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C9I

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C9I

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cinematic close-up, 3:2 landscape, sad injured raven, head resting against cold iron bars, perched on rusted lock of a heavy iron cage, single raindrop falling from its eye like a tear, defeated expression, ruffled black plumage, bare patch of broken feathering on one shoulder, faint glowing silhouette of a small child inside the blurred cage background, dead trees, falling snow, harsh cold light, chiaroscuro, desaturated blacks, deep cold blues, shallow depth of field, film grain, hyperdetailed, bokeh, backlighting, rim light, no other figures, despairing, silent tragedy Shot as a tight cinematic close-up in 3:2 from just below the raven's eye level, so the bird fills the left two-thirds of the frame and the cage wall recedes across the rest. The raven sits heavy on the rusted lock: a thick iron padlock, pitted and orange-brown along its edges, its shackle looped through the cage's latch plate, flaking rust where the metal has swollen. The bird's claws wrap the lock's upper face, one foot set forward, the other gripping the shackle collar; its body is hunched and tilted left, the whole weight sagging down into the lock rather than held above it. Its head is turned in profile and pressed sideways against a vertical iron bar, the bar meeting the crown of the head and the cheek so the plumage flattens against the cold metal and the eye sits just clear of it, half-lidded and dim, gazing down and away past the bar into the void beyond the cage. The single drop hangs at the lower rim of that eye and is already detaching, elongated and glassy, its own tiny highlight, falling down the cheek between feathers; the feathers around the eye are matted and wet, and a smear of dried blood darkens the skin at the base of one folded wing, which hangs a little too low and slightly out of true. Feathers along the neck are ruffled and split, edges catching a thin silver rim light. The bars run vertically through the near foreground, out of focus at the frame edges, in focus where they meet the bird's head. Behind them, deep in the blurred interior, the pale glow of a small child's outline stands barefoot with arms lowered at their sides — no facial detail, only a soft blue-white luminosity bleeding into the darkness and dissolving at the cage's far bars, its light catching nowhere else in the scene. The one light source is a hard, colorless cold key from the upper left and behind, throwing a rim along the bird's back, the top of the lock and the nearest bar edges while the undersides of the cage and the space behind fall into near-total black; the darkness beyond the light is absolute. Through the top-left gap above the cage, dead trees stand as stripped black forks beyond the depth of field, soft-edged and inconsequential, with snow falling past them in streaked flakes, and flakes drifting into the lit band where they show as small bright flecks; a skin of snow has settled on the upward faces of the lock and the bar tops but nowhere underneath. Palette is desaturated black and cold blue throughout: rust brown and black on the iron, charcoal plumage shading to blue, the child's glow the only pale warmth-free light in the frame. Fine film grain across the whole image, heaviest in the dark blues. Helpless, bleak.
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Original Prompt
Emotional dark art illustration of a sad, injured raven sitting on the rusted lock of a heavy iron cage. Inside the cage, in the blurred background, is the faint, glowing silhouette of a small, innocent child. The raven looks completely defeated, its head resting against the cold iron bars, a single raindrop falling from its eye like a tear. Dead trees, falling snow, a harsh, unforgiving cold light. Helplessness, silent tragedy, injustice, loneliness, hyperdetailed, chiaroscuro, desaturated blacks, deep cold blues, cinematic close-up, shallow depth of field, film grain, by Zdzisław Beksiński, masterpiece, 8K --ar 3:2 --v 6
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Avatar image of C9I
cinematic close-up, 3:2 landscape, sad injured raven, head resting against cold iron bars, perched on rusted lock of a heavy iron cage, single raindrop falling from its eye like a tear, defeated expression, ruffled black plumage, bare patch of broken feathering on one shoulder, faint glowing silhouette of a small child inside the blurred cage background, dead trees, falling snow, harsh cold light, chiaroscuro, desaturated blacks, deep cold blues, shallow depth of field, film grain, hyperdetailed, bokeh, backlighting, rim light, no other figures, despairing, silent tragedy Shot as a tight cinematic close-up in 3:2 from just below the raven's eye level, so the bird fills the left two-thirds of the frame and the cage wall recedes across the rest. The raven sits heavy on the rusted lock: a thick iron padlock, pitted and orange-brown along its edges, its shackle looped through the cage's latch plate, flaking rust where the metal has swollen. The bird's claws wrap the lock's upper face, one foot set forward, the other gripping the shackle collar; its body is hunched and tilted left, the whole weight sagging down into the lock rather than held above it. Its head is turned in profile and pressed sideways against a vertical iron bar, the bar meeting the crown of the head and the cheek so the plumage flattens against the cold metal and the eye sits just clear of it, half-lidded and dim, gazing down and away past the bar into the void beyond the cage. The single drop hangs at the lower rim of that eye and is already detaching, elongated and glassy, its own tiny highlight, falling down the cheek between feathers; the feathers around the eye are matted and wet, and a smear of dried blood darkens the skin at the base of one folded wing, which hangs a little too low and slightly out of true. Feathers along the neck are ruffled and split, edges catching a thin silver rim light. The bars run vertically through the near foreground, out of focus at the frame edges, in focus where they meet the bird's head. Behind them, deep in the blurred interior, the pale glow of a small child's outline stands barefoot with arms lowered at their sides — no facial detail, only a soft blue-white luminosity bleeding into the darkness and dissolving at the cage's far bars, its light catching nowhere else in the scene. The one light source is a hard, colorless cold key from the upper left and behind, throwing a rim along the bird's back, the top of the lock and the nearest bar edges while the undersides of the cage and the space behind fall into near-total black; the darkness beyond the light is absolute. Through the top-left gap above the cage, dead trees stand as stripped black forks beyond the depth of field, soft-edged and inconsequential, with snow falling past them in streaked flakes, and flakes drifting into the lit band where they show as small bright flecks; a skin of snow has settled on the upward faces of the lock and the bar tops but nowhere underneath. Palette is desaturated black and cold blue throughout: rust brown and black on the iron, charcoal plumage shading to blue, the child's glow the only pale warmth-free light in the frame. Fine film grain across the whole image, heaviest in the dark blues. Helpless, bleak.
C9I
AI artwork
Avatar image of C9I
cinematic close-up, 3:2 landscape, sad injured raven, head resting against cold iron bars, perched on rusted lock of a heavy iron cage, single raindrop falling from its eye like a tear, defeated expression, ruffled black plumage, bare patch of broken feathering on one shoulder, faint glowing silhouette of a small child inside the blurred cage background, dead trees, falling snow, harsh cold light, chiaroscuro, desaturated blacks, deep cold blues, shallow depth of field, film grain, hyperdetailed, bokeh, backlighting, rim light, no other figures, despairing, silent tragedy Shot as a tight cinematic close-up in 3:2 from just below the raven's eye level, so the bird fills the left two-thirds of the frame and the cage wall recedes across the rest. The raven sits heavy on the rusted lock: a thick iron padlock, pitted and orange-brown along its edges, its shackle looped through the cage's latch plate, flaking rust where the metal has swollen. The bird's claws wrap the lock's upper face, one foot set forward, the other gripping the shackle collar; its body is hunched and tilted left, the whole weight sagging down into the lock rather than held above it. Its head is turned in profile and pressed sideways against a vertical iron bar, the bar meeting the crown of the head and the cheek so the plumage flattens against the cold metal and the eye sits just clear of it, half-lidded and dim, gazing down and away past the bar into the void beyond the cage. The single drop hangs at the lower rim of that eye and is already detaching, elongated and glassy, its own tiny highlight, falling down the cheek between feathers; the feathers around the eye are matted and wet, and a smear of dried blood darkens the skin at the base of one folded wing, which hangs a little too low and slightly out of true. Feathers along the neck are ruffled and split, edges catching a thin silver rim light. The bars run vertically through the near foreground, out of focus at the frame edges, in focus where they meet the bird's head. Behind them, deep in the blurred interior, the pale glow of a small child's outline stands barefoot with arms lowered at their sides — no facial detail, only a soft blue-white luminosity bleeding into the darkness and dissolving at the cage's far bars, its light catching nowhere else in the scene. The one light source is a hard, colorless cold key from the upper left and behind, throwing a rim along the bird's back, the top of the lock and the nearest bar edges while the undersides of the cage and the space behind fall into near-total black; the darkness beyond the light is absolute. Through the top-left gap above the cage, dead trees stand as stripped black forks beyond the depth of field, soft-edged and inconsequential, with snow falling past them in streaked flakes, and flakes drifting into the lit band where they show as small bright flecks; a skin of snow has settled on the upward faces of the lock and the bar tops but nowhere underneath. Palette is desaturated black and cold blue throughout: rust brown and black on the iron, charcoal plumage shading to blue, the child's glow the only pale warmth-free light in the frame. Fine film grain across the whole image, heaviest in the dark blues. Helpless, bleak.
C9I
AI artwork
Avatar image of C9I
cinematic close-up, 3:2 landscape, sad injured raven, head resting against cold iron bars, perched on rusted lock of a heavy iron cage, single raindrop falling from its eye like a tear, defeated expression, ruffled black plumage, bare patch of broken feathering on one shoulder, faint glowing silhouette of a small child inside the blurred cage background, dead trees, falling snow, harsh cold light, chiaroscuro, desaturated blacks, deep cold blues, shallow depth of field, film grain, hyperdetailed, bokeh, backlighting, rim light, no other figures, despairing, silent tragedy Shot as a tight cinematic close-up in 3:2 from just below the raven's eye level, so the bird fills the left two-thirds of the frame and the cage wall recedes across the rest. The raven sits heavy on the rusted lock: a thick iron padlock, pitted and orange-brown along its edges, its shackle looped through the cage's latch plate, flaking rust where the metal has swollen. The bird's claws wrap the lock's upper face, one foot set forward, the other gripping the shackle collar; its body is hunched and tilted left, the whole weight sagging down into the lock rather than held above it. Its head is turned in profile and pressed sideways against a vertical iron bar, the bar meeting the crown of the head and the cheek so the plumage flattens against the cold metal and the eye sits just clear of it, half-lidded and dim, gazing down and away past the bar into the void beyond the cage. The single drop hangs at the lower rim of that eye and is already detaching, elongated and glassy, its own tiny highlight, falling down the cheek between feathers; the feathers around the eye are matted and wet, and a smear of dried blood darkens the skin at the base of one folded wing, which hangs a little too low and slightly out of true. Feathers along the neck are ruffled and split, edges catching a thin silver rim light. The bars run vertically through the near foreground, out of focus at the frame edges, in focus where they meet the bird's head. Behind them, deep in the blurred interior, the pale glow of a small child's outline stands barefoot with arms lowered at their sides — no facial detail, only a soft blue-white luminosity bleeding into the darkness and dissolving at the cage's far bars, its light catching nowhere else in the scene. The one light source is a hard, colorless cold key from the upper left and behind, throwing a rim along the bird's back, the top of the lock and the nearest bar edges while the undersides of the cage and the space behind fall into near-total black; the darkness beyond the light is absolute. Through the top-left gap above the cage, dead trees stand as stripped black forks beyond the depth of field, soft-edged and inconsequential, with snow falling past them in streaked flakes, and flakes drifting into the lit band where they show as small bright flecks; a skin of snow has settled on the upward faces of the lock and the bar tops but nowhere underneath. Palette is desaturated black and cold blue throughout: rust brown and black on the iron, charcoal plumage shading to blue, the child's glow the only pale warmth-free light in the frame. Fine film grain across the whole image, heaviest in the dark blues. Helpless, bleak.
C9I
AI artwork
Avatar image of C9I
1 raven, no humans, animal focus, black raven, corvid, sitting, perched, completely motionless, side profile, looking out window, wooden windowsill, dark room interior, window, night, condensation, fogged glass, water droplets on glass, tear-streaks running down the pane, heavy blur, hazy exterior, thick dark fog outside, absolute black void beyond the glass, no light source outside, deep blue palette, grey palette, absolute blacks, cinematic lighting, film noir, heavy film grain, wide shot, from inside, rim light, silhouette-heavy, melancholic, exhausted, sorrowful, final, lonely, no text, no watermark, no signature, 16:9 Viewed from inside the room at a low, slightly off-center angle, a black raven sits at the right third of the frame on a bare wooden windowsill, its body in near-profile facing the glass, tail feathers trailing left along the sill's grain, both feet gripping the wood with dark claws curled over the front edge. The bird is utterly still: head level, one amber-rimmed eye fixed forward into the fog beyond the pane, beak closed and pointing slightly downward, plumage matte-black with a cold blue sheen along the crown and the folded wing where the interior light grazes it. The window fills most of the frame; its glass is thick with condensation, fine beaded droplets across the whole pane except where several long tear-streaks have run down and cleared narrow wavering channels, and through those channels -- and only there -- the outside resolves into a heavy, hopeless blur of pale grey-blue fog that fades to nothing. Beyond the fog the exterior is a flat, absolute black void: no lamps, no moon, no reflected glow, no shape of anyone standing there, only emptiness pressed against the glass. Inside, the room falls away behind the raven into pure shadow; the only light is a dim cold source from the upper left inside the room, catching the top of the bird's head, the leading edge of the windowsill and the condensation beads on the left side of the pane, while the right side of the frame and the entire bottom corner sink into absolute black, and the raven throws no readable shadow onto the sill beneath it. The palette admits nothing beyond deep blue, cool grey and absolute black, with the single small amber ring of the bird's eye as the only warm note. The condensation is heaviest in the lower half of the glass, thinning toward the top where the fog shows through clearest, and the tear-streaks are denser near the center -- the window's small proof that something was cried out and is now over. Deeply melancholic, final, and utterly lonely.
C9I

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