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Mateus Pertussatti

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Mateus Pertussatti

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1boy, solo, 17-year-old boy, light brown skin, long light silvery-blue hair, two very long twintails, loose shoulder-length hair falling untied around the face, light pinkish-red eyes, white X-shaped pupils, dark kimono, red wicker-basket-weave stain pattern on the kimono, dark kimono worn open over a standard japanese high school uniform, dark slacks, sitting on a rock, seated with one knee drawn up, forest, deep forest interior, floating water sphere, dark almost-black water sphere, orb held between both hands, cupped hands, from below, low angle, wide shot, looking at object, faint closed-lip smile, dutch angle, depth of field, shojo manga style, screentone, soft focus, sparkle effects, delicate lineart, light and airy, flower motifs, dreamy atmosphere The camera sits low and slightly to the boy's right, tilted a few degrees off level, looking up from among the ferns: he is seen from below at three-quarter view, so the mossy boulder he sits on fills the lower third of the frame and his shoulders read against a canopy of leaves. He is the only figure. He perches near the boulder's near edge rather than square to the lens, left hip and left thigh taking his weight on the stone, right foot braced flat on the rock's sloping top, left heel hanging just past the lip with the toe pointed; his dark slacks are creased at the hip and one sock has slid down. His torso leans a little forward and to his left over his hands, which are cupped close to his chest with fingers half-curled around nothing solid, palms up, cradling the floating water sphere a hand's width above them. The sphere does not touch him: it hangs unsupported, a dark near-black bead of water with a hard glossy highlight along its upper-left rim, its deepest black at the core, and beneath it the inside of his cupped palms shows a small round wet gleam where light is thrown back up through it -- the only place the water mirrors anything. Tiny droplets have pulled free of the surface and hang around it like grit; where one has already fallen it has left a darker damp patch and a single thin runnel following a seam in the stone. His chin is tipped down toward the sphere, so the low angle shows the underside of his jaw, the line of his throat, and the weight of his hair: the two very long twintails fall forward over his right shoulder and behind his left, their ties hidden by the strands, the loose shoulder-length hair slipping around his cheek and brushing the kimono's collar. His brows are relaxed, eyes narrowed in concentration with a faint closed-lip smile on one side of his mouth, lashes lowered toward the orb rather than the viewer; the white X in each light pinkish-red iris is fully visible against the dark. His dark kimono is worn loose and open at the chest, the collar pushed back off the shoulders, the standard high-school uniform beneath it showing a white shirt front, the knot and stripes of its tie, and the grey-navy of its jacket at the forearms where the kimono sleeve has slid up. Across the dark cloth, red stains gather in a repeating criss-cross lattice of short interlocking strokes, wide and dense on his right sleeve and skirt panel, thinning to a sparse scatter near the open collar where the fabric has been pushed back; the kimono hem pools over the boulder's edge and one corner drags in the moss. Behind and around him a deep forest closes in: a midground of broad-leaved undergrowth and pale thin trunks leaning out of frame, a background dissolving into blue-grey haze and stacked silhouettes of thicker trees, the pale sky only a scattering of light through the high leaves. Light is dappled and cool, broken by the canopy so that a few soft-edged patches land on his cheek, the wet palms, the sphere's rim and the red lattice of his right sleeve, and everything else sits in violet-grey shade. The palette stays muted and wintry -- deep dark blue-grey and near-black along the rock and the water, dusty lavender-grey and grey-white in the haze and the hair's highlights, warm brown in his skin and the trunk bark, and a single crimson note repeated only in the kimono's lattice and in the pale pink-red of his eyes. Delicate lineart with screentone shadow, soft focus, drifting flower petals and a few sparkles of light catching the water, airy and dreamy -- quietly absorbed.
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Original Prompt
Um jovem de 17 anos, usando roupas padrões de um colégio japonês por debaixo de um kimono escuro com manchas vermelhas que lembram o trançado de cestas de vime, cabelos azuis claros prateados longos amarrados em dois rabos de cavalo mais longos junto de outra parte dos cabelos longos que vão até o ombro naturalmente, e olhos de Íris vermelhos claro rosado com Pupilas brancas em formato de X, pele parda clara, sentado em uma pedra no meio de uma floresta, enquanto brinca com uma esfera d'água flutuante, a esfera d'água é de coloração escura praticamente negra
Mode
pro
Style
Lucid Dreamy
Quality Tag
﹝Prompts﹞
Size
768 x 1280
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Lucid Dreamy
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1boy, solo, 17-year-old boy, light tan skin, slender athletic build, long light silvery-blue hair, two long ponytails, loose shoulder-length hair strands left down, hair falling around shoulders, long hair, light pinkish-red iris, white x-shaped pupils, cross-shaped pupils, dark kimono, red wicker-basket-weave pattern on kimono, red basket-weave stains, japanese school uniform under kimono, white shirt collar visible, dark trousers, sitting on a rock, seated, knees bent, floating water sphere, dark water sphere, nearly black sphere of water, playing with water, one hand raised, palm up, cupped hand beneath sphere, forest, trees, undergrowth, moss, from below, dutch angle, cowboy shot, looking at object, focused expression, parted lips, faint closed-mouth intensity, side lighting, rim light, cool teal-blue forest atmosphere, warm golden highlights, dark navy and deep plum shadow, warm gray stone, muted rose accents The camera sits low and tilted a few degrees off level, looking up from the mossy forest floor so the boy's seated figure rises against the trunks and the canopy gap above him; he is perched near the front edge of a broad, weathered grey boulder, one leg folded flat along the stone with the other knee drawn up and the boot planted on the rock's lip, his weight carried on the folded hip while his torso leans slightly forward over his raised right hand. His right arm is bent, elbow near the knee, hand open palm-up with fingers gently curled, and the nearly black water sphere floats a hand's breadth above that palm, its dark surface a glossy oil-black that swallows the forest light and shows only a single taut curved rim highlight on its upper-left, reflecting the trees inverted and shrunken. His left hand rests flat on the stone behind his hip, fingertips spread for balance; the dark kimono has slid open at the chest and one sleeve has fallen back off his forearm in a loose fold, revealing the white shirt collar of the school uniform and the dark uniform trousers at his bent legs, and the kimono's fabric drapes over the rock edge in heavy folds. The kimono is a deep charcoal-navy cloth patterned all over with dull red stains that lock into a repeating diagonal basket weave, the red running rust-dark where it crosses the folds and brightening to a warm brick along the raised ridges of the sleeve. His long silvery-blue hair is split into two ponytails that fall past his shoulder blades and swing forward slightly over the raised arm, while a separate loose layer of hair hangs unstirred to his shoulders and frames his jaw; one strand drifts across his cheek as if lifted by the sphere's slow rotation. His face is turned down toward the sphere, light pinkish-red irises catching the cool ambient light, the white X-shaped pupils sharp against them, his brows drawn a little together and his lips just parted in concentration rather than a smile, and the sphere's own faint glow lays a soft pale sheen along his chin and the underside of his raised hand. The light comes from a high canopy gap behind and above his left shoulder, cool teal-blue and diffuse, dropping a long soft shadow of him and the boulder across the moss, while a warm golden shaft breaks through on his right to touch the red weave at his shoulder and the rim of the rock; everywhere beyond that the forest recedes into deep navy and black plum shadow between the trunks. The palette stays within dark navy and deep plum, warm grey stone, muted rose and dusty silver-grey, with the red weave and the near-black sphere as the only saturated notes, and the background's greens pushed toward cool blue-teal. No other figures occupy the forest; the sphere makes the air's stillness visible in the faint disturbed ring of dust motes circling it. Quiet, focused magic.
Mateus Pertussatti
AI artwork
mp
1boy, solo, 17-year-old boy, light brown skin, light silvery-blue hair, long hair, shoulder-length hair, two long twintails, twintails longer than shoulder hair, light pinkish-red eyes, white X-shaped pupils, dark kimono, red wicker-basket-weave stain pattern on kimono, kimono worn over standard Japanese school uniform, sitting on a rock, forest, playing with floating water sphere, dark water sphere, nearly black water, from side, profile, cowboy shot, leaning forward, outstretched arm, head tilt, looking at object, half-closed eyes, light smile, shojo manga style, screentone, soft focus, sparkle effects, delicate lineart, light and airy, flower motifs, dreamy atmosphere Seen in profile from a low side angle, the boy sits on a broad weathered grey stone raised out of the forest floor, knees drawn up unevenly — the left knee higher than the right, the right foot flat against the rock's top, the left heel hooked on the stone's lip. His torso leans forward over his lap, spine curving, and his long silvery-blue hair spills off one shoulder, the shoulder-length fall of it crossing his collarbone while the two long twintails hang past his back and drape down behind the stone, their tips just brushing the moss. His dark kimono is cut wide at the sleeve; the red basket-weave stain pattern curls across the chest panel and the sleeve in open interlaced bands, each band a translucent red wash that lets the weave of the fabric show through. The kimono falls open at the collar, and beneath it the stiff white collar of the school uniform shirt shows at the throat with a knotted dark tie tucked under the crossed kimono panel; the uniform's darker sleeve cuff peeks out past the kimono's wide sleeve opening at his right wrist. His right arm is extended forward, elbow slightly bent, the hand open and cupped with fingers curled up as though cradling something weightless; his left hand rests on the rock beside his hip, fingers spread against the stone. Between his cupped right hand and the rock, at chest height, a sphere of water the size of his head turns slowly in the air, its surface practically black — a near-black deep blue-green, glossy, with one bright curved highlight along its upper left edge and a faint inverted reflection of the forest floor inside its lower half; the sphere does not touch his palm, a thin gap of clear air between his fingertips and its surface, and three small droplets have separated from its underside and hang in a shallow arc below it, each one catching the same single light. His head tilts down toward the sphere at a slight angle, chin turned, one brow faintly raised and one lip corner lifted in a half-smile; the pinkish-red iris is visible in the profile eye, turned down and to the left toward the sphere, the white X of the pupil sharp against it, the lid half-lowered and the lash edge dark. The forest behind him is a medium-depth wall of tall trunks in muted cool greys and violet-greys, receding into a soft blurred green-grey haze, with a patch of pale sky showing between two trunks at the upper right. Ferns and low moss fill the foreground bottom-left corner, one frond crossing in front of the stone's base and out of focus. A shaft of light comes from the upper left, broken by leaves, laying irregular bright patches on his left shoulder, the rock's upper face and the top of the water sphere, and the right side of his face and the underside of his jaw sit in cool shadow. The palette stays muted and cool: deep navy-blue shadow pooling under the stone and between the trunks, near-black at the sphere and the kimono's deepest folds, soft violet-grey midtones in the trunks, a dull red running through the kimono's stain pattern and a single red-sparked accent in the eye, warm grey stone, and pale silver-mauve in his hair and the highlight on the sphere — no bright greens beyond the muted moss. Delicate, thin, airy linework with screentone dithering in the shadows, soft-focus bloom on the light patches, a scatter of tiny four-pointed sparkles in the shaft of light around the sphere, and faint flower-petal motifs drifting in the hazy background. Quiet, dreamy concentration.
Mateus Pertussatti
AI artwork
mp
1boy, solo, sitting, sitting on rock, from below, three-quarter view, light brown skin, slim, athletic build, long hair, light silvery-blue hair, twintails, two long twintails, loose hair, shoulder-length hair strands, pinkish light red eyes, white X-shaped pupils, X-shaped pupils, dark kimono, red wicker-basket weave pattern, kimono over school uniform, japanese school uniform, open kimono, water sphere, floating water sphere, dark water, black water orb, magic, outstretched arm, hand raised, palm up, head tilt, looking at object, faint closed-lip smile, raised eyebrow, half-closed eyes, forest, trees, dappled light, shojo manga style, screentone, delicate lineart, soft focus, sparkles. Slightly below eye level and off to his left, the camera looks up at a seventeen-year-old boy seated on a broad grey boulder, his body turned three-quarters away, knees drawn up so one foot rests flat on the stone and the other leg hangs down its face, his weight settled on the hip nearest the rock's edge. His hair is light silvery-blue, split into two very long twintails that fall past the boulder's rim and lift slightly at their tips, while a second layer of looser strands hangs naturally to his shoulders and brushes his jaw. His skin is light brown against the pale water light, his build slim and athletic, shoulders narrow and forearms defined. He wears a standard Japanese school uniform — white collared shirt, dark trousers — visible where the dark kimono hangs open down the chest and slips off one shoulder toward his elbow. The kimono itself is near-black, its fabric marked with red stains that repeat like the interlaced strands of a wicker basket, the red darker where the cloth folds and fading to a dusty rose at the seams. His right forearm is extended, elbow bent, hand open palm-up a hand's width below a floating sphere of water the size of a melon, nearly black at its core with a thin cold rim where the forest light catches its edge. His fingers are slightly spread and crooked as if drawing a thread; a slow ring of ripples turns around the sphere's equator, and two or three droplets hang detached beneath it, elongated toward the ground. His head is tilted a little to one side, eyes fixed on the dark sphere, pinkish light red irises bright with one arched brow and lids lowered in concentration, a faint closed-lip smile at one corner of his mouth. Behind and around him the forest rises: dark blue-green trunks in the background, a soft muffled depth of foliage, thin shafts of pale light falling diagonally through the canopy to dapple the rock and his uniform. The woods dominate the frame; he and the boulder sit in the lower middle, the sphere the brightest small shape in the picture. The colors are muted and cool — deep indigo shadow, charcoal, dusty mauve, grey stone and the single warm red of his kimono pattern — everything soft-edged, screentone shading, delicate fine lines, faint sparkles drifting in the air where the light passes. Quiet, dreamy.
Mateus Pertussatti
AI artwork
mp
1boy, solo, 17-year-old boy, light brown skin, slender athletic build, long light silvery-blue hair, two long twintails, loose shoulder-length hair framing the face, pinkish light red irises, white X-shaped pupils, dark kimono, red wicker-weave stains patterned across the kimono, standard Japanese school uniform underneath, white shirt collar visible at the throat, dark trousers visible below the hem, sitting on a rock, seated, one knee raised, playing with a floating water sphere, dark almost-black water sphere, hovering sphere, forest, trees, from below, low angle, dutch angle, cowboy shot, hands cupped, looking at object, faint closed-lip smile, focused gaze, half-closed eyes, long hair drifting, kimono sleeve falling, dappled light, cool teal-blue shade, warm golden highlights, soft painterly anime style, visible brush textures, layered color blocks, loose sketch-like linework, quiet absorption Low-angle cowboy shot tilted a few degrees off level: the boy sits on a broad grey boulder in the middle of a dense forest, seen from below so the trunks rise behind and past him and the canopy closes overhead. His weight rests on the rock through the right hip, right thigh flat along the stone, left knee drawn up with the left foot planted on the boulder's edge, left forearm braced across that knee; the right hand lifts away from the left, palm up, fingers half-curled around the hovering sphere. The dark, almost-black water sphere floats a hand's width above his cupped right palm, roughly level with his chin, its surface tense and glossy, reflecting a sliver of the gold light from above while the rest of it swallows light into near-black depths; a single droplet hangs at the sphere's underside, stretched but not yet falling, and one thin thread of water curls back up toward the sphere from his fingertips. His head is turned slightly toward the sphere, chin low, eyes half-lidded with a faint closed-lip smile, gaze fixed on the water and not on the viewer. The kimono is a deep charcoal-dark colour draped open over the school uniform, its fabric carrying a woven pattern of muted red stains that read as the crossings of a wicker basket, running in bands across the chest, one sleeve and the hem; the white shirt collar sits visible at his throat and dark trousers show below the kimono's edge. His long light silvery-blue hair is bound into two long twintails that hang back past his shoulders, while a separate loose fall of hair reaches his shoulders naturally and drifts across his cheek in the moving air. Light comes down in broken shafts through the canopy: warm gold catching the top of his head, the highlighted strands of his hair, the raised forearm and the crest of the sphere, while cool teal-blue shade pools in the forest depths behind him and along the rock's shadowed flank; the rock's top is scattered with fallen leaves that sit dry and pale where the light strikes them, and the shadow of the sphere lies as a soft dark oval on the stone beside his hip. The palette stays in dusky violets, cool slate blue-greens and grey stone with dusty rose-grey skin tones, drawn together by the muted red of the kimono pattern and the near-black of the water; loose brushy linework keeps the foliage sketch-like and layered behind him. Quiet absorption.
Mateus Pertussatti

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