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Andrew Buivol

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A medium shot from a low angle depicts three oil workers trapped inside a claustrophobic, rusted underwater cabin at the bottom of the ocean. The workers, three middle-aged men of diverse ethnicities, are dressed in stained, heavy-duty orange and brown industrial coveralls. One man leans against a leaking pipe with a look of despair, while another grips the edge of a metal table with white knuckles, his face etched with anxiety; the third sits on a metal bench, staring blankly at a flickering monitor. The interior is cramped and decaying, filled with industrial machinery, leaking valves, and moisture-beaded steel walls. Outside the thick, reinforced glass portals, the abyss of the deep ocean is a dark, oppressive blue, with tiny bioluminescent particles floating in the water. The lighting is dim and cinematic, dominated by the eerie red glow of emergency alarm lights and the cold flicker of overhead fluorescent tubes, creating a heavy, suffocating atmosphere of hopelessness and abandonment.
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Original Prompt
After an incident, three oil workers got stuck in a cabin on the bottom of the ocean. Due to high costs of the rescue operation, Corporate decided to announce all three dead. In other words, Corporate has no choice but to send all three workers to Hell.
Mode
pro
Size
1280 x 768
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution

Model & LoRA used

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Ultra-high-definition premium dark otome game event CG, a blend of 70% adult female-oriented visual novel illustration and 30% high-end 2D romance webtoon style. The art style must perfectly match the line work, coloring, shading, and facial depiction of the previous Blood God Prison mugshots. Three men must maintain their established appearances and must not look alike. Sharp and delicate line art, deep cinematic shading, vivid eyes, matte skin, and detailed hair. The setting is a communal dining area for S-class special management inmates at Blood God Prison. Gray concrete walls, heavy rectangular metal tables, simple metal utensils, and cold lighting from a low ceiling. A closed atmosphere with bars and faint light visible through the window. Three adult men are sitting at one table, spaced apart from each other. All are wearing identical dark charcoal prison uniforms made of matte, coarse fabric with workwear collars, front buttons, and chest pockets. While the clothing is the same, the way they wear them reflects their personalities. On the left — Seo Yun-ho: 32 years old, short and neat jet-black hair with a 6:4 part, black eyes, sharp and cold face. He wears his uniform neatly and is eating with a straight posture. Holding a spoon in one hand, he slightly lifts his head to check for a presence in front of him. He is expressionless and completely uninterested in the conversation of the other two. In the center — Lee Seon-gyu: 35 years old, voluminous silver-gray hair, pale gray eyes, thin silver metal-rimmed glasses, pale skin. He sits comfortably in his chair, lightly resting his chin on one hand. He watches the reactions of the other two with a thin smile at the corners of his mouth. There is an interested look in his eyes, but no exaggerated madness. His eyes and glasses must be clearly visible. On the right — Park Ho-in: 34 years old, dark golden-blonde wolf cut, pushed-back top hair and long back hair, tawny eyes, and several silver ear piercings. He has the top button of his uniform slightly undone and leans obliquely against the back of the chair. With one arm draped over the backrest and the other hand lightly tapping the table, he smiles arrogantly and slyly toward the visitor in front. He has the most relaxed and playful expression among the three. The three must not look like close friends. Park Ho-in enjoys the atmosphere, Lee Seon-gyu observes with interest, and Seo Yun-ho indifferently focuses on his own task. This represents the early stage of their relationship before any romantic feelings or jealousy have developed. The camera is positioned slightly lower than eye level, facing the opposite side of the table. Horizontal wide cinematic composition 16:9. The three men are placed so that each is clearly distinguishable, showing their faces, upper bodies, and the position of their hands on the table. Naturally reflect differences in height and physique, ensuring they do not overlap or obscure each other's faces. Cold blue-gray prison lighting, soft backlight coming through the window, and shadows at different angles on each character's face. A dark, tense, yet luxurious and dangerous atmosphere characteristic of adult female-oriented games. Exactly three men only. No female characters or additional inmates. Avoid facial blending, hair color changes, missing glasses, missing piercings, different prison clothes, happy friend gathering atmosphere, photorealism, 3D, collage, split screen, text, or watermarks.
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Avatar image of Lielzeira
1boy, solo, mature male, lean, tall, short black hair, bangs combed down, purple eyes, grey shirt, black jacket, confident smile, powerful purple void energy surrounding body, cinematic, laboratory interior, (eyes HD:1.2), (4k, 8k, ultra HD), (masterpiece:1.2), (best quality:1.2), (detailed:1.5), (detailed background:1.5), highly detailed, ultra-sharp, 8k resolution, character focus, depth of field, glowing particles, (dynamic lighting:1.2), HDR, anime style, digital illustration, soft shading, detailed hair rendering, smooth skin texture
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Ultra-high-definition premium dark otome game event CG, a blend of 70% adult female-oriented visual novel illustration and 30% high-end 2D romance webtoon style. The art style must perfectly match the line work, coloring, shading, and facial depiction of the previous Blood God Prison mugshots. Three men must maintain their established appearances and must not look alike. Sharp and delicate line art, deep cinematic shading, vivid eyes, matte skin, and detailed hair. The setting is a communal dining area for S-class special management inmates at Blood God Prison. Gray concrete walls, heavy rectangular metal tables, simple metal utensils, and cold lighting from a low ceiling. A closed atmosphere with bars and faint light visible through the window. Three adult men are sitting at one table, spaced apart from each other. All are wearing identical dark charcoal prison uniforms made of matte, coarse fabric with workwear collars, front buttons, and chest pockets. While the clothing is the same, the way they wear them reflects their personalities. On the left — Seo Yun-ho: 32 years old, short and neat jet-black hair with a 6:4 part, black eyes, sharp and cold face. He wears his uniform neatly and is eating with a straight posture. Holding a spoon in one hand, he slightly lifts his head to check for a presence in front of him. He is expressionless and completely uninterested in the conversation of the other two. In the center — Lee Seon-gyu: 35 years old, voluminous silver-gray hair, pale gray eyes, thin silver metal-rimmed glasses, pale skin. He sits comfortably in his chair, lightly resting his chin on one hand. He watches the reactions of the other two with a thin smile at the corners of his mouth. There is an interested look in his eyes, but no exaggerated madness. His eyes and glasses must be clearly visible. On the right — Park Ho-in: 34 years old, dark golden-blonde wolf cut, pushed-back top hair and long back hair, tawny eyes, and several silver ear piercings. He has the top button of his uniform slightly undone and leans obliquely against the back of the chair. With one arm draped over the backrest and the other hand lightly tapping the table, he smiles arrogantly and slyly toward the visitor in front. He has the most relaxed and playful expression among the three. The three must not look like close friends. Park Ho-in enjoys the atmosphere, Lee Seon-gyu observes with interest, and Seo Yun-ho indifferently focuses on his own task. This represents the early stage of their relationship before any romantic feelings or jealousy have developed. The camera is positioned slightly lower than eye level, facing the opposite side of the table. Horizontal wide cinematic composition 16:9. The three men are placed so that each is clearly distinguishable, showing their faces, upper bodies, and the position of their hands on the table. Naturally reflect differences in height and physique, ensuring they do not overlap or obscure each other's faces. Cold blue-gray prison lighting, soft backlight coming through the window, and shadows at different angles on each character's face. A dark, tense, yet luxurious and dangerous atmosphere characteristic of adult female-oriented games. Exactly three men only. No female characters or additional inmates. Avoid facial blending, hair color changes, missing glasses, missing piercings, different prison clothes, happy friend gathering atmosphere, photorealism, 3D, collage, split screen, text, or watermarks.
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