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Domenico

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Domenico

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character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
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Original Prompt
Aggron is wearing a black hoodie. Charizard,after winning in a race against Aggron,is pulling Aggron's head,trasforming and streching it into a gray towel with Aggron's face stamped on the whole towel. Than Charizard deattached the towel from Aggron's body and attached it(the towel) to a pole,making the towel a flag. The rest of Aggron's body is still normal. Aggron has a scared face(you can clearly see Aggron's spiral black eyes and dizzy mouth) and is blushing so much,his face is all red. Charizard is blushing a lot too and is grinning. Aggron's ears are part of the towel too. Aggron's hands are trying to reach Aggron's face. Aggron's body doesn't have a head anymore. The artstyle is more mature. The towel is really sweaty.
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flash
Quality Tag
﹝Prompts﹞
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1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
#Pokémon#Charizard
AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
#Pokémon#Charmander#Charizard
AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
#Pokémon#Charizard
AI artwork
d
character: pikachu, greninja 2girls, pikachu, greninja, pikachu wearing black hoodie, black hoodie, greninja grinning, greninja heavy blush, blue skin, angular anthropomorphic frog man, long ponytail hair, red eyes, yellow towel, towel flag, yellow towel with pikachu face stamped on it, towel with pikachu ears, sweaty towel, sweat drops on fabric, spiral eyes, black spiral eyes, dizzy mouth, wavy mouth, pikachu face fully red, heavy blush, scared expression, pikachu headless body, headless, pikachu hands reaching toward face, outstretched arms, grasping hands, headless pikachu body still normal, race finish, pole, wooden pole, flag on pole, outdoors racetrack, midday sun, from above, wide shot, mature artstyle, sharp rendering, detailed shading The camera looks down from a high three-quarter angle onto a sunlit outdoor racetrack, the flagpole planted at the left third of the frame. Greninja stands at the pole, a lean blue frog-man with angular dark-blue limbs and long draping ponytail hair, weight cocked on his right heel as his right hand pins the pole steady and his left arm sweeps the last fold of the flag taut. A huge wide grin splits his face, one corner higher than the other, and a deep red blush stains both cheeks; his bright red eyes flick up toward the flag, watching his handiwork. On the pole, the yellow towel that was Pikachu's head hangs as a large rectangular flag, stretched and billowing, sweat beaded across its weave and running in darkening streaks down its lower hem. Across the whole towel, Pikachu's face is stamped wide — spiral black eyes turned inward on both sides, a wobbly dizzy mouth stretched long by the fabric, and the entire face flooded red, the blush bleeding to the very edges of the cloth. The two long pointed ears extend rigidly from the towel's top corners, bending slightly in the breeze; the ears flutter while the heavy flag does not, a single-variable physics tell. Below the pole, Pikachu's headless body remains completely normal — small yellow round torso in a black hoodie whose empty collar sits where the neck ends, arms stretched up and straining toward where the face once was, both hands opening and closing helplessly against the air; feet planted, shoulders hunched, no head above the collar. The sun is directly overhead, striking the flag broadside with hard shadows under its folds, a cast shadow of the pole falling across the dusty track where the race ended. Track and turf recede in a shallow, hot haze; a few blurred marker stripes line the running surface. Palette holds to the yellow of skin and towel, blue-black of Greninja, black of the hoodie, and the red of both blushes, everything else desaturated pale ochre. Sharp mature linework, detailed fabric, sculpted shading. Comic and strained.
Domenico

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