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Shylpfiette greyrat

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Shylpfiette greyrat

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character: kurokawa_akane 2girls, long hair, bangs, black and blue hair, multicolored hair, gradient hair, blue eyes, green eyes, heterochromia, enormous breasts, standing, facing forward, front view, sad, sighing, blush, tiara, colossal earrings, colossal engagement ring, colossal bracelets, slave collar, chain, holding chain, red and white dress, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, sequins, glitter fabric, puffy skirt, huge skirt, long skirt, oversized dress, slave auction, ugly woman, second woman, full body, wide shot, from below, spotlight lighting, Full-length wide shot from a low angle, the auction block of a slave market: Akane Kurokawa stands square to the camera on a raised wooden dais, dead center, facing forward, chin dipped, lids lowered over her mismatched eyes — one iris blue, one green — and her breath leaving her parted lips in a long audible sigh that lifts the lace at her collarbone. Her hair falls long past her waist, black at the crown shading into deep blue through the length, blunt bangs cutting across her brow, the gradient most visible where the spotlight grazes the crown of her head; the tiara sits crooked in that hair, its rhinestones dulled with dust. On each earlobe a colossal hoop earring hangs almost to her collar, its enamel chipped; on her left hand, laid flat against the huge skirt, a colossal engagement ring with a paste gemstone the size of a thumb joint; bracelets stacked colossal and clanking from wrist to mid-forearm, every one of them too heavy to be real gold. Her dress is a catastrophe of rococo excess in red and white: a white satin bodice laced tight over her enormous chest, strained seams, red velvet ribbon threaded in a lattice, sprays of lace at the sleeves, layers of ruffles climbing from the waist to the bra line, bows in six sizes pinned wherever a seam gave room, rosettes of sequins, glitter fabric scattered across the skirt in drifts that catch the light in hard little points, a puffed skirt so huge and long it pools around her feet and hides them almost entirely, its hem a froth of lace and ribbon and dangling paste pearls. The slave collar is plain by contrast — a band of worn steel riveted around her throat — and the chain drops from its front ring, swaying, into the hand of the second woman at stage right. That second woman stands on the floor below the dais, her coarse body turned half toward the crowd, face broad and heavy-jawed, one crooked tooth showing, hair greasy and bound back, wearing a plain brown woolen coat and scuffed boots; she grips the chain in a fist at hip height, winding the slack once around her knuckles, and her eyes are on the crowd, not on Akane. Only Akane looks forward, at us, hopeless. The dais is lit by one caged lamp hanging above and slightly front-left of her, throwing a hard pool of warm light on her face, her collarbone, and the top of the skirt; everything below the hem of the skirt and everything behind the two women falls off into felted darkness, the auction hall a suggestion of ranked benches and a murmur of shapes behind. Her enormous shadow is cast down and to the right across the dais boards, the chain's shadow interrupting it. Dust drifts in the lamp's beam. Palette of red, white, worn brass and greasy brown, with black swallowing the rest. Airless, humiliating, tender.
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Original Prompt
akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,la mujer esta suspirando,la mujer esta de pie,la mujer esta de frente,slave collar,chain,2 woman,ugly woman,la mujer sujeta la cadena del collar,slave auction
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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fl
1girl, 1monster, 2girls, long hair, black hair, blunt bangs, sky blue eyes, flat chest, petite, short stature, tiara, collar, chain, (((wearing a cloak))), black cloak, long cloak, closed cloak, fastened cloak, pink dress, white dress, oversized dress, huge skirt, puffy skirt, long skirt, excessive ruffles, excessive lace, too many bows, glitter, sequins, ornate dress, tacky dress, facing viewer, front view, docile posture, arms on stomach, crying, tears, sad, ugly woman, monster woman, holding chain, baroque, blush, trembling, dramatic contrast, opulent ornamentation, ornate textures A front view depicts a small, petite girl with long black hair and blunt bangs, her sky blue eyes brimming with tears as she cries. She stands in a docile posture, her small arms lowered and resting against her belly. She wears a tiara upon her head and a long, black, fastened cloak that is closed tight over an absurdly overdecorated pink and white dress; the garment is tacky and overly ornate, featuring an oversized, huge puffy long skirt smothered in excessive ruffles, too much lace, and too many bows, all shimmering with glitter fabric, sequins, and ridiculous ornaments. Around her neck is a tight collar with a chain. Standing behind her, a monstrously ugly woman grips the chain of the collar, pulling it slightly. The scene is rendered in a baroque style with dramatic contrast, opulent ornamentation, and highly detailed, ornate textures. The light is stark, casting deep shadows that emphasize the girl's distress and the monster's coarse features. Somber and oppressive.
Fitentia Lombardy
AI artwork
fl
1girl, 1monster, 2girls, black hair, long hair, blunt bangs, sky blue eyes, flat chest, petite, short stature, tiara, collar, chain, (((black cloak))), pink and white dress, puffy skirt, oversized dress, lace, ruffles, bows, glitter, sequins, frontal view, facing viewer, arms below, hands on stomach, crying, tears, sadness, monster girl, ugly, holding chain, slave market, baroque, from below, blush, trembling, half-closed eyes A low-angle frontal view captures a petite girl standing in a bustling, oppressive slave market. She has long black hair with blunt bangs and wide, sky-blue eyes shimmering with tears that spill down her cheeks. Her expression is one of profound sadness, her brow pinched and lips trembling. She stands in a docile, defeated posture, her arms lowered and her small hands resting passively against her stomach. She is dressed in an overwhelmingly tacky, overdecorated pink and white dress of glitter fabric and sequins, featuring a massive, oversized puffy skirt that pools around her feet, smothered in excessive ruffles, too many bows, and ridiculous ornaments. A glittering tiara sits on her head, and she is (((wearing a long, closed black cloak fastened tightly around her shoulders))). Around her neck is a heavy metal collar; a thick iron chain extends from the collar, gripped firmly in the clawed hand of an ugly monster woman standing beside her. The monster woman has grey, pebbled skin, a protruding jaw, and a sneering expression as she tugs the chain slightly to keep the girl in place. The scene is set against the ornate, heavy architecture of a baroque market, illuminated by high-contrast lighting with dramatic chiaroscuro that casts deep, ink-black shadows across the cobblestones, highlighting the lavish, shimmering textures of the girl's dress against the gloom. Quiet despair.
Fitentia Lombardy
AI artwork
sg
character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya 1girl, 1man, 1monster, black hair, brown eyes, small breasts, medium hair, hair ornament, hairclip, hair between eyes, colossal earrings, colossal engagement ring, overly ornate dress, tacky dress, lace, ruffles, bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, pink and white dress, sad, crying, tears, tiara, (((black cloak))), long cloak, closed cloak, cloak fastened, collar, chain, ugly man, mini demon, licking, slave market, baroque style, from front, facing viewer, docile posture, arms on belly, A frontal shot from the front. A girl with medium black hair and brown eyes, a few strands falling between her eyes, stands facing the viewer with a docile, defeated posture, her arms lowered and resting against her belly. She wears a tiara and (((a long, closed black cloak fastened at the neck))) that drapes over an absurdly tacky, overly ornate pink and white dress. The dress is an oversized disaster of baroque excess, featuring a huge, puffy long skirt, excessive ruffles, too many bows, and an overwhelming amount of lace, all rendered in glittery fabric and sequins with ridiculous ornaments sewn into the fabric. Colossal earrings hang from her ears, and a colossal engagement ring adorns her finger. Her expression is heartbroken, tears streaming down her cheeks as she cries. A heavy collar is clamped around her neck, connected to a metal chain. Standing beside her, an ugly man with a coarse face grips the chain firmly in his hand, pulling it slightly. Perched on the girl's shoulder is a small, winged mini demon, its long tongue licking her cheek. They stand on a wooden platform in the center of a crowded, ornate baroque slave market, surrounded by the architectural opulence of an auction house. The scene is lit by heavy, warm chandeliers that cast deep shadows and make the sequins on the dress glint harshly. Gloomy, oppressive.
Shylpfiette greyrat
AI artwork
fl
character: kurokawa_akane 1girl, solo, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair, blue hair, two-tone hair, heterochromia, blue eye, green eye, star-shaped pupils, enormous breasts, rococo style dress, pink and white dress, overly ornate dress, tacky dress, overdecorated dress, too much lace, excessive ruffles, too many bows, ridiculous ornaments, glitter fabric, sequins, huge skirt, puffy skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, tape gag, tape over mouth, bound wrists, tied hands, rope around wrists, lying on divan, on back, hands on own belly, head tilt, head tilted to one side, empty eyes, blank stare, sad, expressionless, dead eyes, tears, from above, dutch angle, three-quarter view, full body, lavish rococo salon, single subject, The camera looks down from a high three-quarter angle, tilted slightly on a dutch roll, so the divan runs diagonally from the lower left corner toward the upper right and her body lies the long way across the frame, foreshortened so the huge puffed skirt fills the near foreground and her face sits small in the upper right third. She lies on her back on an antique rococo divan with a carved giltwood frame and pale rose silk upholstery, her body sunk into the cushion. Her ribcage is heavy and the enormous breasts press upward and spread under the taut bodice, straining the lacing. Her long black-and-blue gradient hair spills off the cushion behind her head, dark at the crown, thinning to translucent blue at the tips, the ends hanging down out of frame past the divan's arm. Her bangs fall across her forehead and separate in wet-looking strands. Her head is tipped away to her right against the cushion, cheek pressed into the silk so her neck stretches on the opposite side. A strip of wide silver-grey tape is sealed flat over her mouth from corner to corner, the adhesive edge lifting slightly at one end, its surface catching the light in a long dull streak; her lips are compressed behind it. Her eyes are open on nothing, pupils fixed and unfocused, no glow in them, the lids heavy, the single blue iris and the single green iris both flat and matte. Her jaw slack under the tape. Both wrists are bound together in front of her, crossed at the bone and wrapped with white silk cord that bites into the skin, and her bound hands rest flat on her own belly, the knuckles touching the glittering fabric of the dress above her navel. On her left ring finger the colossal engagement ring sits like a paperweight, a faceted stone the size of a plum that drags the finger sideways with its mass. Colossal hoop earrings the width of her palm hang from both ears and dent the cushion behind her neck, where the gold rests against the silk. Colossal layered bracelets of gold and pearl stack from wrist to elbow on the bound arms and slide down toward her elbows. A tall tiara bristling with paste jewels sits crooked in her hair, pushed back by the tilt of her head. The dress is a rococo catastrophe in pink and white: a stomacher of white satin so heavily encrusted with sequins and silver glitter that it reads as a solid sheet of sparks, the whole surface flaking loose glitter onto the rose upholstery beneath her; tiers of lace at every edge, some of it ripped and curling; ruffles stacked in three rows at the neckline and again at the elbows, one ruffle crushed under her arm; oversized bows of pink moiré ribbon tied at the shoulders, at the waist and at the wrists of the sleeves, so many that two of them collide; and a skirt inflated like a bell with panniers, so vast it spills over the front edge of the divan and hangs, the hem trailing sequins down toward the parquet floor. Small ridiculous ornaments are stitched all over it, porcelain roses, paste cameos and a tiny gilded bird. The room behind her is a rococo salon out of focus, a tall window with tattered gold-leaf trim at frame left, boiserie paneling, a chandelier hanging out of frame at the top. A single shaft of cold pale daylight comes down through that window from the upper left, and it is the only light; it strikes the top of her forehead, the ridge of her nose, the tape's glossy surface and the swelling tops of her breasts, throws the eye sockets into shadow and leaves her bound hands and the near skirt in a soft grey dusk. Her cast shadow falls across the rose cushion to the lower right. Dust hangs in the beam; loose glitter sparkles only where the beam finds it. Palette confined to pink and white, gold, silver glitter, black and blue hair, and the cold white daylight. Cold, hopeless, quietly opulent.
Fitentia Lombardy
#Akane Kurokawa

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character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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음안
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