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AI artwork featuring #Pokémon and #Charizard
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Charizard, Pokémon

#Pokémon#Charizard
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Domenico

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character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
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Original Prompt
Aggron is wearing a black hoodie. Charizard,after winning in a race against Aggron,is pulling Aggron's head,trasforming and streching it into a gray towel with Aggron's face stamped on the whole towel. Than Charizard deattached the towel from Aggron's body and attached it(the towel) to a pole,making the towel a flag. The rest of Aggron's body is still normal. Aggron has a scared face(you can clearly see Aggron's spiral black eyes and dizzy mouth) and is blushing so much,his face is all red. Charizard is blushing a lot too and is grinning. Aggron's ears are part of the towel too. Aggron's hands are trying to reach Aggron's face. Aggron's body doesn't have a head anymore. The artstyle is more mature. The towel is really sweaty.
Mode
flash
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
#Pokémon#Charizard
AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
#Pokémon#Charmander#Charizard
AI artwork
d
character: greninja, pikachu 2girls, geninja, pikachu, black hoodie, no head, headless body, blue towel, towel flag, pole, flag, pulling head, stretching, spiral eyes, dizzy, scared, heavy blush, full-face blush, grin, sweat, sweaty towel, pole, from side, full body, looking at another, reaching, outstretched arms, blue skin, long tongue, webbed hands, yellow fur, black-tipped ears, red cheeks, lightning-bolt tail, dark accent shading, mature anime style The camera looks on from the side at eye level, both figures framed full-body in a single wide composition: on the left the headless body of a tall blue-skinned frog-like creature in a black hoodie, on the right a small round yellow-furred mouse with black-tipped ears, red circular cheek patches and a jagged lightning-bolt tail, caught mid-hop with its feet off the ground. The frog-creature's body stands with its weight sunk into bent knees, shoulders drawn up and forward; both webbed hands are thrown up toward the empty collar of the hoodie where its head used to be, fingers splayed and straining, grasping at nothing. Its black hoodie hangs loose over the headless torso, the collar gaping open onto bare blue neck stump, the sleeves shoved up on its forearms. To the right, planted in the ground, a thin metal pole rises vertically, and knotted to its top by the corners is a sodden blue towel snapping taut in the wind. The towel is stretched wide like a banner: a blue cloth printed all over, edge to edge, with the frog-creature's face — huge black spirals for eyes, lids squeezed shut, a wobbling wavy dizzy mouth, the whole surface flushed a deep red from the blush, and the two pointed ear-fins flaring out as part of the cloth at the towel's top corners. The cloth is drenched: dark wet patches bloom across it, droplets bead along its lower hem and fling off the flapping corner, and the fabric sags heavy at the knot before the wind pulls it straight. The mouse stands just below the pole, one paw still raised from tying the knot, the other clenched at its side; its face is turned up toward the towel-flag with a wide open-mouthed grin, cheeks puffed with a blush that burns across its whole face, eyes crinkled nearly shut, and its gaze flicks between the flying towel and the flailing blue body behind it. The headless body's posture answers that look — it twists toward the pole, shoulders hunched, hands still clawing at the air where its face went. Behind them a plain empty outdoor ground, a low horizon of pale concrete, cool overcast daylight from the upper left striking the tops of the pole and the towel while the body's front falls into soft shadow and a short hard shadow lies on the ground beneath pole and feet. Palette restricted to hot blue, saturated yellow, black, and the red of the blush, with cool grey ground. Dark, mature cel shading with fine linework and dense shadow hatching, the wet towel rendered with sheen and dark soak lines heavier than anything else in frame. Chaotic, giddy.
Domenico
#Pokémon#Pikachu

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