright stage spot as the only high values. Very large echoing space, held breath before the downbeat, tender and grand.
ている

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile