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AI artwork featuring #Blue Archive and #Shimoe Koharu
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Shimoe Koharu, Blue Archive

#Blue Archive#Shimoe Koharu
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Delmonda

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character: koharu_(blue_archive) 1girl, solo, koharu_(blue_archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings, small wings, pink princess dress, upper body only dress, sleeveless, bare shoulders, pink fur skirt, dome-shaped skirt, hoop skirt, perfectly circular skirt, wide skirt, fluffy fur trim, visible legs, short skirt, princess drapes, left and right side drapes, hollow skirt interior, ring at hem, full body, from below, low angle, standing, weight on one leg, one hand raised, open mouth, :d, looking at viewer, idol stage, spotlights, design piece register, plain seamless backdrop, pink and black palette, glossy fabric, soft fur texture A single idol stands full-length against a completely empty seamless studio sweep, seen from a low angle so she reads tall and buoyant, her weight settled on her right leg while her left knee bends slightly inward and her left hand lifts beside her cheek, palm open, fingers loose; her right hand rests flat against her own collarbone where the dress's upper edge sits. Her head tilts a little to her left, chin up, an open-mouthed grin with the smallest glint of teeth, pink eyes aimed straight down the lens as if greeting the front row. Her pink hair is tied in long twintails that swing outward and upward past her shoulders, and the small black feathered wings at the sides of her head spread slightly with the lift of her pose. The upper body is a princess-style pink dress that stops at the waist: a fitted bodice with a sweetheart line, no sleeves, her shoulders and arms bare, the fabric a saturated rose pink with a soft sheen that catches a highlight along the collarbone. Below the waist the costume turns deliberately contrasting: a skirt of pink fur that holds a constant horizontal spread, not hanging but floating outward in a perfectly circular dome, its surface an even plush nap with the fibers combed radially away from the center so the shape looks buoyant and self-supporting. The hem is a perfect circle held rigid, cut short enough that both legs are fully visible from mid-thigh down, and at the hem a thin ring of about 45 cm radius is attached, its interior hollow and open so the underside of the skirt reads as an empty bowl above her legs rather than fabric falling on them. Princess-style drapes hang from the waist over the fur at her left and right, gathered panels of pink cloth that fall in soft vertical folds and part to reveal the dome between them. Her legs are bare, feet in place on the seamless floor. Light comes from a single broad overhead source plus a soft low fill: the top light lays a bright crown across the fur dome and rims the ring's outer edge, the fill lifts her face and the underside of the skirt so the hollow interior is not black, and a soft contact shadow pools directly beneath the ring and her feet on the otherwise featureless ground. Palette is limited to rose and blush pinks, the black of her hair ribbons and wings, and the pale grey-white of the sweep, with the fur a paler pink than the dress so the two halves read as contrast rather than a single tone. Mood: buoyant and bright.
Show Parameters
Original Prompt
アイドルの下江コハルは衣装の上は上半身のみのお姫様風のピンクのドレスで下が対象的なピンクのファーでできた常に水平にふんわりとした形状を保ったまま広がりを常に維持している完全に円状に開いたドーム状の広がりのスカート(脚が見えるほどの丈、左右にお姫様風のドレープがスカートの上から付き、スカートの下端には半径45cm程の輪っかが取り付けられており中は空洞、スカートの裾は完璧な円の形)
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings, low wings, idol, full body, from below, looking down at viewer, standing on one leg, tiptoes, arms up, outstretched arm, open mouth, :d, blush, pink princess dress, upper body only dress, long sleeves, pink fur skirt, dome skirt, perfectly circular skirt, hollow skirt, short skirt, legs visible, side drapes, frilled hem, symmetrical, contrasting silhouette Seen from a low camera near the floor, the girl stands tipped onto the ball of her right foot, left leg bent and lifted so the knee rises toward her waist, her right arm flung straight up and out with the hand open, her left hand pressed flat to the top of her skirt's dome as if holding down a hat brim. Her chin tips down and her eyes, pink and bright, look straight down into the lens from under her lashes, one corner of her open grin higher than the other, a flush of pink across both cheeks. Her long pink hair and its two twintails swing out and up behind her shoulders, carried by the same upward momentum as her raised arm, and the black feathered wings low at her back spread slightly and trail their tips toward the floor on either side of her. Her upper body is a princess-styled pink dress that ends at the waist: fitted long-sleeved bodice with a small puff at the shoulder, a modest square neckline with a narrow ruffle, seams and vertical piping running down the front, cuffs flared wide. Below it, nothing but skirt: a dome of dense pink fur that stays perfectly flat and level at its top plane and bulges outward in a true hemisphere, keeping its shape as if stiffened from within, its hem a single flawless circle drawn at the height of her upper thighs so both bare legs show clearly beneath it. Every fur fiber points outward and downward along the curve of the dome, catching light along the crown and darkening toward the ring of the hem. The hollow under the skirt is complete and empty: no petticoat, no rigid frame, no lining, no shadowed interior mass, only clean pink air and the backs of her legs, and the circular hem stands about the width of a small table across, its edge a smooth continuous ribbon of fur. On the left and right of the dome, princess drapes of the same pink fabric hang down over the fur from the waist, gathered into soft swags that fall past the hemline and lift slightly away from it, matching each other exactly. Background is a flat seamless pale-pink studio sweep with no horizon, its only depth a slightly deeper pink floor and a faint oval contact shadow beneath the toes of her planted foot. A single soft key light comes from high front-left, laying a bright rim on the crown of the fur dome and along her upturned face, leaving a gentle gradient of shade on the dome's right, while a weak warm bounce off the floor lifts the underside of her chin and the inner edges of the drapes. Palette held to pink, white and black: pink in the hair, eyes, dress bodice, fur skirt and drapes, white in the bodice ruffle and the cuffs, black only in the wings. The fur's fibers are rendered individually at the hem where the dome curves away, so its edge reads as a crisp ring against the seamless backdrop. Buoyant, sugar-bright.
Delmonda
#Blue Archive#Shimoe Koharu
AI artwork
d
character: koharu_(blue_archive) 1girl, solo, full body, standing upright, straight-on, pink hair, long hair, twintails, pink eyes, head wings, black feathered wings low at the back, pink princess dress, upper body only, long sleeves, pink fluffy skirt, huge voluminous skirt, hoop skirt, dome-shaped skirt, skirt spread out horizontally, perfectly circular hem, wide skirt, short skirt, thighs visible, bare legs, princess drape decorations on both sides of skirt, iron ring at skirt hem, hollow skirt interior, empty space beneath skirt, arms at sides, light smile, closed mouth, looking at viewer, seamless pale cream studio backdrop, soft even key light from upper front left, faint contact shadow The camera sits at a straight-on eye level several metres back so the whole figure fits with air above the beret-less crown and below the soles; she stands upright and squarely to the lens, feet together on the seamless pale cream sweep, weight even on both boots. Her pink hair is gathered into two long twintails that hang down past her shoulders and swing slightly out to her left, and the small white feathered wings at either side of her head sit clear of them; a pair of black feathered wings folds low behind her back, their tips just cresting the top edge of the skirt behind her hips. Her upper body is dressed in a pink princess-style dress that covers only the torso and arms: long sleeves, a fitted bodice, the fabric ending cleanly at the waist where the skirt begins. Both arms hang relaxed at her sides, hands loose and open, fingers not touching the skirt. Her chin lifts a fraction, her lips hold a faint closed smile, and her pink eyes look straight into the lens. The skirt is the whole picture. It springs out from her waist in a broad, low dome and holds its shape perfectly level, spreading sideways much further than it rises: its horizontal span is roughly twice its vertical height, so it reads as a wide flattened dome rather than a bell. Its surface is dense pink fluff, soft and plush, with the fibres combed outward from the waist in radiating lines that catch the light along their tips. The hem is a flawless circle, its edge crisp against the backdrop, and the skirt never sags or droops anywhere along that rim. On her left and her right, a princess-style drape of gathered pink fabric is fastened over the skirt from waist to mid-height, each one falling in soft vertical folds and swaying just clear of the fluff. At the bottom edge, running inside the hem, an iron ring of about forty-five centimetres radius holds the circle rigid — a thin dark grey metal band visible as a continuous line tracing the inside of the rim, its curve unbroken all the way round. Because of it the hem stays a true circle and the dome keeps its spread. Beneath the skirt there is nothing: the interior is hollow and open, and between the hem and the ground the only things visible are her two bare thighs and lower legs, skin uninterrupted from mid-thigh down, no fabric, no legwear, no shadowed underlayer, just empty air under the dome and the pale floor running back into the sweep. Her thighs catch the soft light on their front faces, and the skirt's underside throws a broad soft-edged shadow that stops short of her knees; the only shadow on the floor is a narrow contact pool at her boots and a thin crescent under the near rim of the hoop. The backdrop is a seamless pale cream studio sweep with no horizon line, no props and no lettering. A single soft key from the upper front left, plus a gentle fill, keeps the fluff's texture readable without blowing out the pink; a faint falloff darkens the sweep toward the upper corners. Palette is pink on pink — candy pink fluff, a slightly deeper rose in the bodice — against the warm off-white ground, with the dark iron ring and the black wings as the only two dark accents. Crisp cel-style shading with clean edges. Bright, poised, faintly pleased.
Delmonda
#Blue Archive#Shimoe Koharu

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