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AI artwork featuring #Real Person Fiction
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Real Person Fiction

#Real Person Fiction
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Aizeth Lomardi

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character: kurokawa_akane 1girl, 1oldwoman, 2girls, tall woman, gigantic woman, ugly old woman, kidnapping, (((carrying princess style))), long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous dress ornaments, red and white dress, fur dress, sad expression, humiliated, not enjoying it, blush, tiara, diamond collar, colossal earrings, colossal bracelets, colossal engagement ring, woman frightening the girl, low angle, from below, dutch angle, scared expression, trembling, held up, carrying, arms supporting back and legs, ornate hall, from below, dramatic lighting, Shot from a low angle tilted into a slight dutch cant, so the two figures tower over the viewer and the hall's ceiling vaults out of frame. In the foreground the girl is hoisted off her feet: the old woman's forearms are locked under the girl's back and the crook of her knees, one huge hand spread across the girl's shoulder blades, the other gripping her calf just above the ankle. The girl's enormous chest pushes forward against the bodice as her spine arches back over the woman's arms, both of her hands clamped on the woman's forearm with white knuckles, one leg dangling with the huge puffy skirt collapsing downward in a heavy fall of fabric, sequins scattering the light. Her long black-and-blue gradient hair with straight bangs spills backward over the woman's arm in a slow weightless swing; blush burns across her cheeks, her blue-and-green eyes are wide and wet, brows pinched, mouth a small trembling line, gaze fixed down and away from the old woman's face. Behind her the old woman stands immense, dwarfing the girl by a full head and shoulders, ugly heavy-jawed face pushed close to the girl's ear, one eye squinting in cruel delight, lips peeled back in a toothy fright-making grin, gaze lasered onto the girl to drink in the fear. Her colossal earrings and bracelets catch hard glints, the diamond collar ringing her throat cold and bright. The girl wears a red-and-white rococo gown gone rotten with excess: lace frothing out of every seam, ruffles stacked in tiers, bows clustered so thickly they crowd the shoulders and waist, a fur collar molting over the neckline, glitter fabric and sequins firing light in all directions, ridiculous ornaments dangling from the bodice, the puffy skirt ballooning out in a colossal bell. A tiara skews on her head; a colossal engagement ring rides her finger. Light from a high fractured window strikes down and to the left, catching the sequins, the diamonds and the girl's wet eyes, leaving deep shadows under the woman's jaw and in the folds of the skirt. Palette locked to red, white, cold diamond silver and the girl's blue-black hair, everything steeped in the hall's amber gloom. The woman's slow lift makes the girl's dangling foot skim the floor; the skirt trails a hand's breadth above the marble, its shadow a huge dark bloom beneath them. Quiet dread.
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Original Prompt
1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,,fur dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,,la mujer esta de pie,diamond collar,masterpiece,extreme quality,perfect anatomy,1 old woman,ugky woman,tall woman,woman more gigantic than girl,,la chica no lo disfruta y esta humillada,la mujer esta secuestrando a la chica,(((carry princess))),la mujer hace rodo lo posible por darle miedo a la chica
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
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character: kurokawa_akane 1girl, 1 old woman, 2girls, tall gigantic woman larger than the girl, kidnapping, one woman gripping the girl's wrist, girl being dragged, sad, humiliated, blush, not enjoying it, distressed, long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, star-shaped pupils, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments on dress, red and white dress, fur dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, woman standing, from below, dutch angle, foreshortening, wide shot, looking down, looking away, crying, trembling, enormous frilled skirt filling the lower frame, giant ornate hall, chandelier light, The camera looks up from floor level at a steep tilt, so both women tower over the lens and the whole frame leans; the enormous skirt of the girl floods the bottom of the picture while the old woman rises above her to the right, taller by a full head and shoulders and built like a monument. The girl stands with her weight sunk into her left hip, her right arm pulled straight out and up at an awkward diagonal: the old woman's large wrinkled hand clamps around her wrist, thumb pressed into the pulse, and that grip is the only thing holding the girl from folding in on herself. The girl's other hand is pressed flat against her own collarbone, fingers splayed, knuckles pale. Her long multicolored black-to-blue gradient hair spills over her shoulders, bangs swept across her brow, and where the light catches the strands the blue runs through the black like ink in water. Her huge puffed skirt — red and white rococo silk swollen with lace tiers, ranks of ruffles, clusters of bows and a crust of sequins that throws hard pinpricks of light — billows outward until it scrapes the frame edges, fur trim along the hem shedding loose glittering fibres that drift in the air. The enormous earrings drag her earlobes down, the tiara sits slightly crooked in her hair, the colossal bracelets slide down her forearm toward the clamped wrist, and the diamond collar glitters coldly at her throat; the colossal engagement ring weighs her hand so it hangs at an odd angle. Her face is turned three-quarters away from the old woman, chin tucked, brow pinched, lips pressed thin and trembling, a hot blush burning across both cheeks, eyes lowered to the floor with their star-shaped pupils catching a wet shine — she is not looking at her captor at all, and cannot. The old woman stands square and planted, chin lifted, cold glittering eyes fixed straight down on the girl's averted face, her mouth a flat unimpressed line, and her enormous bejewelled fingers locked around the girl's wrist leave a visible white compression in the soft skin. Her own vast gown — layered red and white lace, fur, bows stacked on bows — echoes the girl's costume one size larger, so the pair reads as a matched set and an owner and a possession. Light pours from a chandelier high above and slightly behind the camera's subject line, so it falls on the tops of the tiara, the ring, the bracelets and the sequins, while the undersides of the skirt frills and the space under the old woman's jaw sink into warm shadow; the girl's cast shadow is long and trapped beneath the enormous skirt. The palette is red, white, and warm gold against a deep shadowed hall, with blue and black confined to the girl's hair and the cold fire of the diamonds. Glitter dust hangs visibly in the beam, marking how still the moment is. Quiet dread, humiliated.
eter lumine
AI artwork
fl
character: kurokawa_akane 1girl, 1boy, kurokawa akane, long hair, bangs, black hair, blue hair, multicolored hair, gradient hair, hair between eyes, swept bangs, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, crying, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, fur trim, ridiculous ornaments, red and white dress, ugly man, tall man, kidnapping, grabbed wrist, pulling, from below, dutch angle, cowboy shot, depth of field, looking at viewer, terrified, clenched teeth, wide-eyed, Low dutch angle, camera tilted so the whole hall leans, boy's-eye view up from knee height: the tall man fills the right two-thirds of the frame as a looming wedge, and the girl is dragged off-balance toward camera-left. He is gaunt and ugly — long lopsided jaw, broken crooked nose, heavy brow shadowing deep-set small eyes, bad uneven teeth bared in a grin, greasy lank hair sticking to his forehead, stubble, stooped shoulders in a plain threadbare dark traveling coat with the collar turned up, sleeves too short on his long arms. His huge bony right hand clamps all the way around her left wrist and forearm, thumb pressed into the inside of the wrist, knuckles whitening, lifting her arm high; his left hand fists the lace at her shoulder, bunching the fabric and hauling her sideways so her weight tips onto the outside edge of her left foot, right foot skidding, right toe trailing, body arcing away from him in a long counter-curve. She is drawn taller and softer than him, thrown forward into the tilt: chin pulled back and down, brows drawn up in the middle, one tear cutting a clean line through the blush high on her cheek and dropping free of her jaw, lower lip trembling under clenched teeth, mouth open in a small soundless shape. Her gaze is locked up into his face, and his eyes are angled down at her, so the two eyelines meet across the gap. Her free right hand is flung out to the side with fingers splayed, the colossal engagement ring a fat blazing rock that catches the light. Her hair is the loudest thing in the frame: long, falling past her hips, a gradient running from near-black at the crown and bangs into deep blue at the lengths, with a blue-black layered fringe cut straight across the brow, longer strands between her eyes, and one heavy swept section across the left brow. Eyes mismatched — the left one blue, the right one green — with faint star-shaped highlights in the pupils. Colossal jeweled earrings hang from both ears, long as her neck, swinging out on their own momentum; colossal bracelets stack up both forearms and clatter against the diamond collar, a rigid band of packed white stones ringing her throat above the fur. The dress is a catastrophe of excess: red and white rococo, boned bodice crusted with sequins over glitter-shot fabric, white lace foaming in three tiers at the neckline and cuffs, ruffles stacked so thick the seams disappear, bows knotted at the shoulder, the waist, the hip and the back — too many to count — plus ridiculous ornaments: enamel medallions, paste jewels, a little gilt bird, dangling ribbons, all of it crowding the bodice. A band of pale fur wraps the neckline and the hem edges. The skirt is enormous, puffed and boned out on hidden supports into a huge bell wider than she is tall, sweeping a long arc out of the bottom of the frame, quilted white and red panels, white fur along the hem, lace and sequins and bows piled on every visible tier. A small tiara sits pushed forward on her crown, one point snagging a lock of hair. The setting is a dim baroque hall: parquet floor running away under the tilted horizon, a row of gilded pilasters and a tall window receding into soft shadow behind them, all of it blurred by shallow depth of field. A single cold shaft of window light drives in from the upper left, striking the left side of her face, igniting the sequins, the latex sheen of the glitter fabric and the facets of the ring and earrings, and leaving his face in half-shadow on the right, rimmed only along the nose and brow. Cold blue-grey shadows, hot red and white and gold on her — nothing else admitted. The fur hem drags a fresh skid-mark in the floor dust where her foot has slipped; her hair and the earrings still carry the momentum of the pull in the opposite direction to the drag. Grim, garish, and sad.
Fitentia Lombardy
#Akane Kurokawa
AI artwork
fl
character: kurokawa_akane 1girl, 1boy, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, crying, tears, furrowed brows, red and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, fur trim, puffy skirt, huge skirt, long skirt, oversized dress, 1 man, tall man, ugly man, kidnapping, being carried, arm support, over-shoulder carry, from below, dutch angle, cowboy shot, looking at another, reaching out, outstretched arm, clenched teeth, struggle, dim grand hall, chandelier light, Shot from below at a tilted dutch angle: a tall, gaunt, ugly man fills the right half of the frame, and against his chest he hauls the girl off her feet in a rough over-shoulder carry, his thick forearm clamped across her back, her weight slumped forward over his shoulder so her enormous ruffled skirt hangs down behind him and her long gradient black-to-blue hair spills over his sleeve. His face, seen in three-quarter from below, is drawn long and coarse -- heavy sloping brow, big hooked nose, small deep-set eyes squinting down at her, wide crooked mouth pulled back in a grin with a couple of teeth showing -- and he is unhurried, one hand gripping her waist under the lace, the other planted flat on her shoulder blade. She is seen mostly from the waist up: her head is tipped toward the camera, cheek pressed near his collarbone, brows pinched up in the middle, blue eye and green eye both wet and shining, tears escaping sideways into her hair, a small open mouth, a hot blush smeared across both cheeks. Her hand stretches down and out toward the viewer with the colossal engagement ring heavy on it, the gigantic stone catching a spark of light, colossal bracelets rattling at her wrist, and the huge teardrop earrings swinging away from her jaw as she is turned. The dress is a rococo disaster: red and white satin and fur, a bodice plastered in layers of lace and sequined appliqué, bows stacked on bows from the neckline to the hem, absurd porcelain-figure ornaments and a tiny candy-striped cage strung on the skirt, glitters and sequins studding every fold so the fabric throws specks of light wherever it turns. A small tiara sits crooked in her bangs, and a diamond collar glints at her throat just under the lace. Her gaze goes past the man toward the viewer, and his gaze is pinned down on her face. Around them a dim grand hall, tall rococo mouldings and a marble floor falling away into shadow; a single chandelier high behind and above them is the only light source, so their faces are lit from above, the underside of her skirt and the space behind the man go black, and a huge soft shadow pools on the floor at his feet. Cool white light, warm red and gold from the dress and the gilding, deep brown shadow. Melodramatic, uneasy.
Fitentia Lombardy
#Akane Kurokawa
AI artwork
eb
character: kurokawa_akane 2 girls, yuri, hug from behind, back hug, kiss on cheek, cheek kiss, standing, sighing, sad, blush, tall woman, ugly woman, tall, mature female, enormous breasts, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, rococo style, red and white dress, overly ornate tacky dress, overdecorated, excessive lace, excessive ruffles, excessive bows, too many bows, ridiculous ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, fur dress, fur trim, long black coat, fur coat, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, full body, from side, dutch angle, dim ballroom, chandelier light, ((tall woman)), ((ugly woman)), (((((la chica lleva un abrigo largo negro encima del vestido))))), ((((fur coat)))) From a low three-quarter side angle that tilts slightly off level, two women stand on the scuffed parquet of a dim, cavernous ballroom. The nearer woman, taller by a head and broad-shouldered, is a gaunt, long-faced woman with a heavy jaw, a hooked nose and shadowed eyes — ((ugly woman)), unmistakably ((tall woman)), her height exaggerated by the low camera. She stands planted behind a shorter woman, her arms wrapped around her from behind: her chin rests at the shorter woman's temple, her forearms clamp across her collarbones, her hands clasped flat over her sternum. Her lips are pressed to the shorter woman's left cheek, and her shut eyes and tightened mouth press a soft dent into the flesh. She is draped in a coat of grey-brown fur, its guard hairs catching the light wherever they curve upward. The shorter woman — Akane — stands sagging under the embrace, her weight slumped onto her right hip, her shoulders curled forward inside her coat. Her hair is a long gradient that starts black at the scalp and spills into deep blue at the ends, a full set of bangs sweeping across her forehead and a strand falling between her eyes; her eyes are open only halfway, one blue, one green, with faint star-shaped pupils catching the chandelier light. Her brows tilt up at the inner ends, her blush an edged flush across nose and cheeks, her lips parted on a long exhaled breath, a small puff of air past her teeth. Her own arms hang limp at her sides, the fingers barely curled, her colossal ring dragging the hand slightly downward. She is looking at nothing in the middle distance, off past the frame's left edge, and her downturn is mirrored by the droop of the taller woman's shoulders against her. Over the dress Akane wears a coat of long black wool, its collar turned up, its hem breaking at her mid-calf and parting wide at the front: (((((la chica lleva un abrigo largo negro encima del vestido))))). Beneath and spilling out of it, the dress is red and white in loud panels, rococo in silhouette and ridiculous in degree — a puffed, enormous, floor-swallowing skirt that flares wider than her reach, its white underlayer showing where the red overskirts split. Lace stands in flat stiff tiers at the cuffs and collar, ruffles crowd every seam, ribbons are tied and retied until they read as clutter, and sequins and glitter threads throw scattered pinpricks of light wherever the fabric turns. The ensemble is finished with fur: a coat of ((((fur coat)))) worn over the wool, ticking out at the cuffs, and hem and collar edged in fur dress trim. At her throat a diamond collar lies against the skin above the coat's lapel, its stones bending with her sighing breath. Above it, a small tiara is set back behind her bangs. At the ears, colossal earrings hang in tiers almost to the jaw; at both wrists, colossal bracelets clink loosely over the cuffs; and on her right hand the colossal engagement ring rides so heavy that the finger angles off to the side. All the jewels flash with the same cold white source. Above and behind, a single chandelier provides the only light; it hangs out of frame at upper right, so its brightness rakes from the right side — the right of the taller woman's face is lit and the left is in deep shadow, the earring facets throwing tiny caustics down onto the collar, and across the floor the two merged silhouettes stretch away, soft-edged and long. The room beyond them drops into absolute darkness, and the air smells of dust and old velvet. Overloaded, quietly miserable.
Eris Boreas greyrat
#Real Person Fiction

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