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AI art "Girl Car High Heels Realistic" featuring #The Witcher and #zetaCollab
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Girl Car High Heels Realistic

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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#The Witcher
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Madis Tuulik

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Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Mia sits on the hood of the red BMW E36 with her back to the camera, seen in rear view at hood height, slightly to the left. Her weight is on one hip, one leg extended along the hood with the black pointed stiletto flat on the metal, the other knee drawn up and turned out, the heel planted. Her pink dress is hiked high by the seated pose, the fabric bunched at her hips, the hem riding up to show the full length of her sheer black stockings and the black lace band at the top of her thigh. Her torso is twisted, her head turned back over her right shoulder — green eyes on the lens, half-lidded, a slow, pleased, tempting smirk, her lower lip caught between her teeth. Her blonde tousled bob falls across her cheek, a few strands stuck to her neck. Her right hand rests behind her on the hood, fingers spread through the dust, bracing her weight. Her left hand is lifted to the nape of her neck, fingers sliding up into her hair and gathering it, lifting it clear of her neck and holding it up. The twist of her torso pulls the pink dress tight across her waist and the side of her bust. Details to hold: the fabric bunched and creased at her hips, the dress pulled taut across the twist of her waist, the smooth line of her thigh in the sheer stocking, the black lace band pressing a faint mark into her skin, the hair lifted and held in her fingers, the bare nape of her neck, the handprint in the dust beneath her bracing hand, the sharp point of the extended stiletto, the silver ring glinting. The red BMW E36 is in good condition: glossy deep red paint with a fine even dust film now smeared and marked, straight hood panel, clean bright chrome trim, clear windscreen behind her. Dim garage: bare concrete floor with light grit, cinder-block walls, tools in shadow. Warm tungsten pendant bulb overhead lighting her hair, shoulder, and the twist of her back, cool blue light from under the roller door rimming her extended leg. Camera: rear view at hood height slightly to the left, full-body shot, shallow depth of field with her turned face and lifted hand sharp. Visual focus is the twist of her torso, the lifted hair exposing her neck, and her back-glance. Subtle film grain.
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Original Prompt
Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Mia sits on the hood of the red BMW E36 with her back to the camera, seen in rear view at hood height, slightly to the left. Her weight is on one hip, one leg extended along the hood with the black pointed stiletto flat on the metal, the other knee drawn up and turned out, the heel planted. Her pink dress is hiked high by the seated pose, the fabric bunched at her hips, the hem riding up to show the full length of her sheer black stockings and the black lace band at the top of her thigh. Her torso is twisted, her head turned back over her right shoulder — green eyes on the lens, half-lidded, a slow, pleased, tempting smirk, her lower lip caught between her teeth. Her blonde tousled bob falls across her cheek, a few strands stuck to her neck. Her right hand rests behind her on the hood, fingers spread through the dust, bracing her weight. Her left hand is lifted to the nape of her neck, fingers sliding up into her hair and gathering it, lifting it clear of her neck and holding it up. The twist of her torso pulls the pink dress tight across her waist and the side of her bust. Details to hold: the fabric bunched and creased at her hips, the dress pulled taut across the twist of her waist, the smooth line of her thigh in the sheer stocking, the black lace band pressing a faint mark into her skin, the hair lifted and held in her fingers, the bare nape of her neck, the handprint in the dust beneath her bracing hand, the sharp point of the extended stiletto, the silver ring glinting. The red BMW E36 is in good condition: glossy deep red paint with a fine even dust film now smeared and marked, straight hood panel, clean bright chrome trim, clear windscreen behind her. Dim garage: bare concrete floor with light grit, cinder-block walls, tools in shadow. Warm tungsten pendant bulb overhead lighting her hair, shoulder, and the twist of her back, cool blue light from under the roller door rimming her extended leg. Camera: rear view at hood height slightly to the left, full-body shot, shallow depth of field with her turned face and lifted hand sharp. Visual focus is the twist of her torso, the lifted hair exposing her neck, and her back-glance. Subtle film grain.
Mode
ultra
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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