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AI art "Car Breasts" featuring #zetaCollab
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Car Breasts

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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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Madis Tuulik

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Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Two subjects, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Mia lies back along the hood of the red BMW, propped on one elbow, her body angled diagonally up the metal, her tight deep-red dress pulled taut across her hips and thighs, sheer black stockings and red pointed stilettos, one knee bent with the heel planted, the other leg extended. Her head is tipped back against the dusty paint, blonde bob fanned out, green eyes looking up with a slow, heavy-lidded, teasing gaze, lips parted. Anny kneels beside her on the hood, one black stiletto tucked under her, the other foot planted flat, her tight black dress stretched across her back and hips as she leans down over Mia. One hand is planted flat beside Mia's shoulder for balance, the other cupped lightly at Mia's jaw, thumb along her cheekbone. Her hair with purple stripes falls forward over one shoulder, the tail of the ponytail brushing Mia's collarbone. Her sapphire eyes are close to Mia's, steady and dominant, her lips curved. Their faces are close, inches apart, both turned slightly toward the camera so the charged space between them is visible. Both women fully visible with clear space between their bodies, arms, and the bodywork, no limbs overlapping or merging into the car. The camera is low at the side of the hood, looking slightly up and across, so the red metal runs diagonally under both bodies. Shallow depth of field with both faces and the hand at Mia's jaw sharp. The red older-model BMW is mid-condition: dulled red paint, fine silvery scratches, orange-brown rust along the hood seams and fender edge, the dust film smeared and marked under them, dulled chrome trim. The garage is dim: bare concrete with oil stains, cinder-block walls, tools in shadow. The single warm tungsten pendant bulb hangs directly over the hood, dropping a close amber pool onto both women, throwing hard shadows of Anny's arm across Mia's dress; cool blue light from under the roller door traces Anny's back and shoulder. Camera: low side angle looking slightly up and across the hood, full-body two-shot, very shallow depth of field. Visual focus is the small space between their faces, Anny's hand at Mia's jaw, and the warm light pooling on the red metal, subtle film grain.
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Original Prompt
Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Two subjects, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Mia lies back along the hood of the red BMW, propped on one elbow, her body angled diagonally up the metal, her tight deep-red dress pulled taut across her hips and thighs, sheer black stockings and red pointed stilettos, one knee bent with the heel planted, the other leg extended. Her head is tipped back against the dusty paint, blonde bob fanned out, green eyes looking up with a slow, heavy-lidded, teasing gaze, lips parted. Anny kneels beside her on the hood, one black stiletto tucked under her, the other foot planted flat, her tight black dress stretched across her back and hips as she leans down over Mia. One hand is planted flat beside Mia's shoulder for balance, the other cupped lightly at Mia's jaw, thumb along her cheekbone. Her hair with purple stripes falls forward over one shoulder, the tail of the ponytail brushing Mia's collarbone. Her sapphire eyes are close to Mia's, steady and dominant, her lips curved. Their faces are close, inches apart, both turned slightly toward the camera so the charged space between them is visible. Both women fully visible with clear space between their bodies, arms, and the bodywork, no limbs overlapping or merging into the car. The camera is low at the side of the hood, looking slightly up and across, so the red metal runs diagonally under both bodies. Shallow depth of field with both faces and the hand at Mia's jaw sharp. The red older-model BMW is mid-condition: dulled red paint, fine silvery scratches, orange-brown rust along the hood seams and fender edge, the dust film smeared and marked under them, dulled chrome trim. The garage is dim: bare concrete with oil stains, cinder-block walls, tools in shadow. The single warm tungsten pendant bulb hangs directly over the hood, dropping a close amber pool onto both women, throwing hard shadows of Anny's arm across Mia's dress; cool blue light from under the roller door traces Anny's back and shoulder. Camera: low side angle looking slightly up and across the hood, full-body two-shot, very shallow depth of field. Visual focus is the small space between their faces, Anny's hand at Mia's jaw, and the warm light pooling on the red metal, subtle film grain.
Mode
ultra
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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