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C9I

AI art by C9I on PixAI. Made with Tsubaki.3.

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C9I

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1 cat, solo, black cat, sitting, animal focus, majestic, sleek short black fur, amber eyes, glowing eyes, no humans, wide shot, cinematic wide shot, from side, slight low angle, forest, winter, night, snow, falling snow, snowfall, snow-covered ground, bare trees, silhouetted trees, dark background, moonlight, pale blue light, cold light, deep blacks, silver and white palette, monochrome palette, limited palette, film grain, no text, no watermark, no signature, quiet, melancholic, sacred, mysterious, atmospheric A cinematic wide shot, camera low and slightly off-axis, placed three-quarters to the cat's left so the animal reads in near-profile against the forest's depth. The black cat sits alone in the lower third of the frame, small against the vast night, no more than a fifth of the picture, offset right of centre so a long corridor of negative space opens to the left. It sits upright and still on a snow-covered rise, weight settled on its haunches with the forepaws set neatly together in the snow, tail curled forward and wrapped around the front paws. Its chest is squared, its head level, its ears lifted and tilted a fraction toward a sound off-frame; the near eye catches the moonlight along the top curve of its eyelid. Both eyes glow with a soft, intelligent amber light, a gentle luminous emanation, not a hard beam, warm and level and somehow ancient. Fur is dense, short and glossy in the cold, the moon picking out a fine silver rim along its back, brow and shoulder blades while the flanks and legs sink into near-black. The camera at ground level looks slightly upward, so the cat sits low in the frame and the tall bare trunks rise overhead. The forest is a winter nightscape: slim black-trunked trees receding into blackness on both sides, their branches carrying thin caps of snow that show only on the upward-facing surfaces while the undersides stay bare and dark. Snow falls gently, small flakes drifting at a slight angle, drawn as pale flecks against the dark ranks of trees and blurred in the middle ground; a few flakes have settled on the cat's crown, shoulders and the ridge of its spine. The snow is unbroken except for the cat's own seat, a shallow depression where its haunches have pressed in and four small paw dents ahead of it, every mark with a soft blue shadow in its hollow. The cold reads in the stillness: no wind, straightened trees, flakes falling almost straight down. The pale cold moonlight is the only light source; it comes from high behind and slightly to the right of the cat. It rims the cat's back and the top of its head in a fine silver edge, strikes the snow caps on the branches and the open snowfield, and leaves everything facing the camera in deep blackness and every hollow of the snow in cool blue-grey shadow. Behind the cat the trunks merge into absolute black; the only light in the scene is the moonlit snow and the two amber eyes. The palette admits deep blacks, silver, cold white and pale blue-grey, with amber permitted only in the eyes and a faint warm hint on the snow beneath them. Fine film grain sits over the whole frame and thickens in the dark backgrounds, giving the black surface a dusty, cinematic texture. Deep shadow, no other figures, no lettering or marks anywhere. Quiet dread and a sacred stillness.
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Original Prompt
A beautiful, majestic black cat sitting alone in a dark, snowy winter forest at night. The cat's eyes are glowing with a soft, intelligent amber light. The snow is falling gently. The scene is lit only by a pale, cold moonlight. Mood: quiet, melancholic, sacred, mysterious. Cinematic wide shot, deep blacks, silver and white palette, highly detailed, 8k, film grain. No text, no watermark. --ar 16:9
Mode
pro
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of C9I
1 cat, solo, black cat, sitting, animal focus, majestic, sleek short black fur, amber eyes, glowing eyes, no humans, wide shot, cinematic wide shot, from side, slight low angle, forest, winter, night, snow, falling snow, snowfall, snow-covered ground, bare trees, silhouetted trees, dark background, moonlight, pale blue light, cold light, deep blacks, silver and white palette, monochrome palette, limited palette, film grain, no text, no watermark, no signature, quiet, melancholic, sacred, mysterious, atmospheric A cinematic wide shot, camera low and slightly off-axis, placed three-quarters to the cat's left so the animal reads in near-profile against the forest's depth. The black cat sits alone in the lower third of the frame, small against the vast night, no more than a fifth of the picture, offset right of centre so a long corridor of negative space opens to the left. It sits upright and still on a snow-covered rise, weight settled on its haunches with the forepaws set neatly together in the snow, tail curled forward and wrapped around the front paws. Its chest is squared, its head level, its ears lifted and tilted a fraction toward a sound off-frame; the near eye catches the moonlight along the top curve of its eyelid. Both eyes glow with a soft, intelligent amber light, a gentle luminous emanation, not a hard beam, warm and level and somehow ancient. Fur is dense, short and glossy in the cold, the moon picking out a fine silver rim along its back, brow and shoulder blades while the flanks and legs sink into near-black. The camera at ground level looks slightly upward, so the cat sits low in the frame and the tall bare trunks rise overhead. The forest is a winter nightscape: slim black-trunked trees receding into blackness on both sides, their branches carrying thin caps of snow that show only on the upward-facing surfaces while the undersides stay bare and dark. Snow falls gently, small flakes drifting at a slight angle, drawn as pale flecks against the dark ranks of trees and blurred in the middle ground; a few flakes have settled on the cat's crown, shoulders and the ridge of its spine. The snow is unbroken except for the cat's own seat, a shallow depression where its haunches have pressed in and four small paw dents ahead of it, every mark with a soft blue shadow in its hollow. The cold reads in the stillness: no wind, straightened trees, flakes falling almost straight down. The pale cold moonlight is the only light source; it comes from high behind and slightly to the right of the cat. It rims the cat's back and the top of its head in a fine silver edge, strikes the snow caps on the branches and the open snowfield, and leaves everything facing the camera in deep blackness and every hollow of the snow in cool blue-grey shadow. Behind the cat the trunks merge into absolute black; the only light in the scene is the moonlit snow and the two amber eyes. The palette admits deep blacks, silver, cold white and pale blue-grey, with amber permitted only in the eyes and a faint warm hint on the snow beneath them. Fine film grain sits over the whole frame and thickens in the dark backgrounds, giving the black surface a dusty, cinematic texture. Deep shadow, no other figures, no lettering or marks anywhere. Quiet dread and a sacred stillness.
C9I
AI artwork
Avatar image of C9I
1 cat, solo, black cat, sitting, animal focus, majestic, sleek short black fur, amber eyes, glowing eyes, no humans, wide shot, cinematic wide shot, from side, slight low angle, forest, winter, night, snow, falling snow, snowfall, snow-covered ground, bare trees, silhouetted trees, dark background, moonlight, pale blue light, cold light, deep blacks, silver and white palette, monochrome palette, limited palette, film grain, no text, no watermark, no signature, quiet, melancholic, sacred, mysterious, atmospheric A cinematic wide shot, camera low and slightly off-axis, placed three-quarters to the cat's left so the animal reads in near-profile against the forest's depth. The black cat sits alone in the lower third of the frame, small against the vast night, no more than a fifth of the picture, offset right of centre so a long corridor of negative space opens to the left. It sits upright and still on a snow-covered rise, weight settled on its haunches with the forepaws set neatly together in the snow, tail curled forward and wrapped around the front paws. Its chest is squared, its head level, its ears lifted and tilted a fraction toward a sound off-frame; the near eye catches the moonlight along the top curve of its eyelid. Both eyes glow with a soft, intelligent amber light, a gentle luminous emanation, not a hard beam, warm and level and somehow ancient. Fur is dense, short and glossy in the cold, the moon picking out a fine silver rim along its back, brow and shoulder blades while the flanks and legs sink into near-black. The camera at ground level looks slightly upward, so the cat sits low in the frame and the tall bare trunks rise overhead. The forest is a winter nightscape: slim black-trunked trees receding into blackness on both sides, their branches carrying thin caps of snow that show only on the upward-facing surfaces while the undersides stay bare and dark. Snow falls gently, small flakes drifting at a slight angle, drawn as pale flecks against the dark ranks of trees and blurred in the middle ground; a few flakes have settled on the cat's crown, shoulders and the ridge of its spine. The snow is unbroken except for the cat's own seat, a shallow depression where its haunches have pressed in and four small paw dents ahead of it, every mark with a soft blue shadow in its hollow. The cold reads in the stillness: no wind, straightened trees, flakes falling almost straight down. The pale cold moonlight is the only light source; it comes from high behind and slightly to the right of the cat. It rims the cat's back and the top of its head in a fine silver edge, strikes the snow caps on the branches and the open snowfield, and leaves everything facing the camera in deep blackness and every hollow of the snow in cool blue-grey shadow. Behind the cat the trunks merge into absolute black; the only light in the scene is the moonlit snow and the two amber eyes. The palette admits deep blacks, silver, cold white and pale blue-grey, with amber permitted only in the eyes and a faint warm hint on the snow beneath them. Fine film grain sits over the whole frame and thickens in the dark backgrounds, giving the black surface a dusty, cinematic texture. Deep shadow, no other figures, no lettering or marks anywhere. Quiet dread and a sacred stillness.
C9I
AI artwork
Avatar image of C9I
1 cat, solo, black cat, sitting, animal focus, majestic, sleek short black fur, amber eyes, glowing eyes, no humans, wide shot, cinematic wide shot, from side, slight low angle, forest, winter, night, snow, falling snow, snowfall, snow-covered ground, bare trees, silhouetted trees, dark background, moonlight, pale blue light, cold light, deep blacks, silver and white palette, monochrome palette, limited palette, film grain, no text, no watermark, no signature, quiet, melancholic, sacred, mysterious, atmospheric A cinematic wide shot, camera low and slightly off-axis, placed three-quarters to the cat's left so the animal reads in near-profile against the forest's depth. The black cat sits alone in the lower third of the frame, small against the vast night, no more than a fifth of the picture, offset right of centre so a long corridor of negative space opens to the left. It sits upright and still on a snow-covered rise, weight settled on its haunches with the forepaws set neatly together in the snow, tail curled forward and wrapped around the front paws. Its chest is squared, its head level, its ears lifted and tilted a fraction toward a sound off-frame; the near eye catches the moonlight along the top curve of its eyelid. Both eyes glow with a soft, intelligent amber light, a gentle luminous emanation, not a hard beam, warm and level and somehow ancient. Fur is dense, short and glossy in the cold, the moon picking out a fine silver rim along its back, brow and shoulder blades while the flanks and legs sink into near-black. The camera at ground level looks slightly upward, so the cat sits low in the frame and the tall bare trunks rise overhead. The forest is a winter nightscape: slim black-trunked trees receding into blackness on both sides, their branches carrying thin caps of snow that show only on the upward-facing surfaces while the undersides stay bare and dark. Snow falls gently, small flakes drifting at a slight angle, drawn as pale flecks against the dark ranks of trees and blurred in the middle ground; a few flakes have settled on the cat's crown, shoulders and the ridge of its spine. The snow is unbroken except for the cat's own seat, a shallow depression where its haunches have pressed in and four small paw dents ahead of it, every mark with a soft blue shadow in its hollow. The cold reads in the stillness: no wind, straightened trees, flakes falling almost straight down. The pale cold moonlight is the only light source; it comes from high behind and slightly to the right of the cat. It rims the cat's back and the top of its head in a fine silver edge, strikes the snow caps on the branches and the open snowfield, and leaves everything facing the camera in deep blackness and every hollow of the snow in cool blue-grey shadow. Behind the cat the trunks merge into absolute black; the only light in the scene is the moonlit snow and the two amber eyes. The palette admits deep blacks, silver, cold white and pale blue-grey, with amber permitted only in the eyes and a faint warm hint on the snow beneath them. Fine film grain sits over the whole frame and thickens in the dark backgrounds, giving the black surface a dusty, cinematic texture. Deep shadow, no other figures, no lettering or marks anywhere. Quiet dread and a sacred stillness.
C9I
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Avatar image of C9I
2 animals, black raven, black cat, sitting side by side, perched together, old twisted gravestone, snow-covered gravestone, leaning gravestone, dark foggy graveyard at night, nighttime, fog, both looking to the side, looking into the fog, same direction, profile, from side, wide shot, cinematic lighting, cold blue palette, deep black palette, film grain, hyper-detailed, no text, no watermark, peaceful, eerie, melancholic, dark surrealism, guardians of the night, bare trees, wrought iron fence, snow on ground, 16:9 A wide 16:9 lateral view, the camera at the animals' own eye level and set off to their left, so the leaning gravestone cuts a dark diagonal from the lower third up toward the right and both creatures are held in strict profile: the raven on the left, the cat on the right, side by side along the top edge of the stone, both turned the same way, both looking out into the fog off-frame to the right. The raven sits with its weight forward, scaled feet wrapped over the stone's rim, one foot's toes gripping the near corner, its beak parted a sliver and the throat feathers lifting, the long primary tips of its folded wing crossing its tail and hanging just past the stone's edge; its head is cocked a degree lower than the cat's, the one visible eye fixed on the same distant point. The cat sits upright beside it, haunches compressed into the snow on the flat of the stone, forepaws placed neatly together on the rim in front of its chest, tail curled once around its right flank and the tip laid against the snow; its ears rotate a fraction forward toward the fog, neck extended and chin level, one visible eye a cold pale blue-green disc with the pupil narrowed. Between them the gap is a hand's width, and the raven's shoulder feather nearly touches the cat's shoulder fur without meeting; no other contact. The gravestone is old and twisted, its shaft bowed and its carved face worn smooth and illegible, the inscription erased by weather into shallow illegible grooves, and snow lies only on its upward-facing ledges and on the cross-arm, while the leaning underside stays bare and black. Behind them a small graveyard recedes in three depth layers: tilted stones half-sunk in snow at midground, their edges furred with frost, and behind those a wrought-iron fence and the black verticals of bare trees dissolving into fog. The fog is the whole atmosphere, thickest at ground level and thinning with height, and it swallows the fence first. One cold source of light sits high and far behind and to the left of the frame, moon or veiled skyglow: it rims the raven's back and the cat's shoulder and ear tips in a thin pale blue line, it makes the snow atop the gravestone glow faintly, and it leaves the animals' fronts in deep black; their cast shadows stretch forward across the stone's top and drop away into the fog. Nothing else is lit; beyond the fog's reach the darkness is absolute. Palette is strictly cold blue and deep black -- blue only in the fog, the snow and the rim light, black in the birds' plumage, the cat's fur, the stones and the sky, with no warm hue anywhere in the frame. Fine film grain across the entire image, heaviest in the flat dark areas of the fog and the sky. The raven's beak and the cat's whiskers catch a faint wet highlight from the same single source; the cat's fur shows individual strands only where the rim light grazes it. Neither animal looks at the viewer. Quiet, eerie, and utterly still, two guardians keeping the same watch.
C9I

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リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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