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Shylpfiette greyrat

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Shylpfiette greyrat

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character: kurokawa_akane 1girl, 2girls, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair, enormous breasts, rococo style, colossal earrings, colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, sad, colossal bracelets, tiara, blush, sighing, standing, facing viewer, slave collar, chain, ((1 female monster)), ugly female monster, kissing, height difference, yuri, monster girl, from below, close-up, dutch angle, profile, leaning forward, eyes closed, parted lips, hands clasped, arm support, long sleeves, gradient background to black Low dutch angle from just under waist height, tilted so the ornate skirt spills diagonally across the frame and the two figures tower into the upper corners. On the right stands the girl: long black hair melting into blue at the ends in a smooth vertical gradient, straight bangs to the brow, and under those bangs her eyes are mismatched — the right iris blue, the left green — both downcast and half-lidded, wet at the lower rim, cheeks heavily flushed. She stands square to the viewer, weight on her left leg, right knee slack, one hand pressed flat to her collarbone just above the slave collar's riveted metal band, and she is caught mid-sigh: shoulders dropped, ribcage fallen, mouth barely open, a small breath-cloud of cold air escaping. Her enormous chest strains the dress's boned bodice, the red and white silk of the front panel pulling taut while the lace at the neckline stands away from her skin. The dress is monumentally, absurdly overbuilt: tier on tier of white lace, ruffles stacked so thick they cast their own small shadows, bows crowding every seam until the shoulders and hip line are buried, sequins and glitter fabric scattered across the red and white panels so that each one catches the single light and throws a pinprick. Her skirt is enormously wide and long, an oversized bell of red and white that buckles outward under its own weight and pools in folds at the floor; the back of it will not fully clear the ceiling of the frame. A spiked tiara sits slightly crooked on her head. Nested in each ear is a disc of a colossal earring dragging the lobe down; a colossal engagement ring weighs her left hand toward the floor and colossal bracelets stack so thick up her right forearm that the sleeve is pushed back above them. A chain drops from the ring on the slave collar and goes taut, angling left, up into the other figure's grip. On the left, leaning down into the frame from above the girl's shoulder height, is the ((1 female monster)): a hulking, ugly female monster, head bigger than the girl's whole chest, mottled grey-green skin loose over a blunt brow, one eye set high, the other low, a squat flat nose and a wide undershot jaw with a couple of crooked tusks. She is ugly and unglamorous — coarse hair knotted at the nape, thick neck, no finery — and she leans so far forward that her mouth closes on the girl's mouth in a kiss: the girl's lips parted under the pressure, the monster's jaw clamped over them, one huge hand cupping the back of the girl's skull with four fingers buried in the black-blue hair. The monster's other fist holds the chain wrapped twice around the knuckles, chain links pulled into a hard straight line between the fist and the girl's throat. The monster's high-set eye is closed, the low-set one open and angled down at the girl's face. The girl does not lean in. Her spine stays upright, her head tipped back only as far as the monster's cupping hand forces it, and her freed right hand hangs limp at her side, fingers loose. Her gaze goes nowhere — lids shut except for a sliver, the blue and the green almost gone. Light: one hard, cold source from the upper left, just off-frame, striking the sequined panels and the tiara and leaving the monster's back and the lower folds of the skirt in spoiled shadow; the sequins make small hard specular points only on the planes facing that source, and the shadow side of the skirt drops to deep maroon and black. Palette confines itself to red, white, cold silver and the monster's grey-green against a near-black gradient backdrop. Everything in frame is fabric, jewel or skin in compression — the chain is the only straight line. Quiet, gaudy misery.
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Original Prompt
1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,la mujer esta suspirando,la mujer esta de pie,la mujer esta de frente,slave collar,chain,((1 female monster)),ugly female monster,kiss
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1orc, eris boreas greyrat, red hair, very long red hair, long hair, ahoge, black hairband, hair between eyes, thick eyebrows, red eyes, heart-shaped pupils, empty eyes, sad expression, huge breasts, tiara, colossal earrings, colossal engagement ring, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, pink and white dress, too much lace, excessive ruffles, many bows, overdecorated dress, ridiculous dress ornaments, glitter fabric, sequins, gigantic sleeves, puffy skirt, huge long skirt, oversized dress, rococo style, docile pose, arms lowered, hands resting on own belly, standing facing front, frontal angle, straight-on composition, hug from beside, orc grabbing woman's shoulders, orc at her right side, from front, cowboy shot, detailed background, The camera looks straight down the room's axis, a frontal eye-level shot with the girl square to the lens and the whole width of her skirt inside the frame. She fills the middle two-thirds of the picture: a grown woman with cascading red hair falling past her waist, a single ahoge curling up off the crown, a black hairband, strands between her brows, thick dark eyebrows, and red eyes whose pupils are drawn as small glossy heart shapes -- the irises drained and glassy, the lids low and slack, her mouth pulled into a small downturned sad line, chin dipped a little toward her collarbone. Her arms hang low and her hands meet on her own belly, fingertips pressed together on the satin just under the bust, elbows in, shoulders slightly hunched inward in a fragile docile posture; her enormous chest strains the boned bodice, and the heart pupils and the hooded lids keep the gaze aimed down and to her hands, not at the lens. From her right side an orc leans in against her, a huge grey-green slab of a body half a head taller than her, one heavy hand clamped on each of her shoulders -- thick fingers digging into the puffed sleeve caps, the fabric denting under the grip -- its face brought close to her temple, eyes looking at her downturned face while her own eyes stay lowered to her belly. Its mass presses the ruffles of her right shoulder flat and tips her weight slightly onto her left leg, hip cocked under the skirt. The dress is a disaster of money: pink and white satin that does not quite agree with itself, tier upon tier of cheap scratchy lace caked along the neckline, the cuffs and every hem, ruffles so thick they stand out from the shoulders like fins, and bows -- satin bows, glitter bows, bows with bells, bows pinned at the waist, the wrists, the hem, the bodice, dozens of them, one slightly crooked. Gigantic bell sleeves swallow her forearms and drag to her knees, bristling with bowed ornaments and paste jewels so heavy they hang straight down. The skirt is a monstrous puffed dome of glitter-shot fabric and sequins that scatters light in ugly little sparks, so wide it needs its own footprint, with a train pooling in folds behind her and the sequin work flaking off in a few bald patches along the front panel. On her head a thin tiara sits a little off-centre in her parting; colossal hoop earrings pull her earlobes down; on the hand resting on her belly a colossal engagement ring with a stone the size of a quail's egg catches the light. The room is rococo: a pale panelled wall with gilt scrollwork and a tall arched window on the left, a marble floor with a soft sheen, pale gold and dusty cream and blush tones throughout, the dress the only hard pink. Daylight comes in through the window on frame-left and rakes across her from the left, so the left side of her face and the left swell of the skirt light up, the window's leaded panes throw a faint lattice of shadow onto the floor and the back hem of the train, the lace throws crisp small shadows onto the satin beneath it, and the room's far corner behind the orc sinks into soft shadow. Quiet dread, garish.
Fitentia Lombardy
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
eb
character: eris_greyrat, copyright: mushoku_tensei eris_greyrat, 2girls?, no, 1girl, 1monster, solo focus, red_hair, hair_up, updo, ahoge, very_long_hair, red_eyes, thick_eyebrows, huge_breasts, pregnant, visibly_pregnant, puffy_frilled_dress, pink_and_white_dress, silver_and_white_dress, oversized_dress, huge_skirt, long_skirt, puffy_skirt, excessive_lace, excessive_ruffles, too_many_bows, ridiculous_ornaments, glitter, sequins, tiara, colossal_earrings, colossal_engagement_ring, slave_collar, heart-shaped_pupils, blush, reluctant, unhappy, closed_mouth, frown, furrowed_brow, docile, hands_on_own_belly, arms_at_sides, standing, facing_forward, from_below, cowboy_shot, huge_monster, ugly_monster, long_tongue, licking_belly, hug_from_behind, hand_under_belly, rococo, ornate, spoken_heart, sweat, trembling, half-closed_eyes, heavy_breathing The camera sits low and looks up, so the enormous bell of the skirt fills the lower two thirds of the frame and the tiara crests near the top edge. She stands square to the viewer, chin slightly lowered, weight sunk into her right leg while the left knee bends inward — the docile stance of someone who has stopped resisting. Both arms hang low and her hands are folded together over the swell of her belly, fingertips laced, the colossal engagement ring so heavy on her right hand that her finger dips under it; a second band circles her thumb. Her face is a study in contradiction: the pupils are large soft hearts, her cheeks and the bridge of her nose are flushed deep pink, and yet her brows are drawn together in a tight furrow, her mouth is pressed shut and pulled down at one corner, and her eyes are half-lidded and miserable — she is not enjoying it at all, and every few breaths her shoulders give a small involuntary tremble. Her red hair is swept up into a high mass fixed with a jeweled pin, an ahoge curling loose, two strands falling between her eyes, and the tiara sits tilted into it. Colossal hoop earrings draw her lobes down. At her throat a wide black slave collar with a hanging ring sits above the ruffled neckline. The dress is a rococo catastrophe: pink and white silk layered over silver and white underskirts, every seam buried under excessive lace, ruffles stacked into confectionary tiers, bows tied at the waist, the puffed sleeves, the bustle and even the tiara's base, sequins and glitter fabric catching the light in scattered pinpricks, and ridiculous ornaments — porcelain roses, ribbon rosettes, a swinging miniature cage — hung wherever a surface would bear one. So much fabric that the skirt pools and spreads at the hem, hiding her feet completely. The ugly monster presses in from her right side: a squat, mottled olive-grey creature with a heavy brow, wet small eyes and a wide slobbering mouth, its long tongue laid flat across the taut pink swell of her belly, lapping in a slow curl, saliva gleaming in the hollow of her navel and beading on the stretched fabric. One thick, clawed hand slides under the underside of her belly from beside her, cupping its weight, and the skin of her abdomen dents slightly where the fingers push. Its other arm wraps her waist and its hunched shoulder digs into her hip. Her body leans a fraction away from it while her feet stay planted, and though her heart-pupiled eyes are wide and fixed forward at nothing, her head has tipped a little toward the creature against her will. A small hand-drawn heart floats in a speech bubble beside her cheek. Rococo interior behind them: a gilded boiserie panel and a swag of dusty pink drapery, largely swallowed by shadow. One warm light source from the upper left, a window or sconce, lays a long highlight down the sequined skirt and lights the wet shine on the tongue and the gloss of her blush, while the far side of the monster falls into darkness. Pastel palette of rose pink, ivory, silver and muted gold against the creature's drab green. Ornate decorative elements, intricate gold flourishes, extravagant frills throughout — tense, unwilling, gaudy.
Eris Boreas greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
bb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris greyrat, red hair, long hair, very long hair, ahoge, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, red and white dress, silver and white dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, tiara, slave collar, hearts in eyes, heart-shaped pupils, blush, reluctant expression, unhappy, clenched teeth, furrowed brow, front view, facing viewer, docile posture, arms down, hands on own belly, hug from behind, monster, ugly monster, long tongue, tongue out, licking cheek, hand on belly, monster hand on pregnant belly, rococo style, from front, cowboy shot, heavy_breathing, sweat, trembling, spoken_heart She stands square to the camera in a full front view, a red-haired young woman whose very long hair spills over her shoulders with one ahoge curling up and a black hairband holding the mass back; her red eyes are transformed into two glossy heart-shaped pupils that pulse pink at their cores, and the blush across her nose and cheeks is deep and feverish. Her mouth is pulled into a small, strained line, the lower lip caught between her teeth, brows knitted — the face of someone enduring a thing she does not want, and the hearts in her eyes sit there like an ornament she cannot remove. Her arms hang low and docile, both hands folded and resting flat on the swell of her visibly pregnant belly under the dress, fingers splayed and still. The dress is an oversize confection of red and white and silver-white satin, puffed at the shoulders, huge and long so its skirt balloons out at her sides and pools where it meets the floor; lace erupts at every hem and cuff, ruffles stack in tier after tier, bows cluster at the bodice, the waist and each puff, and sequins and glitter fabric scatter pinpoint gleams across the cloth among a clutter of ridiculous little ornaments — ribbons, ribbon rosettes, tiny enamelled charms sewn on so thickly they almost hide the fabric. A tiara of white filigree and pearls sits in her hair; colossal hoop earrings hang almost to her collarbones, swinging slightly; on her left ring finger a colossal engagement ring with a huge glittering stone sits prominent and heavy, tilting her hand. Around her throat is a plain metal slave collar, tight and unornamented — a cold, brutal band against all that lace. The monster is behind her: a hunched grey-green shapeless brute, sagging folds of skin, a wide lumpy jaw with a few crooked teeth, small dull eyes, no visible clothing; its long thick tongue is a wet purple rope laid flat along her right cheek from jaw to cheekbone, and its drool runs a slick line down her jaw to her chin. One of its big knuckled hands is pushed under the front of her belly, the palm flat beneath the swell, the fabric of the dress bunched around its wrist — its other arm locks across her chest, pinning her back against its torso. The dress's oversize bulk presses and deforms against the monster's bulk behind her, fabric stretched into creases where the two bodies meet. Camera at chest height, slightly below eye level, framed from mid-thigh up so the whole skirt fills the lower frame and the tiara clears the top edge. Light comes from one high soft source in front of her — a warm gilt key that makes the sequins flare in tiny specular starbursts and catches the wet of the tongue and the drool on her cheek; the monster behind stays in a cooler shadow so its ugliness recedes. Palette is a rococo confection: ivory, rose, powder blue and warm gilt, ornament everywhere, with the red of her hair the single saturated anchor. Ornate decorative elements crowd every surface, elaborate curls and flourishes wind through the lace and the gilt frame behind her, highly ornamental textures on silk and wallpaper alike, the whole hall around her a pastel salon of cartouches, acanthus scrolls and gilded moulding in soft focus. The glitter and the tears of saliva on her cheek share one specular highlight, so the dress and her distress catch the light the same way. Sumptuously miserable.
Brago bloodfallen
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
al
2girls, 1girl, 1monster, female monster, ugly monster, monster girl, black hair, long hair, blunt bangs, straight hair, sky blue eyes, flat chest, petite, short stature, loli, small frame, tiara, colossal engagement ring, oversized gemstone ring, ornate tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, sad, crying, tears, crying with eyes open, trembling lips, docile posture, arms held out in front, arms extended forward, facing viewer, front view, hug from behind, monster grabbing her belly, hand on stomach, kiss on cheek, monster kissing cheek, height difference, close embrace, baroque, inside a church, church interior, dramatic high contrast lighting, opulent textures, heavy ornamentation, from front, full body, dutch angle, looking at viewer, half-closed eyes, blush, sweat, heavy atmosphere Front view, the girl faces the viewer dead-on while a tall ugly female monster stands pressed flush against her back, the monster's thick arms wrapped around her waist so both broad hands splay and sink into the soft fabric of her belly, the monster's heavy head bowed low over her right shoulder with its wide wet mouth pressed to her cheek. The girl is tiny inside the monster's bulk, her short stature swallowed by the embrace: black long hair with blunt bangs falling straight down past her thin shoulders, strands pushed out of place by the monster's chin, sky blue eyes wide open and brimming, two clean tear tracks cutting silver down her flushed cheeks, brows drawn up at the inner corners, mouth trembling in a small sad curve. Her flat chest is pressed back into the monster's body; her arms are held out docilely in front of her, elbows soft, small hands limp and open at chest height, fingers slack, the enormous engagement ring heavy on her ring finger so her hand tips down under its weight, its huge faceted stone catching the light in a hard white star. On her head a tiara sits slightly askew, pushed by the monster's cheek. The dress is a catastrophe of baroque excess in pink and white: a bodice crusted with lace tiers, ruffle upon ruffle, bows clustered so densely at the waist and shoulders the fabric can barely be seen, sequin-and-glitter fabric sparkling in scattered pinpoints wherever the light strikes, ridiculous ornaments -- lacquered rosettes, beaded cabochons, ribbon roses -- leaning off the trim at every angle, and a huge puffy skirt ballooning outward and down to the floor in layered pink-and-white ruffles, its hem spread wide across the stone. The monster is hunched and grotesque, mottled greyish-green thick hide, coarse patchy hair, one drooping heavy-lidded eye, snaggle teeth, a long sagging jaw, hunched shoulders folding around the girl; its bare huge hands dimple her skirt's fabric at the belly. The monster's one visible eye looks down at her cheek; her wet eyes look straight out at the viewer. They stand centered in the nave of a baroque church: towering gilded columns and stacked cornices receding behind them, a marble floor of inlaid pink and grey, tall windows high up, dust in the air. Light falls from the tall windows in a hard shaft from upper left, striking the glitter fabric so it scatters sparkles, rimming the monster's hunched shoulder, while the depth of the nave behind them drops into deep shadow; the huge ring throws one small bright caustic fleck onto the monster's knuckle. Palette held to pink, white, gold, cold stone grey and the monster's mottled green. Heavy ornamentation, dramatic high contrast light, opulent textures. Quiet dread.
Aizeth Lomardi

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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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1#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
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character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#Kagamine Rin#Vocaloid#Lofi Dream
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#Attack on Titan#Mikasa Ackerman
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