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View detailsMateus Pertussatti
Show Parameters
- Original Prompt
- Um jovem de 17 anos, usando roupas padrões de um colégio japonês por debaixo de um kimono escuro com manchas vermelhas que lembram o trançado de cestas de vime, cabelos azuis claros prateados longos amarrados em dois rabos de cavalo longos, mas isso não é o suficiente para cobter seus cabelos que poossuem outra parte dos cabelos longos que vão até o ombro naturalmente, parecendo os cabelos da Tiamat (fate), e olhos de Íris vermelhos claro rosado com Pupilas brancas em formato de X, pele parda clara com físico naturalmenre esbelto e Atlético, sentado em uma pedra no meio de uma floresta, enquanto brinca com uma esfera d'água flutuante, a esfera d'água é de coloração escura praticamente negra
- Mode
- pro
- Style
- Seasonal Glow
- Quality Tag
- ﹝Prompts﹞
- Size
- 768 x 1280
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Style: Seasonal Glow
Prompt Helper
Model & LoRA used
Similar Images
Show moremp
1boy, solo, 17-year-old boy, light brown skin, slender athletic build, long light silvery-blue hair, two long twintails, loose shoulder-length hair framing the face, pinkish light red irises, white X-shaped pupils, dark kimono, red wicker-weave stains patterned across the kimono, standard Japanese school uniform underneath, white shirt collar visible at the throat, dark trousers visible below the hem, sitting on a rock, seated, one knee raised, playing with a floating water sphere, dark almost-black water sphere, hovering sphere, forest, trees, from below, low angle, dutch angle, cowboy shot, hands cupped, looking at object, faint closed-lip smile, focused gaze, half-closed eyes, long hair drifting, kimono sleeve falling, dappled light, cool teal-blue shade, warm golden highlights, soft painterly anime style, visible brush textures, layered color blocks, loose sketch-like linework, quiet absorption
Low-angle cowboy shot tilted a few degrees off level: the boy sits on a broad grey boulder in the middle of a dense forest, seen from below so the trunks rise behind and past him and the canopy closes overhead. His weight rests on the rock through the right hip, right thigh flat along the stone, left knee drawn up with the left foot planted on the boulder's edge, left forearm braced across that knee; the right hand lifts away from the left, palm up, fingers half-curled around the hovering sphere. The dark, almost-black water sphere floats a hand's width above his cupped right palm, roughly level with his chin, its surface tense and glossy, reflecting a sliver of the gold light from above while the rest of it swallows light into near-black depths; a single droplet hangs at the sphere's underside, stretched but not yet falling, and one thin thread of water curls back up toward the sphere from his fingertips. His head is turned slightly toward the sphere, chin low, eyes half-lidded with a faint closed-lip smile, gaze fixed on the water and not on the viewer.
The kimono is a deep charcoal-dark colour draped open over the school uniform, its fabric carrying a woven pattern of muted red stains that read as the crossings of a wicker basket, running in bands across the chest, one sleeve and the hem; the white shirt collar sits visible at his throat and dark trousers show below the kimono's edge. His long light silvery-blue hair is bound into two long twintails that hang back past his shoulders, while a separate loose fall of hair reaches his shoulders naturally and drifts across his cheek in the moving air. Light comes down in broken shafts through the canopy: warm gold catching the top of his head, the highlighted strands of his hair, the raised forearm and the crest of the sphere, while cool teal-blue shade pools in the forest depths behind him and along the rock's shadowed flank; the rock's top is scattered with fallen leaves that sit dry and pale where the light strikes them, and the shadow of the sphere lies as a soft dark oval on the stone beside his hip. The palette stays in dusky violets, cool slate blue-greens and grey stone with dusty rose-grey skin tones, drawn together by the muted red of the kimono pattern and the near-black of the water; loose brushy linework keeps the foliage sketch-like and layered behind him. Quiet absorption.
Mateus Pertussatti
mp
1boy, solo, 17-year-old boy, light brown skin, long light silvery-blue hair, two very long twintails, loose shoulder-length hair falling untied around the face, light pinkish-red eyes, white X-shaped pupils, dark kimono, red wicker-basket-weave stain pattern on the kimono, dark kimono worn open over a standard japanese high school uniform, dark slacks, sitting on a rock, seated with one knee drawn up, forest, deep forest interior, floating water sphere, dark almost-black water sphere, orb held between both hands, cupped hands, from below, low angle, wide shot, looking at object, faint closed-lip smile, dutch angle, depth of field, shojo manga style, screentone, soft focus, sparkle effects, delicate lineart, light and airy, flower motifs, dreamy atmosphere
The camera sits low and slightly to the boy's right, tilted a few degrees off level, looking up from among the ferns: he is seen from below at three-quarter view, so the mossy boulder he sits on fills the lower third of the frame and his shoulders read against a canopy of leaves. He is the only figure. He perches near the boulder's near edge rather than square to the lens, left hip and left thigh taking his weight on the stone, right foot braced flat on the rock's sloping top, left heel hanging just past the lip with the toe pointed; his dark slacks are creased at the hip and one sock has slid down. His torso leans a little forward and to his left over his hands, which are cupped close to his chest with fingers half-curled around nothing solid, palms up, cradling the floating water sphere a hand's width above them. The sphere does not touch him: it hangs unsupported, a dark near-black bead of water with a hard glossy highlight along its upper-left rim, its deepest black at the core, and beneath it the inside of his cupped palms shows a small round wet gleam where light is thrown back up through it -- the only place the water mirrors anything. Tiny droplets have pulled free of the surface and hang around it like grit; where one has already fallen it has left a darker damp patch and a single thin runnel following a seam in the stone. His chin is tipped down toward the sphere, so the low angle shows the underside of his jaw, the line of his throat, and the weight of his hair: the two very long twintails fall forward over his right shoulder and behind his left, their ties hidden by the strands, the loose shoulder-length hair slipping around his cheek and brushing the kimono's collar. His brows are relaxed, eyes narrowed in concentration with a faint closed-lip smile on one side of his mouth, lashes lowered toward the orb rather than the viewer; the white X in each light pinkish-red iris is fully visible against the dark.
His dark kimono is worn loose and open at the chest, the collar pushed back off the shoulders, the standard high-school uniform beneath it showing a white shirt front, the knot and stripes of its tie, and the grey-navy of its jacket at the forearms where the kimono sleeve has slid up. Across the dark cloth, red stains gather in a repeating criss-cross lattice of short interlocking strokes, wide and dense on his right sleeve and skirt panel, thinning to a sparse scatter near the open collar where the fabric has been pushed back; the kimono hem pools over the boulder's edge and one corner drags in the moss.
Behind and around him a deep forest closes in: a midground of broad-leaved undergrowth and pale thin trunks leaning out of frame, a background dissolving into blue-grey haze and stacked silhouettes of thicker trees, the pale sky only a scattering of light through the high leaves. Light is dappled and cool, broken by the canopy so that a few soft-edged patches land on his cheek, the wet palms, the sphere's rim and the red lattice of his right sleeve, and everything else sits in violet-grey shade. The palette stays muted and wintry -- deep dark blue-grey and near-black along the rock and the water, dusty lavender-grey and grey-white in the haze and the hair's highlights, warm brown in his skin and the trunk bark, and a single crimson note repeated only in the kimono's lattice and in the pale pink-red of his eyes. Delicate lineart with screentone shadow, soft focus, drifting flower petals and a few sparkles of light catching the water, airy and dreamy -- quietly absorbed.
Mateus Pertussatti
mp
1boy, solo, sitting, sitting on rock, from below, three-quarter view, light brown skin, slim, athletic build, long hair, light silvery-blue hair, twintails, two long twintails, loose hair, shoulder-length hair strands, pinkish light red eyes, white X-shaped pupils, X-shaped pupils, dark kimono, red wicker-basket weave pattern, kimono over school uniform, japanese school uniform, open kimono, water sphere, floating water sphere, dark water, black water orb, magic, outstretched arm, hand raised, palm up, head tilt, looking at object, faint closed-lip smile, raised eyebrow, half-closed eyes, forest, trees, dappled light, shojo manga style, screentone, delicate lineart, soft focus, sparkles.
Slightly below eye level and off to his left, the camera looks up at a seventeen-year-old boy seated on a broad grey boulder, his body turned three-quarters away, knees drawn up so one foot rests flat on the stone and the other leg hangs down its face, his weight settled on the hip nearest the rock's edge. His hair is light silvery-blue, split into two very long twintails that fall past the boulder's rim and lift slightly at their tips, while a second layer of looser strands hangs naturally to his shoulders and brushes his jaw. His skin is light brown against the pale water light, his build slim and athletic, shoulders narrow and forearms defined.
He wears a standard Japanese school uniform — white collared shirt, dark trousers — visible where the dark kimono hangs open down the chest and slips off one shoulder toward his elbow. The kimono itself is near-black, its fabric marked with red stains that repeat like the interlaced strands of a wicker basket, the red darker where the cloth folds and fading to a dusty rose at the seams.
His right forearm is extended, elbow bent, hand open palm-up a hand's width below a floating sphere of water the size of a melon, nearly black at its core with a thin cold rim where the forest light catches its edge. His fingers are slightly spread and crooked as if drawing a thread; a slow ring of ripples turns around the sphere's equator, and two or three droplets hang detached beneath it, elongated toward the ground.
His head is tilted a little to one side, eyes fixed on the dark sphere, pinkish light red irises bright with one arched brow and lids lowered in concentration, a faint closed-lip smile at one corner of his mouth.
Behind and around him the forest rises: dark blue-green trunks in the background, a soft muffled depth of foliage, thin shafts of pale light falling diagonally through the canopy to dapple the rock and his uniform. The woods dominate the frame; he and the boulder sit in the lower middle, the sphere the brightest small shape in the picture. The colors are muted and cool — deep indigo shadow, charcoal, dusty mauve, grey stone and the single warm red of his kimono pattern — everything soft-edged, screentone shading, delicate fine lines, faint sparkles drifting in the air where the light passes. Quiet, dreamy.
Mateus Pertussatti
mp
1boy, solo, sitting on a rock, seated, forest, dark kimono, kimono over school uniform, japanese school uniform, gakuran, red wicker-weave pattern stains on kimono, long hair, shoulder-length hair, light silvery-blue hair, straight hair, light pinkish-red eyes, white X-shaped pupils, tanned skin, light brown skin, slender, athletic build, floating water sphere, dark water, black water, orb, magic, playing, hand raised, open hand, cupped hand, water, droplets, from below, low angle, cowboy shot, looking at object, head tilted down, faint closed-lip smile, half-closed eyes, leaning forward, tree trunks, undergrowth, dappled light, volumetric light shafts, cool teal-blue shadows, warm golden highlights, painterly, visible brushstrokes, loose sketch-like linework
The camera sits low among the ferns, looking up: the boy is seen from below in a cowboy shot, framed to the knees, perched on a broad moss-topped boulder that fills the lower third of the frame. He is turned three-quarters to the camera, torso angled left, one knee drawn up with the sole of his shoe braced flat against the stone's near edge, the other leg hanging loose with the heel resting on the rock's flank; his left hand is planted palm-down on the moss behind his hip, taking his weight, wrist bent, fingers spread and slightly sunk into the green. His head is tipped down and to his right, chin low, gaze fixed on the sphere that hovers a hand's width above his upturned right palm; the smile is faint, closed-lipped, one corner lifted a fraction higher than the other, his lower lid soft and heavy as he watches the water turn.
His long light silvery-blue hair falls past his jaw to his shoulders, straight and naturally parted, the tips drifting outward a little where the air around the sphere pushes them; one strand slips forward across his cheek and he has not bothered to move it. His eyes are light pinkish-red with white X-shaped pupils, and the two pale crosses catch a sliver of the light shaft falling from above, so they read bright against the dark iris. His skin is a clear light brown, warmed where the sun strikes his forearm and throat.
He wears the dark high-collared school jacket and trousers of a standard Japanese uniform; the dark kimono is thrown over them and worn open, hanging off his shoulders and pooling around his hips on the rock, so the uniform's collar and a strip of its front show clearly between the kimono's lapels. The kimono's dark cloth is marked all over with red stains that trace a wicker basket weave -- narrow red bands crossing in an over-and-under lattice across the sleeve and the chest panel, like dye bled into woven cane. The loose kimono sleeve slides down his raised right forearm as he lifts his hand under the sphere. The floating sphere of water is dark, almost black, its surface glossy and turning slowly, a sheen crawling over it as it rotates; a few black droplets have already slipped free and hang in the air below it, and the one that has landed on his palm sits as a small dark bead in the cup of his hand, trembling.
The forest surrounds him in layered depth: a pale massive trunk in the near foreground left, out of focus; midground ferns and saplings pressing close on both sides; behind, trunks receding into a teal-blue haze. Sunlight comes down in shafts from the upper right, striking the top of his hair, his right shoulder and the crown of the sphere, laying a bright rim on the water's upper edge and dropping the underside of the rock and the crooks of the trees into deep shadow. Where the sphere floats between the light and his palm, a shifting caustic pattern of dark ripples plays on his skin. Palette runs through cool deep indigo and violet shadows, muted mauve-grey stone and bark, silvered pale highlights along the hair and the water's rim, and the single hot red of the woven stains -- nothing outside those.
Soft painterly rendering with visible brush texture and layered colour blocks, loose sketch-like linework at the contours, cool teal-blue atmosphere against warm golden highlights. Quiet, intent, a little enchanted.
Mateus Pertussatti
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