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AI art "駆け抜ける少女の微笑み" featuring #Dress, #Short Hair, #solo, #Looking back, #Black hair, #brown eyes, #Girl and #Running
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駆け抜ける少女の微笑み

爽やかな風を感じながら駆け出す少女のイラストを描きました。彼女の無邪気な笑顔と、洗濯物がなびく穏やかな風景がとてもお気に入りです。心が温まるようなこの一枚を、ぜひいいねとフォローで応援していただけると嬉しいです!

#Dress#Short Hair#solo#Looking back#Black hair#brown eyes#Girl#Running
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1girl, solo, child, orphanage, girl named Yuki, tomboy, energetic girl, kind gentle expression, cheerful, kind-hearted, short black hair, messy hair, hair swept back by wind, dark eyes, round face, freckles, short-sleeved cotton dress, worn pinafore dress, scuffed leather shoes, knee socks, leaning forward, running, mid-stride, looking back, looking to the side, outstretched arm, waving, from below, low angle, close-up, cowboy shot, sunlit courtyard, overgrown grass, laundry line, stone wall, distant children's dormitory, dappled light, warm palette, gentle breeze, sense-of-wonder, nostalgic, A low-angle cowboy shot from below, tilting up so that the sky opens wide behind the girl's head. Yuki bursts across a sunlit orphanage courtyard, caught mid-run and half-turned: she has just looked back over her shoulder, chin lifted, one hand flung out behind her as if beckoning the smaller children who remain out of frame, the other hand clutching the hem of her pinafore dress so it fans out to the side. Her weight rides on the ball of her forward bare knee-socked foot, the back leg driving off the toes and lifting off the packed earth so a stir of dust hangs around her heel; her short black hair lifts and planes back off her forehead in the rushed air, and her pinafore strap slips off one shoulder. Her expression is serious-bright: wide dark eyes crinkled at the outer corners, a big open-mouthed grin with her tongue barely visible at the corner, one brow up higher than the other, a soft flush across her cheeks. Her small, sturdy silhouette reads quick and rough-and-tumble, not delicate. Behind her the orphanage courtyard recedes in midground layers: a low stone wall, a sagging laundry line whose white sheets bell outward in the same wind that lifts her hair, a patch of trodden grass, and the weathered wooden dormitory porch in the background, its front step worn shiny at the center by years of children's feet. The yard is empty of other people. Late-afternoon sun comes from the upper left, striking the top of her head, the plane of her cheek and the lifted shoulder with white sheen, laying long distorted shadows of the sheets and the laundry pole across the earth toward the lower right; the shaded side of her face falls a cool rust tone, and the porch interior sits in deep blue-brown darkness. Palette restrained to warm ochre earth, bleached cream and laundry white, lively green-grass accents, leaf brown and black hair, with the clear pale blue sky as the only cool note. The billowing laundry plotting the wind direction is the revealer: it agrees exactly with her hair and the hem of her dress. A gentle, sunlit, hopeful mood.
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Original Prompt
ちばてつや先生追悼🙏 『ユキの太陽』, 孤児たちが暮らす光の子養護施設で育ったユキは、おてんばで活発だが、とても心の優しい少女。養護施設に養女を探しに来た岩渕家に引き取られ、岩渕家の娘として生活することになる。岩渕家の娘で病弱な早苗とも仲良くなったユキは、ある日屋敷で見つけた北海道の写真に、ひどく引きつけられる。 衝動を押さえきれず北海道へと向かうユキは、さまざまな人との出会いを通じて、自分の出生の秘密へと辿り着くことになる。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Avatar image of 黒
1girl, solo, Louise Brooks bob, heavy straight blunt bangs, sharp short bob haircut, chin-length hair, flat sleek hair, symmetrical hair, straight hair, black hair, gentle smile, closed mouth, peaceful expression, soft eyes, long pleated skirt, retro outfit, cream vintage blouse, Peter Pan collar, long sleeves, black tights, opaque pantyhose, black shoes, extreme low angle, from below, looking down at viewer, standing on one leg, tiptoes, arms up, outstretched arm, leaning forward, hand reaching toward viewer, head tilt, cowboy shot, townscape, quiet town, cobblestone street, low stone wall, old shopfronts, overcast daylight, muted palette, film grain An extreme low-angle shot taken from ground level: the camera lies almost flat on the cobblestones, so the girl towers over the lens and the pale overcast sky opens wide behind her small head. She is one young girl with a black chin-length Louise Brooks bob, cut sharp and blunt, the heavy fringe a flat straight curtain across her brow, the two sides falling in symmetrical sleek wings that touch the corners of her jaw with no wave or lift anywhere in the hair. Seen from beneath, her face is foreshortened: rounded chin tipped down toward the viewer, one brow slightly arched, lips closed in a gentle smile, the peace of her expression held in lowered lids and a soft unforced curve. She balances tipped up on her toes, right heel lifted off the stones, left foot taking her weight, both arms flung high overhead so the sleeves slide back and her hands reach out of the top of the frame; the pleated skirt swings forward around her knees with the movement, its long forest-green folds fanning open so a sliver of the black tights shows at the back of one shin above her dark shoes. Skirt hems, blouse cuffs and the ends of her bob lift toward the camera together, pushed by the same air. The environment is a quiet townscape behind and around her: a low stone wall running along the left of the street, small old shopfronts with shutters, a single distant figureless lane narrowing away, all roofs and upper walls looming and leaning in because of the steep upward perspective, the stones of the ground sharp in the near foreground and the buildings compressing toward the sky. Even, cool overcast light falls from above, catching the flat sheen of her hair, the pleats' ridges and the tops of her shoulders while the undersides of her chin and skirt stay softly shadowed; no hard cast shadows on the ground. The palette is restrained and vintage — deep forest green, cream, flat black, wet grey stone and pale sky. Her upturned face and reaching hands carry the detail budget, with the distant town simplified to clean massed shapes. Serene, gently buoyant.
黒
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Avatar image of むぎ
1girl, solo, full body, from above, standing on one leg, tiptoes, one leg raised behind, leaning forward slightly, head tilt, light smile, half-closed eyes, looking down, shoulder-length hair, medium hair, brown hair, lightly swaying bangs, hair lifted by motion, clean simple one-piece dress, pale blue cotton dress, modest neckline, short sleeves, knee-length skirt, white ankle socks, pastel socks, floral embroidery, embroidered flowers near toes, tiny heart embroidery on sock side, round-toed shoes, brown leather mary janes, ankle strap, soft lighting, warm palette, anime style, plain unadorned ears, bare wrists, high angle, soft ambient daylight, gentle expression, cozy atmosphere Viewed from above at a slight three-quarter angle, the girl fills the frame from crown to shoes, her body leaning forward into the lens as she balances on the toes of her right foot, her left leg lifted and bent behind her knee so the hem of her pale blue cotton dress swings forward and hangs in a soft bell. Her torso tilts toward the camera, weight carried through the ball of the right foot and the strap of her Mary Jane, and both arms hang loosely, fingers curled and relaxed, no hands touching anything. Her shoulders drop, chin tips down and a little to her left, and her gaze slides down and off toward the floor at her raised foot rather than meeting the lens; her right brow sits a fraction higher than the left, lip corners pulled into a faint closed-mouth smile, one eyelid lower than the other. Her shoulder-length brown hair is caught mid-motion, bangs and side locks sifting forward over her forehead and toward her cheek as if lifted by the small turn of her head, some strands grazing the collar of the dress. The dress itself is simple and spotless: a modest round neckline, short sleeves, a plain hem that flares away from her thighs, no pattern on the cotton but the faint softness of the weave. The camera looks down steeply enough that the floor is a broad pale surface behind and beneath her, holding her small cast shadow — narrow at the toe of the planted shoe, widening toward the lifted heel — and the toes of the raised foot curl slightly in the air. Both socks are in plain view: white knit with a soft pastel undertone, snug at the ankle, their tiny embroidered flowers stitched near the toes and a small heart at the outer side of the right sock, the thread standing slightly proud of the knit and catching light along each petal so the stitches read as raised, tactile loops rather than print. The brown leather Mary Janes have rounded bulbous toes, a single thin instep strap fastened with a small buckle, and a soft dull sheen where the leather crowns; a faint scuff lightens the toe of the planted shoe. Light comes from high and slightly behind her left shoulder, diffuse and warm, laying a broad soft highlight along the crown of her head, the tops of her shoulders and the rounded toes of the shoes, while the undersides of her chin, sleeves and hem fall into gentle graded shade and the shadow beneath her stays soft-edged rather than sharp. The palette is warm and low-contrast — pale blue cotton, cream-white socks with blush and butter-yellow thread, cocoa-brown leather, honeyed light on a soft ivory floor — and nothing else is admitted. Her hair and hem still hang in the last instant of movement. Tender, warm.
むぎ
AI artwork
A1
1girl, short hair, black hair, tanned skin, dark-skinned female, tomboy, casual clothes, cropped top, tank top, denim shorts, sneakers, energetic, from below, jumping, looking at viewer, grin, open mouth, wide-eyed, arms up, legs spread, outdoors, blue sky, bright sunlight, high contrast, dynamic pose A low-angle shot looking up at a tomboyish girl frozen mid-jump against a brilliant, cloudless blue sky. She has short, cropped black hair that flares out with her upward momentum and healthy, deep tan skin. She wears a white cropped tank top that exposes her midriff and frayed denim shorts, paired with chunky white sneakers. Her arms are flung wide and high in a gesture of pure excitement, and her gaze is locked onto the viewer with a wide, open-mouthed grin and sparkling eyes. The harsh overhead sunlight strikes the top of her head and shoulders, casting a sharp shadow beneath her chin and creating a bright rim light along her tanned limbs. The background is a seamless, saturated blue that makes her silhouette pop. The image is rendered with strong line art softened by watercolor washes, with colors blending softly into the hazy atmosphere of the bright day. Vibrantly energetic.
A1

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