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AI artwork featuring #Vomit
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Vomit

#Vomit
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1girl, solo, school uniform, white short-sleeved button-up shirt, navy blue pleated skirt, white crew socks, black hair, shoulder-length hair, low ponytail, leaning forward, hunched over, hands on knees, vomiting, nausea, motion sickness, sick, pale face, sweatdrops, closed eyes, grimacing, from side, profile, cowboy shot, roadside, bus, getting off bus, bus door open, daytime, overcast A side-profile cowboy-shot from a low, slightly downward-tilted angle: one lone schoolgirl stands at the edge of an asphalt road freshly stepped down from a city bus, her entire body folded forward at the waist. The bus looms behind her, its folding door still open just past her shoulder, the black rubber step-edge and a cold fluorescent strip-lit interior visible within; the bus exterior is a flat, slightly dirty off-white with the door frame framing the back of her head and shoulders. Her low black ponytail swings forward over her right cheek as she leans; her shoulders are hunched up toward her ears, her knees slightly bent, her weight tipped onto the balls of both feet, gray-white crew socks pulled up and her black loafers planted unevenly at the curbside. Both hands brace on her own thighs just above the knees, fingers splayed and gripping the fabric, and her body convulses forward as a thin strand of bile and saliva falls from her open lips toward the pavement, splattering in a small wet arc just past the toe of her shoe on the asphalt. Her face is gray-pale, eyes squeezed shut with a pained furrow between the brows, sweat beads at her temple and along her upper lip, hair stuck flat to one cheek. A thin streak of drool clings to her lower lip and chin. The palette keeps to cool grays, the uniform's navy and white, the sickly gray-green of her complexion, and the bleak neutral beige-gray of the paved road — no warm colors anywhere. The light is flat, even, and overcast: a high, diffuse white sky with no strong shadow, only a soft puddle of shadow pooled directly beneath her and the bus, the wet dark smear on the asphalt catching a dull gray highlight. Behind the bus, a blur of gray guardrail and worn roadside grass recedes into shallow focus, with a single distant utility pole breaking the horizon. The composition places her slightly left of center, the bus door open behind her right shoulder leading the eye down the road's vanishing white line, the road surface occupying the lower third with the small wet splatter as a focal anchor at her feet. Quietly miserable, sympathetic.
Show Parameters
Original Prompt
バスにより乗り物酔いを起こした制服姿の女の子がバスを降りて道路で嘔吐する
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.69k

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1girl, solo, japanese schoolgirl, long dark hair, straight dark hair, navy sailor uniform, serafuku, white-lined sailor collar, navy pleated skirt, doubling over, bent forward, vomiting, watery vomit, vomit splash, puddle on asphalt, scattered droplets, hand on own knee, other hand holding own hair back, hair held up, flushed cheeks, pale skin, sickly pallor, tears welling up, brimming tears, upturned eyebrows, sweat on temple, sweatdrop, open mouth, gasping, panting, low three-quarter angle, from below, cowboy shot, knees-up framing, shallow depth of field, blurred background, commuter bus in background, exhaust haze, morning, cool light, long shadows, roadside, asphalt, daylight, cinematic lighting The camera sits low at a three-quarter angle, below her hip line and slightly to her left, looking up so the navy pleated skirt and the white-lined collar of the serafuku fill the lower and middle frame while the empty sky and the soft blur of the street open above her; the shot is cropped at the knees, her shoes and a single forearm resting across one knee anchoring the bottom edge. She is folded over sharply at the waist, spine curled, weight dumped onto her left leg while the right knee is bent and thrust forward for balance, and her right hand clamps the right knee from above, fingers spread and pressing hard enough to crease the skirt fabric. Her left arm crosses up past her cheek to gather a thick fistful of her long dark hair at the crown and pull it back clear of her face, the hair trailing down behind her shoulder and swinging loosely at its ends; a few strands have slipped free and lie across her damp temple. Her face is turned down and to her right, chin dropped, so the camera catches her in three-quarter profile as she heaves: mouth open in a wet gasp, lips drawn back, upturned brows knotted at the inner corners, eyes squeezed half shut with tears pooled along the lower lids and one already sliding down to her jaw, a fine sheen of sweat at her temple catching the light, and her cheeks blooming hot pink over a sallow, bloodless pallor that runs down her throat. A thin, watery stream of vomit arcs from her mouth and breaks on the asphalt just in front of her shoes, splashing outward into a small shallow puddle ringed with scattered droplets, one or two beaded on the toe of her loafer; a couple of strands of hair hang free toward the puddle but the holding hand keeps them clear. The light is cool and blue-grey, coming low from the right and long behind her, so her shadow stretches away left across the rough asphalt and the puddle throws a stretched, broken highlight where the sky reflects in it; the road surface shows damp dark patches and a scatter of grit, the curb and a strip of grass running away at the frame edge. Behind her, the flank of the commuter bus is a soft grey-blue smear, its windows and wheel arches unreadable in the blur, a faint exhaust haze hanging in the air between the bus and the girl and softening the far street into pale bands. Everything behind her shoulders falls into shallow-focus blur; her face, her gripping hand, the held hair and the splash on the ground stay razor-sharp. Palette limited to navy, white, cool grey asphalt and the pink-and-pale flush of her skin. Quiet, raw and tender.
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#Vomit

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