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- Original Prompt
- オーケストラの中で、黒髪ツインテールの女の子がクラリネットを演奏している。
- Mode
- ultra
- Quality Tag
- ﹝Prompts﹞
- Size
- 992 x 992
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show moresolo, 1girl, child, young girl, black hair, long hair, twintails, black twintails, hair between eyes, blunt bangs, dark eyes, white short-sleeved button-down shirt, collared shirt, red ribbon tie, navy blue pleated skirt, school uniform, bare arms, sitting, seiza, playing clarinet, clarinet, black clarinet, both hands on instrument, mouth on mouthpiece, cheeks puffed, from side, profile, three-quarter view, dutch angle, from below, wide shot, concert hall, very large concert hall, stage, stage lights, orchestra, band members, seated row, music stands, sheet music, large audience, audience silhouettes, auditorium, red seats, balconies, depth of field, warm stage lighting, cute anime style, clean lineart, soft cel shading, glossy highlights
Seen from a low three-quarter angle from her left side, the camera tilted a few degrees off level, a small girl sits at the front edge of a wide stage in a very large concert hall. Her black hair is gathered into two high twintails that fall past her shoulders, blunt bangs cut straight across her forehead, and the twintails swing slightly forward as she leans into the instrument. She sits with her weight settled on her left hip, both knees folded to the side in a formal seated posture, the navy pleated skirt fanned in flat folds over the stage boards, and her short white sleeves end above bare forearms. The black clarinet runs diagonally down and away from her face: the mouthpiece sits between her lips, her upper teeth on top of it, her lower lip rolled over the lower teeth, both cheeks lightly puffed with held breath, and her fingers lie on the silver keys with the tips curved, not flat. Her shoulders are lifted, her back straight, elbows in. From this angle one eye is fully visible and the other is partly hidden by the bridge of her nose; her gaze is cast down along the length of the clarinet toward the music stand in front of her, not at the viewer. Two rows of seated band members recede behind her at interlocking angles, their music stands angled so the white pages catch the light, and beyond them the hall opens out — tiered balconies, a high coffered ceiling, a sea of audience silhouettes packed shoulder to shoulder in the red seats, their faces indistinct little ovals in the dark. Warm stage light comes from high front-left, the only strong source: it rims the tops of her twintails, glints along the clarinet's silver keys, and leaves soft shadow under her bangs and beneath the folds of her skirt; the audience and the far balconies fall away into deep warm darkness, punctuated only by tiny specks of reflected light that make the size of the hall visible. Palette held to black, white, navy and signal red against warm amber stage glow and deep maroon shadow. Detail spent on her face, her hands on the keys and the flare of light on the instrument; the orchestra and the audience stay broad, simplified shapes. Quiet concentration, luminous.
ている
1girl, solo, child, very petite, black hair, long hair, twin tails, low twintails, black ribbon hair ties, school uniform, navy blazer, white collared shirt, red ribbon necktie, red plaid pleated skirt, pleated skirt, knee-high socks, black loafers, sitting, seiza, playing clarinet, clarinet, black wooden clarinet, both hands on instrument, holding instrument, mouth on mouthpiece, puffed cheeks, cheeks, focused, half-closed eyes, looking down, looking at instrument, sitting on chair, orchestra, orchestra pit, music stand, sheet music, seated musicians, concert hall, stage, from side, profile, cowboy shot, depth of field, warm stage lighting, cinematic lighting,
The camera sits low and to her right, a side-on profile just above the level of her music stand, so she is seen in full profile from her polished black loafer to the crown of her head and the whole clarinet runs across the frame from her lips to its flared bell. She is tiny for the chair she has been given: she perches forward on the very front of the seat, both knees together and folded under the hem of the red plaid pleated skirt, spine straight, shoulders lifted just enough that her chin can reach the mouthpiece. Her long black twin tails fall forward over both shoulders and hang down the front of her navy blazer, their ribbon ties at the nape; the tips brush the white of her collar each time she breathes. Her small hands wrap the black wooden clarinet: the upper hand's fingers lie across the tone holes near the top joint, the lower hand's fingers spread along the lower joint, wrists lifted, no finger touching a key it is not meant to. Her lips are sealed around the mouthpiece and her cheeks are softly rounded with the held breath; her eyes are lowered along the length of the instrument rather than lifted to the audience, reading the notes, brows faintly drawn in concentration.
Around her the orchestra is a depth structure rather than a crowd: in the near foreground the dark shoulder and scroll of a cello and the corner of a music stand cut the lower left of frame out of focus; in the midground, other seated players in identical navy blazers and red plaid skirts overlap her at either side, their heads and instruments turned to their own scores; behind them the back rows and the percussion reduce to soft dark silhouettes, and beyond them the stage shell rises out of focus. Warm stage light comes from high in front and slightly to her left, the one source that matters: it catches the silver keys of the clarinet so they glitter in a broken line down the black wood, edges her cheek and the curve of one twin tail in warm amber, and puts a clean narrow shadow of her jaw and the instrument across the white of her shirt. Out in the dark beyond the stage lip, nothing is lit. The palette is warm varnished browns and amber in the stage light against the deep navy of the blazers and the deep black of hair and clarinet, with the red of the neckties and skirts as the only saturated note, and the white of the collars and sheet music as its brightest high value.
Every soft surface absorbs rather than reflects: the felt of the chair, the wool of the blazer, the matte black of the clarinet's wood beside the shine of metal keys. Tender, absorbed.
ている
1girl, child, small body, black hair, twin tails, school uniform, clarinet, playing instrument, close-up, dutch angle, music room, band club, soft sunlight, warm lighting, looking at viewer, cute expression, blush, holding instrument, delicate fingers, instruments in background, sheet music in background,
A close-up shot from a slightly tilted angle focuses on a young girl with a small build and black hair tied into two long twin tails. She is wearing a school uniform and is caught in the middle of playing a black clarinet, her cheeks slightly puffed and a cute, soft expression on her face with a hint of a blush. The camera is tight on her face and hands; her delicate fingers are pressed firmly against the silver keys of the clarinet. She gazes toward the viewer with sparkling eyes. The scene is set in a cozy band club music room, where soft, golden sunlight streams through a window, illuminating floating dust motes and striking the side of her face. In the blurred background, the silhouettes of other brass instruments and stacks of white sheet music on stands create a cluttered, lived-in atmosphere. The palette is composed of warm creams, soft golds, and muted tones, with the light creating a gentle, atmospheric glow across the scene. Effortlessly cozy.
Style: soft color palette with delicate, rounded line-art and a gentle, atmospheric glow.
ている
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