Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork
Generate for Free

C9I

Avatar image of C9I

C9I

More to See

Comments

1 animal, solo, raven, black corvid, perched, perched on scales, scales of justice, broken brass scales, tipped scales, corrupted scales, gold chains, chains, king's crown, crown in pan, white feather, single feather, withered feather, crushed flower, wilted flower, head bowed, looking down, glossy eyes, sorrowful, drooping feathers, wet feathers, rain-soaked, heavy rain, rain, fog, gray fog, ruined courthouse, blurred background, depth of field, bokeh, charcoal texture, ink texture, hyperdetailed, chiaroscuro, strong shadow, desaturated, monochrome palette, cold blue tones, cinematic composition, film grain, wide shot, low angle, dark fantasy, gothic, melancholic, no humans Low-angle wide shot, camera set slightly below the scale's central pivot and tilted a few degrees off level, so the tilted brass beam cuts a hard diagonal across the frame from upper left to lower right. The massive broken scale of justice dominates the midground, its ornate brass column rising out of cracked wet flagstones in the foreground; verdigris and black tarnish bloom across the metal, the beam's central pivot is snapped and splinted with wire, and one hanger ring is bent open so its pan hangs crooked. The raven perches on the high, lifted end of the beam, claws clamped around the tarnished brass, its body leaning into the downward slope, head bowed low so the beak points almost straight down at the lighter pan; its feathers hang in soaked, clumped points, water beading along the spine and dripping from the tail tip, and a single fat drop falls free of the lowest feather. Its one visible eye is glossy and wet, catching a cold pinpoint of light, lids heavy, gazing down into the pan below. Right side of the beam is driven low and heavy: a deep pan piled with tangled heavy gold chains, links thick as fingers, coiled and spilling over the rim and hanging in loops beneath the pan, the gold the only warm note in the frame, muted to dull ochre by the wet. A king's crown rests in the lower pan, half sunk among the chains, one point bent, its jewels dark and clouded, gold filigree packed with grime. Left side rides high and light: a single withered white feather lying alone in the shallow pan, its barbs broken and splayed, and beside it a crushed flower, petals flattened and bruised to a gray-violet pulp, stem snapped. A fine chain of water runoff traces the beam's tilt and gathers at the low end before falling. Behind, a ruined courthouse recedes into cold gray fog: broken portico columns, a cracked pediment, boarded windows, all dissolved by shallow depth of field into soft hulking masses, only their silhouette edges readable. Heavy rain falls as long slanted streaks through the whole frame, dense in the far fog and sharp in the near foreground; where the rain crosses the fog it reads brightest, and the flagstones below are a mirror of puddled water broken into rings by impact. The single cold light source sits high and behind, above and left of the frame, so the scale's upper surfaces and the raven's back are rimmed in pale blue-gray while the undersides, the crowned pan and the courthouse face fall into deep black; the raven throws a hard wet shadow down the slope of the beam. Palette is closed: desaturated blacks, charcoal grays, wet slate, one cold blue tone in the fog and highlights, and the dull drowned gold of the chains and crown, nothing else admitted. Everything is rendered in hyperdetailed charcoal and ink texture: granular black stroke, dry-brush edges on the feathers, ink bleed into the fog, heavy film grain over the whole plate, the blacks crushed and the highlights scraped thin. The composition weights the frame to the right, the light pan and the feather small and stranded at the top left, the rain and the fog swallowing the far end of the courtyard. Quiet, inconsolable grief.
Show Parameters
Original Prompt
Melancholic dark art illustration of a lonely, sad raven perched on a massive, broken brass scale of justice. The scale is heavily tipped and corrupted: one side is weighed down by heavy gold chains and a king's crown, while the other side holds a single, withered white feather and a crushed flower. The raven has drooping, rain-soaked feathers, its head bowed low, looking down with glossy, sorrowful eyes. Heavy rain, cold gray fog, a ruined courthouse in the blurred background. Injustice, deep sorrow, broken systems, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, grays, subtle cold blue tones, cinematic shot, film grain, by Zdzisław Beksiński, masterpiece, 8K --ar 3:2 --v 6
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.23k

Similar Images

Show more
AI artwork
Avatar image of C9I
1 animal, solo, raven, black corvid, perched, perched on scales, scales of justice, broken brass scales, tipped scales, corrupted scales, gold chains, chains, king's crown, crown in pan, white feather, single feather, withered feather, crushed flower, wilted flower, head bowed, looking down, glossy eyes, sorrowful, drooping feathers, wet feathers, rain-soaked, heavy rain, rain, fog, gray fog, ruined courthouse, blurred background, depth of field, bokeh, charcoal texture, ink texture, hyperdetailed, chiaroscuro, strong shadow, desaturated, monochrome palette, cold blue tones, cinematic composition, film grain, wide shot, low angle, dark fantasy, gothic, melancholic, no humans Low-angle wide shot, camera set slightly below the scale's central pivot and tilted a few degrees off level, so the tilted brass beam cuts a hard diagonal across the frame from upper left to lower right. The massive broken scale of justice dominates the midground, its ornate brass column rising out of cracked wet flagstones in the foreground; verdigris and black tarnish bloom across the metal, the beam's central pivot is snapped and splinted with wire, and one hanger ring is bent open so its pan hangs crooked. The raven perches on the high, lifted end of the beam, claws clamped around the tarnished brass, its body leaning into the downward slope, head bowed low so the beak points almost straight down at the lighter pan; its feathers hang in soaked, clumped points, water beading along the spine and dripping from the tail tip, and a single fat drop falls free of the lowest feather. Its one visible eye is glossy and wet, catching a cold pinpoint of light, lids heavy, gazing down into the pan below. Right side of the beam is driven low and heavy: a deep pan piled with tangled heavy gold chains, links thick as fingers, coiled and spilling over the rim and hanging in loops beneath the pan, the gold the only warm note in the frame, muted to dull ochre by the wet. A king's crown rests in the lower pan, half sunk among the chains, one point bent, its jewels dark and clouded, gold filigree packed with grime. Left side rides high and light: a single withered white feather lying alone in the shallow pan, its barbs broken and splayed, and beside it a crushed flower, petals flattened and bruised to a gray-violet pulp, stem snapped. A fine chain of water runoff traces the beam's tilt and gathers at the low end before falling. Behind, a ruined courthouse recedes into cold gray fog: broken portico columns, a cracked pediment, boarded windows, all dissolved by shallow depth of field into soft hulking masses, only their silhouette edges readable. Heavy rain falls as long slanted streaks through the whole frame, dense in the far fog and sharp in the near foreground; where the rain crosses the fog it reads brightest, and the flagstones below are a mirror of puddled water broken into rings by impact. The single cold light source sits high and behind, above and left of the frame, so the scale's upper surfaces and the raven's back are rimmed in pale blue-gray while the undersides, the crowned pan and the courthouse face fall into deep black; the raven throws a hard wet shadow down the slope of the beam. Palette is closed: desaturated blacks, charcoal grays, wet slate, one cold blue tone in the fog and highlights, and the dull drowned gold of the chains and crown, nothing else admitted. Everything is rendered in hyperdetailed charcoal and ink texture: granular black stroke, dry-brush edges on the feathers, ink bleed into the fog, heavy film grain over the whole plate, the blacks crushed and the highlights scraped thin. The composition weights the frame to the right, the light pan and the feather small and stranded at the top left, the rain and the fog swallowing the far end of the courtyard. Quiet, inconsolable grief.
C9I
AI artwork
Avatar image of C9I
1 animal, solo, raven, black corvid, perched, perched on scales, scales of justice, broken brass scales, tipped scales, corrupted scales, gold chains, chains, king's crown, crown in pan, white feather, single feather, withered feather, crushed flower, wilted flower, head bowed, looking down, glossy eyes, sorrowful, drooping feathers, wet feathers, rain-soaked, heavy rain, rain, fog, gray fog, ruined courthouse, blurred background, depth of field, bokeh, charcoal texture, ink texture, hyperdetailed, chiaroscuro, strong shadow, desaturated, monochrome palette, cold blue tones, cinematic composition, film grain, wide shot, low angle, dark fantasy, gothic, melancholic, no humans Low-angle wide shot, camera set slightly below the scale's central pivot and tilted a few degrees off level, so the tilted brass beam cuts a hard diagonal across the frame from upper left to lower right. The massive broken scale of justice dominates the midground, its ornate brass column rising out of cracked wet flagstones in the foreground; verdigris and black tarnish bloom across the metal, the beam's central pivot is snapped and splinted with wire, and one hanger ring is bent open so its pan hangs crooked. The raven perches on the high, lifted end of the beam, claws clamped around the tarnished brass, its body leaning into the downward slope, head bowed low so the beak points almost straight down at the lighter pan; its feathers hang in soaked, clumped points, water beading along the spine and dripping from the tail tip, and a single fat drop falls free of the lowest feather. Its one visible eye is glossy and wet, catching a cold pinpoint of light, lids heavy, gazing down into the pan below. Right side of the beam is driven low and heavy: a deep pan piled with tangled heavy gold chains, links thick as fingers, coiled and spilling over the rim and hanging in loops beneath the pan, the gold the only warm note in the frame, muted to dull ochre by the wet. A king's crown rests in the lower pan, half sunk among the chains, one point bent, its jewels dark and clouded, gold filigree packed with grime. Left side rides high and light: a single withered white feather lying alone in the shallow pan, its barbs broken and splayed, and beside it a crushed flower, petals flattened and bruised to a gray-violet pulp, stem snapped. A fine chain of water runoff traces the beam's tilt and gathers at the low end before falling. Behind, a ruined courthouse recedes into cold gray fog: broken portico columns, a cracked pediment, boarded windows, all dissolved by shallow depth of field into soft hulking masses, only their silhouette edges readable. Heavy rain falls as long slanted streaks through the whole frame, dense in the far fog and sharp in the near foreground; where the rain crosses the fog it reads brightest, and the flagstones below are a mirror of puddled water broken into rings by impact. The single cold light source sits high and behind, above and left of the frame, so the scale's upper surfaces and the raven's back are rimmed in pale blue-gray while the undersides, the crowned pan and the courthouse face fall into deep black; the raven throws a hard wet shadow down the slope of the beam. Palette is closed: desaturated blacks, charcoal grays, wet slate, one cold blue tone in the fog and highlights, and the dull drowned gold of the chains and crown, nothing else admitted. Everything is rendered in hyperdetailed charcoal and ink texture: granular black stroke, dry-brush edges on the feathers, ink bleed into the fog, heavy film grain over the whole plate, the blacks crushed and the highlights scraped thin. The composition weights the frame to the right, the light pan and the feather small and stranded at the top left, the rain and the fog swallowing the far end of the courtyard. Quiet, inconsolable grief.
C9I
AI artwork
Avatar image of C9I
1 animal, solo, raven, black corvid, perched, perched on scales, scales of justice, broken brass scales, tipped scales, corrupted scales, gold chains, chains, king's crown, crown in pan, white feather, single feather, withered feather, crushed flower, wilted flower, head bowed, looking down, glossy eyes, sorrowful, drooping feathers, wet feathers, rain-soaked, heavy rain, rain, fog, gray fog, ruined courthouse, blurred background, depth of field, bokeh, charcoal texture, ink texture, hyperdetailed, chiaroscuro, strong shadow, desaturated, monochrome palette, cold blue tones, cinematic composition, film grain, wide shot, low angle, dark fantasy, gothic, melancholic, no humans Low-angle wide shot, camera set slightly below the scale's central pivot and tilted a few degrees off level, so the tilted brass beam cuts a hard diagonal across the frame from upper left to lower right. The massive broken scale of justice dominates the midground, its ornate brass column rising out of cracked wet flagstones in the foreground; verdigris and black tarnish bloom across the metal, the beam's central pivot is snapped and splinted with wire, and one hanger ring is bent open so its pan hangs crooked. The raven perches on the high, lifted end of the beam, claws clamped around the tarnished brass, its body leaning into the downward slope, head bowed low so the beak points almost straight down at the lighter pan; its feathers hang in soaked, clumped points, water beading along the spine and dripping from the tail tip, and a single fat drop falls free of the lowest feather. Its one visible eye is glossy and wet, catching a cold pinpoint of light, lids heavy, gazing down into the pan below. Right side of the beam is driven low and heavy: a deep pan piled with tangled heavy gold chains, links thick as fingers, coiled and spilling over the rim and hanging in loops beneath the pan, the gold the only warm note in the frame, muted to dull ochre by the wet. A king's crown rests in the lower pan, half sunk among the chains, one point bent, its jewels dark and clouded, gold filigree packed with grime. Left side rides high and light: a single withered white feather lying alone in the shallow pan, its barbs broken and splayed, and beside it a crushed flower, petals flattened and bruised to a gray-violet pulp, stem snapped. A fine chain of water runoff traces the beam's tilt and gathers at the low end before falling. Behind, a ruined courthouse recedes into cold gray fog: broken portico columns, a cracked pediment, boarded windows, all dissolved by shallow depth of field into soft hulking masses, only their silhouette edges readable. Heavy rain falls as long slanted streaks through the whole frame, dense in the far fog and sharp in the near foreground; where the rain crosses the fog it reads brightest, and the flagstones below are a mirror of puddled water broken into rings by impact. The single cold light source sits high and behind, above and left of the frame, so the scale's upper surfaces and the raven's back are rimmed in pale blue-gray while the undersides, the crowned pan and the courthouse face fall into deep black; the raven throws a hard wet shadow down the slope of the beam. Palette is closed: desaturated blacks, charcoal grays, wet slate, one cold blue tone in the fog and highlights, and the dull drowned gold of the chains and crown, nothing else admitted. Everything is rendered in hyperdetailed charcoal and ink texture: granular black stroke, dry-brush edges on the feathers, ink bleed into the fog, heavy film grain over the whole plate, the blacks crushed and the highlights scraped thin. The composition weights the frame to the right, the light pan and the feather small and stranded at the top left, the rain and the fog swallowing the far end of the courtyard. Quiet, inconsolable grief.
C9I
AI artwork
Avatar image of C9I
low-angle shot, from below, two subjects, giant crumbling stone statue of Lady Justice, blindfolded statue, thick blindfold cloth, thick dark tears streaming from beneath the blindfold, dark tear streaks running down carved stone cheeks, hairline cracks splitting the stone beneath the tear trails, chipped weathered stone surface, scales held in one stone hand, sad raven perched on the statue's shoulder, black raven, ruffled feathers, feathers blown back by cold wind, torn legal document in beak, blood-stained legal document, blood-red stain soaking the paper, abandoned graveyard background, leaning crooked headstones, cracked graveslab silhouettes, creeping mist, heavy storm clouds, cold moonlight breaking through the clouds, shaft of moonlight, chiaroscuro, desaturated blacks, sickly pale grays, subtle blood-red accent, hyperdetailed oil painting texture, dark gothic, melancholic, despair, tragic, masterpiece The camera sits far below the two subjects and looks steeply upward along the statue's body: in the near foreground the ragged hem of Lady Justice's stone robe and the top edge of a broken pedestal, then her colossal torso rearing above it, the blindfolded head at the apex of the frame against the storm sky. Her stone arm on the right of frame holds the scales high, one pan tipped and empty, and her weight rests entirely on that forward leg, the opposite knee buckled inward where a slab of stone has fallen away, exposing a soft crumbled void instead of a carved leg. The blindfold is a thick band of worn cloth pressed into the eye sockets; from under its lower edge two thick dark tear trails well out and descend the stone cheeks, each trail cutting a branching crack that widens as it travels and sheds fine dust along the ridges of her jaw and throat. The raven sits on the shoulder nearest the viewer, its claws gripping the lip of the crumbling epaulette, body hunched low and head drawn down so the beak and the document hang just below the shoulder line; the torn legal document is pierced at the corner by the beak, its loose corner caught and bent by the wind, a dried blood-red stain soaked through the paper and a line of illegible type running across the surviving fragment. The raven's head is tilted down toward the tears on the statue's cheek; the statue has no eyes to answer, and the whole posture of the bird reads as bending over something it cannot mend. Wind presses the raven's feathers back from its breast and flattens its tail toward the shoulder, and torn strips of the blindfold's trailing edge flick away from the stone. Cold moonlight is the only light: it breaks through a split in the storm clouds behind and to the left of the statue, striking the left side of the stone face and the raven's shoulder and leaving the right half of the statue and the deep graveyard behind in falling darkness. Mist creeps at ground level around the pedestal and threads between crooked headstones in the midground, dimmed and cooled to almost nothing. Palette holds to desaturated blacks and sickly pale grays across stone, cloth and cloud, with the blood-red admitted only in the document's stain and a faint echo in the drying red-brown at the tear trails' source. Heavy oil paint handling: thick impasto on the stone's chipped edges and the raven's contours, fine scumbled grain across the moonlit haze, the wet sheen of tears catching the moonlight as a thin cold highlight. Despair and monumental melancholy.
C9I

Explore more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile